Tagged: comics

Dynamite Furthers Red Sonja’s Legend

  • Uncategorized
  • July 15, 2013
Art: Frank Thorne

Art: Frank Thorne

In addition to the new Red Sonja comic book launch with superstar writer Gail Simone, Dynamite Entertainment has announced a new series, Legends of Red Sonja with an all-star cast of female writers.

OFFICIAL PRESS RELEASE:

Following on the immense success of the newly launched Red Sonja ongoing series by Gail Simone, Dynamite proudly announces the upcoming Legends of Red Sonja prestige miniseries, an extravaganza celebrating the iconic fantasy heroine’s long and storied career.  Legends of Red Sonja is a collaborative effort uniting Simone with a star-studded and prestigious creative team including Marjorie M. Liu, Mercedes Lackey, Kelly Sue DeConnick, Rhianna Pratchett, Leah Moore, Tamora Pierce, Blair Butler, Nancy Collins, Meljean Brook, Nicola Scott, Devin Grayson and more to be announced.  Frank Thorne, one of the key artists responsible for defining the character’s distinct look, will be among the artists to contribute cover artwork, as will Jay Anacleto.

Art: Frank Thorne

“When it was first decided that I would be taking part in the relaunch of Red Sonja, we had what I thought was a very fun idea, which was to have all the covers and variant covers be drawn by top female artists,” says Gail Simone, an industry legend with celebrated runs on Birds of Prey, Secret Six, and Batgirl.  “The idea just took off, as some of my artistic heroes, people like Colleen Doran, Amanda Conner, and Nicola Scott all contributed these gorgeous, eye-popping pieces of art for the book.  It made everyone tremendously happy and gave us a wonderful extra kick for our relaunch of this classic character.  So when Dynamite told me that the 40th anniversary of Red Sonja was coming up, I thought, ‘I wonder if we could do the same thing, but with all my favorite female writers?’  I can’t tell you how exciting this is for me, it’s something I’ve wanted to do for years.”

Art: Jay Anacleto

The structure of the Legends of Red Sonja prestige series will be, in Simone’s words, “a braided story, with individual, unique stories written by titans of comics, prose, and the gaming world.  These are all powerful voices whose work I adore.  Dynamite asked me to make a list of the women I’d love to see included, and again, I was astounded at the eager responses!  We have giants of the fantasy and horror prose world; Tamora Pierce, Nancy Collins, and Meljean Brook. We have some of the hottest comics talents; Marjorie M. Liu, Mercedes Lackey, Kelly Sue DeConnick, Leah Moore, Devin Grayson and (in her first published story as a writer) Nicola Scott.  And we have brilliant writers from games and television; Rhianna Pratchett and Blair Butler.  Getting to hand-pick this crew of fierce women was an absolute joy, and the fun of it is, we’re all fans of Red Sonja, and of each other.  Throwing ideas back and forth and shaping the stories has been some of the most fun I’ve ever had in comics.  I can’t wait for people to read these takes on Red Sonja…some are funny, some are scary, some are very different versions of Sonja than we are familiar with!”

Art: Frank Thorne

Many of Gail Simone’s hand-picked contributors have shared their excitement about the project:

Rhianna Pratchett (Heavenly Sword, Mirror’s Edge): “I treasured my Red Sonja poster when I was kid.  So to get the opportunity to write a story for the character, and to do it in the company of such extraordinary, talented women, is a dream come true.  My younger self is definitely high-fiving my older self.”

Leah Moore (Doctor Who: The Whispering Gallery, Sherlock Holmes: The Liverpool Demon):  “It’s not everyday that Gail Simone asks me to write Red Sonja.  To be honest, I’m glad, because when it happened, I had to be peeled off the ceiling.  Writing Red Sonja has been a personal ambition of mine for a long time.  She is about the most fun a writer can have.  She’s a loner, a grouch, a badass, and is apparently impervious to cold.  I am almost too excited about this project to actually write the thing, which is counter-productive, really.”

Art: Frank Thorne

Tamora Pierce (The Song of the Lioness, Mastiff):  “This is the coolest project ever: new stories crafted by some of the best writers and artists out there, about a woman warrior created by one of my literary idols, Robert E. Howard, spearheaded by my comics goddess, Gail Simone.  I’m honored to be a part of this, and can’t wait to see the whole thing.  It will be a ground-breaking, multilayered view of a character who has been brawling through comics for decades!”

