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Review: ‘Strange and Stranger: The World of Steve Ditko’

As a history of Steve Ditko’s career as a comics artist, Strange and Strange: The World of Steve Ditko is an unquestionable triumph, the latest in a top-notch series of art books from Fantagraphics.

Blake Bell’s book ($39.99) features hundreds of beautifully reprinted Ditko pages, from his earliest horror stories to his triumph with Amazing Spider-Man run to his eventually paying-the-bills work in cartoon coloring books. This art comes with insightful analysis from Bell, who even gives side-by-side comparisons with art from some of the artists who inspired Ditko.

Yet, I came away from the book disappointed, because as well as it explains Ditko as an artist, it hardly begins to explain him as a man.

Admittedly, that’s a tough task, as the reclusive Ditko hasn’t been interviewed since bell bottoms were cool (or thereabouts), but it’s the task Bell sets out upon. The chapters accompanying the art read more than anything like a more-detailed Wikipedia page, full of facts but empty of story.

We hear about all the important moments in Ditko’s career, often fleshed out through the quotes of his acquaintances, but we hear less than whispers of his personal life or childhood. Perhaps Bell put on a reporter’s hat and tried to find some such information, but if so, he includes neither that information nor an account of how he failed to obtain it.

The few included quotes from Ditko are flatly boring descriptors of his work, overladen with parentheticals. And, again, they only hint at who he is.

For people who come in with a familiarity of Ditko’s story, like ComicMix editor Mike Gold, that’s a pardonable offense. But for any more unfamiliar reader looking to [[[Strange and Stranger]]] as a true biography, they’re sure to find it sorely lacking.

There’s a clear narrative to Ditko’s life; it’s a tragic story of a man who followed the philosophy he thought would make him great, but instead Ayn Rand’s objectivism would prevent him from achieving that greatness. And that story remains untold.

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) comicmix (dot) com.

singalong-6598607

ComicMix Radio: Joss Owns the Web!

singalong-6598607So how many times today have you tried to see Dr Horrible’s Sing-Along Blog and failed? While you’re waiting, let us cover that and the next Joss Whedon movie on the way, plus:

  • All things San Diego including exclusive black and white TMNT figures
  • Invincible moves to your mobile phone
  • Our weekly rundown of the new comics and DVDs, including Dan DiDio’s poll on “Who Should Be The Next Flash?”

And before you Press the Button be sure to check out the Joss Whedon interview on ComicMix and remember he joins us on our broadcast later this week!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-1200005 or RSS!

The Dark Knight: 11 Must-Read Batman Stories

  • News
  • July 15, 2008

A few months back, we posted a reading list for anyone who wants to catch up on the Batman mythos before checking out The Dark Knight. With the release of the blockbuster Batman Begins sequel looming, we wanted to call out that reading list one more time, just in case you missed it the first time around.

Our "11 Batman Stories to Read Before Watching The Dark Knight" feature rounds up some of the most important Batman stories to occur in the period leading up the events of The Dark Knight, according to our comic book historian Alan Kistler’s perceived timeline of the Batman mythos. We explain why each story is important, provide a general synopisis of what occurs and call out any special notes for fans of the character who want to learn more about DC’s famous hero.

Here’s an excerpt:

batman-yearone-7796244Batman: Year One – It all starts here in this story by Frank Miller (Sin City) and David Mazuchelli (DAREDEVIL: Born Again). After years of learning how to be a detective and training in the martial arts and ninjitsu in the Far East, Bruce Wayne returns to Gotham City to begin his war on crime. Learn how he first met a young Lt. James Gordon (who would later become the famous commissioner of the GCPD) and hot-shot District Attorney Harvey Dent, as they all try to free their city from a corrupt police department and fight against the mobster known as Carmine “The Roman” Falcone.

This comic also features the reason Bruce Wayne chose a bat as his symbol and his first encounter with Catwoman. The end of this story leads directly into another item on our reading list, BATMAN: The Man Who Laughs.

Batman and the Monster Men – In Year One, you might notice a large gap of time that passes between November and December. This story, written and drawn by Grendel’s Matt Wagner, takes place during that gap and reimagines one of Batman’s earliest stories from the Golden Age of Comics. Meet Bruce Wayne’s early girlfriend, Julie Madison, and watch his first encounter with the sociopathic Professor Hugo Strange. This story also introduces the proto-version of the Batmobile.

