Tagged: Disney

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Review: ‘Three Shadows’ by Cyril Pedrosa

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This book will break your heart; I warn you now.

Three Shadows
Cyril Pedrosa
First Second, 2008, $15.95

Louis and Lise are farmers somewhere quiet and untouched, doting parents to their small son Joachim. Their life is bucolic, idyllic: “Back then…life was simple and sweet. Everything was simple and sweet…The taste of cherries, the cool shade, the fresh smell of the river… That was how we lived, in a vale among the hills…sheltered from storms…Ignorant of the world, as though on an island…Peaceful and untroubled…Then everything changed.”

Three figures appear ominously one evening, on horseback at the horizon. Somehow, everyone knows that they’re trouble, but they can’t be confronted. They disappear into the mist, into the distance. Joachim’s dog Diego disappears, and the shadows use his barking to lure the boy – and almost get him.

So Lise goes to the nearest big town to consult with Mistress Pike, whose sign reads “Midwife. Exorcist. Sympathetic Ear.” The truth is what they fear most: the shadows have come for Joachim. And they’re not going to stop.

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Don Rosa Recovering From Emergency Surgery

  • News
  • March 26, 2008

It probably goes without saying that an artist’s most significant tools are his eyes. People have figured out alternate ways of drawing, but they’ve got to see what they’re doing. So it is with great trepidation that we note legendary Disney Duck artist Don Rosa, a regular at many a convention and fan event, underwent emergency surgery last week to cure a detached retina.

It will not be known if the procedure was successful for several more weeks, but Don is resting at home (in a prone position) and will have to undergo six months of recovery downtime. He hopes to return to the convention scene this fall.

Following in the websteps of Carl Barks is not easy, but Don has always made it look like a cakewalk by combining a variety of influences (notably Mad‘s Willy Elder) with his own unique gifts to bring Uncle Scrooge and the sundry Ducks to a whole new generation across the world. His work has been anthologized and is available at better comics shops across the planet.

ComicMix wishes Don a speedy, painless and successful recovery.

The Story Of O, by Michael Davis

  • News
  • March 21, 2008
 
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This was going to be an article about the sheer stupidly of the former Governor of New York and other idiots who say one thing and do another. Then I listened to Senator Obama’s speech on race. I was going to write about that speech but at another time. Then I received the following text message on my cell phone:

U and denys r no talent racist lying frauds. What kind of monster abuses positive accomplished young black men? Michael Davis PhD Player Hating Dickhead.

The denys he is writing about is my best friend Denys Cowan. He also left a voice mail on Denys’ business phone where he called Denys a “Faggot,” among other things.

Who is this person? Let’s call him O. If I really wanted to “playa hate” I would give up who he was, thus ending any chance of this guy ever working with any major entertainment companies. I don’t out him because there is still a small chance that he will try and clean up his act.

A very small chance.

Why is he so upset? More than a year ago he submitted a project to me which I thought showed promise. The project has not moved fast enough for him and O wanted to know why. I told him what I tell everyone about selling in the entertainment business…

A deal takes the time a deal takes.

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‘Rocketeer’ Creator Dave Stevens: 1955-2008

  • News
  • March 11, 2008

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A variety of sources are reporting that Dave Stevens, creator of The Rocketeer, passed away yesterday after a long battle with leukemia.

Stevens’ resume also included work on the Russ Manning Tarzan comics and newspaper strip, as well as Marvel Comics’ Star Wars series in the mid-’80s. Stevens provided storyboards and layouts for the Super Friends and Godzilla cartoon series while working at Hanna-Barbera, but is best-known for his work on The Rocketeer, which he created. The series was published at various points by Eclipse Comics, Comico Comics and later by Dark Horse Comics, and eventually made into a feature film by Disney.

His widely praised style of pin-up art, featuring 1950s-era models such as Bettie Page, is credited as igniting a renewed interest in the fashion and beauty of the period.

