Tagged: ComicMix

Review: ‘Sex and Sensibility’ edited by Liza Donelly

sex1-3981535What do women want? Sigmund Freud thought he knew, but we all know about him. After a few decades of feminism, it’s become clearer that the best way to find out what women want is… to ask them.

Sex and Sensibility
Edited By Liza Donelly
Hachette/Twelve, April 2008, $22.99

Donelly is a noted single-panel cartoonist and the author of Funny Ladies, a history of female cartoonists for The New Yorker. (She also teaches at my alma mater, Vassar College, which instantly inclines me to consider her a world-class expert on whatever she wants to be – we Vassarites have to stick together.)

Donelly collected nine of her colleagues – mostly single-panel magazine cartoonists, with a couple of editorial cartoonists for spice – and asked them to contribute cartoons on women, men, sex, relationships – that whole area. Two hundred cartoons later, [[[Sex and Sensibility]]] emerged. It’s divided into several thematic sections — Sex, Sensibility, Women, Lunacy, and Modern Love — and each cartoonist provided an essay about herself and her work, which are sprinkled throughout.

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Doctor Who in Review: Season Four, Episode #2 – Hot Prophecies

The hit BBC series Doctor Who is now in its fourth season on the Sci-Fi Channel, and since we’re all big fans here at ComicMix, we’ve decided to kick off an episode-by-episode analysis of the reinvigorated science-fiction classic.

Every week, we’ll have our best Who-philes go through the most recent episode with a fine-tooth comb (or whatever the "sonic screwdriver" equivalent might be) and call out all of the continuity checks, names dropped and storyline hints we can find to keep in mind for future episodes. We’ll post our analysis each Monday, so you have ample time to check out the episode once it airs each Friday at 9 PM EST on Sci-Fi Channel before reading our review.

Missed a week? Readers can view past "Doctor Who in Review" features via the links at the end of this article.

Keep in mind, we’re going to assume readers have already watched the episode when we put fingers to keyboard and come up with our roundup of important plot points. In other words, SPOILER ALERT!

Let’s begin now, shall we?

Season Four, Episode #2: "The Fires of Pompeii" (more…)

Update: ‘Iron Man 2’ Likely Thanks to Box Office Reports

Following up on the previous story that Iron Man placed 14th in the "highest grossing opening day," reports are now coming in that Marvel Studios’ first production brought in an estimated $104 million since Thursday here in the states and an estimated $96 million overseas.

This ranks Iron Man as the 10th highest grossing film on opening weekend, and easily the highest-grossing film for 2008 thus far. The film also produced the fourth highest-grossing opening weekend ever for a superhero movie.

This will no doubt provide the go-ahead for the proposed sequel, getting Robert Downey Jr. back into the suit in around five months for an expected May 2010 release.

We’ll be tracking the box office numbers for all of the big comics-related films this summer, so check back here at ComicMix for more to come!

 

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Battlestar Galactica Interview: Mark Verheiden on Deleted Scenes and Cylon Love

Welcome to the latest installment of Battlestar Galactica Weekly, our recurring Q&A with Mark Verheiden, co-executive producer of the hit Sci-Fi Channel series Battlestar Galactica. Each week, we’ll interview Verheiden about the events of the week’s episode, what those events might mean for both the season and the series, and hopefully unearth some clues about what to expect as the final season of Battlestar Galactica nears its conclusion.

Along with posing our own questions to Verheiden, we’re also taking questions from fans — so be sure to send your questions to me, your official BSG Weekly interviewer, after each episode airs at chris [at] comicmix [dot] com. New episodes of Battlestar Galactica can be seen every Friday at 10 PM EST on Sci-Fi Channel. You can view previous interviews via the links at the end of this article.

This week, Verheiden answers questions about the fifth episode of Season Four, “The Road Less Traveled,” which aired May 2, 2008. Note: These answers may contain spoilers, so read at your own risk.

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COMICMIX (from reader Cal): Was this an episode written before or after the writer’s strike? If after, what was changed in it, if anything, after you guys came back?

MARK VERHEIDEN: That’s a little later. The first 13 episodes of Season Four (counting Razor as two episodes) were all written and produced before the strike.

CMix (from reader Anthony): It seems Tyrol realizes Cally was murdered. Does he suspect Tory? It looks as if he might.

