Tagged: ComicMix

JOHN OSTRANDER: Boomshine Zen

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I prefer not to tell my editors – including ComicMix’s own Mike Gold – how I spend my workday. They’re generally happier thinking my nose is always to the grindstone but, as the ever delightful Elayne Riggs has pointed out in her column this week, you can’t be writing 24/7 and that, sometimes, playing a video game helps clear and even focus the mind.

My Mary recently turned me on to a web-based game called Boomshine and I play it usually once a day. It’s a simple game: on the screen bounce a number of colored dots, like the ball in the old Pong game. They randomly float around, bounce off the borders, come back. There are twelve levels in the game and the number of dots bouncing around vary from five in the first level to sixty in the last one.

At each level, you can click only once and this creates an explosion – a boom, a circle of light. Boomshine. Any dot hitting that circle also becomes a circle of light and so on, often in a chain reaction fashion. You have a goal pre-set for you at each level of how many dots you must change, from one at level one to fifty-five at level twelve, before you can go on to the next level or complete the game. The goal is the minimum amount of dots that must change; you actually want as many changed as you can get to increase your final score. Your final score determines where – and if – you place on the list of daily/weekly/monthly high scores.

Music accompanies all this. There’s a vaguely New Age piano playing under the game or you can click the speaker icon at the start of the game and a single random piano note plays every time a dot changes, which is what I prefer.

The motion and speed of the colored dots are random and the “explosions” where they change to circles of light appear to affect this. It’s not really predictable and, outside of when and where you place your initial explosion, you have no control on what happens next. It just happens.

Like life.

I’ve found myself doing a form of meditation while playing Boomshine. I don’t do well with meditations that ask me to sit quietly and let my mind go blank and just open myself to the Universe. My mind has to be tricked. It has to think I’m doing something. There’s a whole series of meditations that are like that; I know them as “moving meditations.” My church has a labyrinth pattern where you walk a pattern in to the center and then out; the repetitive act of walking as I follow the pattern frees my mind. Same thing happens when I follow my walk around the block – at some point, my monkey brain shuts off and allows other thoughts to come. I’ve sorted out plots this way sometimes. Almost any repetitive act will do that.

As I’ve played Boomshine recently, some observations – perhaps insights – occurred to me.

You can try to plan when and where is the best spot to make the first “boom,” but the little dots don’t always do what you expect them to do. They slow down; the boom seems to send them away; they skirt the edge of the circle of light without actually touching it, without transforming, and escape. Control is an illusion. That thought touched another in my mind and – boom – another little explosion. That’s Iraq. Those who brought us into the situation thought they had it under control; they had a clear vision of how things were going to be. They still think they can make it what they will. However, there are all kinds of random elements at work and there is no control over those elements. (more…)

ELAYNE RIGGS: Living in the moment

elayne200-5741978John Lennon once observed, “Life is what happens to you while you’re busy making other plans.” And another John, ComicMix‘s own Mr. Ostrander, recently wrote here about a lesson learned (he calls it a “strange gift”) in the wake of his wife’s death:

“One of the gifts I got was a deeper understanding of now. That’s what we have — now… now… now. This second. This second. This second. Now. We should never assume we get the next second. Kim realized, at the end, that she hadn’t done all the writing she wanted to do. That she could have done. She found ‘reasons’ but, at the end, none of them were more than excuses. Regret is what you have when you waste the now… Do you have something you want to write? Do it now. Is there something you want to do? Get started now. Is there someone you love? Love them now. It’s what we have; the next second is not promised to anyone.”

It’s not right, it’s not fair, but sometimes grief has a way of clarifying ideas you’ve heard before so that you understand them in a new way. And “now” is one of them. I completely “get” this concept in the wake of my father’s death, in a way I didn’t even see it after my best friend Leah passed away. There’s no going back at this point. Leah and I were close for over a decade, but I’d known Dad my entire life. He was one of the two pillars on whom my existence rested for close to 50 years. And now that pillar is gone, and I feel like I’m going to be off-balance and teetering for the rest of my life.

