Tagged: art

Happy Birthday: Barbara Slate

slate-8997718Born in 1947, Barbara Slate started out in greeting cards before moving to comics. In 1974, she met with a greeting card buyer from Bloomingdales and showed him 24 feminist greeting cards she had designed. Thus, the "Ms. Liz" line was born.

Ms. Liz then became a comic strip in Cosmopolitan, and then an animated feature on The Today Show. Next, Slate spoke to Jenette Kahn of DC Comics, who hired her to create Angel Love. From there, Slate moved to Marvel to create Yuppies from Hell and Sweet XVI (which won a Forbie Award in 1991), and then began working on Barbie and Barbie Fashion (which won the Parent’s Choice Award in 1992 and 1993).

Slate has also written for Disney Comics (Pocahontas and Beauty and the Beast) and Archie Comics, among others. Currently Slate writes for Archie Comics, teaches graphic novel and sequential art workshops, and has a syndicated column called “You Can Do A Graphic Novel.”

More Will Eisner Films on the Way

Will Eisner’s seminal comic book series The Spirit is on the way to theaters, adapted by Frank Miller. And it looks like more of the legend’s creations could be following.

Wired has the news that Creative Artists Agency picked up the rights to Eisner’s estate and will push for more movies based on those books, including A Contract With God.

CAA, a heavyweight talent handler that represents Steven Spielberg, Tobey Maguire, Cameron Diaz and scores of other A-listers, will be pushing for movie adaptations of Eisner titles as a result of the deal, which was announced last week. Eisner comics that could make it to the silver screen include A Contract With God and Other Tenement Stories, John Law, Lady Luck, Mr. Mystic, Uncle Sam, Blackhawk and Sheena.

Eisner died in 2005. Widely credited with helping establish the graphic novel as a respectable art form, he was honored in 1988 when Comic-Con created the Will Eisner Comic Industry Awards to recognize cutting-edge comic book talent.

Review: Chris Ware’s ‘ACME Novelty Library, Vol. 18’

acme1-7237097ACME Novelty Library, Vol. 18
By Chris Ware
Drawn & Quarterly, 2007, $18.95

My friend and former colleague James Nicoll once said “Whenever I find my will to live becoming too strong, I read Peter Watts.” For me, Chris Ware fills the same function – Ware’s work is almost terminally depressing, but executed with such craft and skill that it’s impossible to look away.

This edition of [[[ACME Novelty Library]]] continues Ware’s current graphic novel, “Building Stories” – at least, that’s what this has been called before; there’s no page with that or any other title in this book – with a series of interconnected short stories about an unnamed woman who lives on the top floor of that apartment building. (Parts of this volume also appeared in The New York Times Magazine in 2007 as part of their cruelly-misnamed “Funny Papers” feature – Ware might have been the most bleak thing in that comics space so far, but all of it has been serious, most of it has been dour and none of it has been funny.)

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ComicMix Radio: It’s Business As Usual Again, So Let’s Go Comic Shopping!

It’s a new week and a new round of comic books and DVDs to ponder, plus:

— The next step for the Wolverine manga series (art at right is not final)

— Stan Lee and his next "New Universe"

— Move over, Mickey Mouse, Marvel gets a a theme park!

It’s only been a a day, so you know how to press the button!

 

 

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Review: ‘Fantasy Classics’ edited by Tom Pomplun

fantasy3-7944618Fantasy Classics: Graphic Classics Vol. 15
Edited by Tom Pomplun
Eureka Productions, 2008, $11.95

The “[[[Graphic Classics]]]” series most of the time sticks to a single author per volume, but not always – they’ve had [[[Horror Classics]]], [[[Adventure Classics]]], and [[[Gothic Classics]]] already, and I wouldn’t be surprised to see more along those lines. (There’s no one chomping at the bit for a full volume of Sax Rohmer or Anne Radcliffe, for example, and it’s also a way to do more Poe or Lovecraft without doing a full-fledged “volume two.”) 

[[[Fantasy Classics]]] has two long adaptations – of Mary Shelley’s Frankenstein and of H.P. Lovecraft’s “[[[The Dream-Quest of Unknown Kadath]]]” – that each take up about a third of the book, and some shorter pieces that fill up the rest. They’re all fantasy, as advertised, but they’re very different kids of fantasy from each other – many, in fact, consider [[[Frankenstein]]] to be science fiction, indeed the ur-SF novel – and none of them are much like what’s mostly found in the “Fantasy” section of a bookstore. There are no Tolkienesque elves or post-[[[Buffy]]] vampire lover/killers here.

The book leads off with a single-page adaptation of Lord Dunsany’s “After the Fire” by Rachel Masilamani; it’s fine for what it is, but basically a vignette.

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Review: Three More Books for Kids

Here are three more graphic novels for readers of varied ages, gathered together for no better reason than because I read them all recently:

Gumby Collected #1
By Bob Burden, Rick Geary, & Steve Oliff
Wildcard Ink, 2007, $12.95

Bob Burden’s connection with Gumby goes back twenty years, to the great [[[Summer Fun Special of 1988]]] (illustrated by Art Adams), and he’s pretty much the dream writer for a modern Gumby comic. (Although Steve Purcell, writer of the equally-great Gumby Winter Fun Special, did a damn good job as well.)

