Tagged: Batman

DENNIS O’NEIL: Who knows what evil lurks…? Part 2

Suddenly, the air was full of bats!

The “air” here is metaphorical and if you’d allow me to fully ripen the trope, possibly to the point where it emits a faint odor, it might read, The air of popular culture in the 30s and 40s was full of bats.

Let’s see.  There was a Mary Roberts Rheinhart novel and an early talkie adapted from it, both called The Bat, and there was a pulp hero also called The Bat and, a bit later, another pulp do-gooder who labeled himself The Black Bat.  Am I forgetting anyone…?  Oh yeah.  A comic book character that was introduced in Detective Comics #27, dated May 1939, as Batman.  Like an estimated eighty percent of your fellow earthlings, you may have heard of him.

And, again metaphorically, standing behind the Batman and maybe some of the others was one of the greatest pulp heroes, The Shadow.  The writer of the early Batman stories, Bill Finger, made no secret of his admiration for the Shadow novels.  He went so far as to admit that the Shadow’s influence on his batwork was extremely direct when he told historian (and author and artist and publisher) Jim Steranko, “I patterned my style of writing Batman after the Shadow.”  And: “My first script was a take-off on a Shadow story.”

Which brings us to Anthony Tollin.  Remember him?  I introduced the two of you a couple of weeks ago in this very feature. I told you that a company Anthony owns has been issuing reprints of the Shadow books. Recently, he sent me an early copy of one of those books, titled Partners of Peril, and suggested that I might want to compare it to the first Batman adventure, The Case of the Chemical Syndicate. 

Of course there are differences.  After all, the Shadow novel is probably around 50,000 words long and Batman’s debut is six comic book pages.  But there are also similarities.  I won’t even try to describe them all – see Robert Greenberger’s ComicMix article, or Anthony’s text piece in the book itself – but they are manifold.  In a phone conversation a few hours ago, Anthony mentioned the most obvious, among which are:

  • Both are about a – yes! – chemical syndicate.
  • The heroes of both get involved in the proceedings while visiting a law-enforcing friend.
  • Both feature virtually identical death traps, which each hero beats in the same way.
  • Both heroes offer the same whodunit-type explanation at the adventure’s end.
  • Both heroes spend a lot of time on a rooftop after a safe robbery.
  • The denouements of both stories are, again, virtually identical.

Et cetera.

As I wrote in the earlier column, anyone with even the dimmest interest in pop culture or comics history, or who just wants to sample the kind of entertainment that kept pops or granddad reading by flashlight under the covers, or who’s just in the mood for capital-M Melodrama combined with capital-H Heroics, might want to see if the Shadow has anything for them.

For me, the stuff has another aspect, one which is as modern as hip-hop. But that’s for next week.

RECOMMENDED READING: Awww…you know.

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

Sunday reading catch-up

You know you’re a geek when you go away-from-keyboard to spend the day with your cousins at a nifty local mall and your first thought upon seeing a Lego keychain display is, "Ooh, Batman and Robin and the Joker, this would make a cute photo for ComicMix!"

olympus-digital-camera-14

And so it goes (apologies, etc. etc.).  Now for your weekly all-in-one post of our regular columns from this past week:

As for me, I’m going to catch up on Mellifluous Mike Raub‘s latest podcasts:

I’ll also be reading comics.  Have I mentioned today’s a good day to read comics?  Heck, what day isn’t?

JOHN OSTRANDER: Hurling stones

ostrander100-9025781I had a couple of other topics I was going to work on but then I read Mike Gold’s column this week and decided I had enough to say to on it and the subject of his column that I might as well do it in my own. Thanks, Mike, for supplying my column this week!

The question at hand was Don Imus’ racist remarks on his show, categorizing Rutgers University’s women’s basketball team (the majority of whom are black) as “nappy headed hos.” (For short, and because I don’t want to perpetuate the comment by repeating it endlessly, we’ll just reduce it to   “nhh”.)

