Tagged: Batman
MARTHA THOMASES: Must The World Have A (Mrs.) Superman?
The staff at my regular comic shop wants to know what I think about the DC re-launch. I’ve been shopping there for decades, and I buy DC comics every time I go in there. I don’t only buy DC, but I buy almost everything they publish.
That’s the way it’s been for me for more than 50 years. I’ve liked Superman and Batman and Wonder Woman and the Legion of Super-Heroes for that long. As I’ve grown up, I’ve liked other characters, and I’ve learned to follow not just the heroes I like, but also the writers and artists.
So here’s what I tell them when they ask me what I think: “It doesn’t make any difference to me.”
Superman has relaunched once in my lifetime. I can’t count how often Wonder Woman has been rebooted. The Legion is so complicated that I have trouble keeping it straight and I’ve been reading it for 50 years!
I predict that, within five years, everything that’s important will be the same in the DC Universe as it is now, or as it was at some time in the past.
In the meantime, DC’s publicist, David Hyde, is kicking ass with his publicity efforts. I hope that enough people sample the new comics to see if they like them. It’s been a very long time since new readers have been courted so aggressively.
Unfortunately, there is one aspect of this I don’t like. Dan Didio and Jim Lee have described their characters as “brands.” This is the way the MBAs who run Warner Bros. talk about their properties, and I understand how, when one wants to appear savvy to one’s boss, one appropriates the bosses’ jargon.
“Brand” is a marketing term. Tide is a brand. Nike is a brand. It’s a corporate identity that promises consumers something they want, whether that something is reliably clean clothes or athletic shoes that let the wearer perform like a superstar.
Superman is not a brand. He’s a character. He’s a character that changes according to the whims of the creative teams making his stories. He may implicitly promise consumers something they want (truth, justice and the American way), but he keeps them as readers because of his human qualities, the details of his life that fascinate us, amuse us and excite us.
As his publicist, I observed these phenomena in the 1990s. When Clark Kent and Lois Lane got engaged, the world went crazy. They didn’t do this because of branding, but because it was a sweet, human story. It’s always been my opinion that the reason the “Death of Superman” story was such a big deal was not because Superman died (he’s died plenty), but because the public had been following his relationship with Lois, and felt the loss along with her.
I’ve enjoyed Superman’s marriage. I enjoy stories of happy couples, whether they are detectives or ghosts or super-heroes. Millions of people watched Smallville to see Clark and Lois get married.
So I’m disappointed that the marriage will no longer be. That said, I trust Grant Morrison to write great stories.
And I’d bet we see another marriage in my lifetime.
Martha Thomases, Dominoed Daredoll, would also like to see The Dibnys’ back.SATURDAY: Marc Alan Fishman
DC Comics October Solicitations
A lot to go over, including a whole lot of second issues and a hardcover collection of all of last month’s #1 issues. So let’s get to it!
MARC ALAN FISHMAN: Flash Fact – Barry Allen Sucks!
Hello all you crazy-awesome ComicMix fans. For those who don’t know me (and when you share a space with guys like Mike Gold, John Ostrander, Martha Thomases, Michael Davis, Denny O’Neil, and Mindy Newell? I don’t blame you!) allow me to introduce myself by way of witty, snarky banter. I figured if I am to come out of the gate anew with a comic focused op-ed piece, I might as well start by swinging for the fences. So, let me point to the rafters over center field, and take the biggest swing I can.
Simply put: DC’s Flashpoint is a ten-pound turd in a five gallon bowl.
I use this nasty language, mind you, because I “covered” the event for a podcast I do from time to time… and have spent my hard earned dollars on this bloated excuse to sell toys, and piss off fans.
In June, DC boldly told the world they are “star-wiping” their universe to engage the next era of fans, by removing that pesky continuity. So, while those new and shiny number ones are getting printed, why not release yet-another-epic-that-will-change-the-universe-as-we-know-it™ event? “Flashpoint” was to turn the DCU on its ears. It chortles in every issue with its logo emblazoned on the title card, that it gives us a world where “everything you know has changed in a flash…” My ass. What they’ve done instead, is created an unnecessary mega-crisis for no better reason than “going out with a bang”. So for all us fans who don’t mind a little history to go with our comics… we’re treated to DC choosing to end their current universe’s life on yet-another-Crisis.