MV: Tyrol’s still trying to work through Cally’s death, which just doesn’t make sense to him. Suicide can be extremely problematic for the loved ones left behind, and the ex-Chief is no exception. That said, I’m not sure Tyrol intuits suspicion specifically toward Tory, but something sure doesn’t add up…

CMix (from reader Lisa):
Tyrol seems to really reverse himself after Baltar comes to see him. He even offers his hand. What made him change his mind about Baltar? (more…)

Name Dropping, by Mike Gold

I’ve been around the northeast quadrant a bit since the New York show a few weeks ago and I’ve seen a lot of people. Good people, old friends, new collaborators, strange and unusual folks. That’s what my life’s about, and I’m proud of that.

I enjoy going to the Windy City Pulp and Paper Convention. Compared with, say, the mass of hustling humanity at comics shows in New York, San Diego or on WizardWorld, the Windy City show is like a weekend at the spa. Anthony Tollin was there along with his latest Shadow and Doc Savage trade paperbacks; we talk about them here all the time. I was able to have a solid conversation with frequent ComicMix commentator Russ Maharas, I got to go over the next Simone and Ajax plot with Andrew Pepoy for a bit, FOC (that’s “friend of ComicMix”) George Hagenauer gave Adriane Nash a swell history lesson on 1950s pin-up art, Rob Davis and Ron Fortier told me about a new project that fascinated the hell out of me, and I had the chance to talk with master cartoonist Jim Engel once again.

The next day we had lunch and dinner with FOCs Charlie Meyerson and his wife Pam (Charlie of Chicago Tribune fame; Pam’s a lawyer and bon vivant) and Rick Oliver and his wife Jade (Honest Rick of First Comics, Jade was a swell comics colorist). George, Charlie and Rick have given us a lot of advice and opinion ever since ComicMix was just a gleam in our eye – Rick is a major commenter in these precincts – and the whole bundle of ‘em are brilliant conversationalists.

Since the best thing to do in Chicago is eat until you burst, we were particularly fond of our dinner with the aforementioned Mr. Pepoy, Simone and Ajax colorist Jason Millet, Hilary Barta (Munden’s Bar, The Simpsons, The Thing, Power Pack, New Mutants, Alan Moore’s Tomorrow Stories), and writer / professor Len Strazewski (Prime, Justice Society, The Fly, Starman, Phantom Lady). Sort of like the fabled Algonquin round table, but a lot more snarky. (more…)

ComicMix Columns for the Week Ending May 4, 2008

Hope you all had a great Free Comic Book Day!  Here at ComicMix, of course, every day is free comics day, with all our new original graphic material!  But don’t forget the original material from our columnists as well; here’s what we’ve had for you this past week:

And while every ComicMix reader with disposable income has probably already seen Iron Man, I have a date later on with my ironing board… that’s sort of the same thing, right?

Box Office Report For ‘Iron Man’ Could Mean Sequel

It was an auspicious start for the Metal Marvel Hero, as Iron Man grossed an estimated $5.5 million at around 2,500 theaters during its Thursday night previews and made an estimated $32.5 million at 4,105 theaters on Friday, making it the 14th highest-grossing opening day on record. (You can read the ComicMix reviews of the film here and here.)

The Friday gross was comparable to X2: X-Men United, which debuted May 2 five years ago, bringing in $31.2.

Paramount big-wig Brad Grey went on record last week by saying that as long as the flick does "as well as expected", the studio wants to get a sequel in theaters for the same May weekend in 2010 — and with numbers like these, that could be more realistic than we imagined.

While this is actually a Marvel Studios-produced film, with Paramount distributing, it’s no surprise after these numbers that they will be rushing to get Downey Jr. back in the red-and-gold ASAP. Director Jon Favreau has already stated that he planned a loose structure for three movies, with the Mandarin presumably making an appearance somewhere down the line.

Keep your eye on ComicMix for more updates on how the first big blockbuster of the summer does in the box office!

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Review: ‘Blue Pills’ by Frederik Peeters

blue-9583352Blue Pills
By Frederik Peeters; translated by Anjali Singh
Houghton Mifflin, January 2008, $18.95

This is another one of those semi-autobiographical graphic novels; I’m not going to assume that this is all “true” (whatever that means), but I will note that Peeters’s bio says that he lives with his girlfriend, her son, and their daughter — and that [[[Blue Pills]]] is the story of a man named Fred, his girlfriend, and her son. (And the main character of this book mentions that he working on a graphic novel about their lives.) So keep that in the back of your head — some proportion of this book is true, though we don’t know how much.

