Tagged: ComicMix

Win The Americans Prize Pack!

theamericans_s1_bd_spine-e13904013427651-8288136We didn’t know what we were in for when FX debuted The Americans last February. The Cold War story of Russian spies embedded in suburban Washington D.C. was fresh and fun with winning performances from Keri Russell, Matthew Rhys, and Margo Martindale. With the second season ready to arrive in a few weeks, our friends at 20th Century Home Entertainment are offering ComicMix readers an opportunity.

ushanka-e13904014252271-1335831The Americans, Season 1 blasts its way onto Blu-ray and DVD February 11th. There’s no better way to celebrate than by entering to win a Blu-ray copy of Season 1 to add to your collection, as well as a Russian styled Ushanka hat. Be careful where you wear the hat though, your neighbors may begin to think you’re an undercover Russian KGB spy!

To enter for your chance to win, simply answer the below question.

the-americans-season-1-dvd-and-bluray-americans_s1_352x264_2_rgb-e13904014684781-9895039What year was the U.S.S.R officially dissolved?

A) 1972
B) 1991
C) 2003
D) 1983

Give us your answer by 11:59 p.m., February 11. Open to United States and Canadian readers only. The judgment of ComicMix will be final.

Synopsis

Secrets can be deadly in this suspenseful thriller about undercover Russian spies in 1980s Washington. Philip (Matthew Rhys) and Elizabeth Jennings (Keri Russell) seem to be a typical suburban couple, but they’re actually lethal KGB agents plotting to bring down America. As the Cold War escalates, Philip and Elizabeth must take extreme measures to continue their mission and keep their true identities hidden. But when an FBI agent moves in across the street, they become ensnared in a pulse-pounding game of cat and mouse.

Blu-ray & DVD Features

  • “The Colonel” Commentary featuring Joseph Weisberg, Joel Fields and Noah Emmerich
  • Executive Order 2579: Exposing the Americans
  • Perfecting the Art of Espionage
  • Ingenuity Over Technology
  • Gag Reel
  • Deleted Scenes
  • Trailers

Jen Krueger: Perils of the Group Watch

krueger-art-131210-150x144-8890631Hello ComicMix readers! My name is Jen, and I’m really excited to be joining the fold here so I can expand the arenas in which I nerd out about comics, movies, TV, books, and any pop culture ephemera that strikes my fancy. I host a podcast to dive into stuff that’s under the radar, take a look at how things in popular culture now got there, and muse about where trends may go in the future. But exploring pop culture in the written word is another beast entirely, and it’s one I’m pumped to tackle! So let’s get to it!

My favorite TV show is Doctor Who. I embrace every opportunity to talk about it, and have maybe, possibly, sometimes (read: definitely, absolutely, often) turned conversations about entirely unrelated things toward the Doctor, and why the person I’m talking to really should give him a shot. In fact, I’m such a big Whovian that I’m part of a show that does an improvised episode of Doctor Who twice a month! All this being said, I’m sure you can imagine that I had no shortage of invitations to viewing parties for “The Day of the Doctor,” my beloved series’ 50th anniversary special. Yet I didn’t say yes to a single one. Because I hate the group watch.

In the past few years, “event TV” has been making a concerted effort to regain the time-of-broadcast viewership it lost to DVRs. And of course, the fear of encountering spoilers on Twitter or Facebook before getting to view an anticipated show has also helped to draw audiences back to consuming TV at broadcast rather than after the fact. With more people consuming event TV as it airs, maybe it seems natural that viewing parties would become more common. If we’re going to be watching something we enjoy, and our friends are going to be watching the same exact thing at the same exact time, why not do it together? A lot of people I know not only embrace this philosophy, they take it a step further: if we all love Doctor Who or Breaking Bad or Game of Thrones, then why get together only for the anniversary special, or last episode, or season finale? Why not group watch every episode to maximize the amount of shared enjoyment?

