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Review: ‘The Joker: The Greatest Stories Ever Told’

This summer is a big one for Batman’s deadliest foe, the Joker, with the deceased Heath Ledger giving an apparently mesmerizing take on the clown prince of crime in [[[The Dark Knight]]].

And just in time comes the latest printing from DC of The Joker: The Greatest Stories Ever Told ($19.99), which offers some of the character’s legendary moments from his debut in 1940 in Batman #1 to last year’s macabre Christmas tale from Paul Dini.

First, lets dispense with the hyperbole of the title. There are some great Joker moments here, but several of the character’s biggest aren’t included. There’s nothing from [[[The Killing Joke]]],[[[ A Death in the Family]]] or [[[Dark Knight Returns]]], for example.

More than anything, this is a great primer on the Joker, charting his characterizations over his six-plus decades of existence as he became quite likely the most recognizable evil-doer in comics.

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Review: In Odd We Trust by Dean Koontz & Queenie Chan

In Odd We Trust
Created by Dean Koontz; Written by Queenie Chan & Dean Koontz; Illustrations by Queenie Chan
Del Rey, July 2008, $10.95

Odd Thomas, in a series of (so far) four novels from Dean Koontz, is a twenty-year-old fry cook in the small desert town of Pico Mundo, California. He has a tough girlfriend – Stormy Llewellyn, orphan and gun-slinging amateur detective – a great way with pancakes, many friends in town, and a secret: he can see the dead. The dead never talk, but they do find ways to communicate with Odd, and to get him to help them.

[[[In Odd We Trust]]] takes place when Odd is nineteen; it’s a prequel to the novels. Very early on, in a scene reminiscent of the great amateur “consulting detectives” stretching back to Sherlock, the local police chief, Wyatt Porter, comes to ask Odd for help. Joey Gordon, a seven-year-old, was killed brutally in a home invasion during the fifteen minutes between being dropped off after school by a neighbor and the arrival of his housekeeper/nanny. The killer left a cryptic note, made up of letters cut out of magazines, but no normal clues.

The police are baffled, as they so often are in stories like this. Sometimes I think the police exist in fiction merely to be baffled while the much smarter and more skilled amateurs do their legwork for them, and then sweep in at the end to do the actual arresting.

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Doctor Who in Review: Season Four, Episode #7 – The Unicorn and the Wasp

The hit BBC series Doctor Who is now in its fourth season on the Sci-Fi Channel, and since we’re all big fans here at ComicMix, we’ve decided to kick off an episode-by-episode analysis of the reinvigorated science-fiction classic.

Every week, I’ll do my best to go through the most recent episode with a fine-tooth comb (or whatever the "sonic screwdriver" equivalent might be) and call out the highlights, low points, continuity checks and storyline hints I can find to keep in mind for future episodes. I’ll post the review each Monday, so you have ample time to check out the episode once it airs each Friday at 9 PM EST on Sci-Fi Channel before I spoil anything.

Missed a week? Check out the "Doctor Who in Review" archive or check out any of the past editions of this column via the links at the end of this article.

Keep in mind, I’m going to assume readers have already watched the episode when I put fingers to keyboard and come up with the roundup of important plot points. In other words, SPOILER ALERT!

Let’s begin now, shall we?

Season Four, Episode #7: "The Unicorn and the Wasp" (more…)

Who’s A Hooker

  • News
  • June 15, 2008

Warning: Spoiler Alert!

Actress Billie Piper does not appear naked in Secret Diary of a Call Girl. Well, a bit here and there, actually. Oh, and if you’re a Doctor Who fan, he’s not in this series.

You may have noticed Showtime is debuting a series tomorrow called Secret Diary of a Call Girl. However, it’s possible that you’ve been staring at the promos so closely, you might have missed the forest for the trees, so to speak. Yes, that is Doctor Who companion Rose Tyler as the author of said secret diary. But now she calls herself Belle. Somewhere else in the time/space continuum, she remains British pop singer-turned-actress Billie Piper.

Due to the kindness of not-so-strangers, I have seen the first seven episodes of this program as originally aired in England. For one thing, Showtime is selling it with lots of shots of Piper shopping. If you think this show is another Sex And The City, you’re wrong. It’ll appeal to straight men. But the fashions are nice.