In a nutshell, Flashpoint is DC’s attempt at taking an obvious Elseworlds story and shoehorning it into continuity. I honestly don’t care how many well-produced interviews they have Dan DiDio do celebrating the ‘ground breaking’ idea. I don’t care how many Newsarama, Comic Book Resources, or Bleeding Cool articles are written kissing the ass of all the creators involved (and yes, all three have since reviewed many of the series’ minis very poorly). To tell the fans that this event will matter, is akin to the DCU toking up a massive joint, and blowing the Funion fumes right in our face in hopes we’ll get the munchies. I’ve not seen better hype for a dumber product since The Phantom Menace.
On DCU’s “The Source” blog, they asked some hard hitting questions to this effect:
LOVELY AND INEFFABLE-RUCKA AND BURCHETT’S ‘LADY SABRE’
Pulp 2.0 Press Opens up The Agent 13 Dossier
Pulp Publisher to Collect the AGENT 13 Novels by Flint Dille and David Marconi
Los Angeles, CA – Pulp 2.0 Press CEO Bill Cunningham today announced that the company has signed an agreement to redesign and republish the adventures of the classic pulp character, Agent 13, created and written by Flint Dille (Transformers G1) and David Marconi (Enemy of the State). This Pulp 2.0 collectorâ edition titled The Agent 13 Dossier will be exclusively in print, and will collect all three of the original Agent 13 novels as well as exclusive features disclosing the secrets behind the mysterious Midnight Avenger.
Agent 13 was originally published in 1986 by TSR in a trilogy of novels – The Invisible Empire, The Serpentine Assassin and Acolytes of Darkness. The character spawned a set of graphic novels drawn by artist Dan Spiegle (with covers by Jeff Butler) as well as a role-playing game and comic. Kidnapped as a young child in 1907, a gifted boy was brought to The Shrine, the hidden headquarters of the ancient organization known as The Brotherhood. His past memories were erased, he was assigned the title Agent 13 and trained as an assassin and agent in clandestine operations. He became the best disciple and would have risen high in the ranks of the Brotherhood, until he discovered its true evil nature under its cadaverous leader, Itsu – The Hand Sinister. Fleeing The Brotherhood he is hunted by their ninja-like agents, and begins a deadly cat-and-mouse contest against the organization. He fights back, forming his own group of allies against the Brotherhood who dare to plunge the world toward war.
âAgent 13 is Dille and Marconiâs love letter to the pulps, cliffhanger serials and comics. We at Pulp 2.0 are ecstatic to present our readers with these great pulp adventures in an exclusive collectorâs print edition,â said Pulp 2.0 CEO Bill Cunningham. âI remember reading… okay devouring these books when they first came out, and Iâve always loved the world and characters that Flint and David created. To be able to design a new edition to share these rare novels and the secrets behind Agent 13 is an honor.â
âWe were sitting in Flintâs living room one day, and we started jamming ideas back and forth. Flint was a big fan of the pulps and he showed me some of the old materials he had. He had a book featuring the old pulp covers that we looked at that was very inspiring. I had just written some screenplays for Warner Brothers and had good relationships there, and said that if we came up with an interesting story/pitch about this stuff, we can possibly set it up as a screenplay to write.â So we originally developed AGENT 13 as a studio pitch to set up as a film, and spent quite a lot of time developing the story and characters as we pitched it around to the various producer/buyers around town,â said co-creator David Marconi.
âThen, when the movie wasnât getting set up as quickly as we hoped, but the story had progressed to the level where we had all the characters and everything else worked out, we decided to just write the book. Flint had access to Random House through Gary Gygax and TSR, so we were able to get a publishing deal, and dove straight into Agent 13 novel world. Which at the end of the day, was more fun in that it allowed us to go much deeper into the characters and backstory which canât be explored in great detail in a 2 hour script format.â
More details will be forthcoming as the project progresses. The Agent 13 contract was negotiated on behalf of the creators by Howard Bliss of Union Entertainment.
About Flint Dille:
Flint Dille is a living embodiment of Transmedia. His career started by turning toys into TV Shows with G1 Transformers, G.I. Joe, Inhumanoids and Visionaries. He has designed games with Gary Gygax and written movies for Steven Spielberg. Flint has sold game design documents as feature films – Venom (Dimension 2006) and Agent In Place (Lionsgate 2010). Flint directed the interactive movie Terror T.R.A.X., Track of the Vampyre which became a television pilot for Fox as well as Dragonstrike, one of the first hybrid film projects.
