Tagged: DC Comics

Mix Picks Chicks Flix, by John Ostrander

  • News
  • November 8, 2007

Generally speaking, I’m a guy. When I get dressed, I’m usually not worried about the ensemble, just about whether it’s relatively clean. I’m not concerned about my “looks,” considering that at my age I haven’t got many looks left to consider. My sweetie Mary likes how I look and that’s good enough for me.

Thing is – I’m not really a “guy’s guy.” I don’t follow sports all that closely but that’s because I’m mostly interested in my home teams. Because I’m at heart a Chicago boy, that means that – with the exception of certain comparatively rare periods of time – following sports is an exercise in masochism, especially as I am a Northsider, which makes me a Cubs’ fan.

I’m not into the whole “alpha male” thing, either. Never was, never will be. If “winning” is that big a deal to the other guy and it’s not over anything important to me – fine, I don’t care. He wins. If the jerk in the other car HAS to zoom around me, cut me off, and gain 2.5 seconds – okay. I continue on, generally catch up at the next stoplight, pull in behind him and then mime laughing at him, pointing at his car, so he can see me in the rear view mirror. I never said I wasn’t petty.

I also don’t always give in. People who assume that get a surprise when it’s on something that matters to me – or I’m just feeling contrary and cranky. (more…)

Getting Good and Scared, by John Ostrander

  • News
  • November 1, 2007

Have a nice Hallowe’en? Was the Great Pumpkin good to you? Did you grab a few treats, pull a few tricks? Watched a nice scary movie or two? Seen a few Saws? Are you ready to get back to the real world?

The real world has gotten a lot scarier than anything Stephen King is putting out or that Hollywood is dreaming up. Crude oil is hitting record highs. Drinking water is drying up on both a national and an international level. The American housing market is in the toilet and likely to remain there. About a year from now we’ll be electing a new president and a new Congress, which means that we’re about to hit the hardcore election season during which little or nothing of substance will be done in Washington.

“Old news,” right? Heard it all before. Maybe we should summarize what it all means quickly and simply, the way Americans like it. Unless there are drastic changes made, America is going into its decline. Unless you’re in that upper small percentile of Americans that are really rich, the quality of your life is going to decline as well and not get better.

Fact? Not yet. By the time it’s a fact, it’ll be way too late to change. No, this is a projection based on facts. When I was a teacher at the Joe Kubert School, teaching writing to artists (an interesting task), one exercise I would give teams of students was to create a future based on facts derived from the research. The scenario had to be a reasonable extrapolation from existing facts or events and they had to explain the reasoning.

(more…)

Green Lantern movie signs director

  • News
  • October 29, 2007

Warner Bros. inked a deal with Greg Berlanti to direct its live-action Green Lantern movie, based of course on the DC Comics character.  Known primarily for his writing and executive producing TV credits (e.g. Everwood, Dawson’s Creek, Jack & Bobby, Brothers & Sisters), Berlanti will pen the script for the movie with Brothers & Sisters writer/producer, Marc Guggenheim and Heroes co-executive producer Michael Green. 

Guggenheim and Green are no strangers to comic books or fans, with Guggenheim having written for Marvel comic books such as Amazing Spider-Man and Wolverine among others, and the latter for DC Comics including Superman/Batman, and was also a writer/producer on Smallville.  Donald de Line is set to produce the picture, with Andrew Haas serving as executive producer.

Writing Under the Influence, by John Ostrander

  • News
  • October 18, 2007

Nothing is created in a vacuum. Though the artist may like to think that the work springs forth Zeus-like full blown from their brow, the truth is any number of different other works influence your own. The works that move and affect us as artists also teach and guide us in our own expression. 

We prize originality but it is said there’s only x amount of plots when you boil them all down (the number has varied according to who is defining it, but it’s usually low) and they were all created by the Greeks. The greatest writer in the English language – William Shakespeare – rarely came up with original plots, most usually re-working older plays or tales from history. What is original often is how you combine the elements.

Imitation is the starting point for what you eventually become. In writing, you become influenced by certain writers because of the types of stories they tell, or their command of language, or the depth of their themes and thought or even just their success or all of it together. It is through imitation, I think, that we truly learn such things as structure. With writing, you can take all the classes and read all the books but, ultimately, you really only learn how to write by writing.  Hopefully, as you grow older and wiser – better – you discard the overt forms that you imitate to find your own voice, your own style. What starts out as something that you borrow has to become something that you own.

