Tagged: DC

Chris Noth Discusses Playing Lex Luthor

Lex Luthor has benefited from many strong performances over the years from Gene Hackman and Kevin Spacey in the features to Clancy Brown in the animated universe. Now, Chris Noth takes a turn at voicing the nefarious arch foe of Superman in February’s Justice League: Crisis on Two Earths, the all-new DC Universe Animated Original coming from Warner Premiere, DC Comics and Warner Bros. Animation.

The twist, of course, is that this is the Lex from Earth-3 (or whatever number they assign it) and he arrives to recruit the Justice League to help save his Earth from the Crime Syndicate, a gang of villainous characters with virtually identical super powers to the Justice League. What ensues is the ultimate battle of good versus evil in a war that threatens both planets and, through a diabolical plan launched by Owlman, puts the balance of all existence in peril.

Noth has had a lengthy television presence as both Mr. Big in Sex and the City and as Mike Logan in Law & Order and Law & Order: Criminal Intent. He can currently be seen starring opposite Julianna Margulies in the CBS drama The Good Wife. Justice League: Crisis on Two Earths represents Noth’s inaugural dip into the animated pool.

Justice League: Crisis on Two Earthsis an original story from award-winning animation/comics writer Dwayne McDuffie,. Bruce Timm is executive producer, and Lauren Montgomery (Wonder Woman, Green Lantern: First Flight) and Sam Liu (Superman/Batman: Public Enemies) are co-directors. The full-length animated film will be distributed by Warner Home Video as a Special Edition 2-disc version on DVD and Blu-Ray™ Hi-Def, as well as single disc DVD, and On Demand and Download.

In Los Angeles to record his 100-plus lines as Lex Luthor, Noth took time during the marathon session to discuss his first animated role.

QUESTION: You’ve had an extensive career in a number of acting mediums – is this really your first animation voiceover experience?

CHRIS NOTH: I think I did about three lines of Mike Logan on Family Guy. That was a quick little gig. The character (Stewie) on the show carries a picture of Mike Logan in his wallet, so I was very flattered by that. But that was just a few lines – so Lex is pretty much my first real animated role. (more…)

‘Justice League: Crisis on Two Earths’ DVD details released, including the Spectre!

In case you missed the preview on Superman/Batman: Public Enemies, Warner Premiere has offered up complete details including the announcement of an exclusive Spectre short for the special edition. Here’s the release:

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BURBANK, CA (November 23, 2009) – To save our world and all those like it, SUPERMAN, BATMAN and their caped colleagues must go toe-to-toe with their evil mirror images in Justice League: Crisis on Two Earths, the seventh entry in the successful ongoing series of DC UNIVERSE Animated Original PG-13 Movies coming February 23, 2010 from Warner Premiere, DC Comics and Warner Bros. Animation. The full-length animated film will be distributed by Warner Home Video as a Special Edition 2-disc version on DVD and Blu-Ray™ Hi-Def for $24.98 (SRP) and $29.99 (SRP), respectively, as well as single disc DVD for $19.98 (SRP). The film will also be available On Demand and Download.

Justice League: Crisis on Two Earths is an original story from award-winning animation/comics writer Dwayne McDuffie (Justice League) rooted in DC Comics’ popular canon of “Crisis” stories depicting parallel worlds with uniquely similar heroes and villains. Bruce Timm (Superman Doomsday) is executive producer. Lauren Montgomery (Wonder Woman, Green Lantern: First Flight) and Sam Liu (Superman/Batman: Public Enemies) are co-directors.

In Justice League: Crisis on Two Earths, a “good” LEX LUTHOR arrives from an alternate universe to recruit the JUSTICE LEAGUE to help save his Earth from the Crime Syndicate, a gang of villainous characters with virtually identical super powers to the JUSTICE LEAGUE. What ensues is the ultimate battle of good versus evil in a war that threatens both planets and, through a diabolical plan launched by OWLMAN, puts the balance of all existence in peril.

The movie features an all-star voice cast led by Mark Harmon (NCIS) as SUPERMAN, James Woods (Ghosts of Mississippi) as OWLMAN, Chris Noth (Sex and the City, Law & Order) as LEX LUTHOR, William Baldwin (Dirty Sexy Money) as BATMAN, Gina Torres (Serenity, Firefly) as SUPERWOMAN and Bruce Davison (X-Men) as the President.


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Review: ‘Justice League the Complete Series’

For those who only knew the Justice League of America as the Super Friends must have been in for a rude awakening when they sat to watch the Justice League
animated series with their kids. From 2001 through 2006, the Cartoon Network offered up what has since gone on to be recognized as the greatest comics adaptation of all time.

