Tagged: ComicMix

The ‘Paper Comics Deathwatch’ Continues

In the recurring "Paper Comics Deathwatch" feature over at Flashback Universe, the blog’s authors chronicle the events they believe to be hastening the demise of comics in printed form. It’s an interesting read occasionally, and I can’t help but laugh at the way "PCDW Points" are assigned to each event.

Recent subject matter for PCDW includes all of the love publishers are showing MySpace around the comics scene, an analysis of Joe Field’s address at the recent Comics Pro retailers conference and the Wizard crew pimping an advertising partner’s scanner as "Comic Book Collectors’ Heaven."

Heck, they’ve found so much fodder for this feature that they’re taking art submissions for a PCDW logo and awarding some prizes for the winner.

(DISCLOSURE: Readers can always get free, online comics published every every day of the week here at ComicMix, so there’s a distinct possibility that we might be showing up in that PCDW feature at some point, too.)

In related news, Vaneta Rogers recently tackled the best ways to attract new readers to comics in her always interesting Q&A feature over at Newsarama. A variety of industry creators weighed in with their thoughts on how to get a foot in the door with readers outside of the hardcore comics scene.

Christos Gage offers up some of his thoughts:

Like, if you rented a film noir movie, then there would be an ad at the beginning of the DVD, just like you have ads for other movies, but it would be for Criminal by Ed Brubaker, or something like that. I’d like to see ads that tie-in not only with comic book movies — like if you enjoy the Iron Man movie, then you’ll like Iron Man comics. But something where it says, "Hey, if you like James Ellroy, you’ll like Criminal."

Chuck Dixon also makes a nice point:

I wish someone other than Archie would make a digest-sized comic for the "impulse" aisle at the supermarket. A Batman/Superman or Spider-Man or Star Wars comic would go nicely in the pocket recently vacated by the cancelled Disney Adventures digest in thousands of market checkout lines. Disney cancelled their book because it was only selling a million copies a month!

 

(semi-via Journalista)

‘Dragonball’ Set Pictures Online

ComicMix previously reported that the Dragonball film has been pushed back to 2009, but now Joblo has posted some exclusive pictures from the set of the movie that should help hold you over until then.

Based off of the popular manga series and animated program, the movie follows Goku as he tries to find Master Roshi and collect all of the Dragon Balls in order to save the world from the evil Piccolo.

If you’re worried that all of this will look a little ridiculous in live action, well, you’re right, but isn’t that half the charm?

The set photos include pictures of Justin Chatwin in his Goku gear, Chow Yun Fat as Master Roshi, and Emmy Rossum as Bulma. Unfortunately, we don’t get to see James Marsters in his Piccolo get-up yet. Oh well, it’s always best to save the best for last.

The Rights Stuff, by Martha Thomases

This has been a stimulating week for any discussion of artists’ rights in the comics field. The courts awarded a share of the Superman copyright to the heirs of Jerry Siegel, and Warren Ellis left Marvel’s Thunderbolts series, saying, “It’s as simple as this – if I don’t own it, I’m not going to spend my life on it. Joe Quesada and Dan Buckley know that, they’re fine with that, and they hire me on that understanding.”

It’s my temptation now to brag, to tell you about the time I walked around the San Diego Comic Con with Joanne Siegel, how Warren Ellis is not only someone I know, but also my Facebook friend. Then you’d envy me for my fabulous life, and my weekend would be that much better. However, that’s not really a very good premise for a column. People haven’t worked so hard, risked being blackballed by major publishers and put their careers on the line just so I can feel better about myself (although, perhaps, they should consider doing so, since it would make me very happy).

The artists and writers in the comics community face the same trials and tribulations as the creative talents in any of the popular arts in this, our American capitalist society.

The blues musicians who created the tunes still used in popular music never received the copyrights for their work. If they were lucky, the assigned those rights (in contracts they never read) to the producers of their work. In that case, they at least got paid for their recordings. More likely, a white man heard the song and sold it as his own. (more…)

Review: Four Books for Pre-Adults

I had a pile of books more-or-less for kids, and thought: why not review them all together? And so I will:

[[[Flight Explorer, Vol. 1]]]
Edited by Kazu Kibuishi
Villard, 2008, $10.00

The popular [[[Flight]]] series, officially for adults but containing a lot of all-ages stories, has spun off a younger sibling. The cast of cartoonists is pretty much the same, and the editor is still Kibuishi, but this book is shorter, cheaper, smaller, and contains many more characters seemingly designed to headline a series of stories.

