Tagged: Andrea Romano

Emily S. Whitten: NYCC 2015 Part II – The Round-Up!

phil-lamar-3306649As much fun as Turtles Day (as I now affectionately call the Thursday of New York Comic Con) was, it’s most definitely not the only awesome thing about NYCC. There’s always so much awesome stuffed into those four days that it’s hard to sum it up.

This year, to assist me in my round-up, I thought I’d finally try out a New Method of Doing Things, given that my awesome friend Cleolinda Jones finds it so useful, and that she’s been using it to successfully round-up all of the online things we mention during our Made of Fail podcast (which is still going, by the way! Our latest episode was Dragon Con: The Wrath of Con. Lisssstennn!)

So even though I’m still going to hit the highlights below, I’m also going to direct you afterwards to my brand new, shiny first effort at using Storify (woo!) for even more details and pictures and who-all knows what. We’ll see how we like this whole Storify thing, eh? Call it a social experiment. And now, without further ado:

My Favorite Things About NYCC This Year:

Well we already mentioned Nickelodeon’s TMNT. Check out last week’s column for all the details on that!

Artist Alley

This is and always will be one of my favorite parts of NYCC. This year I got to walk the entire room with enough time to stop and look at the art and other items on display, and to chat with some creator and fan friends and meet some new friends. I walked around with one of my TMNT friends who was happy to meet some cool artists (hey, Kathy!), strolled some aisles with my DC-local friend who bought some most excellent My Little Pony art (holla, Petra!), and bounced around to see some creators with Eric Bauza (including taking him, as the Voice of Amadeus Cho, over to meet Reilly Brown, one of the Artists for Amadeus Cho. That was fun.)

Of course, inevitably after the con ended I realized I’d somehow still missed a few people I wanted to see (alas!) but that always happens. I watched some artists working (love doing that! Tony Moy was particularly fun to watch this year), resisted mightily buying everything in sight, and picked out just a few things to take home with me. Chief among them were Jason Hurley and Jeremy Haun’s Beauty, the first two issues of which are intriguing, and have convinced me to keep reading. I also picked up four issues of Runaways written by Noelle Stevenson, with art by Sanford Greene, which I’m looking forward to (I loved Brian K. Vaughan’s original run but got away from it for awhile after he left the book. I’ve been meaning to dive back in!). I got a cool metallic-finish Deadpool poster from Reilly Brown, as well as his new sketchbook.

And since I’m in the process of working on some comics projects myself, I was particularly excited to score a signed copy of Make Comics Like the Pros from Greg Pak and Fred Van Lente; and an X-Files comic with accompanying limited-edition script from Joe Harris. And last but not least, I picked up the most adorable dancing Groot sketchcard from Janet K. Lee, which I’d commissioned at a previous con. Yay!

Walking the Con floor

Okay, so I admit that this year even I was slightly overwhelmed by the crowd, and had to go hide in the still very crowded but less frantic-feeling Artist Alley from time to time. However, I did get to do some really fun things on the con floor. I saw my wonderful friend Ellen Datlow at the HWA booth, where I picked up a free copy of her The Best Horror of the Year: Volume 7 anthology, and bought a copy of her Nightmare Carnival anthology (creepy carnival stories! I will read them with shivery delight and then never sleep again). I hopped over to the IDW booth, had a nice chat with Dirk Wood, and picked up a copy of God is Disappointed in You, which I am super-curious to read.

I swung by the Marvel booth, and, although I sadly missed the spectacular Daredevil poster, got a great Jessica Jones poster and comic and a handful of other cool swag, including the cutest Skottie Young Secret Wars print you ever did see. I mostly avoided buying collectibles because my apartment overfloweth with them already, but did get a tiny adorable stuffed ram (what, it’s tiny!) and an awesome inflatable Companion Cube ottoman (for my casual dinner parties! Totally practical! I always run out of seating). I got to visit with the ever-charming Mark Gagliardi and meet Hal Lublin, both of The Thrilling Adventure Hour, and stroll around with great friends like fun fellow DC-ite LacyMB, awesome voice actor <a href=”

Bauza, and fellow reporter Ashley B. And Ashley and I got to take creepy <a href=”

scene videos of ourselves after being “killed” in the line of reporting duty (probably trampled by crowds trying to get into the Funko booth, yes?) at the Spotless exhibit. All-around good adventures.

