Tagged: comics

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RSS feeds good, online comics better

RSS feeds are funny things.  They let folks with newsreaders and busy lives know when you’ve posted something new, but they (either the feeds or newsreaders) can be spotty at times and you almost miss stuff.  Take Gene Yang’s terrific responses to MySpace making American Born Chinese a featured book, an essay he calls Does acknowledging a stereotype perpetuate it?.  It was posted on May 1 but didn’t show up on my newsreader until a few days ago.  I’m still shaking my head that Yang’s essay was even necessary, as it addresses people who haven’t even read his book but are complaining about a character deliberately portrayed as offensive.  (There’s actually a blog term for folks like this; we call them "concern trolls.")

ctdwn_50-4-2035590Speaking of MySpace, all 22 pages of DC’s Countdown issue 51 are now up on the Comicbooks blog, as well as the first half of issue 50.  MySpace blogs do have site feeds (here’s the Comicbook blog’s feed) so you can read at least partial blog entries without joining the service.  The feeds are often tricky to find (you often need to be on the blog in the first place to see the "RSS" choice at the top right), but worth it if you want alerts on new posts.

I grabbed Vulture’s site feed from New York Magazine as soon as I saw they were featuring weekly graphic novel excerpts the same way many magazines feature prose novel excerpts.  This week it’s Nick Bertozzi’s The Salon.

Were it not for Becky Cloonan (who has a site feed) I wouldn’t have known at all about Amy Kim Ganter serializing the second issue of Sorcerers and Secretaries, because Amy’s site doesn’t seem to cater to RSS readers.

One of the best things about having an RSS reader is that you get to save posts to write about later.  Thanks to this site feed report, I’ve now closed four or five saved posts.

And yes, ComicMix has a site feed — stable but ever evolving, like the rest of this site.

(Artwork copyright 2007 DC Comics. All Rights Reserved.)

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MARTHA THOMASES: Mom’s the word

martha-arthur-1683535Tomorrow is Mothers Day. To some, it’s the most important day of the year. To others, it’s a crass exploitation, using real feelings to sell flowers, brunch, and long-distance calls.

In superhero comics, it’s pretty much a non-event. Good mothers are almost non-existent, if not dead. The good moms send their children away (see Lara) or die in a rain of pearls (Martha Wayne). Living moms are over-bearing control fiends (Phantom Girl’s mom in the 31st Century) or distracted career women (Queen Hippolyta). Recently, the mother in Blue Beetle looks like she has the most realistic relationship with her kids.

Except for Sue Storm, there aren’t any premiere super-hero moms.

The best moms in comics are those who adopt. Martha Kent, Aunt May, even Alfred Pennyworth did fabulously maternal jobs raising children who would grow up to make the world a better place.

Why is this? Some of it may be a remnant from folk tales, where heroes are orphaned so they may have adventures without familial responsibilities or ties to complicate the quest. More to the point, superhero comics are power fantasies, often aimed at adolescents (of all ages) who are extremely frustrated with their bodies. Imagining super-strength, flight, and other extraordinary abilities is comforting and satisfying to someone experiencing growth spurts, hormonal fluctuations and acne.

This is not compatible with feeling like somebody’s baby. And you will always be your mom’s sweet baby.

A mother is an even more uncomfortable reminder of sexuality. Until recently, one couldn’t be a mother without having sex. Children don’t like to think about their parents having sex. (Parents also don’t like thinking about their children having sex, even when their children are grown.) An adoptive mother can be pure and untouched, at least in the mind of her child.

And yet, being a mother is an astonishingly sensual experience. It’s more complicated and more pure than could be easily conveyed in a 22-page story, even by an expert, and almost certainly not by a man. The smell of your child’s head, the smoothness of a baby’s skin, the music of a toddler’s laugh – these are glorious sensations. Beyond this kind of intimate contact, having a child permits a mother to experience the wonders of life all over again. As an adult, you expect to see snow or rain or flowers in the spring, but these are new and awe-inspiring to a child. You know why a fire fighter wears red suspenders, but it’s all new to your kid.

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JOHN OSTRANDER: The Secret Death of Bees

ostrander100-1072015Okay, I’m officially getting freaked out now.