I’ll tell you why not: because other people are distracting! I don’t want to sit next to a fidgety person while I’m trying to keep the myriad of characters in Westeros straight. I don’t want to miss the second step of one of Walt’s plans because someone in the room with me starts commenting on the first step. And I definitely don’t want to pause for someone to go to the bathroom just as things are getting really timey-wimey. When I love a show, I become pretty OCD about preserving the dramatic flow and catching every detail, and I just haven’t found these things to be possible in a group watch environment.

That being said, the distraction of other people isn’t even the largest deterrent to the group watch for me. The biggest reason I don’t like to view my favorite shows with other people is the fact I tend to react… let’s be generous and just say strongly to the shows I love. “The Red Wedding” made me cheer loudly (feel free to call me a monster, but I think they had it coming), it’s hard for me to think of an episode of Doctor Who that didn’t make me cry, and the penultimate episode of Breaking Bad filled me with a mix of emotions so intense I was literally shaking. I love that TV shows can move me to such extremes, but I’m not exactly dying for other people to see that happen, nor do I want to struggle to hold in my reactions for the sake of not embarrassing myself and distracting people around me.

So for the sake of everyone involved, I’ve gotten in the habit of declining invitations to group watch. But even though I don’t like viewing parties, I still feel bad turning them down. After all, I like my friends – I just don’t want to watch TV with them. Conveniently, I spent the day of “The Day of the Doctor” traveling, so I could truthfully say I wasn’t able to watch with anyone rather than having to fess up to the fact that I wouldn’t want to even if I could. But the more I think about it, the more I’m convinced my dislike of the group watch is defensible. If my friends like a show enough to get together to watch it, I don’t think they’ll blame me for liking it so much that I want to relish every second of it. After all, they already know what an OCD nerd I can be.

And now you do too.

TUESDAY AFTERNOON: Michael Davis

WEDNESDAY MORNING: Mike Gold

 

Meet Jen Krueger

jen-krueger-headshot-123x225-2507518I’m guessing that throughout an average lifetime we meet approximately 25 billion people. I could be wrong, but that’s what it seems like. After all, not all of these folks are worth meeting – and more than a handful of them are truly disgusting.

Well, tomorrow morning ComicMix is going to do you a favor: we’re going to introduce you to a clever, funny, intelligent and knowledgeable person who is definitely worth meeting. This is because tomorrow morning, at 8 AM EST-USA, we’re happy to say you are going to meet our newest columnist, Jen Krueger.

I could say a lot about Jen, which is weird because I’ve yet to meet her. Outside of the fact that the entire continental United States separates us, it is clear to me that if we were to meet for an early dinner our conversation would last until closing time, and then continue in front of the restaurant. Okay, I’ll admit this is usually the case when two expatriated Chicagoans meet, but Jen is… amazing. I know this because I’ve read her first ComicMix column – the one you’ll be reading tomorrow morning – and I’ve seen some of her other work.

But given the fact that we have yet to meet, I’m going to let Jen describe herself. According to the official ComicMix Book of Rules and Regulations, she’s going to do this in the third-person.

Jen Krueger is a writer and improviser living in Los Angeles. Ask her and she’ll proudly tell you she hails from Chicago. Don’t ask her, and she’ll probably tell you anyway. Jen is the Associate Director of the L.A. Indie Improv Festival and runs Friday night indie improv show The Manifesto Show with her team Comrades. Jen also hosts PrePopCulture, a podcast about pop culture before it pops. She owns one Calvinball, two sonic screwdrivers, and has degrees in Curiosity and Advanced Curiosity.

You’ll get to know Jen better after you read her first ComicMix column, right here on this unique slice of ether, Tuesday morning.

Which calls up the need for a bit of housekeeping.

You might ask “Hey! What happened to Emily S. Whitten?” To which I respond: you didn’t read her November 26th column… so I’ll encapsulate. For the next six months, Emily will be deep in work so she’s shifting to a monthly posting schedule, on or about the 25th of each month. She will be back to her weekly posting schedule after May 2014… and we miss her already.