Flint has twice won ‘Game Script of the Year’ (Riddick: Escape from Butcher Bay (with JZP) and Dead to Rights and was nominated for Ghostbusters and Dark Athena. He has worked on crown jewel franchises including James Bond, Mission: Impossible, Tiny Toons, Batman: Rise of Sin Tsu (Guiness Book of Videogame Records for creating the first Batman villain outside of the comics), Superman, Dungeons & Dragons, Teen Titans and Scooby-Doo.
He has a degree in Ancient History from U.C. Berkeley and an MFA from USC. Currently, Flint is teaching a class on Alternate Reality Games at UCLA. His follow up book to The Ultimate Guide to Video Game Writing and Design is about Transmedia.
About David Marconi:
A native of Highland Park, Ill., Marconi was passionate about film making from an early age. After winning several high-school film making competitions, Marconi was awarded an Alumni Merit Scholarship to attend the University of Southern California’s Film School. Upon graduation, landed his first job as Francis Ford Coppola’s assistant on The Outsiders.
Working closely with Coppola, Marconi “cut his directing teeth” watching Francis direct both The Outsiders and Rumblefish. In 1993, Marconi wrote and directed his first feature, The Harvest, (Columbia TriStar). The film premiered in the ‘official selection’ of the San Sebastian Film Festival and went on to win numerous awards in International Film festivals.
The success of The Harvest brought Marconi to the attention of Simpson/Bruckheimer who commissioned Marconi to write his original screenplay Enemy of the State (Disney) starring Will Smith and Gene Hackman. Marconi continued creating tent-pole action films for the major studios; WW3.com (which served as the basis for the Die Hard sequel; Live Free or Die Hard ) (Twentieth Century Fox,) Perfect Suspect for Chris Rock (Twentieth Century Fox,) and the high-tech., science fiction epic; No Man’s Land. (Dreamworks.)
Most recently, Marconi was a featured guest speaker for IADC, International Attorney’s Defense Council, and the Department of Defense Cyber-Crime Conference where he lectured on his film Enemy of the State and how it relates to privacy concerns and cyber-warfare in a post 9-11 world. 2011 will mark Marconi’s second foray behind the lens as a writer/director with his new feature film; INTERSECTION, a gritty thriller currently in pre-production being produced by Luc Besson, the director of THE PROFESSIONAL, FIFTH ELEMENT and Europa Corp. Holding duel citizenship for the US and EU (Italy,) Marconi divides his time between Los Angeles and Europe.
Batman Year One Video Details Revealed
We all knew about this, but with the film debuting at next week’s Comic-Con International, Warner Home Video has shared the details. We’re kind of excited to see the classic story adapted for the screen, but we might be even more excited about the spot-on vocal casting for the Catwoman that accompanies the feature.
BURBANK, CA, (July 13, 2011) – Comics legend Frank Miller’s classic retelling of Batman’s gritty, formative days makes its full-length animated debut in Batman: Year One, the next entry in the popular, ongoing series of DC Universe Animated Original Movies. Produced by Warner Premiere, DC Entertainment and Warner Bros. Animation, the all-new, PG-13 rated film arrives October 18, 2011 from Warner Home Video as a Blu-ray™ Combo Pack ($24.98 SRP) and DVD ($19.98 SRP), On Demand and for Download. Order due date is September 13, 2011
Batman: Year One is based on the landmark 1987 DC Comics titles from 12-time Eisner Award winner Frank Miller and illustrator David Mazzucchelli. The film depicts young Bruce Wayne’s return to Gotham City in his first attempts to fight injustice as a costumed vigilante. The playboy billionaire chooses the guise of a giant bat to combat crime, creates an early bond with a young Lieutenant James Gordon (who is already battling corruption from inside the police department), inadvertently plays a role in the birth of Catwoman, and helps to bring down a crooked political system that infests Gotham.
Prime time television stars Bryan Cranston (Breaking Bad), Ben McKenzie (Southland, The O.C.), Eliza Dushku (Dollhouse, Buffy the Vampire Slayer) and Katee Sackhoff (Battlestar Galactica) provide the core voices for Batman: Year One. Three-time Emmy® Award winner Cranston gives voice to young Jim Gordon, while McKenzie makes his animated voiceover debut as Bruce Wayne/Batman. Fanboy favorites Dushku and Sackhoff fill the roles of Selina Kyle/Catwoman and Detective Sarah Essen, respectively. Alex Rocco (The Godfather) is the voice of crime lord Carmine Falcone.