Super-heroes moving from the printed page to animated film have had a checkered path from Filmation’s 1966 [[[Superman]]] through Ruby-Spears’ 1988 effort with the Man of Steel. In between, there were some highlights such as 1968’s [[[Spider-Man]]] and some really low moments including the 1977 [[[Batman]]] show. The problem is that super-heroes need conflict in which to use their powers and abilities. With every passing year, parents fretted over the amount of violence their children were expose to, coupled with concerns over the kids imitating the exploits in real life and causing themselves harm.

Any super-hero in the 1970s and early 1980s found that they could no longer duke it out with villains and their powers were used instead to stop natural disasters or rescue the proverbial kitten stuck in a tree. Some shows rose above the restrictions and proved entertaining but largely they were weak and short-lived.

That all changed thanks to Tim Burton. His 1989 Batman feature film reminded audiences what was good about comic books and their heroes. It forced everyone to re-examine comic book adaptations and prompted Warner Bros. to try a new Batman animated series. In the hands of producers Bruce Timm and Paul Dini, they rewrote the rule book and produced an amazing series.

That in turn gave us Superman so it was logical to follow with the Justice League. Along with James Tucker, Dan Riba, Dwayne McDuffie and others, the JLA never looked better. Now, all 91 episodes are collected for the first time in a two volume tin boxed set and it’s a joy to behold.

Warner Home Video essentially took the season sets and repackaged them for Justice League: The Complete Series
, so the discs are broken down by season and disc number while the accompanying booklets count the discs from 1-14, so you have to carefully count discs to find a favorite episode. One nice aspect is that all the original extras are therefore included so there’s a rich amount of material to sift through. Unique to this set, on sale Tuesday, is a 15th disc containing “Unlimited Reserve: Exploring the Depths of the DC Universe”, a 16 minute chat with the producers discussing the joys of adapting the comics for a new generation of fans.

The nicest thing about the show, as either [[[Justice League]]] or [[[Justice League Unlimited]]], is the fidelity it paid to the source material. Yes, they altered a great many things, but nothing felt gratuitously done. The heroes and villains looked and acted appropriately plus the comic book conventions of sub-plots and continuity carried over nicely. There was a strong emphasis on characterization, for all the players. As a result, many JLAers had nice arcs, notably [[[Wonder Woman]]] who went from rookie hero to a true Amazon Princess. Hawkgirl’s seeming betrayal and subsequent redemption played well, too.

There far more hits than misses and no doubt everyone has a favorite story or arc. The eight-episode arc of the League versus Cadmus holds up very well and shows many sides to the issue of, ahem, “[[[Who Watches the Watchmen?]]]”  During this, the Question quickly becomes a major player and wonderfully used. Similarly, the League’s rejection of the Huntress or Captain Marvel’s resignation show that not everyone is cut out to be a hero or a team player. All the characters have distinct personalities, which was most welcome.

The show is crammed full of super-heroes drawn from throughout the entire DC Universe from Spy Smasher to Aztek. Just about everyone is superbly voiced from the familiar Kevin Conroy as Batman to Jeffrey Coombs as The Question. Guest voices are also welcome, with some sly winks from the producers such as Jodi Benson’s Aquagirl or The Wonder Years’ Fred Savage and Jason Hervey as Hawk and Dove.

This is most definitely worth owning or finding under your Christmas tree this season.

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Review: ‘Plastic Man the Complete Collection’

plastic-man-complete-collection-5677861There are many reasons why Plastic Man has endured as a comic character starting with the imaginativeness of Jack Cole’s stories. He was the first elastic hero. The first hero who started life as a criminal only to reform when he inherited his powers. He was also one of the few truly amusing animated series from the 1970s.

[[[The Plastic Man Comedy/Adventure Show
]]]snuck in at the end of the decade, lasting two seasons from 1979-1981, and was a fun offering from Ruby-Spears. The 35 solo Plastic Man adventures have been collected by Warner Home Video in a four disc set, now available.

While Plastic Man: The Complete Collection
is the title, it’s not entirely accurate since the Comedy/Adventure Show featured segments dedicated to Baby Plas, Plastic Family, Might Many & Yukk, Fangface and Fangpuss, and Rickety Rocket and none are collected here.