Now you may ask “Hey! What happened to Martin Pasko?” To which I respond: hmmm… maybe we’ll run a contest.

 

Enter to Win Bones Season 8 on Blu-ray

bonesbr-e1380841379490-8499620We’re three weeks into the new season of Fox’s Bones but Bones Season Eight  is coming to home video on Tuesday, with all-new content! Thanks to our friends at 20th Century Home Entertainment we have a copy to give away.

Finally cleared of wrongdoing, Bones (Emily Deschanel)reunites with Booth (David Boreanaz) and the squints.  Although the team solves some of their most challenging cases yet, madman Christopher Pelant continues his murderous rampage – inching closer to Bones and Booth daily.  From solving the mystery of a roller derby darling’s demise to uncovering a previously unrecognized 9/11 hero to stopping a pandemic, Bones and the team make one remarkable discovery after another.  Meanwhile, as if the challenges Booth faces with parenthood and his unique relationship with Bones aren’t enough, his mother shows up after a 24-year absence, and there is shocking news about some of his colleagues. Relive all 26 killer episodes!

 

Special Features

  • Commentary on “The Future in the Past”
  • Deleted Scene from “The Patriot in Purgatory”
  • Deleted Scene from “The Survivor in the Soap”
  • Deleted Scene from “The Party in the Pants”
  • Dying to Know: Bones Answers Your Questions!
  • Bare Bones: Total Fandom-onium
  • Gag Reel

For a chance to win your copy of the Blu-ray just answer the question below:

What kind of rampage does Christopher Pelant go on in Bones?

A. Burger

B. Murder

C. Verbal

D. TV Binge Watching    

Submit your answer by 11:59 p.m., Thursday October 10. The decision of the ComicMix will be final. The contest is open only to US and Canadian readers.

Michael Davis: It’s Not Personal, It’s Business

davis-art-130924-150x120-5128234I ran this on my Michael Davis World website. I was writing another version for ComicMix because the response was so strong. Then like an idiot (which I’ve been more often than not) I realized I should just run what I wrote as is.

So…

The following email was sent to my Linked-In mailbox:

Hey Davis, I’m a comic creator trying to break into the industry was hoping you could help a brotha out with that my big fan of your work and bring back The Crush!

I am one hundred percent sure the writer wrote and sent this email with positive intentions and respect. But as they say, the best laid plans of mice and men often go awry.

This certainly did.

Here’s a hard and cold fact, many young African Americans are under the impression that being black gives them a pass on professionalism. The case can be made that my less than professional attitude in my public persona gave this young man leave to address me in such a way.

Err, nope.

My public persona is my real life persona. In real life I have a certain swagger and attitude that I portray to the world. That’s just who I am. In anyone’s life there is a time and a place for everything in my professional dealings there is never and I repeat never a time not to be professional.

There is no other way to say this; anyone who thinks they “know” you because you project a certain image to the world is most likely in for a rude awakening. Even worst-they may never get that rude awakening because emails and any other inquiries will simply be ignored.

I don’t do that.

Any chance I get to enlighten someone as to the error of their ways I do so, up to a point. I’m not wasting any time on someone I give advice to and they keep defending that ghetto bullshit way of thinking.

The following is my reply to the young man. As of yet I’ve heard nothing back from him in the two week since I’ve sent this:

I say this with love, my brother. “Hey Davis” is not a level I operate on. That is not just unprofessional, it’s disrespectful. The rest of your email was poorly worded as well.

Now considering you sent this to a Linked-In, a professional networking site, you are very lucky my executive assistant didn’t see this first. If he had your access to me through this site or anywhere else would have been terminated.

That said, I sense your enthusiasm and as such I’m going to give you a pass.

If you would like to send me another email which states clearly what it is you do (artist, writer) what it is you would like to talk to me about (portfolio, writing samples) and what sort of advice you are seeking (craft critique, career opportunities) I will see rather or not I can help you in any way-IF you have the talent and motivation that warrants my help. If your work is in presented in the same manner as your email then we have nothing to talk about.