Imus has since apologized at length, doing the mea culpa circuit that prominent white men do when they get caught putting their feet in their mouths. There have been the chorus of calls for Imus’ resignation or firing and Imus has said he was just trying to be funny and he’s really a nice guy and so on. As I write this, Imus has been suspended by CBS radio for two weeks and MSNBC has dropped the television show. After a ritual flogging on the Rev. Al Sharpton’s radio show, Imus is now scheduled to meet with the women he actually insulted and their families. Nice to know we’re all keeping our priorities straight.

Caveat: I don’t listen to Imus. If I’m listening to radio in the morning it’s generally NPR and I don’t do that very often. So I’m getting a lot of this second hand or worse. I’ve never been into the whole “shock jock” thing so you can take what I have to say with that grain of salt. Also, I’ve had my own brush with hoof in mouth disease in a script where I referred to Asian people as Orientals. As has been driven home to me, Orientals are rugs; people are Asian. So I am not within sin. I’m throwing rocks anyway.

Let’s talk about Imus first. My first reaction on hearing all this was, “What an incredibly stupid thing to say.” Imus has been in the game long enough and he knows the field. He has no internal censor that suggested to him for a half second that referring to African-American women as “nhh” just might get him into trouble? Frankly, I always had the impression that Imus was sharper than that.

And then the cynical Chicagoan side of me kicked in. Maybe Imus’ attitude at the time was “Well, remarks like this sure gets people talking about ya, doesn’t it? Good, bad – does it matter so long as they don’t forget you?” Now people might listen in to hear how contrite you are, or if you’ll do it again, or because they think you should do it again. What’s a shock jock without a controversy? Or maybe he didn’t expect people to get upset – stuff like this has been his stock in trade, right? Isn’t it why people listen? Imus says what a lot of people think – isn’t that the justification? The current brouhaha is just a matter of degree.

I wonder – what would the reaction have been if it was the Rutgers men’s basketball team that lost in the Finals (they didn’t even get that far) and Imus had called them “nh (fill in the blank).” Actually, I’m betting nothing would have happened because Imus would have realized, before he said it, that it was going too far. But these are just female jocks. Who really cares, eh? Let’s call them whores because they lost a freaking basketball game. Maybe if Imus had just stuck with being misogynistic instead of racist, he would have been okay.

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DENNIS O’NEIL: No evil lurks this week

Okay, okay, I’m sorry. I know I promised, at least implicitly, to deliver Who Knows What Evil Lurks – Part 2 this week. But that will take some time and maybe digging, to write and, honestly, I have the luxury of neither. By the time you read this, I’ll either be at or returning from Juaniata, Pennsylvania, where I’ve been invited to be the guest of Jay Hosler and maybe shoot off my mouth in public a bit. I’ve been busy doodling notes for said mouth-shooting; hence no dissertation on lurking evil.

I thought about just blowing off this whole column thing, or delaying it until I was back here in scenic Upper Nyack, and rested. But… I promised editor Mike Gold and PR goddess Martha Thomases that I would deliver a minimum of 500 words each and every week. And I made the same promise to myself. Sternly, I said to myself that I had to respect the deadline, even if the deadline in question is largely of my own making.

By the way, I don’t hate deadlines the way a lot of writers and artists seem to. Maybe that’s just because I lived with them for so long – for over 40 years, they were a constant part of my life. What can be said against them is that they can be a pain in the ass. What can be said for them is that they can impart focus to a project and they can be an impetus to stop kvetching and worrying about your ability to leave civilization breathlessly in your debt (and maybe sit on David Letterman’s couch) and just, please, get the damn thing done.

A couple of paragraphs back – I’ll wait while you check – I mentioned Jay Hosler. Doctor Hosler teaches biology at Juaniata College, is a proponent of evolution, a comics enthusiast, a writer, and a cartoonist. He’s done two graphic novels which I found educational and very entertaining. You’ll find the titles below.

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Movie Auction sets record

The auction we told you last Friday (http://comicmix.com//news/2007/03/30/to-do-april-5-buy-superman-oz-props/) is over,and sold more than $2 million in props.  Among the highlights of interest to ComicMix:

— SOLD $ 31,625.00  Lot 376.  Original car from Mr. Toad’s Wild Ride at Disneyland.

— SOLD $ 34,500.00  Lot 384.  Illuminating model of the Nautilus submarine from 20,000 Leagues Under the Sea.