But the idea that a big media creation – even an old and quirky one like Gumby – would actually end up being written by an oddball outsider like Burden, instead of some safe writer of corporate comics, is…well, it’s as unlikely as any Bob Burden story, which I guess makes it doubly appropriate.

This trade paperback – which has an ISBN and price only on the inside front cover, tucked away like an afterthought, so it may be difficult to track down – collects the first three issues of what is supposed to be an ongoing Gumby series. (It’s been late regularly, though, so it’s anybody’s guess how long it will continue. But this book came out, and that’s more 21st century Gumby comics than I ever would have expected to begin with.)

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EZ Street: Big Breakthrough

  • News
  • April 16, 2008

Sometimes, the story just flows.  In today’s brand-new episode of EZ Street, by Robert Tinnell and Mark Wheatley, Danny gets some new ideas about how to draw Scot’s story.  Will the parts be greater than the whole?  Can brothers collaborate on art and life?

Credits: Mark Wheatley (Artist), Mark Wheatley (Colorist), Mark Wheatley (Letterer), Mark Wheatley (Writer), Mike Gold (Editor), Robert Tinnell (Writer)

More: EZ Street

 

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Review: ‘Tônoharu, Part One’ by Lars Martinson

tonoharu-1867736

Tonoharu: Part One
By Lars Martinson
Pliant Press/Top Shelf, 2008, $19.95

This is another one of those books where it would be dangerous to assume too much, but it’s so tempting to do so. Martinson is a young American cartoonist who “lived and worked in southern Japan as an English teacher for three years.” The main character of this book, Dan, is a new English teacher in the Japanese town ofTônoharu. To make it even more complicated, [[[Tônoharu]]] has a prologue from the point of view of another English teacher in Tônoharu, Dan’s successor, who may or may not be Martinson. From the prologue, we already know than Dan will only last a year in Tônoharu, and that he’ll go home with “that ever-present look of defeat on his face.”

We also know that Dan’s unnamed successor isn’t particularly happy with his life in Tônoharu – the prologue sees him wrestling with the choice of staying for a second year, or bailing out – and the beginning of Dan’s story shows his unnamed predecessor leaving Japan after only a year, along with the predecessor’s only friend, another American teacher. So what is it about Tônoharu – or about Japan in general – that burns out and drives away Americans?

The main part of the story shows Dan feeling isolated and cut off from Japanese society, but he also doesn’t seem to be making much of an effort to connect to it. He has long periods of idleness at the school, which he’s supposed to use to prepare for class, but his language skills don’t get any better, and he’s always badly prepared. He doesn’t have much of a life in Tônoharu, but it’s hard to tell why that is – he says, at one point, that his hobbies are watching TV and sleeping, and he’s apparently honest about that. Honestly, he doesn’t seem to do anything, or to want to do anything in particular – he just wants not to be doing whatever he is doing.

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Review: ‘Paul Goes Fishing’ by Michel Rabagliati

paul-5922310

Paul Goes Fishing
By Michel Ragabliati
Drawn & Quarterly, 2008, $19.95

[[[Paul Goes Fishing]]] is the fourth in a series of semi-autobiographical graphic novels by an illustrator-turned-cartoonist from Montreal named Michel, about an illustrator-turned-cartoonist from Montreal named Paul.

Nosy Parkers, such as myself, will immediately start wondering just how “semi” this autobiography is. Paul and Michel are about the same age, in the same line of work, from the same city, and have the same family details (a wife and one daughter). On the other hand, these semi-autobiographical cartoonists are sneaky – and someone like Ragabliati could also easily have just done a pure autobio comic (there’s no shortage of those). So I’ll refrain from assuming that anything about “Paul” is also true of Rabagliati.

Like the other “[[[Paul]]]” books, Goes Fishing wanders through Paul’s past, with some scenes set when Paul was young (mostly when he’s fifteen and so frustrated with his life that he tries to run away) and some when he’s an adult (mostly in the mid-90s). There’s some narration, in the voice of a contemporary Paul, to organize it all, and explain when each scene is taking place, but the structure is quite fluid, with scenes flowing according to memory or other connections than along purely chronological lines.

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Review: ‘Three Shadows’ by Cyril Pedrosa

shadows1-6248094

This book will break your heart; I warn you now.

Three Shadows
Cyril Pedrosa
First Second, 2008, $15.95

Louis and Lise are farmers somewhere quiet and untouched, doting parents to their small son Joachim. Their life is bucolic, idyllic: “Back then…life was simple and sweet. Everything was simple and sweet…The taste of cherries, the cool shade, the fresh smell of the river… That was how we lived, in a vale among the hills…sheltered from storms…Ignorant of the world, as though on an island…Peaceful and untroubled…Then everything changed.”

Three figures appear ominously one evening, on horseback at the horizon. Somehow, everyone knows that they’re trouble, but they can’t be confronted. They disappear into the mist, into the distance. Joachim’s dog Diego disappears, and the shadows use his barking to lure the boy – and almost get him.

So Lise goes to the nearest big town to consult with Mistress Pike, whose sign reads “Midwife. Exorcist. Sympathetic Ear.” The truth is what they fear most: the shadows have come for Joachim. And they’re not going to stop.

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