Tagged: ComicMix

Harlan Ellison, Norman Mailer, and the Underdog, by Martha Thomases

This was my week to consider the lives of little old Jewish men. On Tuesday, I went to a screening of Dreams with Sharp Teeth, a film about Harlan Ellison, where I was lucky enough to talk to the man himself.

On Wednesday, there was a memorial service for Norman Mailer at Carnegie Hall. If Mailer was there, it was, alas, in spirit only, and in the lives of those who read his work.

What struck me about these two events is that both men were bullied. Harlan talked about a group of boys who would beat him up every day after school. Mailer, a Jew at Harvard in the late 1930s and early 1940s, certainly was shunned more than his share. It was the era of John Wayne and Gary Cooper, Cary Grant and Jimmy Stewart. A man like Dustin Hoffman could no more be a leading man – a hero – than Larry Fine.

As one would expect, boys who experience cruelty grow up to be fighters. Both men have reputations for being opinionated, biting, passionate in their defense of their positions. Both have been known to throw a punch, physically as well as verbally.

And yet – they also both grew up to be charming men. Maybe my perceptions are flawed because I met them in the 1970s, when they were no longer young, but I don’t think so. I think they learned to be charming for the same reasons they learned to fight. Charm, with the sense of humor that so often tags along, is a great way to ingratiate oneself to people. Including bullies.

Girls can also be bullies, but of a different kind. I’m sure there are girls who beat up smaller kids, but it’s more likely that girls will bond together to exclude those they would ridicule. The bully is as likely to be the most beautiful, or the most popular, not the most physically strong. And, again, their victims learn to be charming.

Charm is the weapon of the outsider. There are many studies that demonstrate, for example, that women’s intuition is, in fact, a learned trait, that women learn to observe more men more closely than men observe women, because women have been more dependent on men’s approval, and need to keep tabs. African-Americans similarly know more about how white people will react than vice versa.

Bullies think they are hurting their victims. A punch in the face (or the kidney, or the knee) certainly hurts. At the same time, the bully’s victim learns to develop his own weapons. Perhaps she learns to hide meekly, and find a roundabout way home from school. Or he learns to find an adult or a bigger bully who can act as protector. Luckily for us, many develop a sense of humor or a winning smile or another talent that keeps away the pain.

For the artist, bullying can result in an empathy for underdogs of every kind, and the ability to understand different kinds of characters and situations. The best writers feel like outsiders and underdogs. Their work takes us to new worlds and lets us live new lives. Their success is the best revenge.

Martha Thomases, Media Goddess of ComicMix, is a real fan of the movie, My Bodyguard.

The Weekly Haul: Reviews for the Week of April 10

A good range of comics this week in style, but there wasn’t too much substance, and a surprising dearth of Skrulls, what with Skrullapalooza going on (Thanks for that one, Brian!) Still, some interesting books, so let’s discuss.

lk-3-jp-5100892Book of the Week: Locke & Key #3 — In Hollywood, this century so far has been dominated by horror films, an endless line of creepy or violent flicks that closely imitate either The Ring or Saw. It would be easy to look at a project like Locke & Key, which is published by horror house IDW and written by Stephen King’s son, and think it’s just another creative property hopping on the horror bandwagon.

Writer Joe Hill is crafting a very distinctive story, though, and one that’s made strong by the characters. In each issue so far, Hill has mostly featured one of the three children whose father was murdered by a teenage psychopath. This issue it’s the daughter, Kinsey, and the bulk of the story is a completely convincing look at how she struggles to fit in as “the girl whose dad got killed.”

The little side moments then are used to further develop the supernatural mystery of the family’s home – Keyhouse – and to bring the villain back into the picture, as the murderous and insane Lesser makes his bloody escape from lockup. No surprise then that the series has already been optioned for a movie.

Runners Up:

Nova #12 — This series is lightyears ahead of every other outerspace series right now, and every issue can be counted on for epic battle, a thoughtful plot and some cool interstellar weirdness. This time it’s Richard finally besting the Phalanx infection, only to end up in a too-big fight with a Technarc (a giant alien robot from Warlock’s family tree).