Ash vs. Evil Dead

This was a fantastic panel. I love Bruce Campbell (particularly after Burn Notice – he was so good as Sam!) so I really wanted to see him on a panel; plus, I’ve been curious about how they’d make this show work ever since I started seeing the media for it at SDCC. This panel was particularly cool because I went with someone else who was totally excited about it (probably the most excited of anyone there, really) and good panel-going company always makes it more fun. We got nifty swag (Ash4President buttons, and foam chainsaws), Bruce et al. (and host Kevin Smith) were very entertaining panelists, and they showed the entire premiere episode (during which I am not ashamed to admit I jumped a lot. My startle reflex will never disappear. Neither will my desire to hide behind people or couches during scary scenes).

Unfortunately there were no couches at the Hammerstein Ballroom, but I survived. The premiere is exactly what you would want if you’re an Evil Dead fan, I think; and even if you’re not really up on the franchise, it’s engaging enough to draw in a new crowd – that is, if they are people who can handle a lot of gore and gratuitous violence. I was pretty interested in the characters they’re starting to build for the younger leads (Kelly and Pablo, played by Dana DeLorenzo and Ray Santiago) and the storyline they’re starting with the cop (Jill Marie Jones) and Lucy Lawless’s character Ruby. And of course, tying it all together is the always classy (sarcasm, what? I will say I thought the sex scene early on was a little much even for this character) Ash, and a boatload of well-done references to the franchise. My one caveat is that I think in order to keep people interested, they’re going to really have to do some character and story-building with the non-Ash characters – but if they do it well, this show could be a really cool addition to TV horror.

Seeing awesome people!

And so many of them; but primarily here I’m talking about Andrea Romano, who I was delighted to learn was autographing this year (if she has in the past, I’ve missed it). She is definitely one of the uber-talented people of the animation industry that I most admire (plus she’s super classy and nice), so it was great to see her again and get her to sign what is turning into one of the most-autographed things I own, a TMNT pizza box. Phil LaMarr also added his signature to the collection (I love him as Baxter Stockman), and it was great to see him as well. And as it turned out, the delightful and hilarious John DiMaggio was also signing at the same time, so I got a great Joker picture signed by him. Yay!

The ICv2 White Paper Happy Hour

Although I love all the media stuff that goes on at comic cons, I really like to spend time on the comics end of things too. I’d never been able to get to the ICv2 stuff before, since they usually do events on Wednesday before I arrive in town for the con. This year, though, they changed tack and did something during the con. For those who don’t know, ICv2 studies and reports on the statistics and trends about in the industry, including e.g. comics and convention trends. It was interesting to hear the latest on the State of the Industry at the event, and particularly the continued growth in female readership in comics, which was regarded with enthusiasm (good!).

Of course, it was also nice to grab a drink and a chat with comics friends, and engage in some more serious discussions regarding news such as the most recent sexual harassment in the business (which I will be addressing more in another column). I’m glad these things are being discussed rather than ignored.]

And finally…

Just all of the fun and energy of going out and about with all of the awesome people who are in NYC during Comic-Con. That includes the Image party, at which everyone in comics showed up (seriously, I mean I didn’t personally run into everyone, but I’m pretty sure they were all there) in a maze-like bowling alley/arcade/bar/dance club with many levels and rooms and cool chairs I wanted to steal. Also the several lovely breakfasts and dinners I had with high school friends and law school friends and con friends (and apparently this year’s accidental restaurant theme was seafood, since I ended up at Grand Central’s Oyster Bar, Crave Fishbar, and L&W Oyster Co. all in the space of three days. Not that I minded! Such gooood foooood). And the fun bar scene, which this year included the Campbell Apartment which I had no idea existed and which is exactly the sort of place I love to discover (thanks, Dennis!). And of course the wrap-up of my NYC trip, which ended with a great long-form improv show featuring Phil LaMarr at the Upright Citizens Brigade Theatre, which I’d never been to. It was fantastic; and I haven’t laughed that hard in some time!

And that was pretty much my show this year! But if that isn’t enough excitement for you, or if you’re hurting for my usual linkage to tons of pictures, for even more round-up, click here or just scroll down to check out my NYCC Storify (and let me know if you like it, as a thing. Should I do it again? Feedback, people! Do tell!).

And until next time, Servo Lectio!

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Marc Alan Fishman: The Voice of an Entire Universe

Let’s just get this out of the way now: Amongst we ComicMixers, the esteemed (and far prettier) Emily S. Whitten is a bigger and better fan of voice actors than I shall ever be. With that being said… aren’t voice actors amazing?