So be sure to check out our list of The Dark Knight Must-Read Stories if you haven’t done so already and keep an eye here on ComicMix throughout the week for more on The Dark Knight, which hits theaters July 18.

 

Hammer of the Gods: Hammer Time!

  • News
  • July 15, 2008

It’s a brand new week and a brand new series today on ComicMix, as Michael Avon Oeming and Mark Wheatley begin Hammer of the Gods: Back from the Dead. Get in on the ground floor as the Norse gods take a trip around the globe. Can this be good news for us puny mortals?

Credits: Mike Oeming (Artist), Mike Oeming (Writer), Mark Wheatley (Colorist), Mark Wheatley (Letterer), Mark Wheatley (Writer), John Staton (Colorist)

More: Hammer Of The Gods: Back From The Dead

Doctor Who in Review: Season Four, Episode #10 – Midnight

The hit BBC series Doctor Who is now in its fourth season on the Sci-Fi Channel, and since we’re all big fans here at ComicMix, we’ve decided to kick off an episode-by-episode analysis of the reinvigorated science-fiction classic.

Every week, I’ll do my best to go through the most recent episode with a fine-tooth comb (or whatever the “sonic screwdriver” equivalent might be) and call out the highlights, low points, continuity checks and storyline hints I can find to keep in mind for future episodes. I’ll post the review each Monday, so you have ample time to check out the episode once it airs each Friday at 9 PM EST on Sci-Fi Channel before I spoil anything.

Missed a week? Check out the “Doctor Who in Review” archive or check out any of the past editions of this column via the links at the end of this article.

Keep in mind, I’m going to assume readers have already watched the episode when I put fingers to keyboard and come up with the roundup of important plot points. In other words, SPOILER ALERT!

Let’s begin now, shall we?

Season Four, Episode #10: “Midnight”

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Review: ‘The ACME Novelty Date Book, Vol. 2’ by Chris Ware

The ACME Novelty Date Book, Vol. 2: 1995-2002
By Chris Ware
Drawn & Quarterly, December 2007, $39.95

In typical Chris Ware fashion, this is an attractively (and extensively) packaged book – so much so, in fact, that what this book precisely is isn’t immediately clear. Is it some kind of notebook, journal, or calendar, perhaps? No, it’s Ware’s sketchbook, or perhaps selected pages from that sketchbook, from the years in the title.

Drawn & Quarterly published the first volume of the “[[[ACME Novelty Date Book]]]” in 2003, which included sketchbook pages from 1986 through 1995. That book covered most of Ware’s twenties, starting when he was in college in Austin, Texas and following him forward as he developed the early ACME characters and themes. That first book also had a wide variety of materials; Ware was young and trying out different art styles, but he’d mostly settled down into his current mode by 1995.

So Vol. 2, as Ware mentions himself partway through it, is mostly made up of three kinds of entries: drawings from life, journal entries, and some short comics strips (mostly autobiographical). There are also some sketches and ideas for [[[ACME Novelty Library]]], and the occasional joke or reference to older comics, but, mostly, it’s those big three.

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Full San Diego Comic-Con Programming Online

  • News
  • July 14, 2008

comic_con_logo-5300575Comic-Con International has posted the full schedule for the upcoming extravaganza in San Diego, and it’s overwhelming as expected.

Here’s Friday. And here’s Saturday.

Featured guests and exhibits are way too long to list, but Heidi MacDonald over at The Beat does a good job of breaking down the highlights.

Those two days, by the way, are already sold out, and Thursday’s tickets are just about gone. Get those comfortable walking shoes ready.

And while you’re there, keep an eye out for some of our ComicMix crew, who’ll be reporting on all the big news, and, if we’re lucky, keeping another running tally on slave Leia sightings.

Comics’ Greatest Enigma, by Mike Gold

  • News
  • July 14, 2008

bbv11a-5671197If you’re interested in comics creators, it’s been a good couple months for biographies. First, we had Mark Evanier’s Kirby: King Of Comics (Abrams, $40.00); now we’ve got Blake Bell’s Strange and Stranger: The World of Steve Ditko(Fantagraphics, $39.99). We’ve covered Mark’s book extensively, and our very own Rick Marshall did a swell interview last March.

