Tagged: comics

MICHAEL DAVIS: If it walks like a duck…

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In this article I use a variation of the ‘n’ word. If this offends you then stop reading now. The last thing I want is 50 comments from people who are offended by the word. So before you get your panties in a bunch, stop reading. You have been warned.

When did we become a nation of sheep? At what point did we decide that if enough people say something is good then it’s good? If enough people decide it’s bad then it’s bad? If enough people decide it’s hip then it’s hip?

Or in this case: if enough people decide that a man obeying a police officer’s command can be shot for doing what the officer said, then that police officer is not guilty of attempted murder.

Regardless of what you think, do you join the flock?

Last week a police officer named Ivory Webb was acquitted in a San Bernardino County California courtroom for shooting a man for getting up after telling the man to get up. No. I was not in the courtroom. No, I do not know all the facts. No, I was not at the scene. I just watched the videotape. The videotape, which CLEARLY shows Webb telling the man to get up.

CLEARLY TELLING HIM TO GET UP.

When the man goes to get up (AS HE WAS TOLD) he was shot three times. I have no idea what went on in that courtroom that resulted in this police officer getting off. I just know WHAT I SAW.

In my VERY first article for ComicMix I wrote this: Now a days you can get caught on videotape robbing and pistol whipping a little old lady in a wheel chair while she was feeding her kitten and not go to jail. All you have to do is blame it on your Dad who was never home or never told you he loved you.

Well Mr. Webb’s jury blamed it on the man who was shot – one juror saying ‘If he had just shut up and listened then none of this would have happened.”

Well, from what I saw when he was told to get up, he did listen, and he was shot.

OK, as I said I don’t know what went on in the courtroom so let’s assume that the jury was correct in their verdict. I still know what I heard: the cop said “get up” and then shot the guy when he did.

I know what I heard; I know what I saw.

A few years ago I heard a rumor that Donald Duck called Daffy Duck “A doggone stubborn nigga” in the film Who Framed Roger Rabbit. I thought this was simply BS. I had seen the film and did not notice that and simply dismissed it. Fast forward to last week when I noticed that my TiVo had recorded Who Framed Roger Rabbit. While I was watching it this time I clearly heard Donald Duck call Daffy Duck a “A dog gone stubborn nigga.”

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JOHN OSTRANDER: Fireworks

ostrander100-5980790It’s America’s birthday and what better way to celebrate than with fireworks? Yeah, I know – the Fourth of July was yesterday but if your neighborhood is anything like mine, people have been setting things off since last weekend and will probably continue through this weekend. So let’s see if we can set off a few here.

I hold these truths to be self-evident.

Item: Democracy is a radical experiment and one that could still fail. The notion that all men – and, as we have come to understand it, all women – are created equal and are endowed with certain inalienable rights was certainly a radical notion in a world where the right to rule came by birth or by force of arms. Instead, we maintained that People could, should, and had the right to govern themselves and the right of any government to rule rested within the consent of the People. That’s just crazy talk – or so much of the world in the late 1700s thought. That was chaos – anarchy. Heck, it scares a lot of people today and that includes our own citizens, a lot of whom would be more than willing to trade freedoms (well, certainly OTHER peoples’ freedoms) for a little more security for themselves and their own. In the overall scheme of things, folks, two hundred twenty five years is nothing. We blow it and it’ll just be noted as an interesting aberration.

And we’re really close to blowing it. Voting is a pain and we can’t be bothered to turn out in real numbers even for the Presidential elections; we abide rigged elections and voting machines; we let ourselves be led like lemmings by polls and attack ads.

I’m not a political innocent; I was raised in Mayor Richard J. Daley’s Chicago. I know the difference between political theory and political reality. We, the People, increasingly vote for appearances rather than bother to look at issues. We assume that, because America has been around for two hundred years, it will be forever. History says the odds are way against that. We are an experiment and the results are not yet in, folks.

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Big ComicMix Broadcast Explodes!

Pop culture madness takes no holiday as the Big ComicMix Broadcast jumps right into the week with the rubdown of the coolest comics and videos to grab on your day off… plus news of a YaBaDabba Marathon, Reviews of LIVE FREE OR DIE HARD and TRANSFORMERS plus proof positive that even a well rounded guy can strike gold with a mindless top 40 hit!

Press The Button – it’s safer than fireworks! Honest!