You see, in between bouts of crippling sinusitis and binge-watching Breaking Bad like I was addicted to meth, I opted to catch John DiMaggio’s documentary I Know That Voice. A fantastic little flick dedicated in celebration of a continually (mostly) unsung hero of the animated world: the voice performer. With interviews from some – if not most – of the current tribe of working actors and actresses who lend their larynx to the cartoons of the day, I simply must recommend watching it yourself soon if you haven’t already.

andrea-romano-5858538But that recommendation is not my singular premise of the week, kiddos. For you see, it was that fine feature that finds me floundering on someone who I particularly find perhaps even more incredible than the aforementioned performers – Andrea Romano, voice director.

A quick scan of her Wikipedia bio proved to me why she’s such a favorite of mine – Batman aside, which we’ll get to soon enough. After three years serving in LaLa land, Andrea landed the voice director role for a little show by the name of Duck Tales. For those not in the know, the best I could say is this: Duck Tales still holds up today, and puts plenty of what passes as entertainment now to shame. If you think Adventure Time doesn’t owe a debt of gratitude to Duck Tales, then you probably think dub step is real music. But I digress.

Duck Tales aside from wondrous writing – some episodes were adapted from classic Carl Barks stories – became a staple to my generation due, in part, to the strong direction in the vocal booth. For someone to be able to help her cadre of pros (and yes, we know Disney don’t fudge ’round when it comes to a good voice… save for Mickey, ha Ha!) produce pathos, angst, fear, pride, and greed in between daring adventures and slapstick? Well, it helped a show about anthropomorphic ducks and dogs going on worldly (and time-travely) jaunts feel like a show that could care less it was about ducks and dogs.

To wax poetic about every line-item in her IMDb profile would be a waste. Suffice to say, Ms. Romano’s resume is the tops. But the devil is in the details, there. Because no matter what else she was help produce in her tenure, Andrea Romano’s magnum opus lay across her impermeable casting and direction of the animated Bruce Timm DCU.

Close your eyes. Imagine Batman and the Joker trading a bit of banter before a major battle. If you’re not hearing Kevin Conroy and Mark Hamill, I feel mildly sorry for you. Personal preferences aside, when Bruce Timm’s critically acclaimed Batman: The Animated Series debuted… it was not only the unmistakable visual identity of the show that captivated the world.

The casting was an unheard of coup. Legends of the stage and screen joined well-vetted voice-acting professionals to layer a soundscape that perfected the art of matching an animated presence to realistic voice. I take nothing away from other casts, and cartoons mind you. But I beg for someone to compare the sheer volume of wins Ms. Romano chalks in her column, if by the DCU alone.

Even when facing a recasting, like Superman (heard of him?), Andrea cemented her mettle with me. Tim Daly’s Superman, as originally cast, brought so much to the role. As cast and written, Daly was innocent, untested, strong, but jovial. But by the time we reached George Newbern’s brogue come Justice League: Unlimited, the character had changed. Andrea’s selection delivered one of the most potent speeches ever uttered over celluloid. When through gritted teeth we heard “I live in a world made of cardboard…” in the finale of the series (and the animated DCU-ala-Timm) we heard a Superman that shunted away from his once prentice prose… that was still wholly made of his former self.

Beyond the most recognizable faces she brilliantly cast, Andrea Romano even nailed the minor roles. Take the casting of B-movie mainstay Jeffery Combs as the kooky Question. As a Vic Sage fan since forever, I can’t get Combs’ odd gravelly whisper out of my mind’s ear when I read him. Or take perhaps the hilarious casting of Fred Savage and Jason Hervey as Hawk and Dove, respectively. A wink and a nod to those of us who once grew up with the Arnold brothers of Wonder Years fame, but correctly recast; with the more nasal Hervey cast as the lesser Dove to the now meatier range of Savage. Even when taken out of our times, Romano matched the bravado necessary for Sargent Rock himself with the Hunter, Fred Dryer. I could go on (like the perfectly cocky Tom Everett Scott as Booster Gold, ahem), but my point has been made. And damn it all, I haven’t even gotten to the villains!

As my son begins to gain interest in the animated adventures of his favorite heroes, I’ll be perplexed to find him a definitive Captain America, or Iron Man. Luckily for me, he knows Superman and Batman. So, for the while, I’m well covered.

 

Emily S. Whitten: Continuous Convention Catch-Up

Goooooood evening, boys and girls! Before we get on with today’s column, let us have a moment of silence (because we’ve all fainted from excitement) to celebrate that a Deadpool movie is really, truly, finally in the works. For real this time. Like, totally.

…

…

(Obligatory NSFW test footage shot)

Aaaaaand, we’re back. Everyone have time to get up off the floor? Yes? Excellent. And don’t be ashamed of fainting. I’m that excited, too! Now, we just have to hope that they don’t screw it up.