Mark Evanier, who reported on Stevens’ passing, had this to say about the illustrator:

Dave was truly one of the nicest people I have ever met in my life…and was certainly among the most gifted. Our first encounter was at Jack Kirby’s house around 1971 when he came to visit and show Jack some of his work. As I said, Kirby was very encouraging and he urged Dave not to try and draw like anyone else but to follow his own passions. This was advice Dave took to heart, which probably explains why he took so long with every drawing. They were rarely just jobs to Dave. Most of the time, what emerged from his drawing board or easel was a deeply personal effort. He was truly in love with every beautiful woman he drew, at least insofar as the paper versions were concerned.

 

I Want To Be Like Mike, by Michael Davis

  • News
  • March 7, 2008
 
What is cool? 
 
I’ve always thought that each person should gage what he or she thinks is cool. I hate those magazines and television shows that tell you what’s cool or what’s hot and proclaim what they think we mere mortals should follow. Not just follow, but follow blindly. How do we know the person entrusted with that list is not some stupid old fart who still thinks that The Beatles were Paul McCartney’s first back-up band?  This is the person who gets to decide what I will think is cool? For my money that’s the problem with the television and fashion industries. Take an original show like Sex in the City* –that show was bold and funny and deserved the label of cool. 
 
* I must admit I only watched that show when I was trying to impress a girl. I am straight, you know.
 
So what do TV executives do? They green light shows which are pretty much carbon copies of Sex in the City. One is called Lipstick Jungle. The names of the other shows, I can’t think of. Let’s call those other shows Middle Age Girls Gone Wild or Booty Call Diaries or I Can’t keep a man so I have to devote my time to my career because I’m just not that attractive anymore but that’s OK I have my work but I’m ugly. 
 
The hope is that these shows will garner ratings and become cool enough to spawn spin offs and licensing. 
 
Not likely on any of those counts.
 
This “we think this is cool” happens a lot in the fashion industry also. Some “experts” say what they think is cool to wear and hope we will act like sheep and follow along.
 
Bah. Bah, my tight firm ass. Yeah, I work out. It’s the PS3, 360 and Wii ass workout. 
 

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I, the Jury Duty, by Elayne Riggs

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  • February 27, 2008

elayne-riggs-100-9879649It’s been a hell of a winter for me. Under the Lennonesque heading of life being what happens to you whilst you’re busy making other plans, the latest in a series of stumbling blocks that have come between me and my ability to participate more in ComicMix’s news section — including the still-ongoing detox from my former job (which kept calling me back in through the end of last year), the nearly-full-time search for a new means of income, and a nasty lingering flu – was last week’s call to jury duty. It was inevitable, but given my temporary unemployment period I’m glad it happened when it did. It’s been over four years since I last served, and now it’ll be another four years at least until they call me up again, which should gladden any potential employer.

I had no excuse to postpone this, but I still wasn’t looking forward to it. The one time I’ve actually served on a jury was on a criminal case, a murder trial, and we wound up convicting the accused, during a time when the death penalty was still in effect. The knowledge that I and my fellow jurors may have contributed in sending this guy to the electric chair, however guilty we may have thought him for his crime, unnerved me to the point where I don’t think I can ever serve again on that sort of a criminal case.

I was lucky in subsequent call-ups, in that most of the cases where my name came up for the jury pool were civil ones. One was settled before it commenced to trial, and I got out of the pool for the other one, I think, because I knew Cheryl Harris. You see, folks, you never know when your comic book connections will come in handy! Cheryl and I had both held the Membership Secretary position on the Friends of Lulu National Board, and saw each other socially besides, ever since our CompuServe days. But in this case I had to admit, during the initial jury questioning from the attorneys and the judge, that I also knew that she worked in the Bronx County court system, and so I was excused back to the jury assembly room and my name wasn’t picked again during that round.