The stories are all fairly short – there are ten of them in a book just over a hundred pages – long enough to introduce what mostly seem to be series characters and given them a situation to deal with. The cover-featured “[[[Missile Mouse]]],” by Jake Parker gets the most adventurous, and will probably be the most appealing to the boy audience. (There’s nothing obviously aimed at the girl comics-reading audience – or maybe I mean nothing trying to poach some of the manga audience – though there are several strips with female protagonists, like Ben Hatke’s “[[[Zita the Spacegirl]]].”

The art is still mostly clean-lines enclosing solid colors – an animator’s palette – though the book gets more painterly towards the end, in the pieces by Ben Hatke, Rad Sechrist, Bannister, and Matthew Armstrong. It’s all quite professional and fun – all in all, a great book to hand to an 8-12 year old interested in comics.

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The Weekly Haul: Reviews for April 3, 2008

A big week, with Marvel kicking off the summer event season with Secret Invasion #1, which earned a separate review. Plenty of other comics came out, with a couple of princes but way too many frogs.

omeg7-4890921Book of the Week: Omega the Unknown #7 — This issue earns "instant purchase" status for the amazing Gary Panter cover (seen at right) and his interior pages depicting a comic as drawn by the hero of the story (wrap your brain around that one).

So we learn a little more about the history of the invading aliens and how they began their essentially nanotech-style war on humanity (and other alien races before that). Back in the present, Omega remains caught in the Mink’s maze and unable to join the fight against the robots. He does, however, catch a rat to eat. I don’t know if that’s better or worse than when he ate a bald eagle in an earlier issue.

Titus, the seeming Omega protege, and friends end up sneaking into the Mink’s base to bust out Omega, only to make a pretty alarming discovery that I won’t spoil here.

This series is big and crazy and reckless, but I still get the sense that writer Jonathan Lethem is very much in control of the story.

Runners Up:

Action Comics #863 — Both in this series and in Green Lantern, Geoff Johns is pulling an interesting trick by going a ways into the past to develop upcoming big events. And while all this time travel and Legion of Superheroes stuff could just be an excuse to show off Johns’ mastery of continuity, this manages to be much more, with a slobberknocker of a fight and some classic teamwork. By the time it was over, I was more excited about Final Crisis: Legion of Three Worlds than I was about Final Crisis.

Nightwing #143 — A mysterious villain is nefariously reviving dead villains on his secret island base, then escapes in a rocket when Nightwing and Robin defeat him. Sounds like something right out of James Bond, albeit without the beautiful women and cocktails. Somehow it works really well, probably because of the great interplay between Dick and Tim, two characters who should work together more often. (more…)

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ComicMix Radio: Keith Giffen Obsesses

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It takes a certain sort of comic creator to oversee 104 weekly comics in a two-year period, not to mention wiping out a bunch of heroes at the other comic company across the street. That guy is Keith Giffen, and he talks to ComicMix about where he’s been and where he’s going, plus:

— Comic creators dominate the Scribe Award nominations

— Finally –  American Flagg

— Stan Lee and Disney team-up

—  Sure, there’s another  exclusive Graham Crackers Comics variant that could be in the mail to you – if you win by e-mailing us at: podcast [at] comicmix.com

While you were waiting to press the button, Keith Giffen just finished three more comics!

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-9221820 or RSS!

Review: ‘Secret Invasion’ #1

The first issue of Marvel’s big [[[Secret Invasion Summer Extravaganza Skrullfest ’08]]] (or whatever they’re calling it) is here, and there’s just too much to talk about for it to fit in my Weekly Haul reviews roundup. So let’s break this one down between the good, the bad and the ugly. And, be warned if you haven’t read it, spoilers lurk below.

The Good:

First, let me just say how happy I am that Marvel let Brian Michael Bendis continue his partnership with Leinil Yu, who is quickly becoming one of my favorites. His art has a uniquely nervy feel, and it would’ve been easy for Marvel to peg someone more “safe” for their big event. And while I like Yu’s work better when it isn’t inked, his inked work in [[[Secret Invasion]]] is still quite good.

Another strongpoint is the barrel-full of action, making this issue the complete antithesis of the yawner of an opener to House of M. Things develop quickly and the final pages are bang-bang-bang with big reveals and bigger reveals. In a sequence of just a few pages the SWORD base explodes, the negative zone is unleashed in NYC, Iron Man is taken out, Reed Richards is taken out, the “other” heroes show up and a Skrull army says hello.

I also got a kick out of the little details Bendis wrote in. For instance, every Skrull reveal is foreshadowed throughout the book by the art. Every character who is shown only in complete black outline somewhere in the issue turns out to be a Skrull. Well, aside from Sentry and Wolverine, who haven’t been outed yet.

The Bad:

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Review: ‘That Salty Air’ by Tim Sievert

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That Salty Air
Tim Sievert
Top Shelf, 2008, $10.00

For a book about the sea, [[[That Salty Ai]]]r feels awfully Minnesotan. (Or maybe I’m just reacting to the underlying Norwegian-ness of both Minnesota and Sievert’s story – but there is something hard and dour and northern about That Salty Air.)

Maryann and Hugh are a young couple who live in a lonely cabin by the sea, and whose main source of income seems to be fishing. One day, the postman delivers two letters from the local doctor – it’s immediately clear that Maryann’s letter has told her that she’s pregnant, but we get a couple of montages of sea life (red in tooth and claw, for some immediate symbolism) before Hugh gets his letter.

From it, he learns that his mother has drowned, and he immediately turns against the sea, blaming it for her death. Really, he curses the sea and throws a rock, beaning an important squid far below (which action will be important later). Hugh curses his life, runs off to town to get drunk, and generally behaves badly through the middle of the book, while Maryann sits at home, trying to keep things together.

She also hasn’t gotten a chance to tell Hugh she’s pregnant yet, since he flew off the handle so quickly and so completely. He eventually does come back, and they reconcile, with each other and with the sea…more or less.

That Salty Air is an exceptionally symbolic story, very obviously so. Sievert is clearly young and energetic, and I expect he’ll be someone to reckon with once he settles down a bit. This particular book has a lot of strong points – the particulars of characterization, the evocation of a particular landscape, the inky blacks and assured panel-to-panel transitions – but its story made this reader roll his eyes more than once. It’s a bit much to swallow.

But, on the other hand, it’s only ten bucks for over a hundred pages of comics by a real talent. It’s hard to beat that. And I expect Sievert’s next book will add some subtlety to the already impressive strengths of That Salty Air. He’s definitely a talent to watch.



Andrew Wheeler has been a publishing professional for nearly twenty years, with a long stint as a Senior Editor at the Science Fiction Book Club and a current position at John Wiley & Sons. He’s been reading comics for longer than he cares to mention, and maintains a personal, mostly book-oriented blog at antickmusings.blogspot.com.

Publishers who would like their books to be reviewed at ComicMix should contact ComicMix through the usual channels or email Andrew Wheeler directly at acwheele (at) optonline (dot) net.

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April Fools Day Round-Up: Were You Fooled?

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When it comes to April Fools Day on the ‘Net, I’m not sure where I stand. On one hand, I’m endlessly entertained by the creativity various companies show in their efforts to pull the digital wool over readers’ eyes. It’s also an amazing promotional opportunity, providing websites that normally wouldn’t be players in the viral marketing scene a chance to flex their creative muscles and attract new readers.

On the other hand, however, it’s an editor’s worst nightmare. Every story is likely to be a hoax, and it’s damn near impossible to break any authentic news due to the inherent skepticism of online readers for a 24-hour period.

It’s a bit of a personal hell for me, too. Every year, I wake up on April 1 and remind myself that anything I read that day is probably an April Fools Day prank. And every year, I end up getting excited about a story anyways, only to realize that it was just another joke — more often than not, this happens after I go public with my excitement, adding to the embarassment. In the end, I’m reminded of Charlie Brown trying to kick that football time and time again, even though he ends up on his back in the dirt every time he makes the attempt. I feel his pain.

So this year, I’ve put together a list of some of the highlights from this year’s April Fools Day on the Interwebs. It’s nowhere near a complete list, just some of my personal favorites from the world of comics and comics culture, as well as a few notable non-comics pranks. Feel free to add your own to the ‘Mix (pun totally intended) by adding a link in the comment section at the end of this article. (more…)

‘The Dark Knight’ Viral Marketing Prizes Revealed

Yesterday’s news about the latest viral marketing campaign for The Dark Knight had fans running to mysterious locations. For what? Money? A party? Adam West trying to fit in the Batsuit?

We guessed it had something to do with bowling from the clues in the message, and it turns out we were right. We should get a cookie… or a batsuit. Nevertheless, the lucky people who figured that out first and arrived at the locations teased in the campaign received something even better: a bowling bag. Inside the bag was a Joker-themed bowling ball with a number on it, and an evidence bag with a cell phone inside it. When winners called the number, a creepy voice let them know "we know who you are now." *shiver*

G4TV’s Attack of the Show managed to get one of the prizes and made a video about it. See for yourself what you would’ve gotten if you had pressed "turbo" on the Batmobile a little earlier.

 

Oh, and ComicMix reader Russ Rodgers alerted us to another viral marketing website for The Dark Knight, Acme Security Systems. Sure, it looks pretty legit — but they protect against Fear Toxin?