It started with a small remark from the redoubtable Bill Moyers when he appeared on Bill Maher’s Real Time show on HBO. I started to do some research based on his remarks and it came to a head recently with an MSNBC report on their website. It’s a real life event called “Colony Collapse Syndrome.” What’s it about?

The sudden death of honeybees.

“And this affects me – how?” you might ask. “I don’t use honey. I’m strictly a Splenda man. (Or woman.)” The fact is, a lot of food crops need to be cross-pollinated to come to maturity and the principle way of doing it is with the honeybee. About one-third of the American diet depends on cross-pollination and the honeybees that do the job are dying out and nobody really knows why.

According to the MSNBC article, 80% of the cotton crop is pollinated by commercial honeybees. Same for 50% of the soybean crop. Use cotton or soybeans much? 60% of the alfalfa crop is pollinated the same way. Alfalfa hay is a staple for cows – low cost, good nutrition for the bovines. Drink milk? Having a Big Mac attack? Scarcity of an item increases its price and you can bet a jump in the price of alfalfa hay will be passed on to the consumer. Same for cotton or anything made with soybeans. How much do you feel like paying for your jeans? I haven’t even gotten into the fruit and nut cross-pollination done by bees – almonds, for example, are 100% dependent on bee pollination.

Cereal grains aren’t affected so we wouldn’t starve. We’d have to do without a number of items, though, or pay a heck of a lot more for them. Oranges, grapefruit, and tangerines, for example, are all 90% dependent on commercial honeybees for the cross-pollination. You could have your Cheerios in the morning but having milk to put on them or an OJ to go with it might be tougher to get or a lot more expensive to use.

As my Mary, a farmer’s daughter, also pointed out to me, alfalfa, soybean and clover crops (clover is also cross-pollinated) put nitrogen back into the soil. Very important in crop rotation. If you just plant corn all the time, you deplete the soil and – wham! – you’re headed for a dust bowl situation. There are indirect as well as direct effects from the death of honeybees.

What’s really weird is what’s happening with the hives. The onset is sudden. The beekeepers, after a few days, find that a hive suddenly is empty except for the queen and some very young workers. Bees don’t do that. They protect the hive at all costs. In the case of hives afflicted with CCD, the workers just disappeared. (more…)

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VINNIE BARTILUCCI: ComicFest from the inside

In the early 90’s I had made a fair to middling name for myself in comics fandom. I was a regular on the CompuServe forums, was running a comics APA of my own, THWACK!, and had started submitting to CAPA-Alpha. I had started writing articles for Wizard magazine, which is how I made friends with Pat O’Neill, their first Editor-in-Chief.

One night Pat contacted me to tell me that Gareb Shamus (Wizard‘s owner) was looking to do a comics con, and wondered if I was interested in running it. Well, he was close to being right — it was a friend of Gareb’s, David Greenhill, who had made a fortune in the sports card industry, and was looking to move to comics. Not as a speculator (there were soon to be plenty of them) but as the promoter of a comics show.

David’s idea was to bring a lot of the "business" of the card industry to comics. His ideas were good – too many comics shops were (and still are) run as if they were hobbies, and most comics shows didn’t make any attempt to market to the general public. He planned to change that. He planned to hire a major PR firm to push the show, get the publishers to invest in the show both financially and with publicity, a lot of big ideas. He just didn’t know how to actually run a show.

Well neither did I, but I wasn’t tellin’ him that…

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DENNIS O’NEIL: On triskadekaphobia

Do my hands tremble as I type these words? Are there creaks and groans coming from the room behind me? Is the air chill and sticky?

What could be happening?

Ah, I think I have it! Triskadekaphobia – that must be it! And what is triskadekaphobia? My computer’s dictionary defines it tersely and simply: An irrational or obsessive fear of… (that number between 12 and 14.) (Parentheses and paraphrasing mine.)

This is the that number of these whatever-they-ares that I’ve written and that, my friends, is scary. That it is also irrational goes without saying, at least to the non-believers among you.

My irrational fear of… that number is not exactly new. If you look at any of the comics I’ve written in the last dozen (nor baker’s dozen!) years or so, you won’t find the dialogue balloons and captions on any single page totaling that number unless the editor added or subtracted or conflated something, in which case it’s on his or her head. And if I’m doing a script and reach the end of page 12, I either quit or make myself charge on until I get to page 14, even if I run out of steam half way through that page.