Blair Butler (Heart, host of MSN’s Nerdcore):  “I’m honored and exceedingly intimidated to be included in this group of talented creators.  Gail Simone is amazing — and her take on Red Sonja is something I’ve been looking forward to since it was announced way back at Emerald City Comic-Con.  So when she asked me to contribute, I agreed immediately, even though I’m totally nervous about it.”

Art: Jay Anacleto

Nancy Collins (Swamp Thing, VAMPS):  “I am thrilled to have been chosen by Gail Simone to participate in Legends of Red Sonja.  I remember how excited I was when I plucked Conan the Barbarian #23 off the spinner rack as a kid, all those years ago, and finally saw a female hero capable of dishing it out with the best of them.  I am honored to have been given this chance to add to Red Sonja’s mythos.”

Meljean Brook (Iron Seas, Demon Angel):  “I’m absolutely thrilled to be writing a story for the she-devil, Red Sonja.  I first encountered Red Sonja in the movie with Nielsen and Schwarzenegger when I was about eight years old — and I know that movie isn’t without its problems, but it’s almost impossible to describe how incredible it was to watch a film in which the heroine was just as strong and as tough as the muscle-bound hero.  I loved that she was arrogant, skilled, and never wimped out or waited for rescue, and I immediately went out in search of similar stories about her.  Red Sonja was a revelation to eight-year-old me, and I can trace many of the heroines I write today back to those roots.”

“Wow.  Gail and the editorial team at Dynamite have put together an incredible team of creators – a prestigious and impressive list – on a series that celebrates one of the strongest female characters in comics.  I can say, that they have done an incredible job together, and I thank them.”  States Dynamite CEO and Publisher Nick Barrucci.

Learn more about Dynamite Entertainment here.

Michael Davis: The Coming of the Fan Boy

davis-art-130709-2290947Word on the street is Warner Bros has announced a new venture, DC Nasty.

“DC Nasty is an adult film company created because Warner Bros sees an opportunity to fill a gap, plug a hole and make a big splash in a vastly underserved audience, grown fan boys who rent or buy porn almost 600 times more than video games or comics.”

This, from the Warner Bros Press release.

A recent ComicMix poll showed 92% of grown fan boys do not have wives or girlfriends, 80% make 5-6 figure incomes and in what was alarming to this reporter, 70-100% go blind by the time they are 50.

Rumors are flying as to who will head up the new venture. A high level unnamed source at DC thinks that a former DC executive who recently returned to the freelance ranks will run the new company.

An announcement is anticipated to be made at this years’ San Diego Comic Con. Expected to be among the first wave of projects are Sgt. Rock, Deathstoke, Elongated Man, Man of Steel and Swamp Thing.

It seems that the industry has realized that Warner may be on to something.

There are reports that Marvel is also thinking about getting their hands into porn by creating a division called Marvel Masturbation. Projects include the Hulk, Mr. Fantastic, the Thing and the Black Avengers.

An unnamed source from Marvel said they wanted to create as much tie-in with the comics as possible. With that in mind, Make Mine Masturbation is being considered as the slogan of the new venture.

Fan boys are certainly already doing that. The question is will they pay DC and Marvel to supply them with their reason for doing so?

Will this new venture let DC, Marvel and their fans share a happy ending?

That’s a sticky question.

WEDNESDAY MORNING: Mike Gold

THURSDAY MORNING: Dennis O’Neil

 

Michael Davis: Alone In My Room

davis-art-130702-1-9405693The other day I was sitting in my studio at 4 AM working on a double page spread for a graphic novel I’m writing and illustrating.

There was a movie playing in the background, coffee and tequila on my side table and my dog Puffy laying at my feet. The house was silent, well silent except for the screams of the guy Jason Statham just threw off a roof in the movie I was watching.

Other than that guy screaming like a little bitch, my house was silent.

All of a sudden it hit me. I’m an artist.

I went to school to become a professional illustrator. I wanted to study to be a cartoonist because I wanted to do comics so badly!

davis-art-130702-2-4661439But…

My cousin told me if I became a cartoonist I would “stave and die.” My cousin was also my mentor and if not for him there was a very good chance I’d be in jail or dead now.

No joke.

