Tagged: Batman

Our Comics Community, by Dennis O’Neil

Things are fanning out all over.

But before we go any further, let me explain and, while I’m about it, issue an OFA, or Old Fart Alert.

Back in the day – now you begin to understand the reason for the OFA – part of the fun of attending science fiction and comics conventions was seeing stuff like outtakes and blooper reels and old movies and especially old serials, entertainments virtually unavailable anywhere else. Another pleasure was listening to other fans who were In The Know reveal secrets, or at least semi-secrets, about the actors and artists and, yes, even writers whose work we enjoyed and was the raison d’etre for the whole she-bang.

Now…bloopers are shown on network television, as are outtakes, and one major international star has, for the last decade or so, incorporated them into the films themselves. And although nobody, to my knowledge, is showing serials regularly, a cable channel used to and somebody almost certainly will again and even if that doesn’t happen, these crusty old flicks are easily buyable, or rentable, or, maybe, available at your local public library. As for other kinds of old movies…Well, let’s just say that I’ve filled in some of the gaps in my appreciation of Rocky Lane, Lash LaRue, Wild Bill Elliott, the Durango Kid, and the indomitable Sunset Carson by watching the Westerns Channel from the comfort of my living room.

Insider info? It’s practically a national industry, only they call it gossip and push it at us on television and in the magazines I read in doctor’s offices. Push a lot of it, I might add. And most DVDs have material in addition to whatever movie’s on them and these, too, frequently feature gossipy tidbits, though never scandalous ones.

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‘Smallville’ Comic Contest to Determine Plot, Comic-Con VIP

Years ago, DC let fans determine whether Batman sidekick Jason Todd met his end at the hands of the Joker via phone-in voting. Fans of Smallville, the television series that follows Clark Kent before he was Superman, now have a chance to play a similar (albeit far less morbid) role in determining the direction of a superhero-themed story.

Twice a week, fans will be able to vote on how Smallville: Visions, a DC-produced digital comic scripted by Stephan Nilson with art by Andie Tong, will evolve. At the end of the voting period, the pages will become (virtual) reality for readers.

Along with determining the outcome of the story, fans can also participate in the Stride Gum contest that goes with the promotion. All participants in Smallville story development will be entered for a chance to win a "VIP Weekend" at this year’s Comic-Con International: San Diego. They’ll also receive a year’s supply of Stride gum — which could come in handy amid the funk of the convention floor.

 

 

Dynamite and Buck Rogers in the 21st Century

n19285-3398230First, the news:

Dynamite Entertainment honcho Nicky Barrucci announced today that a series based on the classic space hero Buck Rogers will be joining The Lone Ranger, Red Sonja, Zorro and Battlestar Galactica in his project lineup, with participation of Alex Ross and John Cassaday, who will be doing character designs and covers. As of this typing, no regular story and art team has been announced.

Next, the history:

Publicly credited to John Flint Dille, Anthony “Buck” Rogers was the work of science fiction author Phillip Francis Nowlan. The first novel, Armageddon 2419, was anthologized in Amazing Stories Magazine cover-dated August 1928. It was successful and sequels were commissioned; the book came to the attention of wire service and newspaper syndicate owner Dille who hired Nowlan to create a newspaper comic strip version of his novel, teaming him up with artist Dick Calkins and renaming the character Buck.

It was awesomely successful, spinning off onto all the genres available in its time and the phrase “Buck Rogers” became a colloquialism for futuristic invention. It lasted until the mid-’60s and was revived a couple of times with varying degrees of success.

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On This Day: Catwoman

The daughter of Brian and Maria Kyle, young Selina had an unpleasant childhood. Her mother loved cats more than her own children and eventually committed suicide, while Selina’s father was an angry layabout who drank himself to death a short while later.

Selina wound up on the streets of Gotham City, in an orphanage, and then in juvenile hall in rapid succession. At 13, she discovered that the hall administrator was embezzling funds, and almost died when she threatened to expose the woman. Escaping the trap, however, Selina stole enough evidence to incriminate the woman and enough money to keep herself going for a while, and then disappeared.

Mama Fortuna, who ran a gang of young thieves in Alleytown, took Selina in and taught her to steal properly. Selina grew up and became an accomplished thief, but had to lay low after a burglary went wrong. A pimp named Stan offered her a job posing as a dominatrix and conning information out of her “clients.” Selina accepted.

It was while she was at this job that she first saw Batman and, inspired by him, created her own costume to become the renowed masked, cat burglar, Catwoman.

Since then, Selina has vacillated between villainess and heroine, and has had an off-again, on-again relationship with Batman himself.

DVD Review: ‘Legion of Superheroes’ Vol. 2

Maybe the most surprising thing about how much I’ve enjoyed the first episodes of the Legion of Superheroes cartoon series is how little I enjoy the team’s comic book adventures. I always liked the concept of the Legion, but the futuristic team has too large of a cast and too complex of a history for me to jump into.

The cartoon series (from Warner Brothers and DC) fixes those two criticisms by hemming in the team size to a handful of key characters and streamlining the background: A young [[[Superman]]] is pulled into the future to help a fledgling group of heroes save the world. Simple enough.

