Tagged: DC

Examining What Went Wrong With ‘All-Star Batman’ #10

All-Star Batman & Robin #10 has caused some controversy since DC Comics announced it was recalling issues scheduled to be on sale today.  They described the problem through the Diamond Comics announcement that it was a printing error.

Apparently, Frank Miller’s expletive-filled dialogue was intended to be blacked out but the process employed failed to effectively do this.

The actual dialogue and scans of the offending pages can be found over at Comic Book Resources. According to Heidi MacDonald at The Beat, Miller insisted his dialogue be lettered in and blacked out.  The production approach clearly failed to achieve the desired effect but editorial judgment has also to be questioned.

According to former DCer Brian Pearce over at the DC Archives board, “What puzzles me is the suggestion that the dialog in the word balloons might have printed in a four-color black (essentially, solid black backed up with a small percentage of the other process colors), while the bar that was supposed to obscure it was just a flat black, and not adequately opaque. ‘Backing up the black’ as it’s called, is often used to give large flat black areas a more ‘rich’ (and less washed out) appearance, or to ward off problems with trapping (when registration is slightly off) — but what strikes me as odd is that there’s really no need to do that with a fine detail like lettering. It’s not really necessary, and against a white background, that would betray even the slightest misregistration. (And even as comics printing and coloring have become more elaborate through the years, lettering inside baloons and caption boxes was genenerally left as only black because it was easiest to strip out that detail from just that one plate for foreign licensees and reprints.)

“And before the usual suspects start speculating on who might lose a job over this, this is an error that would be difficult, if not impossible to spot without a very specific type of proof, or a press proof. (It was probably caught on one of the unbound ‘last chance copies,’ when the books have been printed and bound, but there’s still time to do something.)”

Copies are already being hawked at eBay and its likely that similar to similar recalled comics, such as the Elseworlds 80-Page Giant, it will remain a rare collectible.

Unnoticed in all this was that Action Comics #869 and DC: Decisions #1 were also recalled for other printing problems.  The reasons behind these two remain unclear.
 

‘Blackest Night’ stealing ‘Final Crisis’ thunder? by Alan Kistler

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The major event in DC Comics in 2008 is Final Crisis, written by Grant Morrison. Unlike many summer crossovers, Final Crisis is not its own event so much as the third story of a trilogy (the first two stories being the crossovers The Crisis On Infinite Earths and Infinite Crisis).

The opening premise is that all of the New Gods (celestial beings who inhabit a higher dimension) recently seemed to die, except for Darkseid, leader of the evil New Gods. Darkseid has found a way to survive through human hosts, his power fueled by the faith of his new followers under the prophet Libra. Determined to become ruler of reality, he has been resurrecting his sinister forces (an ability Kirby established decades ago) by placing their life-forces in new bodies as well. And since he has now learned the powerful "Anti-Life Equation", a prize he has sought for centuries, he is able to destroy free will in any who hear the equation, thus creating a new army of slaves.

So evil god-like forces have been freely walking among us and because the super-heroes didn’t realize it, they’ve been vulnerable to sneak attacks and manipulations. In short order, John Stewart, Hal Jordan, Batman, Superman and Wonder Woman were all removed from the game board in one way or another.

But this is a Morrison story so that means there are usually layers to be peeled away. There are other things going on as a result of Darkseid now attempting to break the universe down to serve his will. There is, of course, the matter of the Multiversal Monitors, beings charged with maintaining the structure of the multiverse, one of whom is also living among us as a mortal man, unaware of his true nature. And there is the return of Barry Allen, the second Flash, a hero who became energy and merged with the universe even while saving it during the first Crisis over twenty years ago. Barry’s sacrifice saved the universe during that story and in DC Universe #0, it’s implied that the universe itself has brought him back so that he can save it again. It’s also possible he is here as a reactionary force to Libra, who is his opposite number in the sense that this a villain who also seemingly died years while merging with the cosmos.