The illusion that, if things got really hard, I could always regress to a time and place where I felt completely safe and protected, where I didn’t have to be a grown-up, is forever shattered. I’ve never been blessed with children, so I can’t even relive my childhood through the eyes of the next generation. I have to be the grown-up all the time now, caught between that which is no longer and that which will never be, while unforgiving time still insists on creeping along in only one direction. My world is nothing but “now”s. (more…)

MICHAEL H. PRICE: Movies Is Comics and Comics Is Movies

price-brown-100-1768211I’ve gone into some detail elsewhere about how my Forgotten Horrors series of movie encyclopedias (1979 and onward) dovetails with my collaborative comic-book efforts with Timothy Truman and John K. Snyder III. More about all that as things develop at ComicMix. This new batch of Forgotten Horrors commentaries will have more to do with the overall relationship between movies and the comics and, off-and-on, with the self-contained appeal of motion pictures. I have yet to meet the comics enthusiast who lacks an appreciation of film.

Although it is especially plain nowadays that comics exert a significant bearing upon the moviemaking business – with fresh evidence in marquee-value outcroppings for the Spider-Man and TMNT franchises and 300 – the greater historical perspective finds the relationship to be quite the other way around.

It helps to remember a couple of things: Both movies and comics, pretty much as we know them today, began developing late in the 19th century. And an outmoded term for comics is movies; its popular usage as such dates from comparatively recent times. The notion of movies-on-paper took a decisive shape during the 1910s, when a newspaper illustrator named Ed Wheelan began spoofing the moving pictures (also known among the shirtsleeves audience as “moom pitchers” and “fillums”), with cinema-like visual grammar, in a loose-knit series for William Randolph Hearst’s New York American.

Christened Midget Movies in 1918, Wheelan’s series evolved from quick-sketch parodies of cinematic topics to sustained narratives, running for days at a stretch and combining melodramatic plot-and-character developments with cartoonish exaggerations. Wheelan’s move to the Adams Syndicate in 1921 prompted a change of title, to Minute Movies. (Don Markstein’s Web-based Toonopedia points out that the term is “mine-yute,” as in tiny, rather than “minnit,” as in a measure of time. No doubt an intended sense of connection with the Hearst trademark Midget Movies.) Chester Gould showed up in 1924 with a Wheelan takeoff called Fillum Fables – seven years before Gould’s more distinctive breakthrough with Dick Tracy. (more…)

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RSS feeds good, online comics better

RSS feeds are funny things.  They let folks with newsreaders and busy lives know when you’ve posted something new, but they (either the feeds or newsreaders) can be spotty at times and you almost miss stuff.  Take Gene Yang’s terrific responses to MySpace making American Born Chinese a featured book, an essay he calls Does acknowledging a stereotype perpetuate it?.  It was posted on May 1 but didn’t show up on my newsreader until a few days ago.  I’m still shaking my head that Yang’s essay was even necessary, as it addresses people who haven’t even read his book but are complaining about a character deliberately portrayed as offensive.  (There’s actually a blog term for folks like this; we call them "concern trolls.")

ctdwn_50-4-2035590Speaking of MySpace, all 22 pages of DC’s Countdown issue 51 are now up on the Comicbooks blog, as well as the first half of issue 50.  MySpace blogs do have site feeds (here’s the Comicbook blog’s feed) so you can read at least partial blog entries without joining the service.  The feeds are often tricky to find (you often need to be on the blog in the first place to see the "RSS" choice at the top right), but worth it if you want alerts on new posts.

I grabbed Vulture’s site feed from New York Magazine as soon as I saw they were featuring weekly graphic novel excerpts the same way many magazines feature prose novel excerpts.  This week it’s Nick Bertozzi’s The Salon.

Were it not for Becky Cloonan (who has a site feed) I wouldn’t have known at all about Amy Kim Ganter serializing the second issue of Sorcerers and Secretaries, because Amy’s site doesn’t seem to cater to RSS readers.

One of the best things about having an RSS reader is that you get to save posts to write about later.  Thanks to this site feed report, I’ve now closed four or five saved posts.

And yes, ComicMix has a site feed — stable but ever evolving, like the rest of this site.

(Artwork copyright 2007 DC Comics. All Rights Reserved.)

RIC MEYERS: The Thai’s have it

ric-meyers-100-7603117 As a contributor (audio commentaries, on-camera interviews, liner notes, and packaging copy) to more than three hundred DVDs in America and Asia, I’’ve always wanted a source for what ComicMix is now allowing me to do — review DVDs specifically on the quality of their extras (audio commentaries, makings-of, et al). When deciding upon which DVDs to buy and which to rent, that’’s often the deciding factor.