I hope this response is received by you as what it is, a reality check. This is in no way a put down.

‘Who wrote this letter? Stevie Wonder?” That’s a put down.

I took time out of my day to write this. This is not a form letter; this is I writing to you with respect for your enthusiasm and a desire to see you succeed. If you think that’s something anyone in a position to help you will do then you have a seriously unrealistic view of the entertainment industry and you are not ready for a professional career within it.

Calling me “Davis” is just ghetto. If you were my boy and we were back in my hood South Jamaica or Rockaway Queens you could call me “Davis” all day long. You’re not my boy. I don’t know you…yet

You know what they call me when I walk into a meeting? Michael, Mr. Davis or Dr. Davis depending on whom I’m meeting and why I’m meeting with them.

“Davis.” Come on man!

There’s a saying, “you get one chance to make a first impression. “Well, I just gave you another. What you do with it is up to you my friend.

Again, I say this with love.

I hope I hear back from the young man and I hope if I can, to help him. That’s my plan but its up to him and like I said earlier, the best laid plans…

WEDNESDAY: Mike Gold

THURSDAY MORNING: Dennis O’Neil

THURSDAY AFTERNOON: The Debut Of… The Tweeks!

 

Martin Pasko: U-Moved! U-Phoric? U-Betcha!

pasko-art-130808-8661792If you’ve got The Amazing Colossal Comic Book Collection whose unfettered gigantism is dust-collecting you out of house and home, you may need to find a bigger but cheaper house and home … in which case you might need what is known as a Low-Cost Move. Which brings me to this week’s excursion into the realm of Don’t Let This Happen To You.

As I write this, I’m sitting in my lovely new home in California, to which I moved right after attending the San Diego Comic-Con, and am comfortably and serenely keyboarding as usual.

Back from that link? Sorry.

It wasn’t really my intention to begin with a headlong plunge into The Do You Know Long It’ll Take Me To Get That Image Outta My Head? Zone. I only mention it because the only clothes I have right now are what I packed for San Diego, and I launder them daily. That’s because, almost two weeks later, I’m still waiting for everything I have in this world to arrive in a conveyance that is over 10 days late, courtesy of a lovely little company I’ve come to call “U-Hell.” 

But I’m serene, I tell you, serene, because U-Hell now promises me that tomorrow they’ll finally deliver the plywood 8′ x 7′ x 5; contraption we will call “the U-Pod.”

A “U-move” is theoretically simple: U-pack your stuff in this container and They-Haul it to Ur-Destination, where U-Unload it Ur-self, then call to have Them-Pick-Up the empty pod.

But I’m serene, I tell you, serene only with the help of the margaritas I’ve blended every night since shipping the U-Pod from my former home in Pennsyltucky, the Wolf Trap State, so named because after sic months there you’re willing to chew off your own foot to escape. And I’m so drunkenly, sleep-deprivedly serene that I actually believe a promise from U-Hell.

This, despite the fact that everything They’ve-Told me so far about what They’d-Do for me has been either: (a) a “communications error;” (b) something that someone else told me the previous person had no authority to promise me in the first place; or (c) information contained in an automated “U-Mail” that didn’t accurately reflect my origin point or destination; was sent from an email address I couldn’t replay to; and notified of charges to my credit card for products and services I didn’t order.

Today, U-Hell helpfully informed me (“Do not reply to this U-mail; it will not be We-Read”) that in transit, my possessions have been heard to be … uhm, “shifting.” I tried to call to express undying I-Thanks for their U-Mail inquiring whether I was transporting ping-pong balls or unlidded crates of grapefruit, because I’d begun sleeping regularly and was falling behind on my panic attacks. But all I got was “Please stay on the line; a U-Call is important to us…”

So, luckily, I won’t be sleeping through my alarm and will be wide awake to begin the all-important process of determining how many irreplaceable pieces of priceless memorabilia from my award-winning career have been ricocheting around my U-Pod, thanks to the U-Truck’s “U-Patented ‘Air Glide!’ U-Suspension U-SystemTM.”  Thank God I didn’t get a wink of sleep breathlessly anticipating how much expensive computer hardware I’ll be replacing by spending all that big money ComicMix pays me.

