Tagged: ComicMix

MARTHA THOMASES: I love my shirt

martha100-3391212When I left DC Comics in 1999, I stopped traveling to comic book conventions. I’d still go to the Big Apple shows and MoCCA Art Festivals to see my friends, but these take place in New York City, which, coincidentally, is also where my closets are. Now, for the first time in this century, I’m going to shows again.

At DC, those of us in the marketing department were required to wear t-shirts promoting the company’s characters, or with one of the company’s logos. At ComicMix, we wear our logos as well while we’re on duty. When I go to local shows to see my friends, I figure they already like me, and I’m not particularly going to make any new pals.

This is the long way to say that I don’t especially worry about my appearance at comic book conventions. Either someone has made that decision for me, or I was going to see someone who already had formed an opinion about me.

None of this is not to say I didn’t obsess over my appearance. I do. I worry constantly that people look at me and think, “Who let that fat old woman out of the house? Aren’t there laws against such public displays of cellulite? Is it really possible for flesh to sag that much in so many different places?” However, when going to a comic book event, I didn’t worry about these questions any more than I do when going to get a newspaper, or mail a letter.

To me, comic book conventions were a professional obligation. I presented myself as my profession requires, just as I wear a suit to meetings with journalists or clients, and a sweater to the yarn store. When a comic book convention is a social occasion, I’ll dress as my peers dress, perhaps taking the occasion to wear some cute shoes my friends can admire.

I do not consider conventions to make new friends. In fact, I never went to one before I worked at DC (except to go to parties when I first started working in comics, but, as a freelancer, I needed the free hors d’oeuvres). Even though I’ve been reading comics since 1958, I never socialized around them. Comics were something I liked, like rock’n’roll music, or blueberries. My friends were more likely to come from my political activism or the swim team or, later, from jobs or parents with kids the same age as mine.

Until recently, I’d guess most women at comic book conventions also didn’t worry too much about their appearance. As Heidi MacDonald has observed, most women at comic events were “dragalongs,” women who were attending because their boyfriends, husbands or sons liked comics, not because they were fans themselves. The best thing about going to a show used to be that there were never any lines for the ladies room.

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LICENSING SHOW Day 2: Plenty o’ Pix

iron-man-8378199A pretty big outcome for the second day of the 2007 Licensing Show. Lots of movie pushes, of course with this being one of the biggest franchise summers in film history. Warner Bros was there in the same form as last year, showing off some of the new cars from their new flicks. We got the first peak at the The Dark Knight’s brand new BatPod (and no, you can’t play music on it, its just a cooler name than Bat-Cycle) also we got an up-close look at the new Mach 5 from next summer’s Speed Racer.

flash-gordon-9464980Also in the movie department, we got a bit of a tease over at Marvel’s booth for both The Incredible Hulk and Iron Man slated to come out next summer as well. Nothing too exciting over there, but the New Line booth was surprisingly pretty popular. To promote next year’s Golden Compass, there was a nine-foot armored bear, and despite popular belief, not only do I like girls, but I am also really looking forward to this film. Based of the series of His Dark Materials books by Phillip Pullman, this is the first of the series, and looks to be even better than last year’s underachiever in The Chronicles of Narnia.

dark-knight1-4523879They also were promoting a film that I have heard absolutely no buzz about up until today entitled Inkheart starring Brendan Fraser, Paul Bettany, and Helen Mirren, based on the book by Carnelia Funke of the same title.

hulk-7797584 The BBC booth was also there promoting the hell out of Doctor Who, which I had absolutely no qualms with. This big push was due to the American release of series three to the Sci-Fi Network next month. Also coming to Sci-Fi in August, and came to me as a huge surprise was a remake of Flash Gordon. Now before I dusted off my Queen soundtrack and started to dance, I did a little bit of research, and the creative team consists of some of the minds that brought us Relic Hunter, Beastmaster, Young Blades, Andromeda, and oh, yes: Painkiller Jane. So before we all get excited and break out the champagne, I’d bet on this show being off the air before the bottle runs dry.

dwho-1187444Finally, and by far my favorite part of today’s show was the news about Xip3, a new jacket company buying the rights to Transformers to release a “Transforming Jacket” that will be released with the DVD in November. I got to see first hand how this works, and it’s pretty cool. The jacket is black with silver accents, and can “transform” from a sports jacket to a backpack to a pillow in seconds. The unisex jackets will all be numbered and in sizes extra small to extra large. You can reserve your copy starting in July over at the Xip3 website.

Overall, a great show and I can’t wait to hear what wonderful things await for the ComicMix crew for day three!

JOHN OSTRANDER: Backing Into The Future

ostrander100-2156678The new Suicide Squad miniseries got announced this last weekend and noted by many, including here on ComicMix. The series was always a cross between Mission: Impossible and The Dirty Dozen and will be again. I’ve always tried to give it a “real world” feel, even going back to its origin. And sometimes the “real world” pulls a fast one.

When I proposed the Squad, there was some concern that the premise – that the U.S. government would hire bad guys to undertake missions considered to be “in the national interest” but needed deniability – seemed a little “out there.” In between the time that the proposal was accepted and we got our first issue out, Irangate broke – where the government was using bad guys etc etc – and made us look like pikers. It looked like we were cashing in on the story rather than inventing an edgy and daring scenario.

That continued through the Squad’s run. I would read the papers and try to extrapolate events from them, concoct possible and likely scenarios and try to fit the Squad around them, and the real world would get there around the same time the issue came out. I was successful enough at one point that a friend contacted me one January wanting to know where I was setting the Squad that summer. She was preparing her summer vacation plans and wherever I was sending the Squad she wanted to avoid.

In truth, I’m not much of a seer. I simply apply what I know from writing plots – formulating a sequence of events that would lead to a given event/moment and then extrapolating the most feasible series of events that might follow from said event. I apply this method to what I see in the world. Very useful in plotting or dealing with characters; a little scarier when dealing with real-life situations.

For example, a couple of weeks ago I did it in a column concerning the sudden death of bees. Others, such as Al Gore, are doing an admirably scary job looking at climate change (a.k.a. global warming). I remember once when I was teaching a writing class at the Joe Kubert School – yes, I was teaching writing to artists – I gave an assignment on scanning the future. We started from a given factoid: oil is not a renewable resource. At some point we will cross the line where we will have taken more oil out of the ground than there is left in it. Some speculate we either already have or will within the next ten years. At that point, oil has to start becoming a scarcer commodity. Given our current rate of consumption, there are some who think the oil will give out around 2030.

We started to explore what that would mean. Not just higher costs for driving your car or heating your home but what the impact would be in other areas. For example, as the cost of transporting goods goes up so does the cost of bringing in food outside the local area. Everything then costs more from the clothes you wear to the food you eat.

Plastics are made from petroleum and as petroleum becomes scarcer, the cost of plastics goes up. Think of everything – EVERYTHING – you use that depends on plastic use – on CHEAP plastic use. The cost, of course, gets passed on to the consumer. That’s a given.

With all this, I asked them to contemplate what happens geopolitically. As oil becomes scarcer and control of it literally dictates what happens to a country’s economy, who will do what in order to control access to the oil? I don’t mean just this country; there are up and coming players as well. Hungry players. (more…)

ROBERT GREENBERGER talks Civil War

bobgreenberger100-6328820It must come as quite a shock to you. We’re talking about a profound cultural shift for the betterment of mankind, People want this, Richard. They need the superhumans of the world to be responsible, properly trained, qualified…and ultimately held accountable. That’s what the initiative is all about. We’re trying to move out of the dark ages of masked vigilantes into a brighter future where tragedies like Stamford can’t ever happen again.

– Tony Stark to Richard Ryder, Nova #2.

World War Hulk began last week and we saw the jade-jawed giant arrive on Earth with a pretty big mad on. With less than twenty-four hours to evacuate Manhattan, Doctor Strange and his, er, estranged Avengers offer to help Iron Man clear the populace. Shellhead magnanimously offers amnesty for their help.

Welcome to the new status quo in the Marvel Universe. The dust continues to settle from the brawl that was Civil War and with all of Earth confronted by a new menace, now’s not a bad time to assess the new political landscape.

After the Mutant Registration Act, unveiled in Uncanny X-Men #181 and passed into law, required all mutants in America to be registered. Those not complying faced criminal charges. Once that was passed, a parallel super-hero or super-power act was an obvious follow up and came up during the Acts of Vengeance crossover. Fantastic Four #335 began the first serious examination of such an act. Reed Richards addressed a congressional subcommittee saying such an act was unnecessary. His odd argument that such a law wouldn’t be followed by the villains anyway struck an odd chord.

While American legislators dithered over it, the Superpowers Registration Act became Canadian law in Alpha Flight #120.

Years went by without much activity on either front with the Mutant law not being vigorously enforced and the super-human law a mere idea.

Then came the House of M. (more…)

New stuff to come from Aardman

This is a story that has something for everyone at ComicMix.  According to Variety, Aardman Feataures (creators of Wallace & Gromit, Chicken Run, and currently part of Sony) has announced a bunch of new features.

Life on Mars fans will be psyched to hear that writers Matthew Graham and Aashley Pharoah are penning The Cat Burglars.  Described by Variety as a film about "milk-thieving stray cats," it will be directed by Steve Box in the stop-motion sculpture style us hard-core animation buffs love.

Also, Peter Lord will direct a comedy based on the Pirate series by Gideon Defoe.  Lord gave us Chicken Run, maybe the last time Mel Gibson was any fun.

Peter Banham is wowrking on Operation Rudolph, a Christmas movie.  He’s one of the writers of Borat.  We’re psyched.

MIKE GOLD: The Darknight Contrarian

mikegold100-9609454I used to have a reputation for sometimes being kind of negative. That comes with the career in radio and “journalism,” and I’ve worked at overcoming it. But, like most childhood pleasures, not using a skill doesn’t mean you no longer know how to use it.

For example. I have come to the conclusion that the Paris Hilton affair has become a legitimate news story (it didn’t start out that way), and that she got screwed.

After listening to a bunch of experts and pundits and reporters, it seems pretty clear to me that Hilton is doing time for being Paris Hilton – people in similar situations, and, sadly, there’s no shortage of them – would be given community service or pay a fine or be under house confinement. Being locked up at the taxpayers’ expense for such a violation is nearly unheard of. And, yes, in California as well as most of the rest of these United States the sheriff is charged to run his prisons as he sees fit.

tx_hilton_paris-4150077Hilton was busted for violating her plea agreement. As such, she was real stupid. Hilton is despised for being an “artificial” celebrity, as if there’s any other kind, and for being a whinny spoiled brat. I understand; she is a whinny spoiled brat. But that’s not against the law; if it were, I’d have a much, much easier time going shopping here in Fairfield County Connecticut.

So Hilton is serving time not for breaking the law but for being a high-profile stupid whiny brat. She has my sympathy; fair is fair and, as she said while she was being hauled off to the slammer kicking and screaming for her mommy, this is not fair.

For example. Everybody seems bent out of shape about the conclusion to The Sopranos, including ComicMix’s own John Ostrander.  I think the ending was fine. Not great, not awesome, but exactly on the money.
 
02-livia6-3641527This is a show that lost its raison d’être the moment actress Nancy Marchand died, back in 2000. Her character, momma Livia Soprano, was the story’s anchor. Without her, the plot never was as compelling, nor was it as understandable. It was reduced to its core element: Ozzie and Harriet Nelson, the family of Made Men.

And that’s what the ending was all about. It didn’t matter if Tony got wacked in the restaurant in front of his family. If it didn’t happen then, if could just as easily happen the next day or the day after. Being a mob boss is not a “safe” job – Al Capone ran his mob for about seven years, and was only a functioning operative in that mob for a total of about a dozen years.