The show will arouse most guys’ prurient interest. I was going to say “because there’s nudity and sex garments and stuff,” but SATC had that, too. All I can say is, the show will arouse most guys’ prurient interest.

I’ll bet you I just increased Showtime’s ratings.

If, like many of us here at ComicMix, you’re a Doctor Who fan you might find the sexual content of this show disconcerting. If so, please, by all means, get a life. One that actually involves another person. (more…)

Sex, Lies, Random Thoughts, by Martha Thomases

  • News
  • June 14, 2008

It’s one of those weeks. It’s hot, and the elections and other summer cross-over events are not even in second gear yet. Nothing grabs me for an entire column of deep thoughts. So lets skip some stones across the idea pond.

• According to io9, two of the summer’s big-deal super-hero movies use sex with super-powers as a major plot point. It’s been decades since “Man of Steel, Woman of Kleenex” and even 13 years since Mallrats, but the American public, especially the movie-going audience, seems to be giggling little nerds when it comes to this topic. Or at least the movie-producing parts of it.

• Although, when you think about it, sex with Bruce Banner is kind of dangerous. I mean, if you scratch him or something that ticks him off, you’re talking about major tissue damage. Or at least a dislocated wrist.

• Grant Morrison recently said that Countdown had nothing to do with Final Crisis, even though the entire hype of Countdown declared it was all part of an overarching master plan. So Dan DiDio is a liar. Not misleading to make the story more fun for the fans, but a liar. If I were running DC’s convention presence, I wouldn’t put him on any more panels. (more…)

Review: ‘Emiko Superstar’ by Mariko Tamaki and Steve Rolston

emiko-3862849[EDITOR’S NOTE: This is the fourth in a series of reviews of the five books coming out from DC’s Minx imprint this year. Previously, Van Jensen reviewed Rebecca Donner’s Burnout, Cecil Castellucci’s Janes in Love, Brian Wood‘s The New York Four and Ross Campbell’s Water Baby. -RM]

There are no shortage of comics that feature an "ordinary" central character who decides to venture into the "strange" side of life. Emiko Superstar (Minx, $9.99) follows that well worn path, but it takes a surprising turn and ends up as quite a pleasant read.

Emiko is a teenage girl, something of a dork living a boring suburban existence. A summer of mindless minimum-wage labor is interrupted when Emiko sees a public outburst from an "art freak" and learns of an underground arts scene.

An outsider trying to break into a group of outsiders, Emiko unsteadily inserts herself into the scene, learning all the expected lessons (freaks are people too, you can discover yourself through art).

Ho hum, right? Except not quite, as writer Mariko Tamaki twists the book cleverly, pointing out that cool outsiders have as many problems as most people. That revelation is balanced by another, of the serious problems seemingly normal people have.

Life’s a big mess, Emiko learns, and sometimes you have to work hard to get through. Who can’t relate to that?

Van Jensen is a former crime reporter turned comic book journalist. Every Wednesday, he braves Atlanta traffic to visit Oxford Comics, where he reads a whole mess of books for his weekly reviews. Van’s blog can be found at graphicfiction.wordpress.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Van Jensen directly at van (dot) jensen (at) gmail (dot) com.

freak-7025078

Manga Friday: Everybody Was Kung-Fu Fighting

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  • June 13, 2008

freak-4828629

This week it’s time to go back to what manga do best – or one of the things manga do best, anyway – stories about people fighting and killing each other, usually with long point bits of metal. To make it even more interesting, all three of the books I’m looking at this week are later books in series – and I’ve only seen the earlier books in one case. So this might just turn into another installment of Stump the Reviewer…

Freak: Legend of the Nonblonds, Vol. 3
Story by Yi DongEun; Art by Yu Chung
Yen Press, June 2008, $10.99

Three people –the increasingly oddly named Verna, Lorel, and Tublerun – live together (I think) and are the “Nonblonds,” a troupe of fighter/bounty hunter/martial artists, which apparently is a legitimate career in this world. (And that’s not unusual for manga, actually.)

None of them are blonde – which I wouldn’t have been sure about if Tublerun wasn’t the guy on the cover, but leave that aside – but I have no idea why that matters. Oh, and Verna – a dark-skinned woman, when the other two are light-skinned men – has been spending too much time in “Cerebro” lately, to make more money for someone who’s been in a coma for fifteen years.

