Tagged: comics

JOHN OSTRANDER: Odd Delights

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  • April 26, 2007

getcrazy4-4703726I hesitate to recommend films these days – what I like you may well loathe. That said – having burdened you with a collection of “perverse pleasures” recently, I thought I’d devote this column to films that I own that I truly do enjoy, that I think are good films, and which you may not know.

Get Crazy is a 1983 film from Allan Arkush, who also directed the cult classic Rock And Roll High School and is an executive producer of Heroes. I came across it in the company of Timothy Truman while we were at a convention. We were staying at a distributor’s house and were too tired after the day’s proceedings to move. The distributor had the (then) novelty of projection screen TV and cable and Tim and I had a few beers as Get Crazy came across the screen. It sucked us in. At the time, we couldn’t decide if it was the beers or because we were exhausted but it seemed to us to be one of the funniest movies ever made. I’ve watched it many times since and it wasn’t the beers or the exhaustion; this is a damn funny film.

IMDB posts this plot synopsis of the film: “Mega-promoter Colin Beverly plans to sabotage the New Year’s 1983 concert of small-time operator Max Wolfe. Wolfe’s assistants Neil Allen and Willie Loman find romance while trying to save the drugs, violence, and rock and roll from Beverly’s schemes.” Fair enough so far as it goes but it barely scratches the surface.

To start off with, Colin Beverly is played by white-on-white Ed Begley Jr. in a terrifically manic mode. In a stroke of brilliance, his two henchman are played by two former teen idols, Bobby Sherman and Fabian Forte. That is hip, intelligent casting and a great joke in and of itself. The movie is full of little nods like that. Lee Ving, the frontsman for the punk band Fear, plays a punk musician called Piggy who has to be chained up when not performing. (Ving was also in another fave film of Brother Tim and myself, Streets of Fire.) Howard Kaylan of The Turtles plays a Jerry Garcia-ish Captain Sky. You don’t have to get all the in-jokes and references for the movie to work but boy do they add to the movie.

Malcolm McDowell plays Reggie Wanker, who is an amalgam of Rod Stewart and Mick Jagger. One of his band mates – Toad – is played by John Densmore of The Doors. How damn hip do you want a movie to be? And he looks so much like Keith Richards in the film, he could be Keith’s long lost brother. One of the best scenes is late in the movie when Wanker has a talk with himself in the men’s room after getting very high. I can’t tell you why without spoiling the joke but, trust me, it’s LOL funny.

But the absolute best guest shot has to be Lou Reed playing a character named Auden who is heavily modeled on Bob Dylan circa 1983. The in-joke is that you have a recluse (at the time) playing a greater recluse (at the time). Even if you don’t know the reference, the part is written and performed as to have its own laughs. Plus, Reed has a great song by the end of the film, "My Little Sister."

There’s others such as Paul Bartel of Eating Raoul in a bit part as Max’s doctor, Bill Henderson as King Blues and Franklin Ajaye as his driver, and more. There’s tons of music including at last three versions of “Hoochie Koochie Man.” And as much schtick as in any Police Squad movie. (more…)

DENNIS O’NEIL: Who knows what evil lurks…? Part 3

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  • April 24, 2007

I had it easier than many comics writers. I began in the business as an assistant to Stan Lee in 1965, when Marvel was just completing its metamorphosis from obscure Timely Comics to publishing phenomenon, and Stan’s vision of what a comic book company could be was pretty much complete. Implicit in the writing part of the job was the requirement that I imitate Stan’s style – after all, Stan’s style was Marvel. That made the job simple: imitate Mr. Lee successfully and I was doing it right.

Of course, I bridled a bit at having to imitate anyone. After all, I was in my 20s and had been doing comics for about two days, and therefore, according to my lights, I was deeply wise and fully knowledgeable about…oh, name it, and don’t forget to include comics. As Bob Dylan sang, “I was so much older then, I’m younger than that now.” Now, in my sexagenarian salad days, I’m grateful for my Marvel initiation because everyone begins by imitating someone, and I didn’t have to seek a model or wait for the churning of the universe to provide one – I learned the trade by having to imitate the comic book scripter who was at that time, arguably, the best.