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Mickey Mouse Welcomed Back to School

73_4_004-4872858Comic books have had a love/hate relationship with teachers ever since the first titles were published 70 years ago.  These days, with graphic novels and manga filling school and public libraries, they have become a staple in children’s reading.

As a result, Maryland is now formally bringing them back into the classroom.  Superintendent of Schools Nancy Grasmick entered into a relationship with Disney Publishing Worldwide publishing’s education division to craft teaching aids using Mickey Mouse and friends.  Activities include creating their own comic books, something that has captured the kids’ imaginations.

According to reports from Associated Press, the pilot program was begun last year and is being used in eight third grade classes in the state.  Disney was presented Maryland’s reading standards for the grade and then tailored comic book material to meet the guidelines. The program includes lesson plans for the teachers and comic book activities for the students.  Mickey’s adventures will now help children learn how to craft a plot and understand characterization.

“Reading is such an important activity for all children, and using comic book-related lessons offers teachers an important new tool to draw students into the world of words,” Grasmick said in a statement. “This project enhances other work that goes on in the reading class. Comic books and graphic novels cannot replace other forms of literature, but they can be an entry point for some reluctant readers.”

Teachers interviewed have been supportive and with the program now underway, Disney and Maryland are looking at more modern characters and materials to supplement the curriculum.

“I don’t think that is where I want my 9- or 10-year-old child spending their time in school,” Timothy Shanahan, president of the International Reading Association told Maryland’s The Daily Times. “It might be a choice of reading 1,000 words versus 300 words. You don’t want it to replace more substantial reading.”

With Disney now owning the CrossGen properties, including Abadazad and Meridian, there are plenty of age-appropriate characters beyond the legendary Mouseketeers to pick from.  It’s also interesting to note that the program is being launched in Maryland, home to Diamond Comics and owner Steve Geppi, who holds the domestic license for the classic Disney comic books.

(Artwork copyright Disney Corporation. All Rights Reserved.)

MICHAEL DAVIS: The Boulevard Of Burning Bridges

I’m about to put together a major deal with a powerhouse entertainment company. I’m putting a group of people into that deal and I have a bit of a problem. I know this guy who is MAD talented. He’s a superstar professional and I have known him for years. Bringing him into this deal would help him get to the next level in his career. It would be great for me also but I’m thinking… is he too much trouble?

I have a pretty good idea what most people think of me. I have a reputation of being brilliant or lucky. People are always amazed at what I manage to get myself into. Some people love me, some people hate me. I once cared about what people think about me, now I just don’t. Why people, why any person would spend his or her time thinking about someone else’s demise is beyond me. You know what I think of those people who wish me ill?

I don’t think of them. It’s too much trouble.

For my entire career I have said that DC Comics does the best books in the industry. Mike Richardson would disagree with me and Dark Horse has done fantastic books but I just think that DC does the best books. I am and will always be a part of DC’s history. Milestone, Static Shock and being the illustrator on the first ever project from Piranha Press makes me part of their history.

I will most likely never work with DC again.

Not because I don’t want to, but because they see me as too much trouble.

I’m lucky enough – no that’s not right; I’m good enough not to have to work with DC. I have put together some major deals that have to be respected regardless if you like me or not. I think my résumé should count for something at DC. It doesn’t. Would I work with DC if a deal made sense? Yes. Would they work with me? Most likely not. Why? Long story, not important – let’s just say that we agree to disagree. Just so we are clear – I have a great deal of respect for DC Comics and their chief Paul Levitz. And here’s the thing about Paul you never hear if you disagree with him he’s man enough to listen even if he thinks you are wrong. I think Paul will go down in comics’ history as a great man.

For whatever reason, DC Comics thinks I’m too much trouble and they have every right to run their business without me and I respect that. I think it would be too much trouble to try and convince them to be in business with me. So we won’t work together. That’s cool – as I said I’m good enough with what I do to not need DC comics. I could be wrong about why we won’t work together but with all due respect to the powers that be at DC they could be wrong also. So I will most likely just have to enjoy what I consider the best books in the comics industry from the cheap seats. They on the other hand will not have the benefit of my ability to do what I do. I’m not vain enough to think they need me. (more…)

JOHN OSTRANDER: You say it’s my birthday

I share my recent birthday with a bunch of notables; unfortunately, the most famous is Adolf Hitler. I thought it would be it would be good to use the day in part for some ruminations – where I am, where I’ve been, what I foresee, fear, et al. Actually, I can do that any day of the year; a birthday is really just a number and some of what we ascribe to that date is arbitrary. Still, might as well make use of what we got.