All too often in DVD reviews, the extras are simply listed, which is misleading at best, since I’’ve suffered through dry, taciturn, frustrating commentaries from a star-studded roster (the pre-ultimate edition The Spy Who Loved Me), but also reveled in funny, enlightening, seemingly drunken revelries (Conan the Barbarian). And even in the most prestigious publications, the critics get bogged down in their opinions of the films in question, leaving precious little copy for the quality of the extras accompanying them on the disc.

But enough raison d’’etre. Now it’s time for shameful confessions. Naturally, I wanted to fill this first edition with insightful analysis of the most famous, anticipated DVDs on the market, but find myself presently concerned with quirky titles many of you might not have even heard of.

So, what to do, what to do: detail the flowing bounty of extras to be found on the consistently entertaining but hardly hilarious Night at the Museum or well-made but uninvolving Dreamgirls, or tell you about the demented delights of Thai cinema?

Well, given that this site is called ComicMix, and I’’m best known for Jackie Chan comics and my annual three-hour San Diego Comic-Con Superhero Kung-Fu Extravaganza, I’’m going for the stuff that’s as exhilarating and under-reported as comic books. Staggering into video shops this week are some DVDs that will either have you trawling for Thai flicks forever or keep you from seeing another ever again.

born2fight-8833677 More accessible and superheroic is Born to Fight (Dragon Dynasty [The Weinstein Co.] Two-Disc Ultimate Edition), which is flailing feverishly to get out of the shadow of Thailand’s most famous and popular action export (Thai Warrior, aka Ong-Bak). The same fearless stunt crew worked on both films, but the latter starred Muy Thai boxing great Tony Jaa, who’s attitude and strength mirror Bruce Lee while his acrobatics and films crib from Jackie Chan’’s homework.

In order to differentiate itself from Tony, the Born to Fight crew decided to create even sicker, and more bone-breaking stunts, while catering to Thai patriotism, in a plot that has a village overrun by nuke-carrying terrorists on the same day it’s being visited by the Thai Olympic team. The disc’s main extra — an hour-long behind-the-scenes documentary – lays it all out in loving, if repetitive, detail, with many interviews and glimpses at the set-ups for the insane stunts.

It’’s hard not to marvel at the filmmakers’ passion, love for Thai tradition, and the crew’s willingness to risk their lives to gain America and Asia’s respect. The result is a flick that balances goofy and great (featuring one stomach-turning moment of near-suicide as a stuntman nearly gets ground up under a tractor-trailer’s wheels). (more…)

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MARTHA THOMASES: Mom’s the word

martha-arthur-1683535Tomorrow is Mothers Day. To some, it’s the most important day of the year. To others, it’s a crass exploitation, using real feelings to sell flowers, brunch, and long-distance calls.

In superhero comics, it’s pretty much a non-event. Good mothers are almost non-existent, if not dead. The good moms send their children away (see Lara) or die in a rain of pearls (Martha Wayne). Living moms are over-bearing control fiends (Phantom Girl’s mom in the 31st Century) or distracted career women (Queen Hippolyta). Recently, the mother in Blue Beetle looks like she has the most realistic relationship with her kids.

Except for Sue Storm, there aren’t any premiere super-hero moms.

The best moms in comics are those who adopt. Martha Kent, Aunt May, even Alfred Pennyworth did fabulously maternal jobs raising children who would grow up to make the world a better place.

Why is this? Some of it may be a remnant from folk tales, where heroes are orphaned so they may have adventures without familial responsibilities or ties to complicate the quest. More to the point, superhero comics are power fantasies, often aimed at adolescents (of all ages) who are extremely frustrated with their bodies. Imagining super-strength, flight, and other extraordinary abilities is comforting and satisfying to someone experiencing growth spurts, hormonal fluctuations and acne.

This is not compatible with feeling like somebody’s baby. And you will always be your mom’s sweet baby.

A mother is an even more uncomfortable reminder of sexuality. Until recently, one couldn’t be a mother without having sex. Children don’t like to think about their parents having sex. (Parents also don’t like thinking about their children having sex, even when their children are grown.) An adoptive mother can be pure and untouched, at least in the mind of her child.