A special credit goes to the art team of Paul Letterier and Rick Magyar, who manage to make the robot aliens believable and expressive, no easy task. Now, if only the conclusion to this story was actually in this series, not Annihilation: Conquest.

Batman: Death Mask #1 — I have something of a painful secret to admit. I don’t read manga. I just can’t get into it, no matter what I try. I really hate to admit then that it took a manga version of Batman to hook me. But aside from some introductory pages that rehash Batman’s history (I’m assuming for readers who like manga and not Batman), Yoshinori Natsume’s American comics debut is a strong one.

The questions raised of Batman’s true identity (whether he’s Bruce Wayne or Batman) are nothing new, but the deeper story of Batman’s history in Japan and the mask-wearing, face-cutting-off villain are set up quite well in this first issue. (more…)

R.I.P. ‘Confessions of a Cereal Eater’ Writer Rob Maisch

Illustrator and ComicMix pal Bo Hampton recently passed along the following thoughts on this week’s death of Rob Maisch, the celebrated author of Confessions of a Cereal Eater:

Rob Maisch, the extraordinary raconteur who wrote 1995’s Harvey and Eisner nominated "Confessions of a Cereal Eater," published by NBM and illustrated by Rob’s friends, Bo Hampton and Scott Hampton, Rand Holmes and Sandy Plunkett, died this week unexpectedly of cardiac problems in Copley, Ohio.

According to his long-time friends, the Hamptons, his hilarious stories, energetic teasing, and love of life will keep him vividly alive for them forever.

 

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Brian Bendis, Warren Ellis and Other Creators Reveal the Comic That ‘Hooked Them’

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As a reader of comics, there’s probably one book in particular that got you hooked in the first place and kept you reading. Whether it was Superman, Batman, Fantastic Four or, like it was for me, Captain America, you always remember fondly that first one. Successful comic book creators such as Brian Bendis, Warren Ellis and Jim Lee also have a first one that inspired them and over at Entertainment Weekly, they share which comic book was "The One That Hooked Me!"

Among the comics that inspired these creators are Fantastic Four #1 for Brian Bendis, Tarzan for Jim Lee and Countdown, a british comic series, for Warren Ellis. Some of the other artists and writers who detail their first comic book experiences include Robert Kirkman, who counts Amazing Spider Man #314 as the one that "hooked" him and Matt Fraction, who finds it interesting that his first comic book was Batman #316.

If you do read comic books — and lets’s face it, if you’re here at ComicMix, you probably do — what was the comic book that first "hooked" you?

Interview: Steven Cloud on ‘Boy on a Stick and Slither’

Boy on a Stick and Slither creator Steven Cloud claims that he’s been publishing his webcomic since 1999, but one gets the impression that BoaSaS has been around quite a bit longer than that, growing in the margins of sketch pads, notebooks and crumpled pieces of paper discarded long ago.

The structure is fairly simple, with only two major characters in essentially the same position from one strip to the next, but the subject matter, well… that’s another story. The topics of conversations for the primary characters, Boy on a Stick (a stick with a boy’s head, just like the name implies) and Slither (a green snake), range from simple observation to complicated existential analysis. One strip will contain dialogue that could just as easily be found in a supermarket checkout line, while another will directly address complicated sociopolitical debates of the modern era.

So, yes, it’s a bit hard to "sum up" BoaSaS… and it seems like Cloud intended it that way.

In fact, it’s probably best to let my conversation with Cloud speak for itself as the best description of the strip, its creator and why it should be a part of your weekly reading list, as we discuss the origins of BoaSaS, the current debate over profitability in print- versus web-based comics, and his upcoming participation in a road rally that spans several continents.

COMICMIX: Thanks for taking some time to talk with me, Steven. What are you working on tonight?

STEVEN CLOUD: Honestly, I was just goofing off, surfing some old sites I’d bookmarked but forgotten. But my intention was to start drawing comics. I have the file open. That’s half the battle.

CMix: What’s the plan for the comic you’re working on tonight? Do you already have it thought out and need to work on the art, or are you still brainstorming a bit?