Here are a few words from a man who is well on his way to becoming my favorite mainstream writer: “Most artists are brought to their vocation when their own nascent gifts are awakened by the work of a master… Inspiration could be called inhaling the memory of an act never experienced.” Those observations are from a Harper’s Magazine piece by Jonathan Lethem titled “The Ecstasy of Influence,” which you can read on Harper’s website. They bring us, at last and via the long way around, to the subject of this installment of the arc (or miniseries, or series-within-a-series or whatever the hell it is) that began with what we called “Who Knows What Evil… Part 1.” Those of you who were kind enough to read the earlier installments may remember that I suggested that the creators of Batman may have been…well, call it “intensely aware” of The Shadow and other popular culture creations.

Let’s assume that they were. Did that make them wicked, weaselly thieves? No, no, and again, no. Remember: everyone begins by imitating someone. As Anthony Tollin said in a phone conversation, those early comics guys (who were barely out of adolescence and in the process of inventing a medium) had no one to emulate except authors from other forms and the newspaper strip fraternity. Since they were generally not from society’s loftier precincts, with ready access to elitist amusements, their entertainment was comic strips, movies, the pulps, and maybe radio, and it was natural – inevitable? – that they’d seek inspiration in those media. Where else?

(more…)

MIKE GOLD: Death to Floppy!

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  • April 23, 2007

bucky_beaver_ipana-6184370I was combing through the Diamond catalog, placing my family’s orders for whatever month I’m ordering for. Oh, yeah: it’s April, so I’m looking at the March catalog do order stuff coming out in May, if at all. People who grew up at comic book cover dates have a hard time working a calendar.

As every month, I am struck by the impossible number of “alternate covers” being produced by the publishers. Of course, only a fraction of them are actually solicited: some publishers slap on new covers for subsequent reprintings. This sorta makes you wonder how they knew they’d sell out early enough to commission those new covers.

I don’t have a problem with alternate covers. Whereas I rarely indulge, there are enough collectors out there to make the gimmick work, and that’s fine by me. I collect all sorts of weird stuff myself – I’ve been trying to get Denis Kitchen’s Betty Boop blow-up doll for 30 years. Certainly there’s nothing wrong doing an alternate cover stunt to celebrate a truly significant issue. But it’s being done on damn near everything these days, on routine issues of routine books, just to turn the sucker into a collectible.

Therefore, while I see nothing wrong with alternate covers, I do feel they portend the end of the world as we know it. (more…)

cw-home-7995482

On-screen comics?

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  • April 20, 2007

cw-home-7995482If you saw last night’s episode of Smallville – even on TiVo – you probably noticed a vaguely animated "comic book" story starring their version of the Justice League (Green Arrow, Aquaman, Cyborg, and a Flash), as opposed to, say, DC’s version or the version they’re trying to bring to the big screen in a few years. This comic book is actually a commercial for the Toyota Yaris, and it will continue through the show’s next-to-last season finale on May 17.

It’s almost good.

The interesting part of all this is that the comic book / commercial is promoting a contest whereby the winner can get one of those Yaris (wasn’t that an old video game called Yaris’ Revenge?). Until recently, advertisers thought superheroes could only sell Underoos and POGs, so this is a great leap forward in consumer recognition.

You can see / read / experience the comic book, play the game, and enter the contest by going to the appropriate spot on The CW’s website.