But I’m laughing, I tell you, laughing at life … to the point of margaritas spewing out of my nose and onto the keyboard borrowed from one of my new housemates, which is now shorted out and won’t be available to replace the one that’s colliding with all those boxes of priceless and irreplaceable memorabilia. But that’s okay, because I think it’ll be bent just enough to look really good glued to the top of my Emmy®, right where that globe made of all those slender, fragile strands of gold used to be. Besides, what’s an Emmy® when you have an Inkpot Award, the sharp edges of which have been useful in responding to my irresistible impulse for self-mutilation, by making sure that the Wolverine claw stab-wounds never completely heal?

So, by this time tomorrow, I’ll be serenely, I tell you, serenely ignoring the U-Mail I can reply to: the one asking me to “Rate Your U-Hell Experience!” This customer-satisfaction questionnaire helpfully compensates for my obvious inability to express myself, by supplying multiple-choice answers to its questions. These range all the way from “Thrilled Beyond Even My Unrealistic Expectations” to “Even Better Than The Promotions On The U-Site When The Server Wasn’t Crashing,” helpfully enabling me to resist the temptation to type in “U-Suck.”

By the time U-read this column, the U-Pod will have arrived. But please don’t ask me how my Amazing Colossal Comic Book Collection fared, because I didn’t have a collection to entrust to U-Hell in the first place. That was lost by Wall-Eyed Van Lines, which moved me last year from New Jersey to the My-Hell of Pennsyltucky.

Now where the fuck is the lid to that blender…?

FRIDAY: Martha Thomases Can’t See TeeVee

SATURDAY: Marc Alan Fishman – Scooby and the Geriatric Comics

 

Interview With Steampunk Octopus Artist Brian Kesinger

LA-based illustrator, animator, and artist Brian Kesinger has just released his first book, Walking Your Octopus: A Guide to the Domesticated Cephalopod. I first came across Brian a few years ago when I was the judge for the WeLoveFine steampunk tee shirt art contest, where he submitted “Walkies for Otto”. He won that contest and thus started the Internet’s love affair with his adorable characters Otto and Victoria. Since then, Otto and Victoria have grown to encompass books, prints, shirts, and more. Brian was good enough to sit down with me for an interview on his new book, upcoming projects, and the very important question of “why the octopus?”

ComicMix: How did you get started in the arts?

Brian Kesinger: I was fortunate enough to born into a family of artists. The thing is they were all musicians! In fact I’m the only one in my family who couldn’t play an instrument. I was much more fond of drawing than practicing piano. My parents recognized this and were able to support my artistic endeavors all through school and that support has certainly helped make me the artist I am today.

otto-by-the-sea-brian-kesinger-300x356-7051509

ComicMix: How did all this Steampunk style art you started doing in 2010 come about?

Brian Kesinger: I had been drawing steampunk art before I knew of that term. Back in 2000 I was doing layout and background design for Walt Disney animation studios on the film, Atlantis. It was on that film that a grew fond of drawing submarines, gears and gadgets. After that I moved on to the film treasure planet where I continued my alternate history aesthetics that time with the mixture of tall ships and sci-fi. It wasn’t until recently that I started doing my own steampunk art and I think my passion for the subject matter stems from the education I had on those films.”

Brian-Kesinger-осьминог-Otto-and-Victoria-deviantartcom-524333

 

ComicMix: Can you tell us a little about the new book you have coming out?