In this second volume (containing the episodes [[[Champions]]], [[[Fear Factory]]], [[[Brain Drain]]] and [[[Lightning Storm]]]), the team goes through a series of challenges that manage to be kid-appropriate without being overly simplistic. Like the legendary Batman: The Animated Series, the Legion consists of standalone episodes but also builds a deeper narrative of themes and plots, giving it appreciable depth.

Particularly, this volume highlights the character development of Lightning Lad as he becomes a greater hero, and that of his brother, Mekt, as he becomes a villain. Meanwhile, Superman finds his powers have limits, which serves as a lesson as he tries to become the universe’s greatest hero.

I definitely wouldn’t put this series on the same level as [[[Batman: TAS]]], but it’s a fun, clever and exciting foray into the 31st Century.

On This Day: The Crimson Avenger

Lee Walter Travis was raised to wealth and privilege but nonetheless developed a social conscience, becoming a member of the Abraham Lincoln Brigade during the Spanish Civil War and then turning to publishing and producing a progressive paper called The Globe Leader. It was while attending a Halloween costume ball in 1938, however, that he discovered his true career.

A band of crooks robbed the party and shot several people, including Travis’ fellow reporter Claudia Barker. She died in his arms and Travis, enraged, pursued and subdued the crooks, leaving them for the police to find afterward. His costume—a red trenchcoat, fedora, and mask—and Claudia’s last words and favorite motto, “Qui Vindicet ibit” (“The avenger will come”) combined to create tales of a strange “Crimson Avenger.” Travis had found his calling.

The Crimson Avenger was later one of the Seven Soldiers of Victory and part of the All-Star Squadron. Years later, Travis sacrificed his own life to save an entire city, steering a deadly tanker well away and staying at the helm until it exploded. The Crimson Avenger first appeared in Detective Comics No. 20, predating Batman by a full seven issues.

Generic Respect, by Dennis O’Neil

reeve-dreams-4-3273602Don’t bother putting on airs, Messrs. Man (Super and Bat); you’re nothing special, not any more. These days, you’re just two more members of a rather large club that includes cowboys, cops, private eyes, combat soldiers and guys who fly space ships to other planets and solar systems and galaxies. Serial killers who slice and dice sexy teenagers are in the club, too. And critters that are normally harmless but mutate into gigantic sociopaths.

While you weren’t looking, you’ve become a genre.
 
Of course, if we want to get sniffy about definitions, you always were, in comic books. Almost from the beginning, here were cowboy comics and detective (or Detective) comics, and monsters and spaceship jockeys were early joiners, too. And you guys, the superheroes. You were the most popular and emblematic, of the comic book good guys, but you had peers.
 
Movies were another matter. Oh, you guys showed up on what was called The Silver Screen pretty early in the form of serials or, if we want to get fancy, chapter plays intended for the Saturday matinees, which were populated by kids who, in my memory, made a hell of a lot of racket. Even there, you were a bit of an aberration, outnumbered by the gumshoes and gunfighters, and not deserving, apparently, of cinematic and dramatic niceties. And, while there were cowboys and sleuths aplenty in the movies made for after-dark showings to the kids’ moms and dads, no superheroes ever made the leap to, ahem, serious entertainments.
 

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NY Times Goes Behind the Scenes With ‘The Dark Knight’

The Sunday edition of The New York Times included a special bonus for comic book and movie fans: a great in-depth article with Christopher Nolan, director of Batman Begins and its upcoming sequel, The Dark Knight.

Feeling grim that you missed it? As the Joker would say in The Dark Knight promo poster "Why so serious?" You can read the article on the Times website.

Highlights from the article include:

  • The Dark Knight  cost $180 million
  • Nolan on the previous Batman films: "If the people who are making the film aren’t taking it seriously, why should we?"
  • The cast and crew commenting on the late Heath Ledger’s performance as the Joker
  • Gotham will have a new bright, shiny look to contrast when the city is thrown into chaos
  • Nolan’s home is just down the street from 1960s TV Batcave entrance
  • 30 minutes of the movie were shot with IMAX cameras, including the entire opening (a first for any major motion picture)

On This Day: Rick Burchett

Comic book artist Rick Burchett was born in 1952. He originally worked in advertising in St. Louis, Missouri but was always a comic book fan. In the early 1980s he switched to comics professionally and worked for several smaller comic book publishers before joining DC.

His first DC title was Blackhawk, but that was quickly followed by Batman, Superman, The Flash, Green Lantern, and others. Burchett has won two Eisner Awards, for his art on The Batman and Robin Adventures and Batman: The Gotham Adventure.

His most recent work has been on Marvel’s She-Hulk.

 

The Science of Comics: Batman’s Gliding

The Dark Knight is overlooking the city from the ledge of a towering skyscraper when he spies a violent crime occurring in the streets below. Without even the hint of a pause, he jumps off the top of the building and uses his his outstretched cape to swoop down onto the crowd of evil-doers.

That familiar scene has been one of the staples of comic books for which readers have long suspended disbelief. But maybe fiction isn’t too far from reality. Could this be done? The ComicMix mythbusters say yes!

How, you ask? Well, just watch this footage of a mountain wingsuit. Substitute the gothic architecture of Gotham City for the mountains, and you have one impressive, bat-shaped figure ready to glide down from the night sky and strike fear into the hearts of a superstitious, cowardly lot of criminals.