Tagged: comics

Michael Davis: The Amazing Adventures Of Stupid

Davis Art 130305When I was in the eighth grade I began to notice that all things were not created equal. Up until then the sneakers I wore were generic sneakers. No brand name that I can recall everyone just called them Skips.

One day some other kids started making fun of my sneakers. They were all wearing Pro Keds or Converse. That’s the moment I realized things were not created equal. Back in the day you wore either Pro Keds or Converse or you were not cool.

Back then I thought being cool was important. Well, it was for me, my Junior High experience sucked and anything I could do to ease my lame ass rep I was willing to try.

So I asked my mother for some new sneakers…

Me: I need new sneakers.

Mom: I just brought you new sneakers.

Me: (having thought this out beforehand, I was ready for that) those were for everyday. I need new sneakers for Gym.

Mom: Let Jim get his own sneakers.

Needless to say I didn’t get any new sneakers and my mother kept insisting that gym was Jim and simply kept me on the defensive. The kids in my school were ruthless about my Skips.

Peer pressure where I lived was no joke. I lived in the hood. Not the play hood you see on television the real hood. Not being part of the cool kids could be a health hazard. I’d make a joke that most of the kids that teased me are now dead or in jail but it wouldn’t be funny because it’s true.

I was into the status thing for a long time. When I started making money I brought only designer this or brand name that.  If I hadn’t heard of it I didn’t even look at it no matter how cool I thought it was.

Stupid.

Now?

The last pair of brand name sneakers I purchased were Reebok’s some 20 years ago (When I was 5, Jean) and a pair of Converses a year or so ago which I have yet to wear. I’m glad to say I have no and I mean no interest in buying or doing anything because of a preconceived  status.

There is one exception to that rule. I’ve been a real snob when it’s come to movies and comics. When I write I listen to music in my office but in my studio I watch movies and unless I’ve heard of the movie I simply won’t watch it.

That is, until now.

Over the last few weeks I’ve had a serious case of insomnia fueled no doubt by a serious case of stress.  One particular sleep deprived day I was in my studio working (or trying too) and watching movies on Netflix, AT&T U-verse, Amazon Prime, On Demand and a few outlets on the net. You name a way to get movies and I’m pretty sure I have access to it.

Out of the blue I decided to watch something I’d never heard of with the full expectation that after a few minutes of sucking I’d watch something else.

It was great.

I then watched four straight movies I had never heard of and all were great or pretty damn good.

That got me thinking about comics and my reading habits. Like movies unless I’ve heard of the book or really like the creative team I’ve been hesitant to give certain comics a look.

Again, stupid.

I’ll admit, I was not as bad with comics as I have been with movies but I wonder why I will pick up a novel read the back for an overview and rather I’ve heard of it or not if it’s interesting to me I’ll buy it.

That’s exactly how I came to read The Amazing Adventures Of Kavalier & Clay, one of the best books I’ve ever read – and I’ve read thousands. I was looking for something to read on a flight and purchased the book at an airport bookstore.

If by some chance you have never heard of The Amazing Adventures Of Kavalier & Clay, do your self a favor and get that book yesterday.

Really.

I still have insomnia (still stressed) but I was wondering if any ComicMix readers would be so kind as to suggest movies or comics that are off the beaten path that you loved and think I may enjoy.

I’ll really appreciate it. Please send them in anytime. I’ll be up.

WEDNESDAY MORNING: Mike Gold

THUESDAY MORNING: Dennis O’Neil

 

Martha Thomases Makes Her Own Apologies

thomases-art-130301-8566492According to this story, which is a rumor on a rumor-mongering site (which I love!), Dan DiDio recently apologized to DC creative talent at an editorial retreat. He admitted that there had been problems in the communication between editorial and talent, including editorial demanding changes to work that had already been approved.

Since, on my other soapbox, I have recently complained that men rarely apologize, it feels like I should do something to acknowledge this.

I should make my own apologies.

For the purposes of this column, we’re going to limit my apologies to the field of comics. Even the Internet doesn’t have enough space for everything else.

  1. Kevin Smith, I’m sorry it feels like I’m stalking you. About 20 years ago, we met at an exhibit of original comic book art. I liked Clerks. Later, when your movies made more money, I would point to you at conventions and tell people I knew you. That must have been creepy for you, some strange old woman pointing and staring.
  2. And, while I don’t know Dave Sim (nor do I wish to), I’m sorry that Friends of Lulu contributed to pushing him over the edge. I don’t think it will make him feel any better to know that we considered neither him nor his feelings one little bit.

  3. When I would meet booksellers at Book Expo America who said they didn’t read comics because they didn’t like superheroes, I would ask them to tell me a movie they liked, and then recommend the appropriate title for them. This is fine in a sales environment, but not great at parties in my real life. I’m so sorry, and completely understand why you walked away as quickly as you could, Patti Smith. Still, I thing you would like Rogan Gosh.

  4. At the same time, there are books that were everything I ever wanted between two covers, like Leave It to Chance, and, despite buying at least 20 copies of each issue to give away, plus multiple copies of the trade, I did not do enough to keep them alive. I wish it was still around so I could do more to make amends.

  5. Despite Alan Moore’s objections to the projects even existing, I went to see From Hell, V for Vendetta and Watchmen in movie theaters. And, to varying degrees, liked them. I feel like I’ve betrayed one of my favorite writers.

  6. And, by going to see Watchman, I inadvertently encouraged Zach Snyder. His sense of production design is admirable, but he has no sense of pacing, much less, you know, character or story. I tremble in fear about what he’s going to do to Superman.

  7. Neil Gaiman always drew a long line when he was signing things at the DC booth during convention season, even way back in the 1990s. It was often my job to be “the bitch at the end of the line,” meaning I had to tell people that there would be no more books signed. It was necessary so Neil could do other things besides sign books (eat, pee, sleep), so I’m not sorry that I was looking out for him. Rather, I’m sorry I performed my duties with so much glee.