One thing that is about my birthday fixed is that I share it with my twin brother, Joel. Joe and I are fraternal twins; we don’t look alike, sound alike or even sometimes think alike. Joe is a conservative Republican and I decidedly am not. Joe is a life member of the NRA; I decidedly am not.

However, when I called him on our shared birthday – which I always do – he picked up the phone and started doing his Elmer Fudd imitation, which I also did. It’s the way we start every phone conversation, usually with Elmer singing something inappropriate. We’ve been doing this long before Robin Williams did. We agree that Elmer is vastly unappreciated and has an extraordinary range, from the Stones and Springsteen to show tunes (he has an affinity for Lerner and Lowe – Fudd doing “Why Can’t the English Teach Their Children How To Speak?” from My Fair Lady may be the definitive rendering of that song). He also can do Shakespeare, especially Hamlet, and could play Stanley in Tennessee Williams’ A Streetcar Named Desire; “Stehwwwwwaaaaaa!”

That is part of what forms me – family. In addition to Joe I have three sisters – Marge, Jane, and Pat. All wonderful people and all of them have dirt on me – as I do on them. I have an Aunt Helen who is going to 100 years old in June; her father also lived to be 100. So there is that in my DNA, although my father died much younger than that.

We lived across the street from the Roman Catholic church that I attended; I literally played in its shadow. While these days I am something on an agnostic – my gag is that I’m not dogmatic about it – I am very specifically a Roman Catholic agnostic. The god I have questions about is the image formed by the Roman Catholic upbringing. I was raised pre-Vatican II, back in the days when the Masses were in Latin. That also may be in my DNA.

I’m one of the baby boomer generation. I can’t quite remember a time before television but I remember a time when it was all in black and white. I can still reel off the names of most of my favorite shows – Zorro, Rocky and Bullwinkle, Ernie Kovacs (I was a strange kid), Fractured Flickers, Beany and Cecil, Garfield Goose (a Chicago kids TV show), Jack Paar when he had on Oscar Levant or Jonathan Winters (I was a very strange kid) and others. I remember the British invasion; as an early teen, I ushered at the Beatles concerts in Chicago. I was resistant to the Beatles until I saw A Hard Days Night; that’s when I became a fan. All part of my cultural DNA.

I got into theater because a Catholic girls H.S. was looking for boys to be part of their next production. A girl I liked attended that school and – well, c’mon. Being one of a few boys inside a girls’ high school? Of course you’re going to go there. I almost never saw the girl but the teacher/director – Mrs. Crawford – thought I had potential. I discovered the stage and that would form a great part of my life for the next almost twenty years. It also helped make me into the writer I am today. (more…)

Spider-Man, Heroes, and Free Comics… Oh My!

If there ever was a best week ever in Pop Culture, this is it! Spider-Man 3 is moments away from opening, Heroes is heating up and Free Comic Book Day rolls in on the weekend! 

The ComicMix Big Broadcast for Tuesday starts out with a full shopping kist of comics and DVDs you can’t miss, ranging from the end of 52 to the Best Of Fletch – plus news on Magneto on the big screen, Adult Swim expanding on the small screen and Scarface in the comics. We also trip back in time to when Jed Clampett was a private eye!

Please note: The Heroes review contains spoilers. It comes at the end of the podcast, so if you TiVo’ed it, you might want to bail at the sound of Matt’s voice.

Press The Button – Save The World!

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Lulu throws awards open

  • News
  • April 30, 2007

fol-logo-9195921When I was in Friends of Lulu, one of the main incentives to keep up membership was the opportunity to vote in the annual Lulu Awards, given to women of distinction whose contributions to comics kept getting ignored year after year by the major comics awards.

Now an era appears to have come to an end, as the organization has decided, for the first time ever, to open the award nominations and voting to non-members.

Details can be found on Adalisa Zarate’s blog.  The nomination form is here, and the deadline for nominations is May 7.  Here’s your chance to help recognize all the women who are still getting passed over by the boys’ club mentality of so many other awards processes, as well as celebrate those who are finally being noticed elsewhere.

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