Here’s the proof: midway through that final episode, Anthony Junior became Christopher Moltisanti, which, as we all know, is what his father should have wanted all along. He got the mob-connected job in the film business, he got the mob-connected car, he’s always had the mob-connected father but now daddy finally delivered for him. Life goes on with the Nelson Family of New Jersey, and what goes around stays around. Nothing changes.

george-bush-leads-the-us-towar-6283702And, sadly, that’s what The Sopranos had been about.

For example. George W. Bush.

I’ve got nothing.

And, come to think of it, neither does George.

Mike Gold is editor-in-chief of ComicMix.

ComicMix comes to Poppa

While my ComicMix colleagues are having the time of their lives in Charlotte or Philly, I’m moping here in NY with a bad case of the sufferin’ sciaticas.  It breaks my heart, I love Heroes Con and really wanted to be a part of its big silver anniversary celebration.  Oh well, at least I can catch up on comics reading while hearing about all the cool stuff to come (PAD on She-Hulk!  Dwayne on JLA!  MWaid back on Flash!  Oh yes, I’m a happy fangirl) and, of course, bring you the weekly columnist wrap-up:

Meanwhile, Mellifluous Mike Raub marches on with his Big ComicMix Broadcasts:

Hope my fellow ‘Mixers bring me back some goodies from down south!

MARTHA THOMASES: Daddy’s Home

martha100-3974448My husband really liked the column I did on Mothers’ Day (Brilliant Disguise #4). My stepmother also liked it. As a result, I feel a huge amount of pressure this week, as Fathers’ Day approaches.

Perhaps this is as it should be. Fathers, at least in literature, exert pressure. So do mothers, but fathers are much more stern about it, and send out much more of a mixed message. Zeus’ father ate him, for crying out loud. Jesus’ father sent him to die for our sins. Lear punished the only daughter who dared to tell him the truth. Jor-El proved his love by sending his son a universe away.

Fathers are stern. Fathers are cruel but fair. Fathers are distant. Tony Soprano? Please. Even today, on television, the best father, on Everybody Hates Chris, proves his love by working so many jobs he’s only home long enough to sleep and offer a bit of advice, if he’s lucky. In comics, the kindly fathers (or father figures) of Ben Parker and Thomas Wayne are all dead, inspiration only or motive for revenge. Jonathan Kent is the exception that proves the rule, depending on which continuity you’re in. (more…)

REVIEW: Fantastic Four Two

ff2-4655838OK, so here we go: it’s the official midway point between the first and latter half of the Summer of Blockbusters. With last week’s box office flop consisting of Ocean’s 13 and Hostel Part 2, a sequel to a film nobody was all that psyched about to begin with has got failure written all over it, right? Wrong. Of the films I have caught this summer, FF2 has got to be my favorite, which is probably the highest honor I can give it. From titles to credits, I only complained once, and even that wasn’t totally worthy of complaint. But I’m getting ahead of myself, we’ve done this enough times for me not to deter from format, of course we have to break the film down and throw in a few obscure comic references, or else it just wouldn’t feel right.

Starting off with the acting, I was more than happy with everyone’s performances in the film, including Alba’s, who I bitched and moaned about in the previous film. This movie has got enough content jam-packed into 89 minutes that her flickering eyes and blank stare were almost as invisible as the character herself.

My favorite part of a superhero sequel is that we’re beyond the need for introductions and origins, and we can get to the grits of the character. There were a few things I wanted in the first film that were delivered with bells on in this film. Those being: more Johnny and Ben camaraderie, less “will they or won’t they” with Sue and Reed, and a whole lot less of Julian McMahon looking somber. While we got much more of the first, the second two still had their moments, but again with a film that primarily shifts the focus on a brand new character, the little problems like that get lost in the cracks. We also get a reprise of Stan Lee, unsurprisingly, but this time he doesn’t come back as Postman Willie Lumpkin, but another, very special character. I won’t give it away, but I’ll drop a hint: He’s old.

The next section of course being the special effects of the film. And I’m somewhat jaded in this category, because for years, the only Fantastic Four I knew of other than ink on paper was from the Roger Corman epic, and those of you who remember that also remember a lot of clay-mation stretchiness and I Dream of Jeannie camera tricks for the invisible effect. So comparing it to the two new films is like holding a candle up to the sun. The effects started off pretty poor, but then came to blow me away by the end of the flick. This is where we touch on the giant purple elephant in the room, Galactus.

I’m going to put an end to the rumor right now and admit that Yes: Galactus is a cloud, BUT! It’s completely pulled off in this picture. I was the first webgeek to bitch and moan that I wanted a giant purple dude like we’ve always known the Devourer of Worlds to be, but when you consider the impact of a twister three times the size of earth coming to literally eat the world, the image is haunting, and even us original geeks get a nod from the crew towards the end of the picture. Again, I don’t want to spoil too much, but during the final battle, look directly into the “belly of Galactus” to see an old face.

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JOHN OSTRANDER: That’s A TV Wrap, Part 2

ostrander100-8664663A couple of weeks ago I did a wrap-up of my opinions of some of the TV I watched this past season. I held back on two shows because they hadn’t yet ended their seasons or their runs and others were cut because the column was getting too blamed long. So I’m going to try to finish up and include some shows that finished their “seasons” a while back but are about to start new seasons this summer. Looking back is a way of looking forward. First, however, a quick look at two shows among my faves and that are linked.

The Daily Show/The Colbert Report. These two almost have to be discussed together. The “fake news show” and the fake news commentary show. I have to admit I watch the Daily Show more often than The Colbert Report. While I admire the latter, Colbert’s persona – a terrific send-up of right wing on air demagogues – gets a little hard for me to watch at times. It’s right on the money.

What I love about The Daily Show is there is a sense of moral outrage and while a lot of it is aimed at the Bush Administration – justifiably – a lot also goes right at the media itself. It’s a serious show that makes use of comedy and makes me laugh out loud more often than not. Jon Stewart is brilliant on a consistent basis and his gang of reporters – while not overall the best the series has had – has some truly shameless members like Samantha Bee.

Stephen Colbert was the “star reporter” for a long time on The Daily Show until they launched his spin-off show, The Colbert Report, a send-up of Bill O’Reilly and all the other right-wing, self-important blowhards doing commentary on TV and radio. I admire the show tremendously; so much of it falls on Colbert. Given the nature of the show, there isn’t a cast of “reporters” that he can fall back on. And there are truly gonzo moments that pop up, such as Colbert’s guitar showdown or the green screen challenge that featured Stephen with a lightsaber and invited viewers to finish it and submit their offerings. George Lucas himself came on the show as one of the two finalists – and lost. It’s just that some nights I’m just not in the mood. It’s me, Stephen, not you.

who-infinite-quest-7532991Doctor Who. This is no-brainer for me. I’m a long time fan and the new series brought me right in again. Christopher Eccleston did a fabulous job in Season One and now David Tennant is just as good in a different way as the latest incarnation of our time/space traveling hero. It’s not that every episode is brilliant or that every concept is the best; that was never the attraction. But for all the fact that the Doctor is a Time Lord from an alien planet, the show remains one of the most human of S/F shows and consistently celebrates humanity. I love it.

Eureka. I also love this show. The concept is that there is this small town in the Pacific Northwest which is the home for some of the most brilliant scientific minds in the country who live and work in a safe, supportive, small town environment. Rural weirdness ensues. Think The X-Files meets Mayberry RFD. The local garage mechanic also happens to be a genius-grade engineer. The new town sheriff is a regular guy, a U.S. Marshall who happened to come on the town and helped with one of their problems. The fact that he is just a normal Joe with no more scientific background than the rest of us makes him the perfect alter-ego for the audience who are also new to the place and, probably, not world class brains (I’m not). Colin Ferguson plays Sheriff Jack Carter; he has a deft comedic timing, along with being a good looking guy, that makes him not only a great lead but a solid anchor for the weirdness that goes on around him. The show combines humor, well thought out science fiction ideas, characterizations that take surprising twists and is, overall, terrifically well written. It attracted more viewers than anything other series on SciFi and the new season starts in July. (more…)