Brian Kesinger: My book, walking your octopus: a guidebook to the domesticated cephalopod is based on two of my more popular original characters, Otto and Victoria. It’s not your typical storybook. It reads more like an owner’s guide to pet octopuses. (Think of a Victorian era “puppies for dummies”)
It’s sort of a satirical look at how we all can get a little carried away with how we raise our pets. It’s certainly inspired by my own dog Scout but also inspired by the ups and downs of raising two young children with my wife. My hope is that the book speaks to not only steampunk fans but pet owners and parents as well.

ottoandvictoria-300x420-8330038

ComicMix: Why the Octopus?

Brian Kesinger:  I find octopuses extremely fun to draw. It is a real challenge inventing eight different things for them to do in every image. They are nature’s original multi-tasker and they certainly have captured the imagination of a lot of people. Along with the squid and other Cephalopods, octopuses seem to be a sort of theme animal for steampunk so when I set forth trying to render an image of a high class Victorian lady and her boutique pet the choice was obvious. What was not obvious was how popular Otto has become since I first drew him a year ago. He has inspired fan art, tattoos and I’ve even seen girls cosplay Victoria and conventions around the country! And for that I am so grateful and it keeps me drawing octopus.

1001000_617450068272977_904000850_n-300x111-7443543

ComicMix: What other things do you have coming up that we all should look forward to?

Brian Kesinger: Well my first love is movies. It’s why I have wanted to work in animation. So I have been developing several short film ideas and in addition to that I am in the very early stages of developing a full length feature of Otto and Victoria’s adventures. I would love to see a beautifully rendered steampunk animated film and I can’t think of any characters better suited for that than Otto and Victoria. Stay tuned for more details!

1904252_15443285_lz-1-300x229-7398362
Annie Award-winning artist Brian Kesinger has loved to draw ever since he could remember. During his senior year of high school, Brian was accepted to the Walt Disney Animation Studios in Burbank, California as the second youngest animation hire in the history of the company. At just 18 years old, Brian became a layout artist and in his 16+ years at Disney Animation, he has worn many artistic hats from visual development to story artist. In 2011, he was honored with a prestigious Annie award for his story work on the hit Disney TV holiday movie “Prep and Landing.” Brian’s most recent film at Disney is the Academy Award-nominated film “Wreck It Ralph” – and if you listen closely, you’ll hear him lend his voice talents to comic bad guy, “Cy-borg.” Inspired by his love of gadgets and fantasy, his delightful steampunk characters celebrate Victorian sensibility and timeless beauty with a dash of geekiness thrown in for good measure. His original “Tea Girls” art is created with different kinds of actual tea – resulting in an innovative visual affect.
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Reminder: Google Reader goes away tomorrow, so update your feeds!

happy-retirement-gr-9531006

If you’re using Google Reader to read ComicMix, we regret to remind you that Google Reader is going offline tomorrow after eight years of service– which is almost sixty years in Internet time.

Obviously, we don’t want to lose you as readers. There are several alternatives to Google Reader, such as my current favorite, Feedly. Just make sure to point to the ComicMix RSS feed and you should be good to go.

And of course, keep an eye out for us on Facebook, Twitter, Google+, Tumblr, and Pinterest.

In response to Kelly Sue DeConnick…

tumblr_mntqhqzpke1qz6egko1_1280-7877468

Kelly Sue DeConnick posted this on her Tumblr this morning. Reading the question I was saddened and angered but not surprised.

In industries that have a history of being a boys club, it’s not unusual to assume females are there either because of sleeping their way in or being the token female and therefore inferior to their male colleges. I am incredibly lucky to work in a technology company with a female CEO where being a woman is not looked down upon. I don’t have to worry about bout being thought of as a second class citizen because of my gender. Sadly, this is not true of all companies or all industries.

While I do not work in the comic book industry, I do spend a lot of time hanging out at my local comic shop House Of Secrets and I work programming magic for ComicMix on occasion. Both of these places were so welcoming to me when I took my first step into the world of comic books. I feel blessed to know all of the awesome people who work there.