Fred, the narrator of Blue Pills, is a Swiss cartoonist, still in his mid-20s, who’s lived in Geneva his whole life. He remembers Cati vividly from a pool-party late in his teens, but never really knew her well. When he moves into the apartment building where she lives, though, he comes to see more and more of her and her young son (called “the little one” or “L’il Wolf,” but not named). Before long, Fred and Cati are drifting into a relationship, and Cati has to sit Fred down and tell him something difficult — both she and her son are HIV-positive.

(The “Blue Pills” of the title refer to their drug regimen to stay symptom-free, though they’re never called that in the body of the book. The fact that most Americans will immediately think of Viagra when blue pills are mentioned is unfortunate, but neither Peeters nor Houghton Mifflin seems to have taken a moment to worry about it.)

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Flash Rising, by Martha Thomases

So Barry Allen is coming back.

I like Barry Allen okay. I was sad when he died. Not as sad as I was when Supergirl died, but sad. He seemed like a nice guy, someone down-to-earth and genuine, at least as much as a comic-book character can be. His job as a police scientist seemed exotic to me in the days before the CSI shows made put it on television every night. Even when I was a long-haired freak, I liked his crew-cut sincerity.

When Wally West took over the role of the Flash in the comic, I was grouchy about it. He was different. The way Mike Baron wrote him, he was very different. Even though I like to think I’m an open-minded, progressive person, sometimes I want my comics to stay the same. I kept reading them, though, and was soon won over. Those stories were more like soap opera, making them much more addictive on a month-to-month basis.

Wally has been the Flash for 23 years. For my son, he’s the only Flash there is. I mean, he’s my son, so he’s read an abnormal number of old comics, but the Flash he knows from week-to-week is Wally. His reaction to Barry Allen’s return, as he read about it in the New York Daily News on Wednesday, is an unenthusiastic shrug. (more…)

The Weekly Haul: Reviews for May 1, 2008

War is the topic du jour in comics this week, with battles breaking out or warming up in darn near every issue. But instead of mindless battling, most of this week’s comics gave a deeper look into the costs and reality of violence. A reflection of our times, perhaps?

dcuzero-cv1-r5-8204369Book of the Week: DC Universe #0 — A very good issue, though not on par with Countdown to Infinite Crisis, which was a more lucid preamble to a big event. But that’s to be expected with Grant Morrison, who sets up Final Crisis with a series of vignettes that introduce the personal hell in store for many heroes.

The narration — leading to a very well done reveal that I won’t spoil — is appropriately vague and ominous, letting us know that storm clouds are brewing (though without falling into such cliché). The issue appropriately establishes the seriousness of the war on the horizon, though the elements of that war remain opaque.

While DC still has a lot to make up for after the painful Countdown, this issue goes a long way toward that end, not so much picking up from Countdown #1 as hitting "reset" on it.

The best scene is that with Batman and Joker, a meeting that starts out almost exactly like all of their interactions at Arkham, then twists in a new, foreboding direction. The layouts, which are extremely creative if not consistent, offer another highlight.

In the long run, though, this issue is only as good as the event that follows it.

Runners Up:

Elephantmen: War Toys #3 — In what could be just an excuse to draw some cool human-animal hybrids fighting with big guns, this series has offered a very solemn look at war. The Elephantmen are next-gen Hessians in a war between humans, and their animal instincts lead to atrocities.

It’s a gruesome reflection on how people wage war, that in battle humans become as ferocious and bloodthirsty as animals. A female guerilla soldier opposing the Elephantmen, Yvette, serves as the point of reason in this tragedy, her life in exchange for the animals gaining some humanity.

New Avengers #40 — The latest Skrullapalooza prequel that actually came out after Secret Invasion #1is a very worthwhile read, and manages to overcome its tardiness. In Mighty Avengers #12 and now this, Brian Michael Bendis has illuminated some of the anciliary issues to the big war between Skrulls and Earth, with this issue focusing on the Skrulls.

Giving motivation to villains is key to making a great comics event, and the plight of the Skrulls becomes very relatable, as does their turn toward religious extremism and their hatred of earth’s heroes. He loves you indeed.

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