Looking for something new to watch this summer – catch up on Cartoon Network‘s BATMAN:BRAVE & BOLD. We’ve got The Caped Crusader himself, Diedrich Bader, to talk about his later take on the darker knight. Plus no less than THREE comics get movie deals this week!
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Lew Sayre Schwartz, one of the lesser known Bob Kane ghosts on Batman, died on June 7 at age 84 after a fall according to his son, Andrew. Schwartz began working for Kane as a ghost in 1948 and remained the principal artist under Kane’s name on the Batman features in Batman and Detective Comics until 1953. Art historians believe he produced at least 120 stories during this period.
Kane signed a new deal with DC in 1948 and hired Schwartz to help handle the workload. Schwartz’s work began with penciling the stories, letting Kane do the actual Batman and Robin faces, then ink the lettered pages. Kane was understood to have made frequent changes to the artwork, altering the main heroic figures and secondary characters.
Without benefit of credits in the stories, art experts can usually identify Schwartz work given the detailed backgrounds and his frequent staging of the action that carried less impact than the ones Kane himself composed. Some, including Eddie Campbell, consider Schwartz one of the finest practitioners ever to work for Kane’s shop.
Schwartz toured Korea in the aftermath of the Korean War, visiting the troops and returned feeling he no longer wanted to draw comic book stories. After leaving Kane’s studio, Schwartz went on to teach at what is now known as the School for Visual Arts. During this period, he also did ghosting work on several comic strips such as Secret Agent X-9 spelling artist Mel Graff, as well as several weeks of The Saint.
In 1961, Schwartz helped form Ferro, Mogubgub and Schwartz which produced live and animated commercials, earning the company four Emmy Awards and six Clio Awards. Schwartz began drawing storyboards and expanded his creative role over time. They may be best remembered for their animated title design work on Stanley Kubrick’s 1964 masterpiece Dr. Strangelove. Schwartz even went on to direct a Barbra Streisand television special. (more…)
Making it all official, here are all 52 of the #1 solicits from DC Comics for September.
JUSTICE LEAGUE #1
Written by GEOFF JOHNS
Art and cover by JIM LEE and SCOTT WILLIAMS
1:25 Variant cover by DAVID FINCH
RETROSOLICITED • On sale AUGUST 31 • 40 pg, FC, $3.99 US RATED T • Combo pack edition: $4.99 US
Retailers: This issue will ship with two covers. Please see the order form for more information.
Comics superstars Geoff Johns and Jim Lee make history! In a universe where super heroes are strange and new, Batman has discovered a dark evil that requires him to unite the World Greatest Heroes!
This spectacular debut issue is also offered as a special combo pack edition, polybagged with a redemption code for a digital download of the issue.
To support The Dark Knight, Warner Premiere offered up Batman: Gotham Knight, a collection of stories from various animators that were dark and largely uninteresting. It’s gratifying to see that they have learned from this rare misfire and have offered up a companion to this month’s The Green Lantern feature film with Green Lantern: Emerald Knights, on sale Tuesday. There are five stories, largely culled from the comic books, with a sixth tale connecting everything together. Essentially, Krona, the fallen Guardian, has come back from banishment as an enormous, angry form, having coalesced within a star. Summoning Shadow Demons from the Anti-Matter Universe of Qward, Krona threatens the Guardians and their world of Oa.
The entire Green Lantern Corps has been summoned to deal with this cosmic danger but they pause to stand in line to take their turn recharging their rings. While waiting patiently to save all of reality, Hal Jordan (Nathan Fillion) spins tales for his latest recruit, the young, idealistic Arisia (Elisabeth Moss). On the one hand, Krona is a big menace and the climactic scenes are incredibly strong and powerful. There’s a scope to his rising from within the sun that is what animation and comics is all about. That sense of scope, though, is missing from the frame in that in the comics, the central Power Battery was large enough that scores of the Corps could float before it and recharge en masse. Watching them stand in a queue is absurd.
The frame and five stories along with the characterization and visualization of the Corps and Guardians are cherry-picked and modified from the fifty years comics featuring the second incarnation of the Green Lantern. It’s nice to see that several people with comic book roots, including GL editor Eddie Berganza, got a shot at penning some of these stories. About the oddest juxtaposition of realities is seeing Sinestro (Jason Isaacs) still a member of the corps in good standing. Why he’s here is clearly a nod to his role in the live-action film, done so as not to confuse viewers.
We’re told the story of “The First Lantern” (written by Michael Green & Marc Guggenheim) which tells us a variant version of how the Corps was formed. It’s still a solid story showing how anyone can become a hero and show others the way to act. There are mammoth space battles and lots of ring-slinging but why the planet is under attack and the motives of the attackers are never even questioned, let alone explored. (more…)
Just in time to blunt the release of X-Men: First Class, new Dark Knight Rises teaser videos have popped on up YouTube, uploaded by “The Fire Rises” who posted even more cryptic videos over the past few days.
One is a news report from GCN from TV anchor Mike Engel (Anthony Michael Hall), with sketchy TV footage that’s labeled “Arkham Breakout?” There’s also a quick flash of a Facebook page URL, which also belongs to The Fire Rises (aka Warner Bros. Entertainment, according to the user info page).
The second video, titled ‘Outbreak,’ features an Abu Gharib vibe and the same creepy chants.
Am I the only person who is worried that Batman’s heart is going to be ripped out by Mola Ram?
