Tagged: Avengers

MATT RAUB: Spider-Man 3 Review

So here we are, one day before the highest anticipated film of 2007, Spider-Man 3, gets released into a record 4,252 theaters. I, just like about a billion other fans, couldn’t wait to see this flick, mostly because this is the film where we get the infamous Venom as a villain, along with a laundry list of other storylines. But before I get too deep into that, lets break it down. Usually when reviewing comic book movies, I like to break the critique down into three separate sections: the Acting, the Story, and the FX.

Lets begin with my least favorite part of the entire film: the acting. Now I may be a bit jaded, but I’ve never really got into having Tobey Maguire as Peter Parker. This is where doing a book or comic adaptation gets funky, because originally the character’s voice and overall demeanor is up to their interpretation. A perfect example of this is the [[[Harry Potter]]] film franchise. The casting of those films were almost spot-on with the fan’s interpretation of the characters, and they didn’t even have the visual aids that comic books have.

With that said, in my head Spidey was the nerdy, quiet kid before bitten by the radioactive/genetically enhanced spider, but then gains self-confidence while still keeping his puerile attitude towards life. This is how we get the wisecracking interpretation in modern books. But with Maguire’s performance, we are constantly treated to the somber, “woe is me” Spider-Man who, granted, still jumps, swings, and does whatever a spider can, but in between those periods is constantly in a state of teary-eyed misery. Even in the second film where he is convinced that being Spider-Man is a curse, and trashes the costume, he still looks like at any moment, he could burst into tears. Some could attribute this to Maguire’s incredible range, but if I wanted that, I’d go see Seabiscuit again.
 
Spider-Man is the comic relief of the New Avengers, and even in the Ultimate books, he may cry, but when he’s in the suit, he’s a regular swinging Henny Youngman. The same goes for this film, in the times that the mask isn’t on (which is way too much to begin with), his eyes are constantly filled with tears.

Moving on to our leading lady, Kirsten Dunst, I have a whole different problem. In the first film, I was starting to get into the idea of having a non-supermodel quality Mary Jane Watson and by the end of the second film, I was completely sold, though she looked like she hadn’t eaten since Jumanji. And just then, as if it was her master plan to get us all to love her, and then crush us, in a press junket for Spider-Man 2, Dunst was quoted in saying that her ideal plot for another sequel would be where our webbed hero dies in the first act, and the rest of the film is about Mary Jane coping in the modern world with an unborn Spider-Baby as a single mother. Some of you remember this quote as “The Day We Started to Hate Kirsten Dunst.” I don’t know what it is about female actors and preaching their ideas when the majority of the audience paying attention to them are people who could care less about them. We go to superhero movies to see [[[superheroes]]], not their girlfriends.

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More Marvel video games

pixelavengers-4857502

If you’re going to appear in a Marvel movie, you might as well try to get into the video games as well.

Marvel Entertainment has expanded its deal with Sega Europe and Sega of America, under which they will develop and distribute games based on Marvel’s upcoming feature films, The Incredible Hulk, Captain America, and Thor.  This new exclusive, multi-year licensing deal follows Marvel and Sega’s pact to create game titles based on Marvel’s upcoming Iron Man movie, with both game and movie set for release in May 2008.

Pixel Avengers by Ben Cooper. Check out the rest of the roster here.

Apollo and Annette? Starbuck and Li’l Archie?

Transformers sell out, Bendis and Bagley invade The Mighty Avengers, the awesome Bob Bolling (one of the all-time great writer/artists) returns to Li’l Archie, Galactica‘s Apollo shares even more television wisdom (complete with a season review), and the low-down on this year’s Free Comic Book Day!

But most important, you get a peek under Annette’s blanket – all on ComicMix Podcast #24, available right here, right now:

MICHAEL DAVIS: The Davis List

michael-davis100-1542738There seems to be a whole lot of people who get to tell us what they think we should see, what they think we should buy what is the best, worst, the must haves and the stay away froms. Most of these experts put out a list so that we can revel in their genius. How many lists are we subjected to? Let’s see, off the top of my head…

David Letterman’s Top Ten List, the only list I pay any attention to

The Top Ten Movie List

The Hollywood Power List

The richest people in the world list

Blackwell’s worst dress list

The Sexiest Man List (I can’t believe that I have not made that one)

Joan Rivers best / worst dress list

The New York Times Best Seller list

AFI greatest movies of all time list

Rolling Stones greatest albums ever list

These are just the ones I can think of while waiting at LAX for a flight to Chicago. There are a multitude of lists out there. Everybody has a list, every magazine, every TV news show, every critic, every commentator, every Tom, Dick and Harry has a list. Well why can’t we have a list? You, me everybody? What makes Rex Reed’s list better than yours or mine?  With all due respect to Mr. Reed, I seem to remember he hated Close Encounters of the Third Kind. Need I remind everybody that that film is one of the greatest Sci-Fi films of all time. Well I think that it’s time we all have a list. Let’s start with mine.  My list will not be a Top Ten list. Nope. I’m twice as cool, so mine will be a top 20!