Animation master Bruce Timm is executive producer of Batman: Year One. Directors are Lauren Montgomery (Superman/Batman: Apocalypse) and Sam Liu (All-Star Superman) from a script penned by Academy Award® nominee Tab Murphy (Gorillas in the Mist, Superman/Batman: Apocalypse).
“Batman: Year One offers fans and newcomers alike an animated perspective on one of the true benchmark works in Batman comics history,” said Hersin Magante, Warner Home Video Marketing Manager, Family &, Animation.. “Bruce Timm and the Warner Bros. Animation team have gone to great lengths to realize Frank Miller’s ground-breaking, influential vision. Batman: Year One stands tall as the next DC Universe Animated Original Movie.” (more…)
GUEST REVIEW AND INTERVIEW-MYSTERY MEN FROM MARVEL COMICS!
Written by David Liss
Art by Patrick Zircher
Published by Marvel Comics
Now Marvel has taken a stab at New Pulp and I think they are on to something great. Mystery Men takes place in New York in the regular Marvel Universe in 1932. As far as I know, this is the earliest a series has been set in the MU. The heroes (thus far) are not super-powered. The villain, however, is another story. He exudes occult mystical powers.
Mystery Men follows a millionaire playboy with a Robin Hood complex. He puts on a mask and calls himself the Operative. The Operative is trying to unravel a criminal conspiracy among the New York elite that is led by a frightening occult powered character called the General. The Operative is trying to find a killer.
Also involved in the case is another masked hero, the Revenant. He looks a bit like Moonknight and acts like the Shadow. He seems to have gotten the corrupt NYPD on his case and after crossing paths with the Operative, he decides they should work together.
The Operative doesn’t want the help and the fact that the Revenant is black doesn’t make it any easier, but we know they’re getting together. Issue #2 introduces the Rockettrix (not her real name, but the best description) with ties to the murder.
David Liss has nicely tied together a trio of pulp characters that I want to see more of. The story is good so far and the characters are charming, crude, tough, fascinating, and believable. I like the book a lot so far. Hopefully sales will be good enough to have the title continue.
I haven’t mentioned the art yet. The art is GREAT. Patrick Zircher’s style feels right for the period, but is modern at the same time. The entire first issue is done with horizontal panels, giving it a very cinematic style. The art is clear and direct and reminds me a little bit of Steve Bryant (Athena Voltaire). That is a compliment, by the way.
The second issue continues with the horizontal panels, but does break them up a bit. The colors by Andy Troy are also excellent, clean and subdued, but with color motifs to help define locations.
The final page of each issue so far has been an essay. Issue One’s article is by the writer, David Liss, and he discusses the thrill of adding to the beginning of the Marvel canon. He relates how he decided that the social issues of the 1930s would not be glossed over—that racism, sexism, poverty, and worker’s rights would play a part in the narrative. They do, and I think he has used them in his story well.
In the second issue, artist Patrick Zircher discusses the design path of the character’s looks.
I really hope these essays continue.
Go out and buy this great bit of New Pulp, you won’t be disappointed.
Interview with David Liss
Have you read much original pulp of the era? If so, what titles or characters are you familiar with?
Are you aware of the “New Pulp” movement – contemporary authors writing new stories set in the classic pulp era?
So far it seems that the 3 main characters – The Operative, The Revenant, and Sarah Starr have no innate super-powers. The villains do. Will we be seeing super-powered heroes in Mystery Men?
How did you go from writing historical mystery novels to comics?
Are you a long time comics reader or are you new to the genre?
What titles or characters are your favorites?
What writers or artists excite you?
On the writing side, these days my favorite creators are probably Robert Kirkman, Mark Millar, Brian Bendis and Ed Brubaker. I feel like I’ve been very lucky, because in my projects at Marvel I’ve been paired with some of the best artists out there. Francesco Francavilla and Jefte Palo, who have been doing the art for Black Panther, are both fantastic. And then, of course, there’s Patrick Zircher’s phenomenal work on Mystery Men. In terms of detail and beauty, as well as art that advances character and story, Patrick’s work on this book is about as good as it gets.
BIG BANG IS BACK THANKS TO PULP 2.0 PRESS!
July
5th, 2011
Pulp
2.0 Press
Los Angeles, CA – Pulp 2.0 Press CEO Bill Cunningham today announced that the company has acquired the publishing and media licensing rights to the library of work by creators Gary Carlson and Chris Ecker under their Big Bang Comics imprint. This deal signals another expansion for the company’s library of graphic novels. “I’ve always loved the history and the classic sensibility of the Big Bang Comics characters like Knight Watchman, Ultiman, Thunder Girl and others that Gary and Chris have created. I’m very pleased we have a chance to bring their work and the work of celebrated giants like Curt Swan, Murphy Anderson, Shelly Moldoff, and Marty Nodell out in collector’s editions that capture that four color fun we all enjoyed when we were kids.”