And now on with the column. The convention season has been just flying by, it seems. Barely did I return from SDCC before it was time to start finalizing my costumes and setting my meet-up plans for Dragon Con; and of course after Dragon Con, Baltimore Comic Con was literally right around the corner, being the next weekend. And with all of the cool things going on at every single con, I feel like I’m weeks behind on everything I still have to share with you all out there in reader-land.

So this week, let’s have a little whirlwind catch-up/retrospective of the highlights.

Comic-Con International

No, I’m not even kidding, there’s still cool stuff that happened at SDCC that I haven’t shared yet. In particular, I didn’t really get to write about the panels yet, and man, there were some cool panels. For one thing, there was our very own Michael Davis’s The Black Panel, which focuses on black entertainment and creators who are doing notable work in the various entertainment industries. This year, the panel featured Orlando Jones (Sleepy Hollow, MAD TV), Ne-Yo (actor, artist, writer, singer, etc.), J. August Richards (Angel, Marvel’s Agents of S.H.I.E.L.D.), Kevin Grevioux (I, Frankenstein; Underworld), Cree Summer (Batman Beyond, Rugrats, A Different World), and Erika Alexander (Living Single, “Concrete Park”). After the panel I got to catch up with J. August Richards (who, by the way, had <a href=”

target=”_blank” rel=”noopener”>a hilarious mic-drop moment), and he had this to say: “Michael Davis is a legend and a pioneer in the field. It was an honor to be a part of The Black Panel and hilarious to watch him do his thing in person. Clearly, he’s the star of the panel every year!”

I also checked in with my friend Sarah Goodwin, a scientist in the field of cell biology. She shared that, “this was my first Comic-Con and so my first time attending The Black Panel. First of all, this was one of the few panels I saw that featured women (yay!!!!). Secondly, all of the panelists were very open and honest about their experiences and how they see themselves positioned within the various cultures of their crafts. Throughout this panel came lessons in putting yourself out there, taking risks, and most importantly, persistence. I found the panel very informative and could relate to a lot of what they were saying since I am a woman in a male-dominated field (in science the field is male-dominated at the ’star’ level, at least). I left the panel with a sense of optimism that diversity in all aspects of Hollywood will continue to grow, and that Comic-Con can be a place where this is discussed and celebrated and/or criticized amongst a supportive and welcoming community. Also Kevin Grevioux has an incredible voice, and I think it is super cool that he used to be a scientist at the NIH!” Clearly, The Black Panel is not to be missed.

I also checked out the I Know That Voice panel, which was super fun since they were showing some of the cool extras that came along with the DVD of the awesome voice actor documentary that I’ve covered before. The panel featured some of my favorite people in the industry and the extras were well worth a watch, with discussions of “Andrea Romano’s First Time,” Billy West talking about the origins of Zapp Branigan, and Jim Cummings telling tales involving booth etiquette, among other things. Check out a few pics here, and then go get the DVD.

And that’s all for me this week, folks, so until next time when I continue my convention catch-up, Servo Lectio!

The Point Radio: Kevin Conroy On Keeping BATMAN Fresh

BATMAN ASSAULT ON ARKHAM is the newest direct-to-DVD DC feature with a lot of familiar parts including Kevin Conroy reprising his Batman role, and telling us how he manages to always keep it fresh. Plus, comedian John Lehr goes from Geico caveman to western funny man in the Hulu series QUICK DRAW, and talks about how improv is a huge part of the show.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

REVIEW: Superman Unbound

superman-unbound-e13614670824301-3097221Superman is a science fiction story. What else can you say about the sole survivor of a doomed planet coming to live on Earth? As a result, some of the best stories about the Man of Steel have been science fiction in nature so it’s a wonder that it has taken this long before one of his confrontations with fellow alien Brainiac was brought to the screen. The feature films keep reusing Lex Luthor and General Zod, ignoring the computer construct from the distant world of Colu, who has captured specimen cities from countless worlds, including one from Krypton.