In 1986, as the Crisis on Infinite Earths was winding down, Marv Wolfman made the radical suggestion that DC indicate the universe had truly changed by altering the numbering on all the titles and restart everything with a #1. For a number of reasons, it was a great idea but the timing couldnât allow the move. Years later, Dick Giordano indicated it as one of his greatest editorial regrets. However, he canât be blamed since the Crisis was wrapping up while DC was still negotiating to relaunch its flagship heroes. At that time, only Frank Miller and David Mazzucchelli had been lined up for Batman: Year One while John Byrne was still being wooed for Superman, and very late in the process, Greg Potter and George Perez were circling Wonder Woman.
Had the stars aligned, it could have avoided two decades of constant revisions to the reality.
It now seems DCâs executive team has spent the last year moving the stars around. Todayâs bombshell announcement indicates the rebooted line will kick off in September, with Justice League #1 previewing the new order on August 31.
I can only hope that DC has its house in order and can avoid embarrassing fill-ins and radical creative team changes early in a titleâs run â problems which have plagued the core titles for the last few years. Â The worst example may well be Batman: The Dark Knight, written and drawn by David Finch. After debuting in November, the fifth issue of this monthly series is not coming out until August and only then with a fill-in artist.
That aforementioned new Justice League book is coming from DCâs two busiest executives: Geoff Johns and Jim Lee. Sure, itâll read well and look great, but will it be a monthly and for how long will the talent remain intact? At minimum, these new titles, all 50 of them, need consistent talent on board for at least the first six issues and fill-ins need to be carefully integrated. (more…)
One of the most widely recognized facts regarding American comic book heroes is that they actually evolved out of the Depression Era pulp magazines. Fans of both media are well aware that the likes of Batman and Superman were the literary children of characters such as the Shadow and Doc Savage. Tommy Hancock employs this historical theory against which to set his first novel, “Yesteryear.” Hancock, the winner of this year’s Pulp Ark Award for Best New Writer, had earned that title based on his short fiction. Now with this novel length drama, he cements that position soundly with a work of deft imagination heralding past days of American glory.
Here’s the release with all the current information, reminding us of how much we’re looking to seeing how this wraps up:
BURBANK, CA, May 19, 2011 – Principal photography has begun on Warner Bros. Pictures’ and Legendary Pictures’ The Dark Knight Rises, the epic conclusion to filmmaker Christopher Nolan’s [[[Batman]]] trilogy.
Leading an all-star international cast, Oscar® winner Christian Bale (The Fighter) again plays the dual role of Bruce Wayne/Batman.
The film also stars Anne Hathaway, as Selina Kyle; Tom Hardy, as Bane; Oscar® winner Marion Cotillard (La Vie en Rose), as Miranda Tate; and Joseph Gordon-Levitt, as John Blake.
Returning to the main cast, Oscar® winner Michael Caine (The Cider House Rules) plays Alfred; Gary Oldman is Commissioner Gordon; and Oscar® winner Morgan Freeman (Million Dollar Baby) reprises the role of Lucius Fox.
In helming The Dark Knight Rises, Christopher Nolan is utilizing IMAX® cameras even more extensively than he did on The Dark Knight, which had marked the first time that a major feature film was partially shot with IMAX® cameras. The results were so spectacular that the director wanted to expand the use of the large-format cameras for this film.
We’ve received all the covers for DC Comics August solicitations, and Flashpoint promises that worlds will live, worlds will die, and the DC Universe will never be the sa– oh, sorry, that was the tagline for Crisis On Infinite Earths, back when I worked at Flashpoint. I’m so confused…
My favorite item for the month is pictured above, the Sergio Aragones version of Batman from Batman: Black & White. But there are some absolute art gems here, including Darwyn Cooke’s JSA cover, and Frank Quitely’s redoing of Gil Kane and Murphy Anderson’s cover for [[[Green Lantern]]] #52.
As for the rest of the books, take a look… as usual, spoilers ahead:
The press release came out late yesterday:
Gregory Noveck has been named to the newly created position of Senior Vice President, Production, Syfy Films, charged with launching projects for the new film company which the two companies announced in December. Noveck will report jointly to Mark Stern, President of Original Content, Syfy and Co-Head of Content for Universal Cable Productions, and Co-Chairman, Universal Pictures, Donna Langley. Noveck will work closely with the Universal and Syfy creative teams to find projects to develop by leveraging Syfyâs experience in developing genre content.
Noveck most recently served as Senior Vice President, Creative Affairs and Executive Producer for DC Comics where he established a new Film and TV division to help deliver quality content by mining the extensive DC Comics library. Feature projects included Batman Begins, The Dark Knight, Watchmen, Red (for Summit Entertainment), and the upcoming Green Lantern, with television projects ranging from Smallville and Human Target to over ten animated DTV features. Prior to that he was Senior Vice President of Silver Pictures Television, developing and producing series and pilots for producer Joel Silver. Noveck previously served as Senior Vice President, Creative Affairs and Producer at Platinum Studios, where he established and grew the Creative Affairs department for Film and Television, overseeing all aspects of production and development. Projects included Cowboys & Aliens (Universal/DreamWorks) and Jeremiah (Showtime).
Syfy Ventures and Universal Pictures joined forces in December 2010 to create Syfy Films, a new film company that will develop and produce Syfy branded theatrical motion pictures to be distributed by Universal. The new entity will leverage Syfyâs genre expertise to produce human and relatable theatrical releases from the worlds of science fiction, fantasy, supernatural and horror. Beginning in 2012, Syfy Films will distribute one to two films a year through Universal Pictures. Mark Stern and Donna Langley jointly oversee the operation.
Very interesting. Diane Nelson is consolidating her position.
As for Gregory, he’s certainly shown the ability to do a lot with limited budgets, which will serve him well at his new job, as Syfy, and Universal’s new owner Comcast, have a reputation for keeping a tight control on purse strings. We wish him the best of luck.
Columns / Glenn Hauman / News
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