The company plans to issue their editions as showcases to each individual Big Bang Comics character by collecting all of that character’s work under one cover, and adding historical reference, essays and rare, behind-the-scenes photos, sketches, covers, and memorabilia. Formerly published by Image comics, Big Bang made a reputation for itself as the place where comics were fun again by creating the classic comics work of BB giants like Tom King and Jack Kingler.
“Big Bang Comics is an example of the kind of of fun we want to inject back into book publishing,” said Cunningham. “I grew up reading books like The Great Comic Book Heroes and Batman:
From the 30’s to the 70’s. Each Big Bang character deserves the same sort of presentation so fans old and new can read and appreciate both the comics and the history behind the company just
like I did.”
“Big Bang Comics began in 1992 when Chris Ecker told me that he was tired of comic book publishers and art directors telling him that he drew like an “old guy” and that he was going to sit down and draw an old style comic book story and that I was going to write it. We talked his ideaover at a small comic convention in Elgin, Illinois where we both lived. Then we got Gary Reed at Caliber Press involved as our first publisher and the rest is history. With Big Bang I got to write stories about the characters I had loved and even got to work with some of my favorite creators: Shelly Moldoff, Mart Nodell, Curt Swan and Murphy Anderson (they even signed it “Swanderson”!), Dave Cockrum and Rich Buckler,” said Big Bang Creator Gary Carlson.
Individual editions in Pulp 2.0’s Big Bang Comics Collector’s series will be announced as they become available. The first editions are scheduled for 2nd quarter 2012. For more information on Big Bang go to: www.bigbangcomics.com
About Pulp 2.0:
The company also creates new pulp entertainment for its target audience including the original vampire blaxploitation novel Brother Blood by Donald F. Glut, the internet radio adventure serial “The Murder Legion Strikes at Midnight” (produced in association with Toronto’s Decoder Ring Theater), and the tribute to legendary radio adventure historian Jim Harmon, Radio Western Adventures that features a lost western tale by Doc Savage creator Lester Dent. In addition, the company is developing the re-release of Glut’s widely acclaimed horror-adventure book series The
New Adventures of Frankenstein in collectible editions for print and digital. For more information go to: www.pulp2ohpress.com
Here are your 2011 Harvey Award nominees
Well, we know who we’re voting for and ComicMix will be on hand, covering events and news happening at next month’s Baltimore Comic-Con.
BALTIMORE, MD (July 5, 2011) — The 2011 Harvey Awards Nominees have been announced with the release of the final ballot, presented by the Executive Committees of the Harvey Awards and the Baltimore Comic-Con. Named in honor of the late Harvey Kurtzman, one of the industry’s most innovative talents, the Harvey Awards recognize outstanding work in comics and sequential art. They will be presented August 20, 2011 in Baltimore, MD, in conjunction with the Baltimore Comic-Con.
Nominations for the Harvey Awards are selected exclusively by creators – those who write, draw, ink, letter, color, design, edit or are otherwise involved in a creative capacity in the comics field. They are the only industry awards both nominated and selected by the full body of comic book professionals. Thank you to all that have already participated by submitting a nomination ballot.
Final ballots are due to the Harvey Awards by Saturday, August 6, 2011. Full details for submission of completed ballots can be found on the final ballot. Voting is open to anyone professionally involved in a creative capacity within the comics field. Final ballots are available for download at www.harveyawards.org. Those without Internet access may request that paper ballots be sent to them via mail or fax by calling the Baltimore Comic-Con (410-526-7410) or e-mailing baltimorecomiccon@yahoo.com.
This will be the sixth year for the Harvey Awards in Baltimore, MD. Our Master of Ceremonies this year for the 3rd year in a row will be Scott Kurtz (www.pvponline.com).
This year’s Baltimore Comic-Con will be held August 20-21, 2011. The ceremony and banquet for the 2011 Harvey Awards will be held Saturday night, August 20.
Without further delay, the 2011 Harvey Award Nominees: (more…)







































