Over the past year or so, as I dug myself out of a self-imposed hole of isolation, I started noticing a trend. I became aware that even though this is 2013, even though my mother and my grandmother fought this fight, it is still vitally important to stand up for myself and my gender. Somehow in 2013 I had to take stock of all the things I took for granted and take up the mantle of feminism. And I thought to myself ‘Really? This is 2013, right?’ We already fought for the right to vote, work and have a family or not when or if we felt it was right.

Yet here we are, still underrepresented in pay, out numbered in many professions (comics, technology, science, engineering, the list goes on) and less likely to be in the top jobs in whatever field we are in. It pains me that we have to resort to asking people to think of their daughters or their sisters to have the empathy to understand what is happening instead of just expecting them to treat human beings as human beings. Things like this seem to happen everyday, and I don’t know what to do to fix them. So I do what little I can.

First, if you are a woman in tech, comics, or any field just drop me a line. If nothing else, I can be your own personal cheerleader. Second off, to Kelly Sue, I’m sorry some asshole assumed you married your way in to Marvel. Your writing alone shows how terribly wrong he is. That said, I kinda want to be you when I grow up :). Your writing has proven to so many women that we can stand out and be awesome in whatever the hell it is we do and that should outshines any trolls.

I was helping out at House of Secrets the other day and a girl came in looking for Buffy season 9 vol. 1, which was sold out. I told her if she wanted an awesome female doing awesome things to check out your Captain Marvel TP. We discussed feminist comic books, and how amazing it is that they even exist. We agreed if women like us who are amazing at our jobs and proud of it don’t stand up, mentor other women, and keep the torch burning, everything our mothers and grandmothers and great grandmothers fought for can disappear in an instant it seems.

And now that I’ve had my ‘I am woman here me roar speech’ we now return your regularly scheduled posts of dinosaurs covered in glitter and the like.

Reposted from Sara Unplugged.

 

Mindy Newells’s Wish List

22570-6753211How many books and DVDs do you have on your Amazon wish list? How often do you remember to look at it? I always forget to check it, but I took a look at it today, and there are 100 items.

No, I am not soliciting here. My birthday isn’t for another six months, Chanukah and Christmas are too far off to think about, and I’m not your mother, so forget about Mother’s Day, which is this Sunday, btw – although there is Alix, whom I always alert to her mom’s new column. Big Hint, Alix!

I do have to delete some of the books and DVDs; I’ve ordered them without looking at my wish list because, well, I forget to check the damn thing, but there’s still a lot there. The oldest item was added on June 11, 2006; it’s Star Trek: The Next Generation – The Complete Third Season (DVD, not Blu-Ray. I don’t have a Blu-Ray player.) I have no idea why I’ve never ordered this, why it’s languished at the bottom – maybe because I watch BBC America’s repeats of TNG on Saturday late afternoons (which lead in to Doctor Who) – since that season of TNG, as Bob Greenberger so excellently reviewed on ComicMix, was the season where the show really found its legs, airing such classics as Sarak (a Vulcan disease comparable to Alzheimer’s is destroying Sarak’s mind), Yesterday’s Enterprise (in an alternate timeline, the Federation is losing a war with the Klingons and Tasha Yar is still alive), Sins of the Father (Worf accepts disgrace and discommendation to prevent a Klingon civil war – the start of an outstanding seasons-long exploration of Klingon culture that carried over to Deep Space Nine – and save the Empire), and of course the season finale, Best of Both Worlds: Part I (“Mr. Worf….fire!”) Also of note, at least to me, are Who Watches the Watchers, (a pre-warp, pre-industrial civilization discovers they are being watched by Federation anthropologists), The Enemy (Geordi and a Romulan are marooned on a harsh planet and must work together to survive), The Offspring (Data creates an android daughter), and Deja Q (Q becomes mortal and is still a pain in the ass).

