Tagged: ComicMix

Piling It On, by Mike Gold

With great power comes… bloggers.

One of the first lessons I learned writing an Internet column – both here and on my soon-to-be-revived political rant Weird Scenes Inside The Gold Mind – is also the first lesson I learned when I started on radio shortly after Marconi found the electricity outlet: if you say it, some people will buy it. Either way, if it’s big enough people will debate it.

Joey Goebbels had some success with this concept… for a while.

We here at ComicMix strive for responsibility, and in that spirit I’ve had a great many column ideas that I rejected simply because they weren’t true. Oh, sure, I thought about selling them to Michael Davis, but then it dawned on me I can squeeze this column out of my spiked copy. Ergo, without further ado, here’s a bunch of columns I won’t get around to writing.

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Oh, sure, Marvel rebooted Spidey to much loathing, but the reboot sells and if there’s one concept in comics that is engraved in stone it’s this: “Fool ‘em once, make big money. Fool ‘em twice and they’ll double-bag it.” In this spirit, Marvel has announced two exciting new projects. (more…)

Vogue, by Martha Thomases

There is a special exhibition at the Costume Institute at New York’s Metropolitan Musuem of Art called Superheroes: Fashion and Fantasy. I haven’t been able to go yet, but according to the exhibit’s web site, the show features costumes designed around these groups:

•The Patriotic Body (Wonder Woman, Captain America)

•The Virile Body (they cite The Hulk and The Thing, which sort of creeps me out)

•The Graphic Body (Superman and other characters with logos)

•The Paradoxical Body (Catwoman and other hyper-sexualized heroines)

•The Armored Body (Iron Man, Steel)

•The Aerodynamic Body (The Flash)

• The Mutant Body (they cite Rogue)

• The Post-Modern Body (Ghost Rider, Punisher).

The show and its parties are sponsored by Conde Nast, DC and Marvel, and Giorgio Armani. The opening night was extremely glamorous, with attendance from stars like George Clooney, Julia Roberts, Tilda Swinton, and the Olsen Twins. Heidi has written great stuff about it at The Beat and the Fug Girls are all over it.

Some of these groupings I understand, and some seem to be redundant (really, is Rogue that much different from Catwoman in the way she’s presented in this show?). However, none of them seem to consider superhero garb the way I did, when I was considering being a superheroine.

It’s true that I was designing my costume when I was eight years old, when fashion was not my foremost concern, nor did I need to worry about where I was going to keep my breasts at that time. I wanted something that would allow me to hide in the shadows, mysteriously, even while showing off my beautiful blonde hair (I had a few blonde cousins, and thought all I needed was more time in the sun to achieve the same golden tresses). Midnight blue, I thought, was the perfect color, at least among those choices in my Crayola box.

(more…)

‘Hellboy: The Science of Evil’ Gameplay Footage Released

What, you didn’t get to play the Hellboy: The Science of Evil demo at New York Comic Con? I’m so sorry. Your tears taste so sweet.

*Ahem* Sorry…

Well if you’re curious how the game looks in motion, Konami has released the first official gameplay footage. Hellboy faces off against goblins, werewolves, Japanese demons and weird stuff that could only be imagined by Mike Mignola. As you can see for yourself it takes cues from God of War and Ninja Gaiden type games: crazy, over the top beat ’em ups with big boss battles.

Opening up the videogame console war debate once again, there were slight differences in the game from system to system. The graphics on the PlayStation 3 version were crisper, while the Xbox 360 version played smoother. The PSP version was less detailed, but the difference was barely noticeable on the portable’s smaller screen. All three versions played the same graveyard level where Hellboy fought a host of goblins. The lock-on system was not easy or natural, but I did enjoy ripping a goblin’s head off to use as a grenade.

(more…)

Cool Like That, by Michael Davis

 

What is cool?

As comic book fans we are pretty much in the forefront of what cool is. The history of comics is an encyclopedia of coolness. If it were not for rock’n’roll, comics would be the absolute standard of coolness. Take a look all the stuff that comics are responsible for in popular culture.