— SOLD $ 23,000.00  Lot 413.  Hero costume w/rocket pack from The Rocketeer.

— SOLD $ 31,625.00  Lot 525.  Yvonne Blake costume sketch of Superman from Superman: The Movie.

— SOLD $115,000.00  Lot 537.  Christopher Reeve hero ‘Superman’ costume from Superman:  The Movie.

— SOLD $ 26,560.00  Lot 545.  Screen-used Kryptonite crystal from   Superman III.

— SOLD $ 63,250.00  Lot 560.  Val Kilmer ‘Batman’ costume from Batman Forever.

— SOLD $ 48,875.00  Lot 561.  Alicia Silverstone ‘Batgirl’ costume from  the Ice Cave battle in Batman Forever.

— SOLD $ 40,250.00  Lot 566.  Wolverine hero claws worn by Hugh Jackman in X2: X-Men United.

— SOLD $ 34,500.00  Lot 591.  Early Leonard Nimoy "Spock" tunic from the first season of Star Trek.

— SOLD $126,500.00  Lot 631.  H.R. Giger Alien creature suit on display from Alien.

— SOLD $ 40,250.00  Lot 640.  Jedi Master stunt fighting lightsaber from SW: Episode II – Attack of the Clones.

— SOLD $ 69,000.00  Lot 641.  Golden headpiece of "Staff of Ra" from Raiders of the Lost Ark.

JOHN OSTRANDER: The headline quartet

ostrander100-7707776You’ve done this on tests. Which of the following doesn’t fit?

  1. Celeb fashion flops
  2. Crafting the perfect lawn
  3. Man films own death by meth
  4. Clearing home clutter

If you picked “Man films own death by meth” then give yourself an A. I plucked this quartet as is from my MS Hotmail account; after I sent off an e-mail, a screen popped up asking me if I wanted to go back to the message or to the inbox. In the left margin, there were also some news stories that I might want to pick. These were the four headlines to choose from. Three innocuous bits of news fluff and one fairly grotesque news item.

Each headline had equal value. The type sizes were all the same size. Suicide is given the same value as “Crafting the perfect lawn.” They’re all just newsy bits, one no more important than the next. In a list we sometimes assume that the top or the bottom items have the most impact but not so here. Exchange the top two items and nothing really has changed. Put the suicide item at the top or the bottom and the list changes but nestle it in the middle and it’s just one more bit of fluff.

I’ve been looking at our little headline quartet and reacting several different ways. In this context, with everything being the same, death has no more importance than crafting the perfect lawn. It’s just another widget headline. If everything has the same value, then what has meaning? “Man films own death by meth” is grotesque, it should horrify. The quartet suggests otherwise to me. There is no sense of priority here, that this one thing is more important than this other thing. The context of its appearance in this quartet suggests that the death is mundane.

Which might raise the question – is it more important? An unknown man films his own death by meth. Should his death mean anything more to me than celeb fashion flops? Is his death noteworthy or the fact that he filmed it? If there wasn’t video, we wouldn’t care. Just another meth user screwing up his life. I’m not going to pretend that I care deeply about every person who dies; I don’t. The deceased may have family and friends who will mourn him; I hope he does. Me? I’m mostly appalled but that’s about it. Maybe for me it IS just another widget headline.

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DENNIS O’NEIL: Who knows what evil lurks…? Part 1

Meet Anthony Tollin.

I did, more than 30 years ago, at DC Comics. Anthony was tall, friendly, didn’t look like a New Yorker, and wasn’t. He came to Manhattan from Minneapolis in 1973, worked a couple of jobs, and then landed at DC, where he stayed for 20 years, proofreading, color-coordinating, helping Jack Adler manage the production department – necessary chores, done well away from the spotlight, that transform the raw materials of artwork and script into a printed artifact. Along the way, Anthony got married, and divorced, moved to another state, and when he retired from DC, settled in Texas, where he lives and single-parents his lovely and gifted daughter, Katrina.