GrimJack began that way. As a writer, I very much fall into the camp of wanting to write because of the pleasure I’ve had in reading, especially certain writers. I’ve noted elsewhere that GrimJack was created as a cross between hard-boiled detectives and sword-and-sorcery heroes (making him what I sometimes laughingly refer to as a “hard-boiled barbarian”) but I haven’t talked about which sword-and-sorcery heroes went into the mix. Some might assume Robert E. Howard’s Conan but I’ve always been more drawn to Solomon Kane, Howard’s Puritan wanderer/adventurer. Conan as a character isn’t very reflective; Kane was, even though he was driven by a wanderlust that he couldn’t explain. (more…)

Trick ‘R Treat, DC/Wildstorm!

  • News
  • September 27, 2007

8216_400x600-1-9230136Yesterday, retailers received the following e-mail from Diamond, DC Comics’ exclusive distributors to comic shops:

TRICK ‘R TREAT MINISERIES TO BE RESOLICITED AT A LATER DATE

TRICK ‘R TREAT, the four-issue weekly shipping mini-series from WildStorm, has been postponed and will be resolicited at a later date.  All orders placed under the item codes AUG070318, AUG070319, AUG070320 and AUG070321 are cancelled.

This begs the question: are they going to change all the evil pumpkins into happy Santas? I can see it now:

DARK RUDOLPH!

WON’T YOU PULL SOME SLAY TONIGHT??

It also makes me wonder what I’m going to give the little kiddies this Halloween. Their parents won’t accept apples…

Ambush Bug Lives!

  • News
  • August 7, 2007

ab-2938579

The official Comics Should Be Good “Reason to Love Comics” for Monday was my man Keith Giffen. (“My man” in the sense that I agree that he’s totally awesome, not that I’ve ever met the guy.) And once again, I must demand Ambush Bug trade paperbacks to make the world the kind of place it should be.

The Irish Independent looks at the graphic novel adaptation of the first of Eoin Colfer’s “Artemis Fowl” books.

Comic Book Resources talks to Neil Gaiman via the magic of video.

Comic Book Resources has also drunk the DC Kool-Aid and is trying to convince us that we ever cared about Booster Gold. Sorry, it’s not working…

The Beat has San Diego photos, with commentary – your money quote: “Nothing is sadder than a Superman with a droopy vinyl crotch.”

Elliot S! Maggin, author of the greatest Superman novel ever (sorry, Tom De Haven, it’s Miracle Monday), is running for Congress. Hey, if Gopher could make it in, I think he’s got a good chance. [via The Beat]

Sci Fi Weekly interviews Neil Gaiman, reviews Elizabeth Bear’s Undertow, and sets John Clute to wind up Jay Lake’s Mainspring.

The Golden Duck Awards, for excellence in science fiction for children, were presented at TuckerCon, this year’s NASFiC, over the weekend. The winners were:

  • Picture Book: Night of the Homework Zombies by Scott Nickel, illustrated by Steve Harpster
  • Middle Grades: Apers by Mike Jansen and Barbara Day Zincola
  • Young Adult: Rash by Pete Hautman
  • Special Award: Write Your Own Science Fiction Story by Tish Farrel

[via SF Scope]

(more…)

Meet the Real Sgt. Rock?

  • News
  • July 18, 2007

june5_bb-sgt-rock-3950821Perhaps the comic book world has achieved a higher level of respectability. According to WCBS radio in New York, military recruiters have discovered two new and potentially lucrative areas to ply their trade, as they have started targeting shopping mall food courts and comic book stores.

Whereas at first this might seem like a clever (or, given the nature of shopping mall food, desperate) approach, at least three groups of people are upset with the practice: parents who don’t want their kids to go to Iraq, mall managers who are accustomed to renting space to recruiters, and comic book collectors who are concerned about receiving their alternate cover editions in Falusia in mint condition.

It’s hard to say if this approach has been worth the effort, but many readers have noticed the increased level of military recruitment advertising in DC and Marvel comics. I’ll have to check to see if such ads have been appearing in Rick Veitch’s Army @ Love.

Artwork copyright DC Comics. All Rights Reserved.

 

MARTHA THOMASES: That’s What Friends Are For

  • News
  • July 14, 2007

martha100-8504049Over the weekend, I read the entire trade paperback collection of The Amazing Transformations of Jimmy Olsen. I had anticipated a rollicking journey through my childhood, since I’d read most of these stories as a kid.

Alas! It was not to be.