And Libra and Barry are not the only dead men to show up in this story.

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What’s Wrong With Wonder Woman, by Mike Gold

ww-1-3961715In this space on Friday and Saturday, my esteemed colleagues Mr. Davis and Ms. Thomases waxed on about the political situation of the day. Whereas there is no more important issue facing us as Americans in this moment in time (and it has considerable impact on non-Americans as well), I will not follow in their wake this week. I’m sure I will in the future.

Instead, I’m going to take a point central to their themes, and those expressed to a somewhat lesser extent by Ms. Riggs last week, and talk about comic books. Specifically, about Wonder Woman.

Since I’m in a name-dropping kind of mood, I should point out that my comments have been heavily influenced by recent conversations with Ms. Adriane Nash, a frequent commenter here at ComicMix, as well as our new editorial proofreader (for those items that come in early enough to be proofread…). And, oh yeah, she’s my savvy and opinionated daughter.

So what’s wrong with Wonder Woman? Positioning. Not unlike what many people think the McCain campaign did by selecting a fundamentalist book burner as their vice presidential candidate, under the theory that women are so stupid they’ll simply vote for one of their own no matter what her position is on the issues. You know, just like the conservatives.

Ahem. Sorry. Back to comics.

Back in the 1940s, Wonder Woman was fabulously successful. She had as much exposure as any DC/AA hero (but not as much as, say, the real Captain Marvel). She had her own title, she starred in a monthly anthology book, she starred in a regularly published giant-sized star-studded superhero thing, and she briefly had her own newspaper strip. All she was lacking was a cheap movie serial.

By the time the 70s rolled around, DC had a hard time giving Wonder Woman away. As of this date, she’s undergone more revisions, reboots (one, quite literally, brought her original boots back), reinterpretations, and make-overs than Madonna. What happened?

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‘Watchmen’ Lawsuit Explained for You

In a story that has had more twists and turns than the graphic novel it’s based on, the legal battle over the movie rights to Watchmen is in the final stretch.  Gary Allen Feess, a federal judge, set a trial date of January 6th for the copyright suit between 20th Century Fox and Warner Brothers.  The date is two months before the film’s scheduled release.

The comics readers, wary of anyone attempting to adapt Alan Moore and Dave Gibbons’ seminal graphic novel, was set ablaze once they saw the trailer in front of The Dark Knight.  Unfortunately shortly after the trailer was released the fate of the film was almost immediately put in doubt when a federal judge’s ruling allowed Fox to seek to block the release.  Fox claims that the film infringes on their rights stemming from their attempt to adapt the acclaimed graphic novel in the early ’90s.

They key to this story legally is the concept of "turnaround".  When a studio abandons a property they put it into turnaround, basically saying that another studio can take the property and develop it but they have to compensate the original studio for development costs plus interest. 
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Superman Timeline

As most of us know, this year marked Superman’s 70th anniversary. And as if that weren’t enough to engender conversation about the Man of Steel, Brad Meltzer’s new novel Book of Lies  has prompted quite a bit of discussion concerning Martin Siegel, who died during an armed robbery and whose son Jerome "Jerry" Siegel subsequently wrote the story of a bullet-proof alien who was invulnerable to all frailties.

So with all this talk going around about Superman’s beginnings, we here at ComicMix thought it was time to put together a small Superman time line. Please note, this time line is focused solely on Supermans’ adventures in the comics and not with his stories in other media.

1933 – Jerry Siegel and Joe Shuster publish their story “Reign of the Super-Man." In the story, the title character is a bald homeless man named Bill Dunn who gains telepathic powers from a mad scientist’s experiment and intends to take over Earth. After this, Siegel writes up a new version of Superman who is secreatly named Clark Kent and is, in fact, an alien named Kal-L, son of Jor-L and last survivor of the dead planet Krypton. Shuster does artwork for the comic strip and they begin to submit it. The story is rejected by 17 different publishers over the next five years.