And yet, being a mother is an astonishingly sensual experience. It’s more complicated and more pure than could be easily conveyed in a 22-page story, even by an expert, and almost certainly not by a man. The smell of your child’s head, the smoothness of a baby’s skin, the music of a toddler’s laugh – these are glorious sensations. Beyond this kind of intimate contact, having a child permits a mother to experience the wonders of life all over again. As an adult, you expect to see snow or rain or flowers in the spring, but these are new and awe-inspiring to a child. You know why a fire fighter wears red suspenders, but it’s all new to your kid.

(more…)

Your all-in-one convention report

He’s been Gaiman’ed, Beat’en, and now he’s ComicMix‘ed. Your must-read for today is Lee "Budgie" Barnett’s pre-Bristol all-purpose con report boilerplate. Like MadLibs for those of us more exhausted than mad. Hope Budgie gets his energy up in time to co-host his popular annual Hypotheticals panel!

By the way, the Bristol International Comic Expo, being held this coming weekend, is a wonderful socializing convention, particularly in the hotel pub, and it’s a short and inexpensive bus ride from the train station to the shopping plaza — but be forewarned, bring sunscreen, that caught us unawares last year…

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Braintrust Question: Spider-Man 3

Every so often I come across a question that even I cannot answer. It saddens me to admit this, but there are times when it happens.

But now, I have an invaluable resource that I never had before — ComicMix readers.

So every once in a while, when we come across a question here that even our crack staff can’t answer, we’re going to throw it out to the floor and ask you, as we know that collectively, you guys are smarter than we are and know many things that we don’t.

So here’s our first question. Take a look at this shot from Spider-Man 3, about four minutes into the film.

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See the girl at the far left? You see her on screen for just a few seconds, so it’s tough to tell, but– is that Paris Hilton?

I’m really hoping not, because I really don’t want to have to start covering Paris Hilton stories here…

Please post your answers in comments. Any documentable proof would be nice.

ELAYNE RIGGS: The Golden Age of ComicFest

elayne200-5677311The crazier my responsibilities get (yes, I’ve missed posting here as well) and the more I lurch toward the Big 5-0, which I will now commemorate near year’s end without a father and without a best friend, the more I yearn for simpler times. Of course, “simpler” is as relative and subjective a term as they come. In political parlance, it usually means “a time in the hazy past whose values were clearly espoused on fictional TV shows that we can no longer distinguish from reality because they either filmed before we were born or they encompass the way we wish things were or should have been,” which explains a lot about our current administration because it’s never a good idea to consciously try to fit reality to fiction, whether you’re talking about Father Knows Best or 1984 or even Star Trek.

In a personal sense, “simpler” usually means “before my life had as much heartache and difficulty, and when there were supportive pillars that I always thought would be there.” And it’s weird, because “always” isn’t always as permanent as we seem to think it is.

Take my Golden Age of Comics. A writer once opined that everyone’s Golden Age of Comics is 12. Not for me. For me it began in my mid-20s when my first husband, Steve Chaput, got me hooked for good on indies and, thanks to Crisis on Infinite Earths, the new streamlined DC Universe. (My best friend in college, the late great Bill-Dale Marcinko, tried mightily to get me interested in late-70s Marvel fare, but it was all too soap-opera’y for me back then. In those days I hated the idea of soaps. Nowadays I can’t wait for the next episode of Ugly Betty. Go figure.) By 1993 Steve and I had discovered online fandom, which still consisted mostly of folks in the CompuServe Comics and Animation Forum (yep, this was pre-Usenet; I wouldn’t make my first tentative posts to those comic groups until 1994), and we were making plans to help out our friend Vinnie Bartilucci (who had actually introduced us to the wonders of email and suchlike) with the running of the Greatest Comic Convention Ever. (more…)

Palmotti talks Countdown

Can we handle another weekly comic? Countdown writer Jimmy Palmotti tells us why this will be the series to watch over the summer. Plus – the excitement from Free Comic Book Day has just settled, but we’ve got the behind-the-scenes action as we debrief some of of the nation’s better retailers on just what happened in their stores. All this and your weekly comic & DVD wish list, news on the girl who will end up in The Hulk’s hands – and a little ditty from the Blondie who isn’t married to Dagwood!

The 37th Big ComicMix Broadcast is in the air! Press The Button… or Jimmy Olsen dies!