MICHAEL DAVIS: The Blame Game

  • News
  • April 20, 2007

4203157070-8623360Monday April 17, 2007 at Virginia Tech University a gunman took 32 lives. I am writing this the following day, Tuesday April 18. To give this piece a little more perspective I tell you this: I lost my sister and grandmother some time ago and when ever I hear of any random act of violence like what happened at Virginia Tech I always pause and think of what the families are going though. I say a silent prayer and hope that somehow the pain that they feel now will ease a bit over time. It never goes away but I hope that they find some comfort from what will seem like an eternity of grief.

My family unit was my mother, sister, grandmother and myself. So half of my family was taken from me. I had to deal with losing my sister and grandmother; my mother had to deal with losing her first-born child and her mother. It hit us both very hard. We were lucky enough to have friends and family around us to comfort us. After a while – a great while we had to deal with the why of what happened. Why them? Why now? Why not me? Why were they there? Etc, etc.

There was always a why.

Those questions are as biting now as they were then. My mother and I still deal with those questions every single day. As I said we had help getting though it.

In the last 24 hours I have heard the Virginia Tech Massacre described in many ways by many people in the media.

A National tragedy

A Nation mourns

America is saddened

United as one

We all feel this (more…)

Counting down on MySpace

DC Comics has just announced it’s partnered with the comic books section of MySpace to preview the first two issues of its much-anticipated Countdown series, which has reverse numbering because we aren’t confused enough.

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The first 10 pages of Countdown #51 will be up on MySpace/comicbooks on May 4, followed on May 11 by the last 12 pages of that issue and the the first 12 pages of issue #50. The final ten pages of Countdown #50 will be on the site on May 18.

Why the sudden interest in the site? Well, DC’s also launching its own DC Nation MySpace page on May 2, so that could have something to do with it.

While it’s always good to see major corporations paying attention to the netroots, let’s hope smaller efforts aren’t completely usurped by the bigger fish.

Marc Andreyko speaks to ComicMix Podcast!

Today’s pop quiz includes the brain busting questions of who was Dickie Goodman, where has Manhunter been, why is someone ripping off Richard Dawson, wow does The Doctor get to the fast lane, and WHO was "John And Ernest?" We give you good news on a much loved DC book, dig into Doctor Who’s latest romp, we hear from comics writer Marc Andreyko, and much more.

After all that, wouldn’t you feel guilty if you DIDN’T press the button?

JOHN OSTRANDER: Perverse Pleasures

  • News
  • April 19, 2007

c86650lf4qn-8422755We all know what a “guilty pleasure” is – some movie, book, song, whatever that we are ashamed to say we actually like – nay, sometimes love. While we may be embarrassed by our affection we should, at the very least, be able to claim, “Well, anyway, I like it.” Even if nobody else does. I have my list of those and I suspect you do as well.

This is not the same as the strange, little known things that you love that are, in fact, pretty good. I have my list of those things also and it might be useful to talk about these odd delights at some other time.

Neither of the above are the same as what I call my “perverse pleasures.” I’m not talking about sexual kinks and peccadilloes. I’m talking about music, books, movies and so on that I know, in fact, are awful and that I don’t like but feel a weird compulsion to own them anyway.

On to confession.

The first item is Pat Boone’s 1997 CD In a Metal Mood; No More Mr. Nice Guy wherein the King of White Bread Music decides to do his covers of Heavy Metal songs. We’re talking songs such as Stairway to Heaven, Smoke on the Water, Love Hurts, Enter Sandman and plenty of others. Oh, my ears! He doesn’t do them as Heavy Metal, of course; his arrangements turns them into Big Band tunes. When Mr. Boone sings, he’s usually off the rhythm, flat, or just speaks the lyrics. I have yet to get through a complete cut.

This is completed with a cover shot of the aging Mr. Boone in leather pants, leather vest, and no shirt, fixing the buyer with a steely stare that defies said buyer not to purchase the CD. I, of course, succumbed.

To top it all off, I was doing a guest shot on my friend Bill Nutt’s radio show, The Nutt House, on WNTI. I decided to play a cut of the CD on his show. Hey, they’re not my ratings. My better half, the lovely and talented Mary Mitchell, was listening in. I should explain that Mary is a heavy metal fan. Most people wouldn’t suspect it to look at her but she’s pretty knowledgeable and has her criterion: a good heavy metal band should look and sound like trolls. Pat Boone comes nowhere near that ideal.

Mary asked me what was on my mind to play that track. I explained that none of us at the radio station actually listened to it; we turned off the monitors about thirty seconds into the song so we didn’t have to listen to it. I think that’s where I lost Mary as a regular listener to my radio hijinks. She did listen to the track all the way through.

This is one of my definitions of love – despite having trick-bagged her into listening to something that I couldn’t, she still cares about me.

If Mary hasn’t found the CD, I probably still have it around somewhere.

Wandering over to the DVD section, I find my copy of Barb Wire. I knew the Dark Horse comic on which the movie was based and stumbled on the movie starring Pamela Lee Anderson while channel surfing late one night. I, like millions of Americans, ignored it in its theatrical release but I thought it was worth pausing long enough to see if Pam popped out of whatever she was wearing. It was late night and my standards of viewing are pretty low after midnight. (more…)

DENNIS O’NEIL: Who knows what evil lurks…? Part 2

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  • April 17, 2007

Suddenly, the air was full of bats!

The “air” here is metaphorical and if you’d allow me to fully ripen the trope, possibly to the point where it emits a faint odor, it might read, The air of popular culture in the 30s and 40s was full of bats.

Let’s see.  There was a Mary Roberts Rheinhart novel and an early talkie adapted from it, both called The Bat, and there was a pulp hero also called The Bat and, a bit later, another pulp do-gooder who labeled himself The Black Bat.  Am I forgetting anyone…?  Oh yeah.  A comic book character that was introduced in Detective Comics #27, dated May 1939, as Batman.  Like an estimated eighty percent of your fellow earthlings, you may have heard of him.

And, again metaphorically, standing behind the Batman and maybe some of the others was one of the greatest pulp heroes, The Shadow.  The writer of the early Batman stories, Bill Finger, made no secret of his admiration for the Shadow novels.  He went so far as to admit that the Shadow’s influence on his batwork was extremely direct when he told historian (and author and artist and publisher) Jim Steranko, “I patterned my style of writing Batman after the Shadow.”  And: “My first script was a take-off on a Shadow story.”

Which brings us to Anthony Tollin.  Remember him?  I introduced the two of you a couple of weeks ago in this very feature. I told you that a company Anthony owns has been issuing reprints of the Shadow books. Recently, he sent me an early copy of one of those books, titled Partners of Peril, and suggested that I might want to compare it to the first Batman adventure, The Case of the Chemical Syndicate. 

Of course there are differences.  After all, the Shadow novel is probably around 50,000 words long and Batman’s debut is six comic book pages.  But there are also similarities.  I won’t even try to describe them all – see Robert Greenberger’s ComicMix article, or Anthony’s text piece in the book itself – but they are manifold.  In a phone conversation a few hours ago, Anthony mentioned the most obvious, among which are:

  • Both are about a – yes! – chemical syndicate.
  • The heroes of both get involved in the proceedings while visiting a law-enforcing friend.
  • Both feature virtually identical death traps, which each hero beats in the same way.
  • Both heroes offer the same whodunit-type explanation at the adventure’s end.
  • Both heroes spend a lot of time on a rooftop after a safe robbery.
  • The denouements of both stories are, again, virtually identical.

Et cetera.

As I wrote in the earlier column, anyone with even the dimmest interest in pop culture or comics history, or who just wants to sample the kind of entertainment that kept pops or granddad reading by flashlight under the covers, or who’s just in the mood for capital-M Melodrama combined with capital-H Heroics, might want to see if the Shadow has anything for them.

For me, the stuff has another aspect, one which is as modern as hip-hop. But that’s for next week.

RECOMMENDED READING: Awww…you know.

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

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