Thankfully, the folk at Warner Animation have recognized his incredible potential, first by reimagining him as a closer part of the mythos in their Superman: the Animated Series and now in Superman Unbound. The core story is lifted from Action Comics #866-870 by Geoff Johns and Garry Frank and collected under the title Superman: Brainiac. To place this in perspective, the story comes after the Infinite Crisis reboot of the DC Universe continuity, meaning Supergirl is still adjusting to being on Earth and neither has encountered Brainiac before.

supunb_08015-e1366919892363-3608045Bob Goodman, who did an admirable job turning The Dark Knight Returns into the previous two films, once more, tackles the iconic characters. Here, he has a far more emotional story to deal with and made only a handful of major modifications, notably downplaying Pa Kent’s role and keeping Lois and Clark single folk. He and director James Tucker make for a good team and the story moves fairly seamlessly but the action pieces are where things fall apart. We’re told repeatedly how utterly Brainiac is and yet he continues to send endless constructs after Superman despite it being obvious that they are ineffective. How shall I put this….it doesn’t make any freakin’ sense except to give the animators something fun to do.

supunb_09699-e1366919706145-8553640There’s tension between Superman and Supergirl over her readiness to be Earth’s protector; there’s tension between Clark and Lois about their relationship being stalled by his overprotectiveness and then there’s the larger problem of Brainiac having stolen Kandor and now attempting to bottle up Metropolis. There are nice resonances established between these three threads and Goodman does a good job making Supergirl and Lois well-defined characters.

Once more Andrea Romano delivers with an excellent vocal cast, bringing verve to Goodman’s script. Castle’s Stana Katic makes for a powerful Lois (and I thought Dana Delany had it nailed) and she’s well paired with her TV costar Molly Quinn, who is a vulnerable teen Kryptonian. Matt Bomer drops his voice to a tone deeper than his usual White Collar character and is almost unrecognizable. On the other hand, Fringe’s John Noble is wonderfully creepy as Brainiac.

supunb_10290-e1366919755886-4873080Tucker, though, botches the character design. Superman’s square jaw is now a tapered, pointy thing that robs him of power. Lois is way too thin for normal proportions and Pa Kent is a caricature of the influential father he should be. Tucker does better with Brainiac and his ship along with the Kandorians (and kudos for the Ultra the Multi-Alien cameo).

Overall, this is a satisfying adventure with a nice emotional undercurrent.

supunbb_15831-e1366919803658-5671011The 75 minute feature is supplemented on the Blu-ray with two nice thirty minute featurettes: Kandor: History of the Bottle City provides the historic context for how this was introduced and how it altered the mythos. Marv Wolfman, Mike Carlin, Bob Goodman, Geoff Johns and Dan DiDio all chime in on the bottle city and its charms. Heath Corson is also included, a writer with no connection to Superman or DC or context provided so he’s an annoying presence. The second piece, Brainiac: Technology and Terror is less successful since there is tremendous confusion between what is said and what is shown. Despite having Wolfman and Carlin to provide some history, everyone goes from discussing the original Silver Age creation to his reimagining in the latter years then skip ahead to his modern day incarnation. But visually, the goateed Milton Fine is seen from the John Byrne era reboot but never mentioned. Similarly, we’re shown images of Brainiac 5 from early Mike Grell Superboy and the Legion of Super-Heroes but he is never mentioned so Brainiac’s legacy in the history of the DCU is also absent.

The Blu-ray has, exclusively, the Kandor feature and four episodes of Superman: The Animated Series and a digital excerpt from the Superman: Brainiac collected edition. The combo pack comes with the Blu-ray, DVD (with the Brainiac featurette) and an Ultraviolet digital copy.

Warner Home Video to unveil Catwoman animated short, first ‘Justice League: Doom’ footage at NYCC

Warner Home Video, Warner Premiere, DC Entertainment and Warner Bros. Animation proudly present an action-packed hour of first looks at DC Universe Animated Original Movies properties on Friday, October 14 from 3:00-4:00 p.m. at New York Comic Con.

Central to the panel will be the premiere of the animated short Catwoman, starring Eliza Dushku (Buffy the Vampire Slayer, Dollhouse) as the voice of title character. The 15-minute short will be included on the release of Batman: Year One, which streets October 18 on Blu-ray, DVD, for Download and On Demand.

The panel will also include the very first footage to be seen from Justice League: Doom, the highly-anticipated next entry in the ongoing series of DC Universe Animated Original Movies.

The panelists, which include the ultimate voice of Batman, Kevin Conroy, DCU executive producer Bruce Timm and casting/dialogue director Andrea Romano, will offer a glimpse into the 2012 DC Universe Animated Original Movies slate, give away some exclusive prizes to inquisitive audience members, and quite possibly welcome a few surprise guests to the stage.

An autograph session with the panelists will immediately follow the panel.

The Point Radio: Stan Lee Wants You – And Your Violin

A good portion of the success enjoyed by DC’s direct-to-DVD features belongs to the directing expertise of Andrea Romano. So how does she find thopse wonderful voices and which Hollywood A-Listers are on her “wish list”? Plus, Stan The Man is looking for a few good musicians – really, True Believer we’re not kidding!

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