Anyway, in this book, Tublerun – who I think was previously the goofball of the group, or perhaps even the explicit comedy relief, takes a solo job up near the North Pole. There, a girl named Marti, who calls herself the personal secretary of President Magnus and says the quest is an unofficial GIA event, tells an assembled group of tough characters that they are going to go into “an ancient site where the method of liquid metal-making was created” to find and retrieve a capsule for a vast reward.

With her is a guy who is, in order, Mr. Ecliptor, GIA’s security chief, and the son of “our President.” (He’s also, once he puts on a mask, the powerful and deadly Chroma – this may be a secret identity.) (more…)

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The Walk Of Fame, by Michael Davis

  • News
  • June 13, 2008

hollywood3-9385254Whenever I meet a celebrity, I say one of two things: either Can I have some money? or Black people love you. Which one depends on the star. When I met Al Sharpton it would not have been cool to say black people love you… because they don’t.

I’m kidding. It’s just much more fun to say black people love you to someone who’s not black. The looks on their faces are mostly priceless… mostly. I work in television and have the opportunity to meet a bunch of Hollywood types – actors, directors and producers. When I meet someone on business I’m not quite the knucklehead I am when I meet someone at a party or some other random place.

I’m always interested in what people who don’t work in the industry think of celebrities. If you read my column regularly you know I’m hard on some Hollywood stars and their behavior.  So I thought I would take the time to give you a few of my many positive encounters.

The first time I ever took a drink I was in the ninth grade and I was trying to be cool. My friend Earl and I were going to a party and we each had a bottle of really cheap wine. Earl had a bottle of Wild Irish Rose and I had a bottle of MD2020. That’s short for Mad Dog. How did two 13 years old kids get their hands on those bottles of wine? We went in and gave the clerk money, that’s how.

What about ID’s? (more…)

Review: This Week in ‘Trinity’ – Part 2

Two weeks down, and things are already heating up in DC’s weekly series Trinity.

We left off last week with [[[Superman]]], [[[Wonder Woman]]] and [[[Batman]]] all under the gun from mysterious forces: A dwarf solar system appears in Metropolis, giant robots attack Washington D.C., and Gotham… becomes Olde Timey?

The main point of interest is the nature of the attacks, and the way in which each hero handles the threat. Superman saves civilians and acts tactically. Batman wills Gotham back to normal by refusing the vision. And Wonder Woman smacks the crap out of some robots.

Based on what we’ve seen so far, the central notion of this series lies in exploring the identity of these three main heroes (in the first issue, this came up in how each saw variations of the same dream). Clark is a protector, Diana is a fighter and Bruce is…

So far, writer Kurt Busiek is leaving that one open, as the bizarre transformation of Gotham could imply a lot of things about Batman. It’s also interesting that Bruce is the only one of the three to remark on the strangeness around him.

Why would Busiek only hang a lampshade with Batman? Maybe it has to do with him being the lone human of the Trinity, and thus a stand in for readers. Food for thought.

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Alone Together In the Dark, by John Ostrander

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  • June 12, 2008

lab06popcorn-posters-6676198I remember the first time I saw the film Casablanca. It was at the 400 Theater in Chicago, just up Sheridan Road from Loyola University where I attended college. It was on the bill with Woody Allen’s Play It Again, Sam, an obvious but terrific double feature. I went stag but was lucky to get in at all; the small theater was packed.

I had missed or ignored Casablanca up until this point. I’m not sure why; I liked old serials a lot. The movie had certainly played on TV enough. I’d seen bits here and there or seen send-ups of it; callow youth that I was, I thought it wasn’t for me. Part of it was my own perverseness; my immediate reaction, on being told by everyone else that I must see this or I must hear that or I must read such and such is to say, “No, I don’t.” I get stupid stubborn about such things some times. Being told I would love the film I, of course, refused to see it. Finally, my curiosity overcame my perverseness and I sneaked off to view it without anyone else.

As I said, I went stag but I soon discovered I wasn’t alone. I was part of an audience, folks who mostly knew and loved the film. At the end of the singing of La Marseillaise, they cheered. When Captain Renault said, “Round up the usual suspects,” they cheered again. They laughed out loud at the funny lines (the movie is incredibly witty and they had actors who knew timing) and listened with rapt attention to Bogart’s speech at the end. Their delight and enthusiasm was catching on its own. And then there was the film itself.

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