  8. And while we’re on the subject, it was my fault, and I regret that I caused you such anxiety, Neil Gaiman and Dave McKean, when I didn’t provide adequate information to you or your driver to get to that morning interview on the FX Network back when DC published Mr. Punch. I’m sure it was really nerve-wracking to be driving around Manhattan at six in the morning, lost. On the other hand, Tom Bergeron was really nice. And a fanboy.

  9. The biggest story of my time at DC was the Death of Superman. People remember that he died, then came back. They don’t remember that the narrative point was the next storyline, “World Without a Superman.” DC wanted to show how important Superman was, and how we responded to his absence. And now they’ve killed off Damien Wayne, just when I was starting to like him. This is no legacy for a pacifist.

  10. When Image Comics started, I admired their defense of creator rights, but didn’t particularly like the books they published at the time. As a result, I didn’t pay enough attention to their work as the company matured. I’ve missed a lot of good stuff, and it’s my own damn fault. Please forgive me, and please keep releasing complete runs digitally so I can catch up.

SATURDAY: Marc Alan Fishman On Technobabble

SUNDAY: John Ostrander On Revamp

 

2013 Mix March Madness Webcomics Tournament Nominations Are Now Open!

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Yes, it’s that time of year again, where we take the best webcomics and put them head to head to highlight the incredible diversity of work out in the comics world, to raise money for various comics charities, and to have fun while doing it– time for the Mix March Madness Webcomics Tournament!

As usual, we always think we’ve gotten a good list together of webcomics– our directory lists three hundred webcomics right now which are going to the seeding round– but we always seem to miss a few newcomers, or strips that have just fallen under our radar for whatever reason. So we’re asking you: what strips have we missed? Just add them in comments below with links to the site.

Our criteria for including them in the contest are pretty simple and broad:

  • They have to be currently in production, by which we mean “has come out with at least one new installment since the new year”. Surprisingly, this knocks out a lot of comics.
  • No paywalls. You gotta be able to read it to compare and contrast.
  • No adult webcomics. We do May Mayhem for the R and X rated comics, this is for family safe material.

Get your nominations in quick, we’re closing the window at midnight Pacific Time on Thursday night and starting the seeding voting on Friday. And please, share this post far and wide so we don’t miss anyone!

 

THE WHITE ROCKET PODCAST WITH THE DRAGON TATTOO

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The White Rocket show heads to Sweden for this week’s episode, as comics editor/publisher/writer extraordinaire James Hickson joins Van to discuss Stieg Larsson‘s fantastic MILLENNIUM TRILOGY of crime fiction novels and (American and Swedish) movies: THE GIRL WITH THE DRAGON TATTOO, THE GIRL WHO PLAYED WITH FIRE, and THE GIRL WHO KICKED THE HORNET’S NEST.  It’s a computer-hacking, neo-nazi-whackin’ good time!

Available on iTunes or at http://www.whiterocketbooks.com or at http://whiterocket.podbean.com

Dennis O’Neil, Cowboy Poet

O'Neil Art 130221Cowboys who gallop and ride

Know how to take things in stride

They always have their pride

Cowboys who gallop and ride

Atrocious! Add your own melody and hold your nose.

I made up that ditty, or one close to it, years ago and I don’t know why. (To provide a contrast to good verse? To avoid thinking about something I should have been thinking about?) Shrug.

But it’s in my head today, maybe, is because last night on what we refer to around here as “the cowboy channel” had a “six gun salute” to Tim Holt, who was one of my favorite actors when I was six or seven. Five old movies: I watched two and recorded the other three for watching late at night when I’m not ready for the trek to the bedroom but should be. He was a favorite of my childhood, was ol’ Tim, and he had credits beyond the many B westerns he acted in, including roles in The Treasure of Sierra Madre and The Magnificent Ambersons. Looking at him on a television screen last night, I think I grasped the reason the snotnosed version of myself liked him: he seemed nice.

But is this not a column appearing in a site devoted to comic books? So why am I blathering on about old old oaters?

I offer two reasons.

First reason: there is a connection between comics and Mr. Holt. He had his own comics title that ran in the late 40s and earl 50s. In issue #20, he began wearing a red mask and calling himself – wait for it – the Red Mask. Eventually, the Red Mask took over the title and the Tim Holt persona quietly retired. (Did the Red Mask meet up with the Lone Ranger, the Durango Kid, and the Two-Gun Kid and did they mosey on into town and drink sarsaparilla and talk about keeping masks purty and the finer points of shooting hog legs from the hands of owlhoots? Reckon we’ll never know.) If I were in a folksy mood I might say that Tim was let out to pasture, but, despite the previous sentence, I’m not feeling particularly folksy and besides, that wouldn’t be true. Which brings us to…

Second reason: Tim Holt the actor (as opposed to Tim the character) didn’t exactly go out to pasture and there was a connection between Mr. Holt and a friend of mine, the late and beloved Archie Goodwin. Those of you who have entered our world recently may not know that Archie was an excellent comics editor and writer and an incredibly nice guy. Archie once told me that, after his movie career, Tim Holt relocated to Oklahoma where he managed a radio station and knew Archie’s father. Who knew?

A final note: What I call the cowboy channel is really the Encore Westerns channel. For me, checking into it once in a while is a mini-nostalgia trip, a backward glimpse into times, places and attitudes that no longer exist. For you young’uns…I don’t know–maybe you’ll see a connection between what are sometimes called “horse operas” and what are often known as “space operas” and maybe you’ll find that interesting.

FRIDAY: Martha Thomases

SATURDAY: Marc Alan Fishman