SC: I still need to brainstorm. I have it 90-percent drawn and maybe 50-percent written. I have a vague notion and I’m trying to turn it into an idea.

CMix: Is that how things normally work with BoaSaS? What’s the creative process normally like for you?

SC: I work probably four hours a day on average, including weekends. I have a full-time job that pays the rent. I have to draw comics during my off-hours. I normally just sit at the computer and draw fun backgrounds while surfing and IM’ing. Then I try to think of a clever premise/joke and lay it on top of the background.

It’s very free-form. Sometimes the background inspires the idea. Other times an idea will strike and drive the process. I just go with the flow and have fun with it. (more…)

Preview: She Hulk #30

 

ComicMix pal Peter David recently sent us this pencilled splash page for She-Hulk #30, scheduled for a June 25 release. The artist for the issue is Val Semeiks and the writer is, of course, Peter David.

The image is so nice, it’s a shame one of them is a… Whoops. No spoilers here.

 

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ComicMix Six: Why Marvel’s ‘Secret Wars’ Was Better Than ‘Civil War’

 

[EDITOR’S NOTE: In last week’s edition of ComicMix Six, we told you why the Skrulls’ "Secret Invasion" probably isn’t worth losing sleep over, given our list of the worst moments in Skrull invasion history. This week, we’re playing in the sandbox of big events yet again, with a list of reasons why Marvel’s recent  Civil War event doesn’t stack up against one of its popular predecessors, the 1984 series Marvel Super Heroes Secret Wars. -RM]

Just over a year ago, Marvel shook up their universe with Civil War, a series-spanning event wherein the U.S. government decided, after a tragic accident involving super-powered heroes and villains, that anyone with superhuman powers would be required to register and become official federal operatives. Costumed crime-fighters picked sides, Marvel picked a slogan ("Whose Side Are You On?"), Spider-Man unmasked, and Iron Man’s pro-registration camp hunted down the anti-registration crowd led by Captain America. In the end, Cap tearfully surrendered, only to be "killed" for his troubles a few issues later.

Throughout the series’ seven issue (and countless tie-ins), the Merry Marvel Marketing team hailed Civil War as the most mind-blowing storyline since, well… ever.

Here at ComicMix, we’re not quite sure we agree. After re-reading Civil War and comparing it to one of the first epic Marvel crossover events, the ’80s action-fest Marvel Super Heroes Secret Wars, there’s a good argument to be made for the superiority of the earlier project.

Oh, and remember, what’s being discussed here is the 12-issue Secret Wars series, published by Marvel in 1984 (and featuring the first appearance of Spider-Man’s famous black costume), not to be confused with Secret War, the 2004-2005 five-issue series written by Brian Bendis.

Got it? Good. Now let’s begin…

6. REMEMBERING THE LESSONS ‘SESAME STREET’ TAUGHT THEM: In Civil War, heroes who fought alongside each other for years decide that the best way to debate the merits of a new law is to spy on one another and brawl at each and every opportunity. In Secret Wars, heroes who don’t necessarily trust each other decide that, despite their differences, teamwork and cooperation will improve their situation.

Sure, Spider-Man had a skirmish with the X-Men and the Hulk was shouting at everyone, but they still came together in the end. Wolverine and Captain America shared a heart-to-heart, and the heroes even accepted Magneto’s help, knowing that the greater good was more important than issues of mistrust.

(more…)

Battlestar Galactica Interview: Mark Verheiden on Cylon Babies and Season Four Secrets

 Welcome to the inaugural installment of Battlestar Galactica Weekly, our recurring Q&A with Mark Verheiden, co-executive producer of the hit Sci-Fi Channel series Battlestar Galactica. Each week, we’ll interview Verheiden about the events of that week’s episode, what those events might mean for both the season and the series, and hopefully unearth some clues about what to expect as the final season of Battlestar Galactic nears its conclusion.