The stories are fun, don’t get me wrong. Jimmy Olsen, the Everyboy of the DC Universe, is transformed from a working guy into a futuristic genius, a fat man, a werewolf, a porcupine, a turtle boy, a giant, a Bizarro and more. He travels to the future with the Legion of Super-Heroes, and he’s courted by two separate beauties from other worlds. As a kid, even a girl-type kid, I identified with Jimmy, and wanted to be Superman’s Pal.

Now, reading these stories as an adult, I still find them funny, but also oddly bleak. Jimmy Olsen is a lonely, lonely man. Superman may be his pal, but their interaction in these stories seems limited to story set-ups. Superman brings Jimmy a collection of stuff he found in outer space, leaves it for the young reporter to write about, and mayhem ensues. Sometimes Superman saves him, sometimes the bad stuff wears off, and sometimes Jimmy is sharp enough to save himself. In every case, he’s terrified that he won’t fit in, and his friends will shun him.

Professionally, Jimmy is on thin ice. He gets fired time after time, and often is forced to go and join a carnival freak show to earn a living. For some reason, there is always a freak show conveniently in town, with a side-show slot for him. Maybe things were different when these stories were written, but I thought most newspapers required at least a high school diploma to get a job. Doesn’t Jimmy have any other marketable skills? Why doesn’t he consider a related career, maybe in advertising or public relations, where his writing ability and photography skills would earn a more reliable income? (more…)

MARTHA THOMASES: Mansion on the Hill

martha100-4981614Every weekend, when I walk by the newsstands, I see cover stories in gossip magazines about Brad and Angelina, Jennifer, Reese, Lindsay, Britney and others. Although I only read these magazines at the hairdressers, I am fascinated by the lifestyles of people I will likely never meet. On Sunday, I enjoy the Real Estate section of The New York Times, looking at pictures of homes that can cost tens of millions of dollars.

And then, there are my favorite comics.

Batman has always been one of my favorite characters, at least in part because of Bruce Wayne. I am moved by the image of that little boy, watching his mother’s pearls scatter on the street as his parents are murdered. As a child, I was afraid the same thing could happen to my parents. As a parent, I wanted to spare my child from that tragedy.

bruce_wayne-2660942(To his credit, my son wanted to do the right thing. “Don’t worry,” he assured me when he was five years old. “If you’re ever gunned down by criminals, I promise to avenge your death.”)

Most of the people who have written Batman over the years have concentrated on the Caped Crusader and his underground Bat Cave, not the billionaire playboy who lives in the manor above. Most of the more recent writers believe that Bruce Wayne is the disguise, that the little, traumatized boy grew up to be Batman, not Wayne.

That premise allows for many interesting stories, and I understand that it’s more fun to play with the driven, rage-filled Batman, the character with the high-tech equipment and the regimen of martial arts training. A person who fights bad guys is more likely to work in stories that require a beginning, a middle and an end than a single man rattling around in a mansion.

Except …

(more…)

DENNIS O’NEIL: Continued stories revisited yet again…

In last week’s installment of what some of you may be beginning to think is an endless blather, when I was discussing movie serials I neglected to mention that serials were among the first non-comics forms to use superheroes. During that decade, lucky young popcorn eaters could see Superman, Batman, Captain America and, in my opinion the best of them all, Captain Marvel in the continued chapter plays that were a staple of Saturday matinees. (That probably doesn’t exhaust the list, but memory is not my greatest gift… At least I don’t think so…) Having seen some of the above-mentioned entertainments, and having, within the past two weeks, seen the Spider-Man and Fantastic Four movies, I realize that the serial makers were born too soon.

Because, let’s face it, some of the serialized costumed do-gooders look kind of silly. That’s because the directors lacked the technology to make them not look silly. It takes an army of costumers, model makers, CGI wizards, animators and, probably, guys whose jobs I’ve never heard of to produce, on the screen, what cartoonists produced with ink on paper in large quantities for lousy pay. Of course, we comics readers had to bring some of our own imaginations to the artists’ static, silent images, but that was okay, we could do that.

Consider the preceding two paragraphs a digression, please. And now we return to our regularly scheduled topic –

What about these continued stories, anyway? Good or bad? Pro or con?

Let’s begin with the obvious con. If you come in late, maybe you’ll have trouble understanding the story. There are remedies for this problem. The serial makers mentioned in the opening digression showed the last minute or so of the preceding chapter before getting on to new material. The old radio serials used a similar technique, and a lot of current television shows begin with a voice over intoning something like, “Previously, on Your Father’s Moustache…” and then we get brief takes of the scenes that will escort us into the new action.

(more…)

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks