Tagged: ComicMix

GLENN HAUMAN: A personal plea from I-Con way

  • News
  • March 24, 2007

gamersforpersonalhygiene-3668430Okay, it says that this is theoretically an opinion column, but really, this is all fact.

Friday night, while I was escorting a number of actresses from the annual Destinies Mystery Guest show at I-Con, we were forced to go through a crowd of LARPers to exit the building.

The smell was, shall we say, pungent. And that’s being polite. I’ve smelled better rotten meat and curdled milk. The comments between us after we could breathe again were savage.

Guys, I hate to have to say this, but clearly I must because some of you aren’t getting the message:

ATTRACTIVE WOMEN ARE LAUGHING AT YOU BECAUSE OF THE WAY YOU SMELL. FOR GOD’S SAKE, BATHE REGULARLY AND WASH YOUR LEOTARDS.

Feel free to support the cause by buying one of John Kovalic’s t-shirts here.

There will be longer posts about I-Con when we get a few more minutes. It’s a madhouse here.

Oh, and before I forget: ComicMix‘s Robert Greenberger will have a film preview panel tomorrow (Sunday) in Javitz at 1. It’s not on the program, but get there early anyway.

State of newspaper cartooning

  • News
  • March 23, 2007

Via Tom Spurgeon, The Tacoma Daily Index’s Todd Matthews examines the current state and status of political and editorial cartoonists, with an emphasis on the Washington state papers.  Quotes like "The state of newspaper cartooning nationally is not a happy one" and "Political cartoonists are a dying breed" do not seem to bode well.

Similarly, via Heidi, Lev Grossman at Time Magazine also observes that "Comic strips in newspapers are dying. They’re starved for space, crushed down to a fraction of their original size. They’re choked creatively by ironfisted syndicates and the 1950s-era family values that newspapers impose."  and like Matthews, Grossman is hopeful that the new media will be the savior of editorial cartoons and strips, taking a more in-depth look at webcomics.

ComicMix will continue to follow the death and rebirth of these well-established artformsm, to see how well newspaper features can still flourish without being in the newspapers themselves.

I think I-Con, I think I-Con

  • News
  • March 22, 2007

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ComicMix‘s own Robert Greenberger reports on the panels in which he’ll be participating at this year’s I-CON out in Stony Brook on Long Island, and points to their long-awaited programming schedule (PDF file), which has finally been posted.

Naturally, since we deal with "all types of fantastic media," which is right up I-CON’s alley, ComicMix will be out in full force for this one!  We’ll try to report live on-site, but it’s all wifi dependent.

You can check Robert’s panel appearances on his weblog, and if you squint at the Sunday-at-3 PM slot on the schedule you’ll see my name somewhere as well.  I cannot recommend this convention enough, especially for folks local to Long Island.  The campus is lovely, the atmosphere very relaxing, and the dealers’ room a lot of fun.  Pack your checkbooks and your allergy medicine.

JOHN OSTRANDER: Scattershot – TV Spots

  • News
  • March 22, 2007

ostrander100-7307154When I and Mary, my sweetie, sit around doing the couch potato thing, it’s always best to head for the commercial free stuff because it’s guaranteed that a high percentage of the commercials are going to offend her to the point of a rant. Not that the rants aren’t entertaining but I have to keep reminding her, “It isn’t supposed to make sense; it’s trying to sell something.” Or “It doesn’t work for you because you’re not the target audience.”

Generally, I try to let the commercials just wash over me without really registering them but every so often some do. On rare occasion, such as with the Mac/PC commercials, it’s because I genuinely enjoy them. More often, something sticks like tar in my mind because either a) it is incomparably stupid and/or b) my brain, warped by years of pop culture, does something with it the makers of the commercial never intended. Such as our first scattershot target.

LUNESTRA. It’s a prescription sleep aid and, in the commercial, restless people in their beds at night are visited by a luminescent green luna moths after which they close their eyes. The ad-makers, of course, want us to interpret this as Lunestra bringing gentle, natural sleep. Given the moths’ glowing green nature, however, I’ve become convinced it’s stealing their souls and that the people shown are dying. To Mary’s vast amusement (and my own) I’ve taken to screaming at the TV when these commercials come on as if it were a horror film. “LOOK OUT! IT’S STEALING YOUR SOUUUUUULLLL! FOR GOD’S SAKE – WAKE UP! OH NO! IT GOT THAT WOMAN, TOO! CAN NOTHING STOP IT?!?” Try it the next time you see the commercial; great fun.

THE CLONE OF ORVILLE REDENBACHER. When Orville Redenbacher first brought out his own line of popcorn decades ago, he also made himself the company spokesman, always telling us his popcorn was better than these others yadda yadda yadda “. . . or my name isn’t Orville Redenbacher.” Well, Orville was no spring chicken when this all started and eventually died. Recently, they brought back some of the old commercials and that was all right. Kind of a nice retro feel; I thought they worked nicely. That evolved, however, so that they got somebody made up to look like him with a make-up job that makes him look more like a Disney animatronic. And they use the same tag – “. . . or my name isn’t Orville Redenbacher.” It isn’t. We know it isn’t. This Orville has an embalmed look that makes him really creepy.