We each have our own gauge of what cool is. Me? I’m all over the place with what or who I think is cool. I think George Clooney is cool and I have little respect for “movie stars,” as any regular reader of this column knows. I think that Gary Shandling is cool and one of the funniest men on the planet. I think that DC comics are cool even if I have had issues with them and they have with me. I think American Idol is cool mostly ,because so many so-called “hip” people think it’s lame. I think HGTV is cool. I think that Stan Lee is cool because he has earned that title. I think that Prince and Patrick Swayze are cool. To me Alan Greenspan is cool and so is Brian Williams.

The shows Family Guy and American Dad are cool but so is every one of those Law and Order shows. Mike Richardson and Dark Horse comics are cool. The staff at Comic Con International and the staff at The Westin Horton Plaza Hotel (especially Jean) are cool. I think the Amish are cool. I know that ComicMix is cool.

 
(more…)

Heath Ledger’s Oscar-Winning Performance?

Whenever the subject of The Dark Knight comes up, everyone seems to be asking the same question (when they’re not talking about the film’s viral marketing, that is): Do you think Heath Ledger will receive an Oscar post-humously?

Over at Cinematical, they’ve started a discussion thread on exactly that subject, and the resulting comments have been interesting, to say the least. Reader response is all over the spectrum, but I thought commenter "techstar25" summed up the debate pretty darn well:

Last year the Academy recognized the work of two brilliant actors playing two of the most heinous villains ever put to film (Javier Bardem and Daniel Day-Lewis). There is now clearly a baseline with which Ledger’s Joker will be compared. How does "Joker" stack up against "Anton Chigurh" and "Daniel Plainview"? We’ll see, but at least now we know that the barriers have been broken and the voters will take a second look at "the bad guy".

This subject has certainly been the topic of conversation at many a ComicMix meeting, but I’d like to throw it out there for discussion among our readers. Is Ledger a lock to take home an Academy Award, or is the entire discussion premature with the film’s July 18 release still months away?

Review: ‘The Amazing Remarkable Monsieur Leotard’

leotard-1710289Eddie Campbell has always done comics his way, without worrying about other people’s expectations or preferences — one of his two major series has been a fictionalization of his own life as a comics creator, and the other, a superficially more populist sequence about Greek gods in the modern world, was itself about storytelling more often than not. So it’s no surprise that his latest graphic novel — co-written with Dan Best — is more about telling its story than it is the story being told.

The Amazing Remarkable Monsieur Leotard
By Eddie Campbell and Dan Best
First Second, August 2008, $18.95

[[[Monsieur Leotard]]] will be published by First Second — who published Campbell’s last book, The Black Diamond Detective Agency, and have been putting together an impressive list of graphic novels for adults and younger readers for the past few years — in August, and the first thing to note is that it’s not the story the reader expects.

You see, the famous acrobat Jules Leotard lies dying of smallpox on page 12. So, we think, the book will be a series of flashbacks showing his life? No, he’s dead by the bottom of page 13, and the story moves on. So far, so very Campbell.

(more…)

ComicMix on Twitter, MySpace and Facebook!

Attention ComicMix Readers: Even though we’re still not convinced that these InterWebs are more than just a passing fad, we’ve taken steps to make sure you can find ComicMix all over them… just in case the ‘Net sticks around for a while.

Here are some of the places you can find us:

ComicMix on Twitter: Have a Twitter account? Get updates via Twitter about all of the new columns, features, reviews, interviews and other original content you love on ComicMix. Follow the feed at: https://twitter.com/comicmix

ComicMix on Facebook: Be a fan! If you have a Facebook account, be sure to get connected with our ComicMix page on Facebook. We’ll be posting links to new comics, articles, audio and video content, as well as photos and art, as soon as they’re published. Visit the ComicMix page on Facebook at: http://www.facebook.com/pages/ComicMix/11458084665

ComicMix on MySpace: Sure, MySpace is filled with enough bells and whistles to cause the occasional seizure, but we’re willing to endure the slings and arrows of animated icons for our readers. Connect with our MySpace page and get links to new comics, news and other content as soon as it hits ComicMix. Here’s where you can find us: http://www.myspace.com/comicmix

See you on the ‘Net!