DENNIS O’NEIL: Continued stories revisited yet again…

In last week’s installment of what some of you may be beginning to think is an endless blather, when I was discussing movie serials I neglected to mention that serials were among the first non-comics forms to use superheroes. During that decade, lucky young popcorn eaters could see Superman, Batman, Captain America and, in my opinion the best of them all, Captain Marvel in the continued chapter plays that were a staple of Saturday matinees. (That probably doesn’t exhaust the list, but memory is not my greatest gift… At least I don’t think so…) Having seen some of the above-mentioned entertainments, and having, within the past two weeks, seen the Spider-Man and Fantastic Four movies, I realize that the serial makers were born too soon.

Because, let’s face it, some of the serialized costumed do-gooders look kind of silly. That’s because the directors lacked the technology to make them not look silly. It takes an army of costumers, model makers, CGI wizards, animators and, probably, guys whose jobs I’ve never heard of to produce, on the screen, what cartoonists produced with ink on paper in large quantities for lousy pay. Of course, we comics readers had to bring some of our own imaginations to the artists’ static, silent images, but that was okay, we could do that.

Consider the preceding two paragraphs a digression, please. And now we return to our regularly scheduled topic –

What about these continued stories, anyway? Good or bad? Pro or con?

Let’s begin with the obvious con. If you come in late, maybe you’ll have trouble understanding the story. There are remedies for this problem. The serial makers mentioned in the opening digression showed the last minute or so of the preceding chapter before getting on to new material. The old radio serials used a similar technique, and a lot of current television shows begin with a voice over intoning something like, “Previously, on Your Father’s Moustache…” and then we get brief takes of the scenes that will escort us into the new action.

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Links About Art and Artists

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SF Revu interviews two artists in their current issue: John Jude Palencar and Stephan Martiniere.

Eddie Campbell has been posting a lot about covers (mostly from Bacchus and related comics from the late ‘90s), but today he writes about what kind of paper he draws on.

Illustration: The Arm of the Stone, copyright John Jude Palencar

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Who’s Watching the Watchmen Movie?

So you are all worn out after waiting on line for that iPhone yesterday? We’ve got a Heap O’ Hot Summer Stuff on the Big ComicMix Weekend Broadcast, including that Watchmen rumor everyone will be talking about, a tip on what will be the hottest variant comic of the summer, plus more Summer Reading Previews and a look at something in the comic stores just for the grown ups!

Press The Button. Who knows – maybe an iPhone will pop out of your disk drive!

MICHAEL DAVIS: Not What You Think

michael-davis100-5274434Years ago I wrote a column for Comics Buyers Guide (CBG) called Picture This. I actually started writing that column even before Peter David started writing his. Being the professional he is, Peter has been able to sustain his column But I Digress for well over a decade. I lasted a few months before I simply stopped writing it. Demands on my time and personal life caused me to abandon what truly was a great gig for an even greater magazine.

Now I’m writing this column and have managed to keep my deadlines (except for one little itsy bitsy time when I got my column in late and it had to run on Saturday instead of Friday) for twenty weeks and I am having a great time.

There are some people who still remember my Picture This column. If you think I am a raving manic now you should have seen me then. I pissed off more people than Katharine Harris did during the 2000 election. In my career I have also written guest columns in a few magazines as well as a few editorials over the years in various outlets. Those people who know me know that I am a shameless self-promoter. That said, in all of the hundreds of articles I have written I have never plugged a current deal that I was involved in. I may have mentioned what I was working on but never with any eye towards getting people to go out and watch what I was doing on TV or buy what I was publishing in the comic stores. In fact in all my ranting over the years I have only written about one subject more than once.

That subject was rumors.

I just heard a recent rumor that has compelled me to write about a current project I’m involved in, The Guardian Line (TGL)

I was recently talking to Lovern Kindzierski on the phone. Lovern is one of my best friends and we are working together on TGL. I have a book open and I’m looking for an artist and asked Lovern if he knew of anyone. He then mentioned that there is a creator in a comic book chat room saying that UMI (TGL’s parent company) does not pay their creators.

At this point I would usually launch into a tirade and make a few cleaver attacks on the unnamed creator.

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Comfort Con 2007

By this point you’ve probably read so many con reports on the MoCCA Art Fest that they’re leaking out of your brain (the best place to catch most of ’em is the Collective Memory link at Tom Spurgeon’s place), but some things probably bear repeating and others definitely bear linking to, so here’s how I saw the day.

Despite physical limitations and transportation difficulties which prevented me from attending on Sunday, I found MoCCA to be one of the most comfortable conventions I’ve attended in a long time, in many senses of the word.  The temperature both outside and within the Puck Building was ideal; the AC was working well and Manhattan was going through a few wonderful early summer days of negligible humidity and temps in the low ’70s, making for a great weekend to be out and about.