Along with posing our own questions to Verheiden, we’re also taking questions from fans — so be sure to send your questions to me, your official BSG Weekly interviewer (chris [at] comicmix.com) after each episode airs. New episodes of Battlestar Galactica can be seen every Friday at 10 PM EST on Sci-Fi Channel.

This week, Verheiden answers questions about the Season Four premiere, “He That Believeth in Me,” which aired April 4, 2008.

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COMICMIX: What’s the most important story point you want viewers to take away after watching “He That Believeth In Me?”

MARK VERHEIDEN: Starbuck’s back and she believes in her heart of hearts that she knows the way to Earth.  What does that mean to the people who love her and to the fleet?

CMix: What was your favorite part of the episode?

MV: That’s a little like picking your favorite child, but I thought Katee [Sackhoff] (Starbuck) was especially great in this episode.  And the opening battle was amazing.  If there’s a single moment that I really like in that “gave me a little chill” way, it’s the red light from the raider scanning Anders’ eyeball. 

CMix: It seems like Baltar is a bit like Jesus — at least until he shaves. Jesus died for mankind’s sins, but Baltar actually committed a lot of sins. Does that mean someone else needs to die to save the human race? If so, who’s it going to be? My bet is on Helo.

MV: No spoilers, my friends, though I think a number of informed sources have noted that no one in the cast is safe this season. And that means no one. (more…)

‘Wesley Wyndham-Price’ Warns Salt Lake City Council of Zombie Attack

Hopefully you’ve already read the April Fools Day Round-Up we put together (with some help from ComicMix readers), but even if you did, here’s one we missed.

From the April 6 edition of The Salt Lake Tribune, City Council report:

Georgia transplant Wesley Wyndham-Price calmly stood before the City Council, cautioning members about downtown’s derelict emergency-preparedness plan. City elders are "insouciantly" unaware of risks to City Creek Center, he warned.

Wyndham-Price even paused to joke that Georgia’s saltwater taffy is better than Utah’s. "I hope that is not an ad hominem," he shrugged.

Then he got specific and all reason helicoptered into the ether.

City Creek needs an emergency-preparedness plan, he demanded, against zombies.

"Zombies are fierce," he said as a crammed council chamber laughed nervously. "They are going to catch us in there."

Yes, in addition to continuing their adventures in the pages of Dark Horse and IDW comics, your favorite characters from Buffy the Vampire Slayer and Angel are apparently still preaching the gospel of undead threats… to Mormons.

 

(via Whedonesque)

Money, by Mike Gold

I started thinking about money.

Well, actually, I probably haven’t stopped thinking about it since the day I realized my daily school lunch would buy me three comic books and one candy bar. But being older yet no more mature, this time around I started thinking about the price of gasoline.

Right after the New York Comic Con, my wife, daughter and I are going to pile into my 2005 Ford Focus hatchback and drive across New Jersey, Pennsylvania, Ohio, Michigan, and Indiana to spend time in Detroit and Chicago. Mostly work, but lucky for me I work with my friends, which is sort of like spending my lunch money on comic books.

Here in Fairfield County Connecticut the price of a gallon of gas is $3.45. It’s about time they dropped that “9/10ths” thing – I’m sure they will when the price of gas goes above $9.99 a gallon. If previous trips (I do this about three or four times a year, mostly for conventions) are any indication, I suspect I’ll be paying about $3.19 a gallon in Pennsylvania and Ohio. The drive, in total, runs about 1800 miles and my Focus gets about 35 miles to the gallon – this is mostly highway driving, so I’ve got the right car for the job. That’s about 52 gallons for the trip, which I figure will run about $170.00 plus tolls. Call it $200.00; if I flew in alone the car rental would cost more, let alone my airfare.

This brings me back to my lunch money. I am so damn old that my school lunch only cost my parents 35 cents, and therefore the comic books I bought with that lunch money only cost a dime (when the price went up to 12 cents, I just stared at the cover as though it said the Communists had just seized control of the drug store). Today, the average cost of the standard format mainstream comic book costs $3.00. That’s a thirty-fold increase. A gallon of gas in the late 10-cent comics era was about 30 cents, so we’ve only suffered a little more than an eleven-fold increase. (more…)