Tagged: ComicMix

Reminder: ComicMix reveals all (well, some) today at noon

Yes, we’re going to stop dropping hints at last and tell you outright at the Baltimore Comic-Con today at 12 noon in room 318 (note: that’s a room change from what’s in the program book.) Join Timothy Truman, Mark Wheatley, Robert Tinnell, Marc Hempel, John Snyder III and some surprise guests as Mike Gold, ComicMix Editor-in-Chief, tells you what’s new and different this fall.

We’re finally talking? That can only mean one thing… Armageddeon is here at last.

MARTHA THOMASES: Anticipation

3519005904-2712620Tomorrow is the Big Day. After months of blogging, after weeks of teasing on the podcasts, we’re going to announce what’s next here at ComicMix at the Baltimore Comic-Con. If you aren’t able to be in Baltimore with us, I’m sure Editor-in-Chief Mike Gold will make sure you know as soon as everybody else. He’s good about sharing that way.

As I write this, the Big Day is not tomorrow. It’s the day after the day after the day after tomorrow. This makes me very happy. I have nearly 90 hours to look forward to our panel.

Anything can happen.

When I was a child, I was a huge fan of The Mickey Mouse Club – the real one, with Darla, Annette, Karen and Cubby, not the fake one with Justin, Britney and Christina. Every day of the week was something special. Monday was Fun with Music; Tuesday was Guest Star Day; Thursday was Circus Day and Friday was Talent Round Up. The best was Wednesday because that was Anything Can Happen Day. That’s because, well, anything could happen.

Often, I like the anticipation as much as or more than I like the event I was anticipating. For example, I spend most of March waiting for the warmth of summer, and then I hate summer in the city. Spring is really the best, with the buds on the trees promising flowers and shade.

I’ve been happily with the same man for nearly 30 years, but sometimes I miss courting, when we didn’t yet know how the other would taste or smell or speak.

Comics? When I was the kid watching Mouseketeers, I couldn’t wait until Sunday, when I got to pick out my weekly comic book. Then, when it was Sunday, I would pick up each one, examining the covers, looking for clues (like a giant gorilla) that would tip me off that this was the best story ever.

Trust me, this is not one of those times when the anticipation is the best part. This is better.

You don’t believe me. You think I’m a publicist, and therefore I’ll say anything to get your attention. I once worked for a man who described a the job like this: a pessimist says, “The glass is half empty;” an optimist says, “The glass is half full.” A publicist says, “Oh my god! It’s a flood!” A funny story, but it’s not the way I see my job. I’ll tell you the story about where the glass came from, what happened to the water, and which of you might someday be thirsty.

So go about your Saturday, and enjoy yourself. If you find yourself in Baltimore, come by the ComicMix booth and say “Hi.” You can talk to some of the talented writers, artists, and crew, maybe get some clues about tomorrow’s big story. If you bring your own yarn and needles, I’ll show you how to knit.

If you aren’t in Baltimore, enjoy the summer weekend. And if you find yourself in traffic, or there’s a seventh-inning stretch, you can think about tomorrow and smile.

It’s worth it.

Martha Thomases is ComicMix‘s empiress of all things media, a.k.a. Martha the Merciless.

MIKE GOLD: Belabor Day

mike-gold-2-100-7210334As our own Martha Thomases pointed out  last Saturday, today is Labor Day. Martha made an interesting comparison between Manhattan and the Bottle City of Kandor without once referencing Rudy Guiliani as Brainiac. Nice self-restraint, Martha!

Like Martha, I, too, come from a city of Big Labor, one that has thus far managed to avoid the menace of Wal-Mart, the worst drug that has invaded American shores. I was a member of the Industrial Workers of the World (IWW; the Wobblies) until I became an editor, a.k.a. “management.” So I tend to look at the world from the point of view of the working person, and I’ve got the financial stability to prove it.

So on this, ComicMix’s first Labor Day, I thought I’d make a few comments about the comic book business and its workers.

Creators who work in this medium are, by and large, freelancers. They are, by and large, responsible for their own health care and retirement. This means that most comics people have no health care or retirement. I know people on the Right consider this to be their fault, the result of the fact that they’re not as smart as people on the Right. These are fools who have never had to face the prospect of going without food or lodging. It’s amazing how fast your priorities change when you’ve got nothing on the table and in a few weeks no place to put that table. As a comics editor, I’ve always remembered this: the people upon whom I depend to pay my rent are living tits to the wind.

Not everybody in comics management remembers this. Back in the 1960s a number of important creators at DC Comics tried forming a guild to protect their jobs and provide some security. DC, of course, was (and is) in the heart of Manhattan. These were creators who were important to the company: they were involved in producing some of the company’s more successful features over the course of their tenure. And within about a year, each and every one of them was gone from the company.