1938 – Superman/Clark Kent is finally introduced in Action Comics #1. Although Siegel has plotted out the name of Superman’s parents and planet, none of these are actually named in this issue’s origin story. Superman is said to have great strength, resistance to conventional injury, and is able to leap 1/8th of a mile.

1939 – In Superman #1, the planet Krypton is finally named in the comics. It is also mentioned that Clark Kent was raised by a kindly, elderly couple. His adopted mother is named “Mary Kent” and it’s said that she and her husband died soon before Clark moved to Metropolis.

1940 – In Action Comics #23, Clark’s newspaper The Daily Star is officially renamed as The Daily Planet and Superman has his first fight with “Luthor, the mad scientist.”

1941Superman #10 features our hero actually defying gravity for the first time by hovering in the air. Previous to this, it was always stated in the comics that he could only leap over great distances. Superman #11 confirms that Superman can now fly, just like in the cartoons and radio shows.

1942Superman #17 reveals that the Man of Tomorrow has a hidden base known as the Secret Citadel, located inside a mountain range nearby Metropolis.

1945 – The character of Superboy (an adolescent version of Superman) and his hometown of Smallville are introduced in More Fun Comics #101. Initially, this is treated as a separate continuity from the mainstream Superman stories.

1948 Superman #53 names Clark’s adopted parents as “John and Mary Kent.”

1949 – Kryptonite makes its first comic book appearance in comics in Superman #61 (originally, it was only used in the radio plays). In this story, Kryponite is colored red but in all subsequent stories it is colored green (other forms of Kryptonite with different colors will appear later on). In this same story, Superman finally learns the name and history of his home planet Krypton, even though readers have known such facts for years already. (more…)

ComicMix Radio: Pushing The Limits At DC

September roars in with a new TV season on the way, one of the year’s last big conventions just around the corner and our usual load of new comics and DVDS, plus:

  • Gale Simone says she is pushing DC’s limits with The Secret Six
  • Scott McCloud shines with Google Chrome
  • Marc Guggenheim celebrates Eli Stone on DVD this week

A new month, a new season but a familiar request – just  Press the Button!
 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-2892381 or RSS!

 

Turning Comics Into Manga, By Dennis O’Neil

If you’re a student, or a teacher, you may not be reading this when Mike Gold posts it. Unless there’s a glitch he’ll be doing digital voodoo-hoodoo that I don’t understand – me and Johnny Mac, Luddites and proud of it – and making these words available to interested parties, if any, on Tuesday morning. The reason you’re not reading this on Tuesday morning, if you’re a teacher or student, may be that you’re in school and presumably putting your laptop to other uses. (I didn’t say “better.” I said other. Let’s not be judgmental.) Here in Rockland County New York, school begins early this year and unless the unforeseen happens, Marifran is, on the Tuesday-to-come, down the hill, beginning her forty-seventh year of teaching and I’m… oh, eating breakfast. Reading the paper. Sleeping. Something. I hope Mari didn’t wake me when she left.

For comics professionals, these fine, crisp September days are often a lull – an easy interval between the frantic, convention-going days of summer and the rush to finish and get to press the upscale books that publishers hope will be under a whole lot of trees on Christmas morning. Not much happening. The only items of interest that have come to my attention recently are the demise of one of the new comics publishers and Marvel’s announcement that it will tailor its superheroes for the Japanese market.

That market has been something of an enigma. The Japanese are, as a nation, the world’s largest comics consumers and have been for decades. Why? One theory is that experiencing narrative through the medium of pictures is natural to many Asians because their written language is pictorial – it may have begun as actual drawings and has evolved into a series of highly stylized glyphs. Neither a new idea, nor one restricted to comics: the great Russian director and theorist Sergei Eisenstein offered a similar explanation for Asia’s quick adoption of movies.