My column today is not really a review of Blake’s book; it’s a blather about comics’ greatest enigma. Blake is the ultimate Ditko historian, and his book (and website, Ditko Looked Up) reflects his passion. It’s well-written, well-researched, and wonderously designed by Adam Grano. If you’re into Ditko or comics history, it’s a must-have. Kudos to Blake; that’s my review.

Steve Ditko is another matter. I can’t say he’s been denied his rightful place in history – his is always the third name in the phrase “Marvel Comics as we know them was created by Jack Kirby, Stan Lee and Steve Ditko and together they brought comic books kicking and screaming to an adult audience.” If he gets short-shrift, it’s because Steve refuses all interview requests, convention appearances, and celebrity signings. He says he prefers to let his work speak for itself, and I’m sure that’s true. He’s also very shy and has no problem with one-on-one (or two-on-one) conversations in his studio, at the publishing houses, or in restaurants. That’s his prerogative.

On the other hand, he’s a public figure – even inadvertently. This makes him subject of many an article, long-winded editorial (like this), and Blake’s book. I’m told he’s not happy with the attention focused on him from Strange and Stranger; having known Ditko. I’m not surprised. Maybe a little disappointed, but again, that’s his prerogative.

I think from the commercial perspective Steve Ditko’s role in the success of Marvel Comics and its transcendence to the college-student market has been severely underrated. It was The Amazing Spider-Man that put Marvel on the map and in the college bookstores. It was Spider-Man that became the first comic book character to achieve icon status since Superman, Batman and arguably Wonder Woman. That’s the first in a generation. And, maybe, the last to date.

As the 1960s progressed Steve became more and more political, embracing the values of a form of Objectivism so fundamentalist that it even scared its founder, Ayn Rand, who asked Ditko to print a note saying his work reflected his values and not necessarily hers. Objectivism, for the Google-challenged, is the philosophy that holds “there is no greater moral goal than achieving happiness. But one cannot achieve happiness by wish or whim. Happiness requires that one live by objective principles, including moral integrity and respect for the rights of others. Politically, Objectivists advocate laissez-faire capitalism. Under capitalism, a strictly limited government protects each person’s rights to life, liberty, and property and forbids that anyone initiate force against anyone else.” (Excerpted from The Atlas Society).

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Del Toro’s ‘Hellboy 2’ Diary

  • News
  • July 13, 2008

hellboy2poster5-4157023Over at the New York Times, reviewer A.O. Scott takes an almost apologetically positive stance on Hellboy 2: The Golden Army. Among the many things he compliments is director Guillermo del Toro’s extensive use of puppets in lieu of CGI.

It’s one of the things I’ve long loved about del Toro’s movies, an appreciation driven into overdrive by the extra DVD wih the first Hellboy movie that explained how the puppets were made.

As part of the Times’ coverage of the new flick, they have extensive excerpts from del Toro’s production diary, as well as audio of del Toro himself explaining the entries.

And of course, don’t forget to check out the multitude of Hellboy 2 coverage right here at ComicMix.

The Lizard King, by Martha Thomases

  • News
  • July 12, 2008

Last weekend, I found myself in southern Florida, visiting my father. It’s something I’ve done a whole bunch of times since he moved down there twenty years ago, but it’s the first time I’ve been there in a July.

It’s hot.

This doesn’t bother my Dad, whose home is nicely air-conditioned, and whose car is nicely air-conditioned, and who is fortunate enough to only need to go to offices, stores, and other places that are nicely air-conditioned. And for me, it doesn’t feel that much different from being there in December, February or March.

Except for the lizards. They’re huge in July. By “huge,” I mean they are five to six inches long, instead of the two to three inches long they are when I usually see them. I don’t mean five or six inches is huge by any other frame of reference.

For some reason, on this trip, I was mesmerized by the way they acted.

If you live in a warm climate, you may be less than charmed by the kind of lizard I’m talking about. They are little, brown (light and dark, or a combination thereof) and they are everywhere. If I lived in Florida, I might regard them with the same disdain I heap upon roaches and pigeons. (more…)

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