Apparently I was busy browsing on June 11, 2006. I also added Fagin the Jew by Will Eisner. I know I picked this one because of my dual love for Eisner and for Charles Dickens’s Oliver Twist. According to Amazon’s description, Eisner first envisioned the book as an introduction to a graphic adaption of Twist, but “as he learned more about the history of Dickens-era Jewish life in London, Eisner uncovered intriguing material that led him to create this new work. In the course of his research, Eisner came to believe that Dickens had not intended to defame Jews in his famous depiction. By referring to Fagin as “the Jew” throughout the book, however, he had perpetuated the common prejudice; his fictional creation imbedded itself in the public’s imagination as the classic profile of a Jew. In his award-winning style, Eisner recasts the notorious villain as a complex and troubled antihero and gives him the opportunity to tell his tale in his own words.

On that same day I also added Drums Along the Mohawk, starring Henry Fonda and Claudette Colbert (and directed by one of my all-time favorite directors, John Ford), When Worlds Collide, based on the book by Philip Wylie and Edwin Balmer, which I read years ago in my Introduction To Science Fiction class at Quinnipiac back when it was just a college and not a university – and talking about it now makes me want to reread it, so I’m going to add the book to my wish list, and Elizabeth I: The Virgin Queen, a 2005 Masterpiece Theatre mini-series, because of my passion for all things Tudor ( and yes, I already have The Tudors boxed set).

Moving forward, I kept up with my Tudor passion in 2011, adding a shitload of novels and non-fiction about that dynasty, including The King’s Pleasure, a novel about Katherine of Aragon (Henry’s first wife, she whom he dumped for Anne Boleyn) by the late and great British author Norah Lofts, and two histories by another Brit, famed historian and author Allison Weir: The Lady in the Tower: The Fall of Anne Boleyn and Henry VII: The King and His Court. I also listed Confessions of a Prairie Bitch: How I Survived Nellie Oleson and Learned to Love Being Hated by Alison Armgrin, Prairie Tales: A Memoir by Melissa Gilbert, and The Way I See It: A Look Back at My Life on Little House by Melissa Sue Anderson just because I always loved Little House on the Prairie. C’mon, who didn’t?

In November 2011 I added William Shatner’s Up Till Now: The Autobiography. Bill, I love ya!

2012 additions include Among Others, by Jo Walton. The Hugo and Nebula Award winner for that year is a brilliant coming-of-age story that mixes young adult literature, magic, and science fiction into a read for all ages. I also found Redshirts: A Novel with Three Codas, by John Scalzi (which was reviewed by ComicMix’s John Ostrander), a spin on the classic Star Trek’s law that new ensigns, i.e., red shirts, always get killed on away missions.

Being a fan of Mary Doria Russell’s The Sparrow and its sequel Children of God, I also added Doc, Russell’s take on Doc Holliday, Wyatt Earp, and the events that occurred at the O.K. Corral. And I really must move up to the top of the list Alice Hoffman’s The Dovekeepers, the story of four women who are among the 900 Jews holding out against the superior Roman army at the siege of Masada, the mountaintop fortress in the Judean desert.

Just a few months ago I added Kate Atkinson’s Life After Life, which the New York Times Sunday Book Review just, well, reviewed, and which has garnered much press and praise. It’s the timey-whiney story of Ursula Todd, who is born, dies, and lives again, is born, dies, and lives again, is born, dies, and lives again…each time taking making choices that affect not only Ursula, but her family, friends, and even the world. It’s a story that especially relevant to me these days.

It’s been a tough time for me since last Christmas, when my father first became ill, and watching my mother slowly slipping into elderly dementia. My life has become a cacophony personal and professional turmoil, a symphony of wishes and “if onlies”; I lie in bed at night unable to sleep, with all the different “roads less travelled” in my life teasing me with alternate possibilities, alternate lives. I am adrift at sea, questioning my choices and wondering, no, all too often, fearing the future.

If wishes were horses, the beggars would ride.

TUESDAY MORNING: Emily S. Whitten

TUESDAY AFTERNOON: Michael Davis