Comics:

  1. The greatest comic book ever: Avengers #66 (My first comic!)
  2. The greatest superhero ever: Batman

  3. The second greatest superhero ever: Captain Marvel (Shazam!)

  4. The greatest super team: 60’s Teen Titans

  5. The greatest superhero fight ever: Hulk vs. Thing

  6. The second greatest superhero fight ever: Hulk vs. Sub-Mariner

  7. The greatest team up ever: Spider-Man and Superman (the first one)

  8. The greatest graphic novel ever: Watchmen

  9. The second greatest graphic novel ever: The Killing Joke

  10. The third greatest graphic novel ever: The Death Of Captain Marvel

  11. The fourth greatest graphic novel ever: Marvels

  12. The saddest event in comic books: The death of Gwen Stacy

  13. The saddest event in the comics industry: The death of Jack Kirby

  14. The greatest writer in comics: Denny O’ Neal

  15. The greatest artist in comics: Jack Kirby (DUH!)

  16. The greatest publisher in comics: Milestone

  17. The second greatest publisher in comics: DC (love them or hate them, they do great books)

  18. The smartest man in comics: Mike Richardson

  19. The guy with the best job in comics: Paul Levitz

  20. The sexiest man in comics: Michael Davis (finally!)

Movies:

  1. The greatest movie ever (Tie): My Best Friend’s Wedding / Team America (long story)
  • The greatest movie superhero ever: Batman

  • The second greatest movie superhero ever: Superman

  • The greatest movie team: The Magnificent 7

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  • MARTHA THOMASES: More fun

    In her book No Idle Hands: The Social History of American Kniting, Anne Macdonald describes the Puritan roots of our country and how getting together to knit, quilt or sew was one of the few ways colonial women could get together to socialize. The only way they could justify the pleasure they took in each other’s company was to do some “productive” work.

    In other words, our culture hates pleasure.

    This might seem to be a strange thing to say when everything from beer to detergent is being sold with sexy commercials. But, see, that’s the point. Pleasure is being used to sell. It’s not being celebrated for its own sake.

    Which brings us to comics and the lack of respect they get in our modern world. Comics are fun. Denny O’Neil says that comics are one of the few media that engage both halves of the brain, providing a buzz unavailable from movies or books. Even if that didn’t happen, comics are uniquely joyous. Anything can happen in the pages of a comic. Dogs can talk. Pigs can fly. The universe can be compressed into a ball, or be the staging ground for an epic battle. The battle can be between Galactus and the Avengers, or talking dogs and flying pigs.

    Comics don’t have to be silly to be a pleasure. I’ve had a fine time reading Frank Miller’s Sin City, Alison Bechdel’s Fun Home, and Will Eisner’s A Contract with God, to name just a few, disparate titles. The pleasure comes from the books ability to get me to leave my own head and get into someone else’s, to try on another life and walk around.

    Which brings us back to politics.

    Back in the day (and by that, I mean the 1960s and 1970s), we thought that sex and drugs and rock’n’roll could change the world. We thought that if we showed how much fun there was in the counter-culture, no one would want to go to war.

    We were right.

    Comics were a major part of the counter-culture. Robert Crumb, Trina Robbins, Howard Cruse, S. Clay Wilson, Skip Williamson, Spain Rodriguez and many others blew away the straight world’s idea of what comics were about. They made comics about motorcycle demons, stoner cats, fabulous furry freak brothers, girl fights and lots of other stuff that wasn’t superheroes or expanded newspaper strips. They told silly stories that ridiculed the power structure and celebrated pleasure.

    The war in Vietnam ended for a lot of reasons. Public opinion turned against it, and the troops came home. Comics helped.

    There’s another war on now, and yet there are remarkably few comics that offer an alternative vision. We need them. We need more fun.

    The Onion on Captain America’s death

    Captain America, the comic book character created during World War II as a patriotic opponent of the Nazis, was killed by sniper bullets in a recent comic. What do you think?
     
    Monica Chan,
    Systems Analyst

    "But who will avenge him? If only there were a group of ‘avengers,’ if you will, organized for that purpose."

    (Copyright 2007 The Onion)

    Keep your eye on the body

    dailynewscapdead-5664270I got a note from a long time comic book reader on Wednesday. He was incensed that Marvel disgraced themselves by killing Captain America. Worse, they did it sneakily, without telling the retailers this was the issue so it sold out to the fan boys before the general public could see the bloody body for themselves.

    Marvel certainly got a nice boost from the coast-to-coast coverage Captain America’s death received.

    But, is Captain America – Steve Rogers – really dead?

    It used to be that a death to a major character was a major event. Writers would find themselves running out of interesting stories to tell with a character and decided to shake up the title character’s life by killing off a familiar face. Spider-Man writer Gerry Conway has always said that’s why Gwen Stacy had to go.

    That happened time and again, at both DC and Marvel and it made the fans uneasy, since you never knew what would happen next. That certainly helped sell comics for a while. Then, killing the title character seemed the next logical step. Jim Shooter and Jim Starlin helped pioneer that with the Death of Captain Marvel graphic novel and then there was the phone in stunt that saw Jason Todd, the second Robin bite the big one.

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    Unscrewed! auctions to benefit exploited creators

    Unscrewed!, the organization created by comics creators, fans, and retailers to combat illegal and unethical practices by a would-be publisher, today announced a benefit auction to provide relief to the artists and writers exploited by that company. Since its inception in January, Unscrewed! has grown quickly, amassing support from top name talents in the comic book industry, as well as many who are just begining their careers. Full reports of all Unscrewed! activities can be found at the website: www.unscrewedcomic.com

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