The series, which benefitted from the writing talents of comics veterans Mark Evanier, Steve Gerber, Roy Thomas, and Norman Maurer among others, was playful in a way most other Saturday morning fare was not. The show arrived at a time when networks were overly concerned with cartoon violence and how viewers may try and imitate the antics seen on screen. As a result, their other recent offerings of Saturday morning cartoons from the 1960s and 1970s contained a ridiculous warning that they were not suitable for children. Tellingly, this collection does not include that warning.

While the animation team wanted to emulate Cole’s manic style, ABC insisted on a fresh approach which unfortunately left Plas saddled with the fawning girlfriend Penny (who subsequently married him and mothered Baby Plas) and Hula-Hula, the comedic sidekick in the Woozy Winks role. The rotund Hawaiian was given Lou Costello’s character and vocal characteristics which softened his buffoonery.  They globe-trotted from case to case aboard their jet, directed by their Chief, an attractive older woman who barely tolerated her ductile detective.

Each exploit pitted the trio against dastardly villains, most of whom desired wealth and power although a few had motivations that smacked of social relevance such as the Weed in the very first episode. The foes are nicely varied and interestingly, Toyman arrives for repeat appearances which is odd considering they never fought in the comics. In fact, only two foes from Plas’ comic books are used: Dr. Dome, introduced in the short-lived 1960s series, and Carrot Man, who debuted during his more creatively satisfying series from the mid-1970s.

Like Cole’s original stories, Plas reshapes himself into a variety of objects to go undercover and viewers see him since he retains his red and yellow costumed appearance. He never takes things too seriously and has some good quips to keep things light.

The episodes are supplemented with two special features. The first is a 14 minute mini-documentary on the character’s history and appeal. In addition to the usual talking heads of Jerry Beck and Mark Evanier, ComicMix’s own Alan Kistler contributes many cogent thoughts. The other extra is the unaired 10 minute pilot produced for the Cartoon Network in 1996 by a new generation of animators, including DC veteran Stephen DeStefano. It’s a very different look but equally amusing tale and one wonders why it was not picked up.

If this is the Plastic Man you grew up watching, then this is the DVD set you’ve been waiting for. If you’re unfamiliar with the character, I strongly recommend the DC Archives volumes reprinting the Cole stories which remain inventive and fun.

Crazy Sexy Geeks: The Series – Super Hero Fashion with Tim Gunn

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2009 Harvey Awards: ‘All-Star Superman’ repeats win; ‘Umbrella Academy’, ‘Kirby’, Al Jaffee win 2 each

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With this many twos, you’d think the Harvey was Harvey Dent.

The 2009 Harvey Awards were given out tonight at the Baltimore Comic-Con in a ceremony MC’d by double nominee Scott Kurtz. Named in honor of the late Harvey Kurtzman, the Harvey Awards recognize outstanding work in comics and sequential art.

All-Star Superman repeated the win for best continuing or limited series, with Grant Morrison picking up the Best Writer award. Last year’s best writer winner, Brian K. Vaughn, picked up the award for Best Single Issue for Y: The Last Man #60. In the two-time winners, The Umbrella Academy won for best artist Gabriel Ba and best colorist Dave Stewart, the Mark Evanier biography Kirby: King Of Comics won for best historical/journalistic and excellence in presentation, and Al Jaffee won for best cartoonist and a special award for humor in comics.

Special awards were given by the Hero Initiative: the Humanitarian Award was given to Neal Adams for his years fighting for creators, and Baltimore Comic-Con organizer Marc Nathan received a surprise award just because he puts on a great show.

Nominations for the Harvey Awards are selected exclusively by creators – those who write, draw, ink, letter, color, design, edit or are otherwise involved in a creative capacity in the comics field. They are the only industry awards both nominated and selected by the full body of comic book professionals. This was the fourth year for the Harvey Awards in Baltimore, MD.

The full ballot is listed below, with winners listed in bold. Congratulations to all the winners and nominees.

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Crazy Sexy Geeks: The Series – Relaunch Trailer!

Review: ‘Superman/Batman: Public Enemies’

For the last 25-30 years, writers and artists have been having a wonderful time contrasting the differences between Superman and Batman. Prior to that, they were both happy-go-lucky super-heroes, brothers-in-arms with nary a problem twixt them. The team of Jeph Loeb and Ed McGuinness really explored the dichotomy between the icons in[[[ Superman/Batman]]], the modern day version of [[[World’s Finest Comics]]]. Their opening story arc, “Public Enemies”, was a major turning point in the DCU, bringing down the curtain on one set of stories and kick starting threads that played out across the line for several years.