In fact, DC’s then-management actually brought in an editor, Dick Giordano, who would bring in his own creative crew from Charlton. Without knowledge of the situation – he was still in Connecticut at the time – Dick found himself replacing many of these creators. When he told me that story (at the same Westport bar where he was hired by DC), it was clear he hated having been cast as something of a patsy. One of the many reasons I respect him.

Another attempt at guild-making came in the late 1970s. Fresh from his successful campaign on behalf of Jerry Siegel and Joe Shuster, Neal Adams helped organize a guild that included a wide variety of comics writers and artists, one that, for a while, looked like it might carry some real weight. (more…)

Hugo, girls and guys!

hugoaward-3693461Yesterday in Japan, which I believe is today here, the Hugo Awards (which some of us jokingly refer to as the Eisners of science fiction) were handed out in the first-ever Asian-based World Con, Nippon 2007.  Congratulations to all the winners (see below), especially ComicMix friend Patrick Nielsen-Hayden!

Novel: Rainbow’s End by Vernor Vinge (Tor)

Novella: "A Billion Eves" by Robert Reed (Asimov’s, October/November 2006)

Novelette: "The Djinn’s Wife" by Ian McDonald (Asimov’s, July 2006)

Short Story: "Impossible Dreams" by Timothy Pratt (Asimov’s July 2006)

Non-fiction Book: James Tiptree, Jr.: The Double Life of Alice B. Sheldon edited by Julie Phillips (St. Martin’s Press)

Professional Editor: Patrick Nielsen Hayden (Tor Books)

Professional Artist: Donato Giancola

Dramatic Presentation: Pan’s Labyrinth Screenplay by Guillermo del Toro. Directed by Guillermo del Toro (Picturehouse)

Short Dramatic Presentation: Doctor Who "Girl in the Fireplace" Written by Steven Moffat. Directed by Euros Lyn (BBC Wales/BBC1)

Semiprozine: Locus, edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi

Fanzine: Science Fiction Five-yearly edited by Lee Hoffman, Geri Sullivan & Randy Byers

Fan Writer: Dave Langford

Fan Artist: Frank Wu

Campbell Award: Naomi Novik

The full list of nominees can be found here.

MARTHA THOMASES: We Shall Not Be Moved

martha-thomases-100-5534225Unlike almost everyone else in Manhattan, my family doesn’t usually go away for Labor Day Weekend. Ten years ago, we went to Cape May for the week, but it was so much effort to drive home through the Lincoln Tunnel that any benefit derived from relaxing on the beach, playing ski-ball or bird-watching was burned up thoroughly on the drive back.

Now, we find it more relaxing to sit on our terrace and listen to the tide of traffic on Varick Street, backed up from the tunnel as people rush to their respite.

New York City, on these holiday weekends, is like the Bottle City of Kandor. The city seems built up tall and sparse, with an overcast of humidity and exhaust. Most of the people on the streets are tourists, who walk in the careful cadence of out-of-towners that infuriates those of us who live here all the time and have to get down the street right now because we’re very important people with very important business to take care of so stop gawking and get out of my way!

Ahem. Excuse me. Kandor probably doesn’t have this particular problem with tourists.

New York City in the summer is, as David Letterman once said, the city that makes its own gravy. It’s hot, and it’s humid, and the streets are lined by skyscrapers whose air-conditioning blasts hot air onto the sidewalks. The garbage on the sidewalk cooks in the heat. Different neighborhoods seem to have their own weather conditions: a wind always blowing through the canyon that is the Avenue of the Americas; Broadway in the Twenties is a Delhi street, with bargains and music blasting from the stores.

Central Park is an oasis within the oasis, making New York feel like a chocolate covered cherry of a city, with sticky green replacing the cherry. I imagine that Kandor feels like that, too, with the air recyled in the bottle for decades.

We have no Wal-Marts here. That’s another thing that makes New York feel like it’s separate from the rest of the country. The retail Goliath tried to open stores in the outer boroughs, but New York is a union town, and we weren’t having any of it. We know that “everyday low prices” aren’t free, but come at the cost of low wages, child labor and no health insurance. We’d rather pay a little more and have neighbors who can afford their rent. Also, have you ever been to Loehman’s, or Century 21? That’s a New Yorker’s idea of a bargain.

Unions are important to New York. We depend on them, and the people who belong to them. Teachers, fire fighters, police, sanitation – the city would stop without them. You would think that Labor Day in New York would be a glorious city holiday, with politicians courting endorsements, and dancing in the street.

It’s not like that. Labor Day means the end of summer, and the start of the fall season. The newspapers on Sunday are really thin, and the stories, written far in advance, are dull previews of upcoming movies, television, and theater, not real news.

Union members are like most other New Yorkers. They’re taking a break, at the shore or in the mountains, or in their backyards, tending to the grill. They know that on Tuesday they’ll be back on the job, and, for the most part, they’d rather spend their free time with their families than with politicians.

There was a Tuesday in September six years ago, a beautiful day with none of summer’s humidity. The fall season had started, and most of the tourists were gone. The kids were back in school, and the streets bustled with business. When the World Trade Center was attacked, it was these uniform services – the fire fighters, the police, the emergency medical technicians – who ran in to save their fellow citizens. It was these heroes who died by the hundreds, more than ten percent of the total lost that day.

For nearly a year, they were celebrated, as they deserved to be. A fireman who runs into a burning building to rescue a stranger is the very definition of a hero. In the months that followed, other union members, even those not employed by the city, were on the ground, digging out the rubble and inhaling poison smoke. They were heroes, too. I remember seeing a group of people on the West Side Highway, every day, waving flags and signs and cheering every truck that went downtown.

It was a bittersweet time in our bottle city. We mourned, and we bled, and we helped each other with our recovery. For a week or so, some of us even slowed down.

And then, the politicians decided we needed a war, and the fire fighters and police heroes New Yorkers (and others) admired were replaced with soldiers. Soldiers sacrifice at least as much as fire fighters, but they also kill people. It’s part of the job. Fire fighters don’t.

In Kandor, I imagine, they’re more like New Yorkers. They revere their civil servants. I bet Labor Day there is fun.

Martha Thomases, ComicMix Media Goddess, is a member of the National Writers Union.

The Geek Hierarchy

geekhierarchypiece-1812094So a bunch of us Mixologists were having dinner in a suburb of Chicago having what EIC Gold claims are the best hamburgers in the world (pretty good, but that’s another post) and we started talking about  who looks down on whom — Doctor Who fans looking down on Dark Shadows fans, who in turn look down on Forever Knight fans, and so on — and I mentioned that the Geek Hierarchy already existed. Multiple Michaels Davis, Gold, and Raub were all disbelieving that such a hierarchy existed, let alone that it had standing.

Doubt me, eh? Gentlemen… this link is for you. Presenting The Geek Hierarchy. (All ComicMix readers can elevate themselves one level on the chart.)

MIKE GOLD: Dangerous Old Farts

mikegold100-5090676murrayOur popular culture likes to mock young celebrities such as Lindsay Lohan, Paris Hilton and that Federline guy. That’s fine; there’s no reason to take our celebrities seriously. But I think we’re showing our ageist leanings by making it look like these children differ from their parents and grandparents. There are a lot of old fogies up to no damn good, and they deserve to be outed as well.

For example, last week actor Bill Murray was arrested for DWI. While driving a golf cart. Down the middle of a public road. In Sweden. As it turns out, he “borrowed” the golf cart from Stockholm’s Café Opera, although the owner is not pressing charges. In fact, he’s milking it for all it’s worth.

Well, Lenny Bruce pointed out society perceives a difference between dirty screwing and fancy screwing, and I’ve got to admit, getting busted for driving a golf cart down the middle of a public road in downtown Stockholm is fancy screwing. Or it’s the plot to one of Murray’s earlier movies; it’s kind of hard to tell.

William Shatner evolved from the butt of jokes to my personal hero. Nobody has turned his image around like Bill, thanks to a wonderful self-effacing sense of humor and a great role in Boston Legal, an amazingly iconoclastic teevee series. But even Bill has his meltdowns.

At a Star Trek convention in Las Vegas Hilton earlier this month, Shatner publicly railed against producer J.J. Abrams for casting Leonard Nimoy in next year’s Star Trek movie – but not him. According to the New York Daily News, “Shatner was so manic onstage that Leonard Nimoy actually said, ‘We’re worried about you.’”

0514shatner-7478775293457613_49ede24aca-6503500Then there’s George W. Bush. He’s always good for a few laughs. Rick Oliver, my old friend and successor as First Comics’ EIC, sent along this priceless quote: “One unmistakable legacy of Vietnam is that the price of America’s withdrawal was paid by millions of innocent citizens, whose agonies would add to our vocabulary new terms like ‘boat people,’ ‘re-education camps’ and ‘killing fields…’”

So much for “no child left behind.” George’s reference to the killing fields had nothing to do with Vietnam; that was Cambodia, under the petit-Hitler Pol Pot. Proportionately speaking, he was the greatest monster of the 20th Century, having slaughtered through slave labor, malnutrition, poor medical care and execution some two million of his people – fully one-third of Cambodia’s population.