Moreover, the minute I walked into the first of the four exhibition halls (three on the first floor and a large ballroom on the 7th) I felt welcome and put at ease.  Professional informality and friendliness abounded from pretty much every table.  Nobody put on the stuck-up "we’re better than the mainstream" indie airs that had given me pause in years past.  The talent level ran the gamut from folks just starting out with photocopied minicomics (and places like ComiXpress make it easier than ever to self-publish slick-looking stuff) to major imprints, from homegrown to foreigners from as far away as Scandanavia.  As many have reported, the gender mix seemed to be about 50/50. 

As Cheryl Lynn noted, "There was also a wide range of people from different ages attending… There were also people of different races and ethnicities there as well. There were black women! More than I could count on one hand even! Sweet!"  The happy diversity truly reflected what Heidi has called Team Comics — a great example of the amazing possibilities of the medium and a real sense of "we’re all in this together."

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As you can see, ComicMix was well represented at this convention as well.  Shown above are Kai Connolly, Mike Raub, Martha Thomases and Mike Gold.  Not pictured but present for the obligatory and always-wonderful ComicMix dinner were Glenn Hauman, John and Arthur Tebbel, Matt Raub and yours truly.

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Con co-organizer John McCarthy did a terrific job, and even had a few seconds to let me snap a photo of him.  More observations and photos below. (more…)

JOHN OSTRANDER: My Karma Ran Over My Dogma

ostrander100-9734591In my 25 odd (sometimes very odd) years in comics, I’ve had a chance to be associated with certain books/characters/concepts and produced work of which I’m very proud such as GrimJack, Suicide Squad, The Kents, Wasteland, and others. With some – such as GrimJack and Suicide Squad – I’ve had a chance to go back again recently and re-explore them which offers different challenges, new perspectives, but also familiar pleasures.

One series that I’m not certain I could revisit is The Spectre. At the time, the book was an examination of theological issues, questions of redemption and of punishment, and the concept of God. All along with some truly exemplary and horrific art courtesy of Tom Mandrake. It had a great run and is one of the highest points of my career, in my own opinion, but at the time I wrote it I was still something of a believer. I was a lapsed Catholic (for me, RC meant Recovering Catholic). I didn’t hold with the hierarchy or the theology of the Church but I guess I believed in the general outline – Jesus the Son of God, died for our sins, came back from the dead, and so on. Certainly I believed that sin existed and that redemption was something that was possible. It was from all this that my questioning in Spectre emerged.

These days – well, I’m more of an agnostic. I got my doubts. It began when I asked myself a basic writer’s question – who were the gospels and epistles written for at the time they were written? Who was the anticipated audience? Not us – they were very much written for their age. The Second Coming was expected within the audience’s lifetime.

From there I learned to see the texts in the social and political contexts of their time; these helped shape the writings as much or more than theology. Finally, I came to see that we project on God and or the Devil many of the things that are within us. Above all, I came to understand that the things in which I thought I believed were things that I inherited or that had been drummed into me (sometimes literally) when I was a boy.

Even in grade school, there were some questions. Sister Mary Tabernacle Door Half Open taught us that the Holy Trinity consisted of the Father, the Son, and the Holy Spirit – a bird. A dove, to be exact. As an image that made no sense to me. Shouldn’t it be Father, Son – and Mother? Didn’t that make more sense? S’ter (all the nuns had their names shortened down to an abbreviation of their rank – S’ter) was not amused and informed me that if I kept up that kind of thinking I was bound for Hell. Worse, I’d get sent home with a note to my mother which was a far more immediate peril and one that I understood on a deeper, primal level. Hell was a concept; my Mother was real. I stifled my heretical ways for a long time.

As a result, I’ve come to be very leery these days of dogma – stated beliefs of an organization or individual, religious or not, that are uttered with an authority that does not invite question or contradiction. It’s where thought processes stop. It is where truth is assumed to be obvious or ordained. I’m right because I say I am. I have either God or logic or something to back it up but there it is. These days, I’m seeing dogma all over the place including some I didn’t expect.

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Stan Lee Walks The Walk

f you think it’s hot where you are, wait until you dive into the first Big ComicMix Broadcast of the week, starting with news on Heroes, Stan Lee on The Hollywood Walk of Fame and our Must Buy list of comics and DVDs out this week … plus another add to our Summer Reading List and the Last Hurrah for the Queen Of Disco

Press This Button. Maybe itt’ll crank up the A/C, too!