THE BURGER KING. The only creepier company spokesman on TV right now is the Burger King. You’ve seen him. Human body and an oversized plastic head that seems modeled after a young Henry VIII. The effect is like one of these licensed characters you see walking in a parade or in a theme park. Then they put him into situations that frankly make my flesh crawl. One of the commercials for BK’s breakfast line-up had a guy waking up in the morning and the Burger King was there in bed with him. The tag was “Have breakfast with the King.” The only thing I could think of was, “Dude, I don’t care how much you drank last night or how late their late night window is open, this is just wrong.” Not because the BK might be gay; it’s because he’s not human. Note to commercial makers: I don’t buy products where the commercials creep me out. (more…)

ComicMix week five

  • News
  • March 18, 2007

Time again for your one-stop shopping roundup of this week’s regular columns and podcasts!  Here are the columns:

And here are mellifluous Mike Raub‘s podcasts:

See below for the first regular Above and Beyond column from Glenn Hauman.  And don’t forget to check with us on weekends (and occasionally even during the week) for our special Opinion pieces and feature reports!

GLENN HAUMAN: John Scalzi for SFWA President

  • News
  • March 16, 2007

John has announced he’s a Write-In Candidate for President of the Science Fiction and Fantasy Writers of America and I’m supporting him, mainly for this:

"I don’t believe that Michael Capobianco, the fellow running for SFWA President, is at all the right person for the job. Let me note again that this is not a reflection on his personal character; I’ve not met him outside the online SFWA newsgroups and a few other online venues, so I cannot speak as to whether he is a nice guy or whatever. I’m sure he is. Likewise, Mr. Capobianco is a past president of SFWA and has won the organization’s service award, which suggests that in the past, at least, he has been viewed as a reasonable choice for leading the organization. The question in my mind is not his past service, of which I have no experience (it was before my time) but whether he’s the right person to lead SFWA forward now.

"I don’t think he is for two reasons. First, he hasn’t had a novel published in this century; his last published novel, White Light, which he co-wrote with William Barton, was published in hardcover in 1998. Essentially, he’s a decade out of practice with the practical aspects of publishing science fiction. This matters if one believes, as I do, that SFWA should primarily be a professional service organization; it particularly matters if one believes, as I do, that the publishing world in the 21st century, even this early on, is manifestly different than it was in the 20th century. I have books professionally published in both centuries; I know how much it’s changed, and I deal with the publishing world on a daily basis.

"Second, I believe that based on what I’ve read from him Mr. Capobianco is fundamentally afraid of the changing publishing world, and the changes in the world of speculative fiction, and that this fundamental position will cause him to make his tenure as SFWA backward-facing and defensive, rather than forward-thinking and innovative. This will make SFWA even more irrelevant to working writers — that is, the people who are shaping science fiction — than it already is.

(more…)

ComicMix at Lunacon 50

  • News
  • March 16, 2007

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ComicMix regulars Bob Greenberger and Glenn Hauman will be speaking at Lunacon 50 this weekend in Rye, NY. Glenn will be there all three days, Bob will be there Saturday and Sunday, and there may be other ComicMix folks lurking about. Feel free to come up to any of them and say "howdy".

And yes, that is artwork by Wally Wood in the logo. When a convention’s been around for fifty years, they pick up stuff like that.

ComicMix flicks hits!

  • News
  • March 12, 2007

With 300’s $70 million opening weekend, everyone’s eyes lit up. No one expected this number, with the best estimates at least $20 million lower. Now everyone is scrambling to read the tea leaves and try to understand what just happened.

A few thoughts from our corner of the universe. First, this will make 2007 the best year ever for comic book movies. There are six feature films scheduled for release this calendar year and I will guarantee you that combined, they will add up to huge box office receipts.

As a result, this will fuel future comic book-into-movie activity. It also makes Frank Miller a suddenly bankable name. Forget his work on Robocop 2 and look at Sin City and now 300. Once he begins directing The Spirit later this year, expect that to get onto a release schedule ASAP.

Projecting ahead, there are five more comic book movies have firm release dates for 2008 with at least two others penciled in (see schedule, below).

I’ve said all along that the comic book adaptations will continue until there are enough flops to sour Hollywood on the genre. This year opened with Ghost Rider opening to surprisingly huge numbers and then had legs. With 300, the reverse seems to be happening. I suspect production heads will fast track properties in the various studio pipelines and we’ll see one or two more movies added to 2008 and 2009 could possibly get jam-packed even though all that’s for certain that far out is the next Bryan Singer Superman release and Captain America.

(more…)

DC talks directly to you

DC Publisher and President and writer Paul Levitz gives ComicMix a major interview, Frank Miller’s 300 reviewed, Tim Sale’s Heroes work goes up for a charity auction… all this and, yes, Timeline and even more on ComicMix Podcast #12, available right here:

600 bare thighs

  • News
  • March 9, 2007

300-2-200-9272090Starting off, I want to issue a warning to the readers out there who aren’t fans of scantily clad, bronzed, chiseled goliaths who seem to have leapt from the pages of Men’s Fitness Magazine. If you aren’t, much like this reviewer, you may not enjoy the true essence of the two-hour epic which is 300.

600 bare thighs aside, I wasn’t a huge fan of Zack Snyder’s interpretation of Frank Miller’s graphic novel. I place most of the blame not on Snyder, but on Robert Rodriguez. Their promotion play was established by showing off the “graphic novel” style of filmmaking, which is essentially comparing the comic book pages to the frames of the film, fast-cut, music video-style editing, heavy rock soundtrack, and shooting the majority of the film in front of a green screen. Now I’d hope the majority of you realize at this point that the style I just read off was identical to the style that Robert Rodriguez practically invented for 2005’s Sin City.

Now in playing devil’s advocate, I could say that the reasoning behind the similar styles lies with the fact that they are both done in Miller’s vision, and his artistic didn’t change much between the two graphic novels, and you could be asking at that point “Why should the film style change between the two films?” I’ll tell you why, dear readers. If this film was done with Rodriguez behind the helm once again, or even with his “Troublemaker Studios” at hand (which is where the majority of the green-screen activity was shot) it would have been far more acceptable. (more…)

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