Pot’s killing fields and re-education camps were brought to an end in 1979 by the Vietnamese – the same Commies Bush and his friends like to point to as an excuse for their continued gang-rape of Iraq. For the record, the world has the Vietnamese to thank for putting his career to an end. Pol Pot was kept under close house arrest for twenty years, until the day he died.

Nice going, Georgie. In comparison, President Paris Hilton doesn’t sound so bad.

Or should that be President Freedom Hilton?

Mike Gold is editor-in-chief of ComicMix.com.

GLENN HAUMAN: Decompression and burn rate

gh_100-4331646Bully makes a speech buried in a comment thread on decompression in comics that I’ve been saying for years, and deserves much wider play, so I’m running part of it here (but read the whole thing):

"Read the books on their own, month by month, paying $2.25 (or whatever they are now), and it’s clear: you get very little story for you money. I can’t quantify value as you say, because your joy over a decompressed story may vary from person to person, but I lament that you can now spend three bucks and read a comic book in less than five minutes. That is poor entertainment value for the money and only exists because of the crack-like addiction we (I’m including myself here) have to these characters.

"My point, and I do have one, is that in many ways — not all across the board but in so many instances for so many titles — "comics are your worst entertainment value." Spending three bucks on five minutes of enjoyment and not getting the feeling of a full story is a trend that does not help gain new readers. We lament that it’s hard to turn new readers, especially kids, onto superhero comic books. Is it any wonder, when you get a fraction of a story that reads like the wind. I’m not calling for a return to wordy stories that are "done in one" across the board, but the trend of decompression devalues the worth of the comic as a piece of entertainment.

(more…)

microman_mini-4620021

Saturday Morning Cartoons: Happy birthday, Transformers!

microman_mini-4620021Twenty-three years ago today, Hasbro brought the Autobots and Decepticons to store shelves all across America. Initially reusing previously-released toys from the Japanese Takara toylines Diaclone and Microman, Hasbro issued the toys under the name Transformers. The basic back-story of the toyline and subsequent comic books and cartoons was developed by the Marvel Comics writers Jim Shooter and ComicMix‘s Dennis O’Neil; it was O’Neil who actually changed Convoy’s name to Optimus Prime.

Oh, and speaking of Optimus Prime, he now seems to be doing reviews with Alan Kistler, reviewing such recent fare as the new Bionic Woman pilot, the new Flash Gordon series, Eureka and Torchwood. But be warned — Optimus Prime has gone through a few transformations of his own.

If you haven’t heard yet, Transformers: The Movie will be released in IMAX September 21 with extended footage. And finally, we have the most impressive Transformer costumes that I’ve ever come across…

MARTHA THOMASES: Wild in the Streets

martha100-6322812Maybe it’s because this presidential campaign is lasting more than two years, but lately, I’ve heard a lot of people bemoan their feelings of helplessness.  The system is unchangeable, they’ve decided, and there’s nothing they can do.

When I was a teenager, during the late 1960s and early 1970s, we thought we could fix everything.  War, poverty, pollution, inequality – it didn’t matter what the problem was.  All we needed was ourselves, our energy and resolve (music and drugs were optional, but helpful).

Today, not so much.

I don’t know precisely how, but our cool rebellion and anti-materialist hedonism got co-opted by the very corporations we despised.  The very culture we created sold us out.  Maybe it was the 1970s, when the music business got huge, segmented radio and split us apart in order to sell to us more efficiently.  Punk started in protest to this, but was co-opted even more quickly.  MTV turned rock’n’roll into long-form commercials.  By the time grunge was hip, Calvin Klein already had Time Square billboards with underwear models looking strung-out in Seattle.

Movies didn’t do much better.  The rebellious, independent filmmakers who gave us Taxi Driver, MAS*H, Easy Rider and others were rejecting Hollywood’s glamour, glitz and phoniness.  Somehow, they and their rebellious stars were absorbed into the studio machine even more quickly that the rockers.  Maybe Jane Fonda wasn’t the deepest political thinker, but she looks like Noam Chomsky compared to Lindsay Lohan.

So, comics?  They fall somewhere in the middle, and off to the side, as they do in so many conversations about media.  Originally reprints of newspaper strips, comic books were seen as disposable, cheap fun, so anything could happen.  There’s amazing, subversive energy is Jack Cole’s Plastic Man, just to pick one example.  When comics became popular, the people in power objected, and put through the Comics Code to keep the kids in place.  Hippies re-discovered comics, and started to make their own.  From these underground comics came new distribution, then the direct market, and now, with the exception of a few political titles like World War 3, independents have replaced undergrounds. (more…)