If you talked to Anthony much, you soon discovered that he had a number of pop cultch enthusiasms, not the least of which was comic books. But his real passions – I don’t think the word is too strong – were always The Shadow novels, mostly written by Walter Gibson under the pseudonym Maxwell Grant and published in the 30s and 40s in the pulp magazine format, and old radio shows, particularly the crime and adventure programs that were the first cousins of the pulps and comics. If ever I had a question about either of these subjects, Mr. Tollin was always my first go-to guy. I never needed a second.

Those passions are still part of the Tollin gestalt, and now he’s found a new way to both share and make a living from at least one of them. Since July, a company Anthony started has, in partnership with something called Nostalgia Ventures, been issuing reprints of The Shadow books. The price is $12.95, quite modest considering that in one volume you get two novels and reprints of the original illustrations, a feature that’s both unusual and, I think, a real value-adder. The book that’s on the desk next to my computer would certainly be mistaken for one of the old pulps – same size, same kind of cover and font – until you picked it up and found that, in fact, both the cover stock and the interior stock are considerably better than anything that bore the original work. Inside, there are the novels, plus a couple of pieces by Will Murray, another expert and go-to guy, and an adaption of a Shadow radio show.

And as a comics fan you should care… why?

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Marvel to Launch 365

Saying, "Anything DC can do, we can do better," Marvel Editor-in-Chief Joe Quesada today announced plans for next summer’s big event.  "365 will be a daily comic," he said.  "Every single day, including weekends and holidays."

Like 52, the new series will have a team of writers and artists.  Twenty-eight writers, including Marvel All-Stars Ed Brubaker, Garth Ennis, Mark Millar, Chris Claremont, Tom DeFalco, Peter David, Brian Bendis, Mike Carey, Robert Kirkman, Paul Jenkins and Roy Thomas, among others.  All will follow the direction of "show runner," Andrew Helfer, who is coming on board to see that all the deadlines are met.

"We have everything in place," Quesada said.  "Andy lined up Bill Sienkiewicz and George Perez to alternate covers." 

The first issue of 365 will go on sale on a year from today.  Cover price will be $10.00 each issue.  "That’s what it took for Diamond to handle the shipping," Quesada said.

In retaliation, Dan DiDio announced that DC would launch The Hundred Years War.  "Superman, Batman,  Wonder Woman and other super-heroes get stuck in a line at the Motor Vehicles Bureau,"  he explained.  "It’s up to the rest of the DC Universe to fight  the universe-threatening evil.  Can Comet the Super-Horse and Ambush Bug save the day?  Will someone die?  Will anyone live?  You might think you don’t care, but you will."

Comic book Starz

From April 4 through May 4, the Starz cable network will promote the new movie, Spider-Man 3.  The month-long event features behind-the-scenes footage, a sweepstakes, and a day-long marathon of super-hero movies.

The "Starz Spider-Man 3 Sweepstakes" begins on Wednesday, April 4 and runs through Sunday, May 4. One grand prize winner will be awarded a Sony Bravia 40" LCD HDTV and 100 first prize winners will receive a Spider-Man 3 poster. Enter to win the "Starz Spider-Man 3 Sweepstakes" by filling out the entry form at http://www.starz.com.

The "When Comic Books Attack" marathon airs on Starz Thursday, May 3 and will feature "On the Set: Spider-Man 3" and other comic-book inspired films including Sin City, Underworld: Evolution, Silver Hawk, Blade, Judge Dredd, Dick Tracy, Darkman, and Batman and Robin.

Underworld?

To-Do April 5: Buy Superman, Oz Props

If you have the time next Thursday and you’re in Los Angeles with a little spare change burning a hole in your pocket, you might want to stop by the Profiles in History auction house. They have a Christopher Reeve Superman costume from the first movie, a Winkie uniform from The Wizard of Oz (the Winkie’s were the guards of the Wicked Witch of the West, the ones who sing the song with words that always sounded to me like "Oreos – Oreos – Oreos – Oooh – Oh").

Other iots feature a Batman costume from the 1995 Batman Forever, an alien costume from Alien (1979) and various other Superman ephemera, including transcripts from brainstorming sessions.

In all, there are more than 700 lots.  If you’re not in LA and want to bid, you can go online at ebayliveauctions.com or profilesinhistory.com.