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‘Jonah Hex’ Begins Shooting in March

Warner Bros. has given a green light to a Jonah Hex script from Mark Neveldine and Brian Taylor (Crank).  "Pre-production will begin January 2009 before principal photography gets underway in March 2009 in either Louisiana, Georgia or Arizona,” the producers told Movie Blog

Actor Thomas Jane had himself done up to show what the Hex makeup could look like and essentially was begging to be cast in the title role. The directors have rejected Jane, despite being impressed by his efforts.  No casting has been announced for any of the roles nor has a story synopsis been revealed. The movie, though, is pencilled in by Warner Bros. for a 2010 release.

The antihero, created back in 1972 by John Albano and Tony DeZuniga, is one of the best characters published by DC Comics. Hex reached his creative heyday under writer Michael Fleisher during a long run from the 1970s through the 1980s.  Currently he is enjoyed renewed popularity through the monthly now written by Jimmy Palmiotti and Justin Gray, working with a variety of noteworthy artists. 

‘Smallville’ Season 8 Preview

Kristin Dos Santos at E!online provided fans of Smallville with a ton of information regarding the eight and final season of the CW series.  It returns to the air in September and leaves the farm community further behind as the action seems to be concentrated more and more on the Daily Planet in nearby Metropolis.

Darren Swimmer, one of the four executive producers trying to replace Alfred Gough and Miles Miller, explained, "[Clark]’s going to be seeking out the trouble, as opposed to reacting to trouble when it happens. One of his main motivations for going to the Daily Planet was to be somewhere where the information comes in."

As a result, not only does Clark now work at the DP, but Lois Lane (Erica Durance) and Jimmy Olsen (Aaron Ashmore) continue their employment.  In a nice twist, it’s Jimmy, not Lois, who starts to suspect Clark may be more powerful than a locomotive.  It’s his snooping around that makes Clark start to consider the need for a secret identity.

Lois and Clark meantime begin to see each other in a new light, as a maturing Clark recognizes it may be time to put his romance with Lana Lang behind him. "Erica Durance and Tom have such a great chemistry on camera together as Lois and Clark,” Swimmer noted. “I just love seeing the dailies. They’re going to be butting heads a lot, as usual. They’ll be teaming up on stories and getting into the typical hijinks together."
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Shipping Late, by Martha Thomases

This column is unusual in that I’m starting to write it in the doctor’s office. There’s no emergency – it’s just time for my annual mammogram and breast sonogram, and the doctors are running late.

My appointment was for 11 this morning. I arrived at 10:30 because I walked faster than I expected, and because I wanted to get the paperwork out of the way. Also, I’m compulsively early. My mother raised me to believe that if I’m not at least five minutes early, I’m inconveniencing everybody else. My grandmother took this a step further, waiting at the airport in New York before our plane had even taken off from Ohio.

I’ve been here for two hours.

The world is made up of people who are on time and people who are late. I imagine that we each drive the other bonkers. I know that, when I’m waiting for someone to arrive who is more than 15 minutes late (which is the window I allow because, hey, the subway could be screwed up), I’m furious that I might be missing something just because the person I’m waiting for doesn’t have the consideration to think my time is valuable.

I don’t know what people who are late are thinking, but I imagine they are thinking that life is so complicated, and there are so many things that demand their attention, and nothing ever comes out as they plan. Perhaps they also think that meeting times are just an estimate, and it’s no big deal if they are late. Perhaps they think I have nothing better to do than wait for them, and that it’s privilege enough to bask in their glory.

Ahem.

Oddly, I am not bothered when my comics are late. I know that retailers are annoyed – and worse, since it’s their money on the line – but I’m not. When I walk into the comic book store for my weekly fix, I don’t particularly care which books are available. I like enough different kinds of stories that I’ll be able to find something I’ll enjoy reading. Even if it’s a skip week, there will be something I haven’t read, or a new magazine. (more…)