Tagged: ComicMix

Spinner Rack Blues, by Mike Gold

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  • October 13, 2008

“Ah, you kids today, you’ve got it easy.”

I’m sure over the past several million years that line started more lectures than all the speed freak professors at all the Ivy League schools combined. It also inspired more than a few comedy routines, too, including a classic from Monty Python. But when it comes to comics, you kids today, you’ve got it easy – if you’re lucky enough to live within travelling distance of a friendly neighborhood comic book store.

For the first 40 years of this medium’s history (much longer for Archie Comics), comic book sales were dependent upon spinner racks like the one pictured above. They appeared at local candy stores, drug stores, toy stores, newsstands, train and bus stations, and even some grocery stores. They were low-profit, high-labor efforts that gave parents some place to park the kiddies while they were buying cigarettes and Sal Hepatica.

As comics fans, we rarely had any idea when new issues would appear and we hardly ever knew when brand-new titles would pop up.  A handful would be advertised within the comics themselves, but the on sale date wasn’t necessarily accurate. Distributors received the books two to three weeks prior to release date, and sometimes would pass some of them along early if there was space on the truck. Or if there wasn’t, sometimes not at all. Some stores never received books from certain publishers: Harvey and Charlton were particularly difficult to find in my neighborhood.

But for the dedicated comic book collector, it was a way of life. Every Tuesday and Thursday, I’d be at the drug store across from my grammar school with my lunch money in hand. Every weekend, my friends and I would walk one mile down Chicago’s Devon Avenue from Kedzie to Western, stopping at seven different stores that carried comics. Oh we did a lot of other, more annoying stuff as well, but we never passed a spinner rack up. (more…)

Review: ‘Monty Python’s Tunisian Holiday’

51hrrisu-nl-sl500-aa2401-3018019Well as careers go, here’s a good one. Start off writing a fanzine and wind up working with and for Del Close and Monty Python and, specifically, John Cleese. Then you get to write all kinds of books about your labors.

Long-time comics journalist and frequent ComicMix commenter Kim Howard Johnson has a new book out called Monty Python’s Tunisian Holiday. It’s a misnomer; Monty Python was in Tunisia to work. They were making a movie. Monty [[[Python’s Life of Brian]]], to be exact. But few would buy a book called [[[Kim Howard Johnson’s Tunisian Holiday]]] unless it had a lot of sex in it, so the title choice is obvious. So are the contents: it’s Howard’s account of his time with the Pythons in Tunisia filming [[[The Life of Brian]]] and touches on his time on-stage with the group at the famed Hollywood Bowl concerts (Howard’s a professional, trained by no less than Del Close).

This is less of a companion volume to his [[[The First 200 Years of Monty Python]]],[[[ And Now For Something Completely Trivial]]],[[[ Life Before (and After) Monty Python]]], and [[[The First 280 Years of Monty Python]]] than it is Howard’s story chronicling his experiences as both a performer in the movie and a journalist covering the shoot. As such, it’s more of a companion volume to Michael Palin’s recently released autobiography Diaries 1969-1979: The Python Years (I highly recommend the audiobook version, read by Palin). It’s witty, it’s thorough, and if you’re a Python fan or a movie nut, it’s completely vital. 

By the way, Howard’s got prefaces from Michael Palin, Terry Jones, Eric Idle, and his former boss and collaborator ([[[Superman: True Brit]]]), John Cleese. It’s nice to know people.

O.K. Cool, Howard. Great job. Now go do that biography of the Bonzo Dog Band I’ve been wanting so desperately.  Ummm… after you finish that [[[Munden’s Bar]]] story you’re doing with…

Behind the Mask, by Martha Thomases

  • News
  • October 11, 2008

In the early 1980s, conspiracy theories were all the rage. There seemed to be a cottage industry in debunking the conventional theories about the Kennedy assassination. Paul Krassner once said that he read so many articles on the subject in Penthouse magazine, next to the pin-ups, that he became aroused every time someone mentioned the Warren Report.

These ideas were everywhere. I remember seeing a long rant (printed up, on a poster in Washington Square Park) explaining that Mark Chapman and John Hinckley were both brainwashed by the CIA as assassins, with Chapman’s murder of John Lennon being a test run for the attempt on President Reagan.

While this seemed far-fetched, there was one aspect that made sense to me. Both Chapman and Hinckley were said to have acted in imitation of Travis Bickle, the character played by Robert DeNiro in Taxi Driver. Robert DeNiro has never been more physically compelling than he was in that role, but Travis Bickle did not seem to me to be a happy person. It did not look like fun to be him.

Mark Millar plays with this idea in Kick-Ass. In this series, a scrawny young kid, feeling left out, puts on a set of long-johns and goes out on patrol. He gets the crap kicked out of him at first, but he also learns how to fight, and he attracts the attention from the media he can’t attract at school. Soon he’s considered a hero, and inspiring imitators of his own. Through it all, he remains a skinny kid, with few apparent social skills. I want to adopt him.

If people were going to base their actions on fictional characters, I thought it was much more likely for them to try to imitate Batman. After all, Batman and other non-super-powered heroes (like The Spirit, The Sandman and The Green Hornet) were beloved by millions, and Taxi Driver was a relatively small independent film, celebrated by elitist New York intellectuals.

Where were our costumed vigilantes?

It’s only taken a quarter century, but they’re here! According to a recent story in the New York Daily News, there is a group of people who dress up in costume and go on patrol. (more…)

In My Life, by Michael Davis

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  • October 10, 2008

 

Though I know I’ll never lose affection / For people and things that went before / I know I’ll often stop and think about them…

In My Life, by Lennon and McCartney
 

I was thinking about my departed sister the other day. I always think about her but more so this time of year because her birthday is approaching. My sister Sharon died a tragic death leaving a part of me forever sad. That’s a part of me, for the most part I’m an upbeat guy but there are some times when I have to be alone to just think about her and cry. I’m not talking about tearing up, I cry, sometimes so uncontrolled I shake like a child out in the cold without a coat. I call those times when this happens to me my “chick” moment.

Make of that what you will.

When these “chick” moments happen, I have to sit in place for some time before I can return to normal. Now that’s funny, who would have thought me… normal?

I know that some people see me as a fast-talking driven dealmaker. I also know that some people see me as a lucky SOB or asshole. I’m fairly confident that talking to people about me you will get one or a combination of those three descriptions.

I’m fairly confident that is what you will get. I’m positive that you will not get this: “Michael Davis? Him? Oh, every so often he breaks down and sobs like a little bitch.” Well you may get that now because of my big mouth, but up until now you would not have.

Yes, this is ComicMix and yes there is a comic book article coming but please allow me to have a moment here. Speaking of moments I had a “chick” moment last night. I was sitting in my office and I started thinking about my sister. I was fine for about five minutes until the song You Are Not Alone, by Michael Jackson came up on my iTunes. My sister was attacked and left to die while people walked passed her all night thinking she was drunk or high on drugs. No one stopped, no one helped. Her life, which could have been saved, simply faded away.

Sharon hated to be alone. She was always with friends or family so when You Are Not Alone myself out of these “chick” moments I try and think about what’s good in my life. This time I started thinking about my friends. Man, do I have great friends. I don’t have many but as a friend of mine once told me, “You know good people.” I do know good people. That made me feel a bit better.
(more…)

Newman’s Own, by John Ostrander

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  • October 9, 2008

I liked Paul Newman. I should’ve hated him; bastard was too damn good looking and should’ve given me an inferiority complex. The fact is I didn’t always like how I looked but what I learned was that he didn’t always like the way he looked, either. Newman felt his looks got in the way of his being an actor, affected the roles he was offered, the roles he wanted to play. He was a character actor trapped in a leading man’s body. That allowed me to identify with him as a person as well as an actor.

Paul Newman died about two weeks back. I expect you heard. He had a long and varied career as an actor and not every film was great. I won’t pretend I’ve seen them all but I do have my favorites among them. While I liked Butch Cassidy and the Sundance Kid and The Sting and admired his collaboration with Robert Redford, those films aren’t on my list of faves. Nor is The Hustler or The Color of Money, in both of which he played Fast Eddie Felson. It intrigued me – the idea of portraying the same character 25 years apart but they don’t appeal to me enough personally to make my own list of personal favorites.

As I said in last week’s column, our likes and dislikes about anything – film, comics, food, whatever – can say more about ourselves than about those likes and dislikes. So I’m not sure what this list says about me. What follows is not a critical evaluation of the films or their place in Newman’s body of work. They’re just the ones I like best and the reasons why.

Hombre. 1967. Martin Ritt directed this western adapted from an Elmore Leonard novel. In it, Newman plays John Russell, a white man raised by Apaches. For various plot reasons, Russell winds up on a stagecoach with a varied lot that includes Diane Cilento, Martin Balsam, and Frederic March. The stagecoach gets robbed by a gang led by Richard Boone who is after the money that March, as a crooked Indian agent, has accumulated. Russell foils the robbery, recovers the money, and becomes de facto leader of the others as they try to get out of the desert, pursued by Boone and his gang.

Newman has a great quality of stillness in the movie. His character is capable of sudden and effective bursts of violence but I was also taken with the sense of patient waiting that Newman projected at moments. Very still with little or no body movement, yet he had a sense of attention and focus. He made stillness active.

He’s also wonderfully deadpan and has some great moments in the film as a result. At one point, the stagecoach passengers led by Newman’s Russell are at the top of an abandoned mine. Boone’s outlaws have them cut off and Boone, under a white flag, climbs to the shack to dictate terms. Martin Balsam’s character negotiates and, at the end, Russell quietly tells Boone he has a question. “How are you planning to get back down that hill?” Boone turns tail and flees down the stairs and Russell puts two bullets into him.

That was cold and that was slick and I enjoyed it so much I later stole it and put it into one of the GrimJack stories. Worries me some for what that says about me, but there you go. The character of John Russell definitely influenced the character of GrimJack. I’m not going to tell you it’s a great film but it’s a fave of mine.
 (more…)

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The Big D, by Elayne Riggs

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  • October 8, 2008

diabetes-2266515Back in the spring during my job hunt, I took care of my annual checkup. I’d gotten fed up with my New Rochelle physician who’d kept up a steady drumbeat of “you need to lose weight” as the answer for everything from my heart scare to high blood pressure to allergies (the allergy advice seemed to always be supplemented by free samples of Flonase, from which she was doubtless getting a kickback), and heck if I wanted to schlep into New Rochelle again anyway. So I went to a local doctor who was listed as a fat-friendly health professional. But while this local doc was certainly friendly, she turned out not to be terribly fat-accepting, especially considering the results of my first workup.

Her office called me when the test numbers arrived, asking me to return, which I did, shortly before I was offered my current position. Nobody said why I had to come in again, but I was misled to believe it was because they needed to retake the blood test since I hadn’t fasted prior to the first test (not that they’d reminded me I should have). Well, as it turns out, I was greeted with the kind of news that pretty much rocked my life in a dramatically deeper way than did my atrial fibrillation scare of Aught-5. That was the overnight hospital stay which gave me a wake-up call at age 48 that I could no longer eat anything I wanted and not suffer the consequences. So I commenced with a salt-restricted lifestyle, missed potato chips and pickles for awhile, but could more or less deal with it just fine.

This one was different. The diagnosis was diabetes.

(more…)

‘Supernatural’ Hits Top Ratings Return List

  • News
  • October 5, 2008

The Hollywood Reporter paused to take a look at the winners and losers of returning prime time series. While it’s interesting to see Supernatural’s strong start in its fourth season, the shows with weak returns do not bode well for our genre faves.

Gainers

1. CW SUPERNATURAL 1.2 to 1.7 = 42%
2. CBS CRIMINAL MINDS 3.5 to 4.7 = 34%
3. CBS HOW I MET YOUR MOTHER 3.3 to 4.0 = 21%
4. CBS CSI: MIAMI 4.6 to 5.2 = 13%
5. CBS NCIS 3.2 to 3.6 = 13%
6. CBS TWO AND A HALF MEN 4.8 to 5.3 = 10%
7. CBS CSI: NY 3.7 to 4.0 = 8%
8. CW GOSSIP GIRL 1.6 to 1.7 = 6%
9. CW ONE TREE HILL 1.6 to 1.7 = 6%
10. FOX AMERICAN DAD 3.1 to 3.2 = 3%

Droppers

1. ABC PUSHING DAISIES 4.4 to 2.0 = -55%
2. FOX TERMINATOR 4.2 to 2.4 = -43%
3. FOX DON’T FORGET THE LYRICS 2.9 to 1.7 = -41%
4. CBS WITHOUT A TRACE 4.7 to 2.8 = -40%
5. CBS OLD CHRISTINE 3.2 to 2.1 = -34%
6. ABC DIRTY SEXY MONEY 3.6 to 2.4 = -33%
7. CW AMERICA’S TOP MODEL 2.5 to 1.7 = -32%
8. FOX SMARTER THAN 5TH GRADER 2.5 to 1.7 = -32%
9. NBC HEROES 7.3 to 5.0 = -32%
10. NBC MY NAME IS EARL 3.8 to 2.7 = -29%

ComicMix strongly recommends Pushing Daisies and is encouraged by the refreshed Heroes.

Diamond Dogs, by Martha Thomases

  • News
  • October 4, 2008

Are you reading James Robinson’s Superman? You should be. They’re amazing stories. The Alex Ross covers should be enough to tip you off that you’re in for a treat.

But the best part is that they prominently feature Krypto, the Dog of Steel.

I’ve been a huge fan of Robinson’s writing ever since The Golden Age, with Paul Smith’s gorgeous, evocative art. It made me nostalgic for an era of comics I never read.

Starman knocked me out. I loved it so much that I had someone make a logo for me so I could have a leather jacket like Jack’s, which I still wear all the time (weather permitting), even though there was a ten year stretch when no one knew what it was about. People still ask me if it means I’m an Aquarius. That’s okay. I’m not, but it gives me a chance to talk about how great the comic is.

Robinson’s best trick, I think, is taking a character and giving him or her an interest in something beyond heroics, or relationships or career. Jack Knight loved antiques, especially Hawaiian shirts and Art Deco ties. Those are not things that interest me, but I loved that he loved them. It made him seem more geeky, more human.

Robinson’s Superman doesn’t seem to collect anything. Clark Kent is a young man, in a young marriage. He and Lois love each other, but, even after a few years, they’re still getting used to sharing their lives. When Clark wants to keep his dog in their apartment, they argue about it.

Clark’s dog is no ordinary mutt, but a dog from Krypton. When he chews on the furniture, it’s a disaster. Lois is reasonably worried for her own safety and that of her neighbors.  (more…)

ComicMix’s Mike Gold Babbles Non-Stop for 42 Minutes

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  • October 4, 2008

Reporter/Journalist Bob Andelman, known to many as Mr. Media, has interviewed our own Mike Gold about the full range of what ComicMix is all about.

While regulars here certainly know much of this, Mike expands on our goals and where we’re headed.

Interested listeners can check out the audio at Mr. Media.
 

Oblivion, by Mike Gold

  • News
  • September 29, 2008

So we’re headed straight into another 1930s-style depression, or so our politicians and the media would have us believe. Maybe that’s true, although the attempted cure – the socialization of our investment bankers and the insurance industry – just might work. It’s the perfect solution in the Age of Irony: our neocon president nationalizing the very companies that control so much of our economy. Franklin Roosevelt must be rolling over in his grave.

But the real question that concerns us is – how might this affect us as comics and popular culture enthusiasts?

First, I’ll address the most obvious. If you lose your job, you will have less discretionary income and, despite our self-image, comics and movies and action figures are more discretionary than the rent, electricity and food. Even if you’re 45 years old and you live in your mother’s basement, if she’s living off of an annuity and her insurance company goes blooie, you might be cutting back on those X-Men titles.

If enough people find themselves in that position, the friendly neighborhood comics shop will go blooie as well. If enough comics shops go down, the smaller publishers (the “back of the catalog” people) will see retailers order their wares more conservatively than they did before. Some publishers will vaporize. It’ll certainly be tougher for creators to sell those more interesting yet less commercial projects.

Movies… well, that’s another matter. Movies have this rep for surviving the 30s Great Depression, but only among those who aren’t aware how many movie studios got sold, went bankrupt, or almost went bankrupt at the time. Today’s movie-going experience is a lot more expensive than it was for our grandparents. Even in constant dollars, $10.00 tickets are a lot more than 25¢ tickets… and our grandparents didn’t have to spend as much (relatively speaking) on popcorn and soda. More significant, most were able to walk to their local movie house. Today, we have to drive. Even the low, low price of $3.50 a gallon would crank the entire movie going experience up to $50.00 for a couple; more, with dinner. A movie date will cost you a cool hundred.

Television is no longer free. Sure, only a few people will need to get those digital adaptors for their rabbit-ears this February, but most of the rest of us get our fix from cable or satellite (or, in the case of my bestest friend, both cable and satellite). If food, rent, gasoline and utilities cost a family of four two grand a month or more and either one of the breadwinners is no longer winning bread, those premium channel packages are going to look real expensive.

Comics retailers order their stuff from Diamond on a non-returnable basis and, literally, bet the rent each month on their order form. They will have to be even more conservative. They’ve already been ordering what they know will sell; now they have to factor in the fear factor: how many of their regulars will lose their jobs, how many will be so afraid of losing their jobs that they’ll make immediate cut-backs in their purchases? I already said the “smaller” publishers would suffer; so would those companies that manufacture licensed material – action figures, posters, tie-in apparel, (more…)

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