Doctor Who in Review: Season Four, Episode #3 – Ood Get Even

The hit BBC series Doctor Who is now in its fourth season on the Sci-Fi Channel, and since we’re all big fans here at ComicMix, we’ve decided to kick off an episode-by-episode analysis of the reinvigorated science-fiction classic.

Every week, we’ll have our best Who-philes go through the most recent episode with a fine-tooth comb (or whatever the "sonic screwdriver" equivalent might be) and call out all of the continuity checks, names dropped and storyline hints we can find to keep in mind for future episodes. We’ll post our analysis each Monday, so you have ample time to check out the episode once it airs each Friday at 9 PM EST on Sci-Fi Channel before reading our review.

Missed a week? Readers can view past "Doctor Who in Review" features via the links at the end of this article.

Keep in mind, we’re going to assume readers have already watched the episode when we put fingers to keyboard and come up with our roundup of important plot points. In other words, SPOILER ALERT!

Let’s begin now, shall we?

Season Four, Episode #3: "Planet of the Ood" (more…)

Battlestar Galactica Interview: Mark Verheiden on Athena, Anders and the Hybrid

Welcome to the latest installment of Battlestar Galactica Weekly, our recurring Q&A with Mark Verheiden, co-executive producer of the hit Sci-Fi Channel series Battlestar Galactica. Each week, we’ll interview Verheiden about the events of the week’s episode, what those events might mean for both the season and the series, and hopefully unearth some clues about what to expect as the final season of Battlestar Galactica nears its conclusion.

Along with posing our own questions to Verheiden, we’re also taking questions from fans — so be sure to send your questions to me, your official BSG Weekly interviewer, after each episode airs at chris [at] comicmix dot com. New episodes of Battlestar Galactica can be seen every Friday at 10 PM EST on Sci-Fi Channel. You can read previous interviews via the links at the end of this article.

This week, Verheiden answers questions about the Episode #6 of Season Four, “Faith,” which aired May 9, 2008. Note: These answers may contain spoilers, so read at your own risk.

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COMICMIX (from reader Andy): Are all the things the Hybrid says supposed to mean something or is it only relevant to the story when she’s actually speaking to Starbuck directly? For example, the “toy soldier will become pliant” was said at one point. That could refer to Adama, especially in light of what he says about changing his mind at the end of the episode?

MARK VERHEIDEN: I don’t want to get into a line-by-line analysis of the hybrid’s monologue(s), though it’s always fun to write!  At any rate, it’s safe to say that some of the babble represents the creature’s very mysterious mental gymnastics. And, if you listen closely, certain writerly obsessions with The Wild Bunch and The Man Who Shot Liberty Valance.

Some of it is specific to the ship (repairs, altering temperatures, etc.) and some of it is very pertinent to the larger mysteries.  Maybe this will help: Every line is scripted, none of it is ad-libbed, so everything our hybrid says, she was meant to say.  As for interpretation, I leave that to you… 

CMix (from reader Leah): Why does Athena pull back at the last minute and not want to touch the dying Eight? And why does Anders show so much compassion for a Cylon when he was about to kill one shortly before that?

(more…)

Barack Obama and the Comic Book Time Machine, by Mike Gold

I have always been a major league comic book fan. Always. As a child, whenever my parents dragged me out of town I would make them stop at every possible drug store, newsstand and dime store so I could check out the comics stock. In those days we had no forewarning of what was coming out when, and few outlets carried every title. Some even ignored entire publishing lines.

So when I think back on those trips, I can date them by the comic books I had seen along the way. For example, I encountered Lois Lane #1 at a roadside inn on the road between Gary and Indianapolis Indiana, since replaced by Interstate 65. Ergo, that trip was at the very beginning of 1958. I was seven years old.

In the corner behind the comics rack, I encountered separate drinking fountains: one said, “Whites” and the other said, “Colored.” That confused me, and I asked my father why they needed two. “Because some people are damn idiots,” Dad replied in undisguised disgust.

We were in central Indiana, a place that just a few decades earlier had been the focal point of the Ku Klux Klan. Now, mind, you, if not for the Ku Klux Klan I wouldn’t be alive today. (more…)

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