Any storyline that involved, could not possibly be well-adapted to an animated feature considering the lack of context most viewers would need to have. As a result, [[[Superman/Batman: Public Enemies]]] the direct-to-DVD release from Warner Premier, now on sale, had to make some modifications. Unfortunately, they were not all for the better.

On the plus side, there are some nice bits between [[[Superman]]] and Power Girl who is the only other character in the story to possess a personality. The story moves at a nice clip and showcases both heroes fairly well, It’s a true pleasure to have Tim Daly and Kevin Conroy voicing the major heroes with Clancy Brown back as the icy Lex Luthor. The animators also do a fine job taking McGuiness’ pumped up style and bringing it alive.

A major plus is that this continues a line of animated features based on today’s DC Comics, demonstrating that good characterization, good storytelling and mature themes can be presented in an entertaining manner for fans of all ages. Yes it’s violent and yes the attempts to destroy, kill and maim the Dark Knight and the Man of Steel aren’t positive themes, but good continues to triumph over evil, working up a sweat to do so.

WIth Luthor as president, it changes the playing field in the struggle between Lex and Superman. Suddenly, as Commander in Chief, he possesses even greater resources to call upon and even uses the Oval Office to sway public opinion. A kryptonite meteor coming to Earth? Must be affecting Superman so he can no longer be trusted. The changed dynamic means battling Luthor has to change, too, and that’s where the comic story works better than the film, which keeps things on the all-out-action level.

Loeb erred in many of the selections he made among the heroes and villains cobbled together to oppose the World’s Finest duo. For example, everyone knows Major Force is a murdering sociopath and the team should have rejected working alongside him. Starfire, an alien princess, and Katana are not American citizens and shouldn’t have answered President Luthor’s call. Similarly, when Captain Marvel shows up to duke it out, Superman brings up the wisdom of Solomon which should have counseled the good Captain to avoid this political mess. The animators also picked an overly broad collection of villains to arrive, controlled by Gorilla Grodd. They all got stopped way too easily, diminishing the threat any one of them possessed.

The movie feels big because of the cast and I wish there were more strong voices such as CCH Pounder’s Amanda Waller. It was probably a mistake for Alison Mack to be Power Girl because I kept thinking Chloe Sullivan.

The biggest oops was not having the Superman and Batman Families come to the heroes’ aid, demonstrating their contrasting styles. I’d have much preferred keeping it, ahem, all in the family, in lieu of the mindless slugfests at 1600 Pennsylvania Avenue.

Finally, there’s the notion that this genius Japanese kid was the only one on Earth able to construct a rocket able to stop the mammoth kryptonite meteor. Let’s see, there are various magicians, three [[[Green Lanterns]]], and so on. And in the film’s case, once the meteor is blown up, there’s nary a mention of what became of the now tiny chunks of kryptonite that were now hurtling towards Earth and other planets in the solar system. At least a line of dialogue should have covered that. At 67 minutes, there was definitely room to smooth over the story points.

Overall, though, this is a strong offering and fun to watch.

The extras on the Standard edition and the DVD include the usual assortment of trailers for other DCU videos, including the next one, [[[Justice League: Crisis on Two Earths]]], coming in 2010. The Blackest Night featurette also appears. “A Test of Minds: Superman and Batman” dos a nice job exploring the comic book relationship between the heroes while “Dinner with DC: With Special Guest Kevin Conroy” features the voice actor Voice Director Andrea Romano, Executive Producer Bruce Timm and DC’s overseer Gregory Noveck chatting the animation crew about adapting the film. Two Batman-featured episodes from Timm’s Superman: The Animated Series round out the disc. You have until September 30, 2010 to take advantage of the digital copy download, with no disc to aid you.

Legend Irwin Hasen Creates Graphic Novel

15927loverboy-lg-jpg1-5817004The legendary Irwin Hasen, co-creator of DC’s original Wildcat who is best known for his work on the classic newspaper comic strip Dondi, has written and drawn a 128-page graphic novel. Not bad for a guy 91 years old.

Loverboy, which purports to be something of a dramatized autobiography, will be released
by Vanguard Publishing in December. Joe Kubert and Neal Adams contributed cover blurbs; Irwin has been a teacher at the Kubert School.

In addition to Wildcat and Dondi, Hasen had been a regular
contributor to the golden age versions of Green
Hornet, Green Lantern, The Flash
and Justice Society of America, among many others.

ComicMix Quick Picks – September 22, 2009

crayon-shin-chan-8581558Here are some of the things we didn’t get to on Monday, bullet-pointed for your reading pleasure:

Anything else we missed? Consider this an open thread.