He’s also a world-renowned artist. How renowned? The house I live in cost less than one of his paintings and I live in a pretty nice house.

Again, no joke.

So when your cousin who is also your mentor who also saved you from death and/or prison who is also a world-renowned artist tells you if you became a cartoonist you will stare and die, you listen.

I listened.

I became an illustrator and as luck would have it the industry changed so as an illustrator I could still do comics just not the traditional way they had been done.

My illustration career was pretty damn good before I got into comics that I did pretty damn bad. It took me a while to understand the medium but once I did the work got better…I hope.

Somewhere along the way my illustration and comics career stopped completely as I found myself working in other media: television, publishing, radio and education.

Before I knew it I had a mini entertainment empire going and the only art I was doing was doodling a  fat Batman every chance I got.

At 4 AM the other day sitting in my studio I realized that all is right when I’m doing art. Just me, my dog, my Captain Action mug for my coffee and tequila, a movie and my work is freakin awesome.

No Hollywood drama, no politics, no egos, no bullshit.

It’s like when I was in the sixth grade drawing the adventures of The Fighting Five my very own superhero group. The Fighting Five were, the Liberator, (spelled Liverator; I went to public school) Bulldozer, The Anything Man (because I couldn’t think of anything else to name him) Judo Master (stolen from Charlton Comics but I felt I could use him because his book was cancelled) and The Human Torch (but it was the original Human Torch and I felt I could use him also since Marvel had thrown him away).

When I was alone in my room in the projects with my art nothing else mattered and I was the happiest I’d ever been as a child. Now, I’ve come full circle as I sit in my studio alone at 4 am in the morning happy with what I’m doing and who I am.

People have a hard time putting me into a category because I wear so many hats. I usually just say I’m a content producer but that’s never really felt right to me. It’s just an easy way for me to say, I’m a writer, TV producer, etc., etc., Shado, Shado (a invitation to my annual San Diego Comic Con party to the first person that gets that joke) I just figured out at 4 am in the morning sitting in my studio what and who I am.

I’m Michael Davis… and I’m an artist.

WEDNESDAY MORNING: Mike Gold Presents Pulp Pulchritude

THURSDAY MORNING: Dennis O’Neil Goes Fourth

 

REVIEW:The Silver Six

The Silver Six
By AJ Lieberman & Darren Rawlings
Scholastic Graphix, 188 pages, $10.99

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There’s a refreshing breathlessness to the action in The Silver Six, a brand new graphic novel being released on Tuesday. Set in a bleak future, humanity has apparently paved over the planet and has to survive in domed cities to breathe. Classes take field trips to the nearby corner where a tiny square of parkland, complete with a single tree, is an object of fascination. It’s a harsh and brutal form of survival given that the planet’s energy needs are seemingly handled solely by Craven Industries. They supply something called Hydro-2 and as long as they control this supply, they seemingly work above the law.

So does Phoebe Hemingway, a 12 year old whose parents died on a shuttle accident a year previously. She and her robot Max have been dodging revealing her true existence until social services finally catch up with her. Placed in an orphanage, Phoebe encounters five others and forms a fast friendship with them as if fate brought them together. As the story unfolds, that’s exactly the case as we learn each holds an identical document signed the day before their parents all died on the shuttle. Embedded in each document is a piece of a tiny electronic memory that needs to be pieced together so the kids can learn what really happened to their parents.

Meantime, old man Craven has dispatched Sam to retrieve Phoebe’s document, beginning a game of cat and mouse that drives most of the action. Once the running starts, they make it from the orphanage to a spacecraft to a moon and back again. Along the way, there’s some entertaining banter, some heroic acts, and an awfully lot of rushing around. Lieberman, best remembered for a run on Batman comics a decade or so back, keeps things moving so quickly that his target readers, 8-12 year olds, will turn the pages never stopping to question how 12 year olds know how to pilot spaceships and build robots.

Teachers will love this for its themes of friendship and family, heroic sacrifice and so on. There’s a large dollop of technical know-how tossed in yet we never see the kids actually taught any of this. Instead, the orphanage facility’s teacher is unintentionally misinforming the kids thanks to a Craven-supplied text.

Lieberman doesn’t do enough to make the six characters distinct and Darren Rawlings’ art style makes them appear 8 years old, not 12. Still his drawing is clear and imaginative with good color, which makes sense given his experience at Big Studios.

As an introduction to young adult science fiction or comics, this works just fine. It’s not the most original story and the plotting gets muddled halfway through, but the readers won’t notice, captivated by relatable, plucky characters.

Elizabeth Watasin Visits The Book Cave

The Book Cave crew had the great pleasure of having Elizabeth Watasin visit and chat about her best selling novel and news about her comic book.

Listen to The Book Cave Episode 235: Elizabeth Watasin now at http://thebookcave.libsyn.com/the-book-cave-episode-235-elizabeth-watasin

GUEST REVIEW- SALMON REVIEWS TRILOGY OF TERROR!

TERROR TIMES THREE

A Review of Kelly Everaert’s TRILOGY OF TERROR by Andrew Salmon

kellycover-3460890

What’s in a name? Well, plenty. Permit me to elaborate. The title of Kelly Everaert’s homage to the great horror magazines and comics of yesteryear might lead the reader to conclude that there are only 3 tales in this beautiful 54-page, black and white, 10.5″ X 8″ stroll through nightmares. Not so, the title refers to the volume being a collection of the 3 issues of Everaert’s small; press comic. There are 6 tales in this gloriously beastly book – tales you don’t want to miss.

That is if  you’re a fan of the EC horror comics, Eerie, Creepy and the like. If the style of the cover illustration alone doesn’t ring any bells, then you’re in troubled waters, hard about. However, for any fan of classic horror, and who isn’t, TRILOGY OF TERROR will fit your reading needs like your favorite easy chair fits your nether regions. Everaert has clearly done his homework with this volume. That he is a fan of this stuff shines through on every page.

“Retribution From The Deep” gets the bleeding started with a haunting tale of greed and revenge. “Awaiting Rescue” jumps ahead for a quick sci-fi tingler featuring a female astronaut stranded on an alien world who may, or may not, be alone. “The Curse” yanks us back to Victorian times for a journey into the occult for the book’s longest tale. The fast-paced “Open House”shows us that a lot can be revealed when showing a property to prospective buyers. Should one only be afraid of getting mugged while walking through New York’s Central Park? “A Walk Through the Park” answers that question. Here Everaert gets a helping hand with inks by Robin Thompson. Everaert brings the collection to a bloody close with “The Prize Catch”, a shocker Lovecraft would be proud of.

TRILOGY OF TERRORis a throwback in every sense of the word. Everaert is not trying to re-invent the wheel here. This is no updating or re-imagining of the classic horror comics. Rather the book stalks down this familiar territory with gusto and verve served up by an artist who knows the route to what scares us. The artwork is richly detailed, heavy blacks abound. The tales move quickly. The writing duties are shared between the writing tag-team of Kelly and his wife, Michelle and the tales move towards their grisly conclusions at a great clip. The variety of tales here also means that there’s something for everyone to scream at.

For those readers out there who can only look longingly at the original issues of the horror classics or shake one’s head in awe at the prices for the various collections of same, TRILOGY OF TERROR, coming in at $6 a throw over at IndyPlanet will seem like a steal. Don’t miss this one horror fans!

To find out more about the artist and his work check out: Kelly Everaert

Martha Thomases: Comics Girls Like?

thomases-art-130607-8146418It’s a modern meme that geeks are guys, and tech nerds are guys, and that first adapters are guys. Girls are more interested in gossip and romance and shoes.

All guys are Sheldon Cooper. All girls are Kim Kardashian.

Needless to say, none of this is true. Not only is it a ridiculous exaggeration (which it is), but the initial assumptions aren’t true.

It isn’t even a societal expectation any longer. According to a new study, girls “are getting earlier and deeper access to (digital) devices than boys.”

Girls have always read more books than boys, and, as a result, women have always read more books than men. This is true throughout all genres of fiction, including science fiction and mysteries.

The area in which it is not true is comic books.

We can all recite (in unison) the reasons girls don’t read comic books as frequently as boys. The environment doesn’t welcome girls. Too many comic book stores (still!) promote their wares with posters featuring super heroines with impossible anatomies and sculptures of super heroines with impossible anatomies and action figures of super heroines with impossible anatomies.

Thank goodness there is more to comics than comic books like that. Unfortunately, it can be difficult for a new customer to discover other kinds of books when stores don’t promote them.

However …

Girls with parents who give them tablets to play with in numbers greater than boys, and girls whose parents let them read books on tablets in greater numbers than boys will soon be girls who read comics on tablets in greater numbers than boys. They will provide a lucrative market for the kinds of comics girls like, and they won’t have to go into a comic book store to do so.

If these girls are like other readers of e-books, they will enjoy reading books online, and then want to own physical books as well. Will comic book stores be able to deal with this?

Successful bookstores don’t separate their wares into girls’ books and boys’ books. They rack them by subject matter and genre. They promote new titles and famous authors, true, but they also tend to “hand sell,” which means that employees will recommend books they’ve enjoyed to customers who ask. Publishers might use sex to sell (see Fifty Shades of Whatever), but they tend to use cover art that won’t embarrass the reader in public.

The comic book business would be smart to do the same. It might mean fewer women in refrigerators, and there are a lot of executives invested in that attitude. One would think that women with wallets would be a bigger draw.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

 

Dennis O’Neil: Zen Denver

oneil-art-130606-4961389Yesterday, just outside Denver, I went through an area I must have gone through long ago. My friend and I were a couple of footloose ramblers with no money in an interstice of time between being in thrall to one authoritarian institution, a Catholic university, and another, the United States Navy. (You wanna salute? Go ahead – salute!) We were hitchhiking back from San Francisco because…well, hey, it was good enough for Jack Kerouac and besides, if you’re not going to do stupid and dangerous things when you’re young, when you gonna do them?

(Parenthetical digression: Hitchhiking was stupid and dangerous back in 1961 and it’s way, way more stupid and dangerous now, and if our luck had veered a bit we could have suffered dreadfully. So don’t do it.)

Where was I? Oh yeah, in Colorado getting busted by a state cop.

But, as it happened, the cop was from Missouri as were we, and so, instead of depositing us in the slammer, he flagged down a Greyhound bus and asked the driver to haul us east. The rest of the adventure went well.

As I looked outside the car window yesterday, nothing seemed familiar except those magnificent mountains in the distance. But why would it? A half century-plus had passed and Colorado, along with everything else, had changed and my memory probably wasn’t reliable when I was 22 and is absolutely not reliable now. (Reality may or may not not be malleable, but the truth? That’s generally open to interpretation.)

We were coming from the Denver Comic Con and a pleasant weekend. We were expecting the show to pull in…I don’t know… a couple-three thousand fans? But there was the energy of over 50,000 attendees percolating through the Colorado Convention Center. Plus a lot of comics guys and a whole lot of dealers. And a full complement of celebrities. This was only the second year the con was held. In its infancy and already a monster.

There was a lot to like, but what most pleased us, both at the con and the Hyatt across the street, where we stayed, was the pervasive atmosphere of courtesy. Everyone was extremely polite and extremely nice. Many of the fans who came for autographs thanked me warmly for, let’s face it, not doing much more than signing my name, a trick most third graders have mastered. They also thanked us for coming to Denver – not necessary, because Denver itself had already taken care of that.

In the airport, I was astonished and delighted to see, in large, bas relief lettering, this quotation from Zen master Thich Naht Hanh: I have arrived. I am home. My destination is in each step. Appropriate, but not what you’d expect in a thriving center of commercial journeying.

Then we went over, and past, the geography I’d traveled long ago and when we arrived at our house everything was in good order. Life can be okay. Just remember that the step you’re taking is your destination.

RECOMMENDED READING: Google something like Thich Naht Hanh quotes. Read a few, or a few dozen. Then you might want to try one of his many books.

FRIDAY: Martha Thomases

SATURDAY: Marc Alan Fishman

 

In response to Kelly Sue DeConnick…

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Kelly Sue DeConnick posted this on her Tumblr this morning. Reading the question I was saddened and angered but not surprised.

In industries that have a history of being a boys club, it’s not unusual to assume females are there either because of sleeping their way in or being the token female and therefore inferior to their male colleges. I am incredibly lucky to work in a technology company with a female CEO where being a woman is not looked down upon. I don’t have to worry about bout being thought of as a second class citizen because of my gender. Sadly, this is not true of all companies or all industries.

While I do not work in the comic book industry, I do spend a lot of time hanging out at my local comic shop House Of Secrets and I work programming magic for ComicMix on occasion. Both of these places were so welcoming to me when I took my first step into the world of comic books. I feel blessed to know all of the awesome people who work there.

Over the past year or so, as I dug myself out of a self-imposed hole of isolation, I started noticing a trend. I became aware that even though this is 2013, even though my mother and my grandmother fought this fight, it is still vitally important to stand up for myself and my gender. Somehow in 2013 I had to take stock of all the things I took for granted and take up the mantle of feminism. And I thought to myself ‘Really? This is 2013, right?’ We already fought for the right to vote, work and have a family or not when or if we felt it was right.

Yet here we are, still underrepresented in pay, out numbered in many professions (comics, technology, science, engineering, the list goes on) and less likely to be in the top jobs in whatever field we are in. It pains me that we have to resort to asking people to think of their daughters or their sisters to have the empathy to understand what is happening instead of just expecting them to treat human beings as human beings. Things like this seem to happen everyday, and I don’t know what to do to fix them. So I do what little I can.

First, if you are a woman in tech, comics, or any field just drop me a line. If nothing else, I can be your own personal cheerleader. Second off, to Kelly Sue, I’m sorry some asshole assumed you married your way in to Marvel. Your writing alone shows how terribly wrong he is. That said, I kinda want to be you when I grow up :). Your writing has proven to so many women that we can stand out and be awesome in whatever the hell it is we do and that should outshines any trolls.

I was helping out at House of Secrets the other day and a girl came in looking for Buffy season 9 vol. 1, which was sold out. I told her if she wanted an awesome female doing awesome things to check out your Captain Marvel TP. We discussed feminist comic books, and how amazing it is that they even exist. We agreed if women like us who are amazing at our jobs and proud of it don’t stand up, mentor other women, and keep the torch burning, everything our mothers and grandmothers and great grandmothers fought for can disappear in an instant it seems.

And now that I’ve had my ‘I am woman here me roar speech’ we now return your regularly scheduled posts of dinosaurs covered in glitter and the like.

Reposted from Sara Unplugged.

 

Emily S. Whitten: It’s All About Me! …And You!

whitten-art-130528-1111783You guys! You guys! Hey you guuuuuyyyyysssss!!! …Otherwise known as “wonderful ComicMix readers.” Guess what? Go on now, guess! Naaaaah, you’ll never get it. So here it is:

I am one year old!!

Well. If by “I” I mean “this column,” and if by “one” I actually mean “one year and a few weeks.” But still: can you believe it? I’ve been writing this here li’l column for over a year now. That’s fifty-seven columns to date! Holy cannoli! (Aaaaand now I want a cannoli. Great.)

Anywho, I meant to post this column on my Actual ComicMix One Year Anniversary, but you know how it is: you’ve got interviews with awesome people like Phil LaMarr and Billy West and Nick Galifianakis to post, and film festivals and documentary screenings to write about…and those are way more exciting.

However! On this, my one-ish year anniversary, I want to send a big thank you out to anyone who reads my columns, shares them with friends, comments on them, or discusses them with me. I get a lot of joy out of writing these columns, whether they are the ones where I’m ruminating on the vagaries of pop cultularity; or the ones where I get to talk to extraordinarily talented people or review excellent art; or the ones where my mind runs whimsically through a field populated by ridiculous stuff like superheroes celebrating the holidays together and antisocial vigilantes answering dating advice questions. And although part of that joy comes from my passion for the subject and for writing in and of itself, a big part of it also comes from the experience of sharing my thoughts and knowing my writing is engaging others in thought or discussion, or providing a bit of enjoyment (I hope!).

I’m always interested in whether what I’m writing resonates with readers, and in writing on topics that others want to read about. Therefore, even though technically this column is about me and my one year of writing around here, what’s it’s really about is you, my readers! So that I can write more things you want to read, I’d really like to know more about you: like how you first found my column; what you’ve read; what you’ve most enjoyed reading; what you didn’t care for, and what you want to see more of. To help me with this, you can answer the quick survey below!

But before we do that, here is a brief reminder of some of the sorts of things I’ve written (And all fifty-seven columns can be found here):

So now that you’ve had a little reminder of what I write, on to the survey!

If you have any further feedback, please feel free to leave it in the comments!

Thank you for taking the time to help me write more things that you want to read; and until next time, Servo Lectio!

TUESDAY AFTERNOON: Michael Davis

WEDNESDAY MORNING: Mike Gold

 

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