In those days I think the typical jury service, if you weren’t picked to go on a case, was three days, and you got $15 per day which the state sent to your employer and your employer deducted from your paycheck, or something like that. It works differently with each state, and the rules seem to change all the time. As a matter of fact, this round even the venue changed. (more…)

TV Back Talk, by Elayne Riggs

  • News
  • February 20, 2008

elayne-riggs-100-9837088Many people in this country are experiencing the age of interactive television for the first time. In other countries such as the UK, they’ve had a version of this for some time, in the form of a curious informational additive known as teletext, a useful imp that lives in the bands of the picture that we don’t normally see, and which can be accessed by Brits wanting to know the local weather, transportation timetables, sports scores, and lots of other stuff that most of us in the US can only get online or through cable systems. Here in the US I’ve just discovered my digital cable system has interactive channels that can personalize my weather, traffic, pretty much whatever I want. And that’s not even counting the on-demand entertainment, a tiny percentage of which is available at no extra charge!

And bully for the 21st century and all, but I’ve been interacting with my TV since I was a kid. And I’m not just talking about Winky-Dink.

Romper Room aside, I think I always suspected the people on TV couldn’t see me or talk to me. I understood the idea of shows being recorded for anyone to tune in to, or not. The shows were still there even when I wasn’t watching them. But none of that prevented me from talking back, from letting what I saw affect me to the point where I had an immediate, visceral reaction. As I recall my Dad couldn’t stand it, he’d be there constantly reminding me "they can’t hear you!" Then again, maybe that’s Mom. Dad was the first person on his feet cheering whenever the Yankees took the lead, and yelling about what a bum the umpires or managers were when the game wasn’t going well. So it’s not like the apple fell very far from the tree there.

One of the great things about being married to Robin is that we have many of the same pet peeves about what we see and respond to on TV. One of my biggest annoyances is the increasing use of subtitles when the person being subtitled is speaking English. Occasionally the speaker will have something of a thick accent, but I’ve seen subtitles used with Scots and Irish and even Americans from southern states. Now come on y’all, a lot of that down-home drawl does get to be a bit much, but it’s not a foreign tongue! The only thing subtitles have in their favor is that they, like news crawls on the 24-hour cable stations, encourage reading. Even when they’re misspelled.

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Turok: Son of Stanley Kramer, by Ric Meyers

  • News
  • February 10, 2008

 

Unarguably, one of the things DVD has way over VHS is its compression. Far more discs fit in any given space than cassettes – allowing producers to create compact yet extensive homages to filmmakers or genres. A welcome addition to this group arrives this week in the form of the Stanley Kramer Film Collection. We’ll now take a moment for average film-goers to say “who?” and film-lovers to go “ahhhhh!”
 
For the a.f.g.’s amongst you, Kramer was a true maverick-altruist among those about whom the great comedian Fred Allen once said: “You can take all the sincerity in Hollywood, place it in the navel of a fruit fly and still have room enough for three caraway seeds and a producer’s heart.” Kramer’s filmography was chock-ablock with socially-conscious challenges which were as ground-breaking as they were entertaining. As producer and/or director, he constantly strove to do both the right and best thing, including breaking the iron rule of the blacklist and rampant racism.
 
Amongst his classics not in this six-DVD set are The Defiant Ones, Death of a Salesman, High Noon, Inherit the Wind, Judgment at Nuremberg, The Caine Mutiny, and (arguably) It’s a Mad Mad Mad Mad World. This collection, however, features some of his rarer (The 5000 Fingers of Dr. T), most influential (The Wild One), heartfelt (The Member of the Wedding, and ambitious [Ship of Fools)] efforts — culminating with the 40th Anniversary release of his last great masterpiece Guess Who’s Coming to Dinner. 
 
The latter film has a special edition disc of its own, featuring deserved kow-tows from Steven Spielberg, Quincy Jones, Tom Brokaw, Alec Baldwin, and many others. It also has a two-part “making of:” one for the daring interracial romantic comedy-drama itself, and one just on its final pairing of Katherine Hepburn and the dying Spencer Tracy (when the cast and crew recount his final day on the set, delivering the film’s final speech just a fortnight before he passed away, I’ll defy you not to be as misty-eyed as they are).

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McFarlane, Sim, Kirkman, and Pigs? Oh my!

  • News
  • January 6, 2008

Less than a week into the New Year and our monitor screen is already covered in sticky notes. Stand by for Operation Clean Up!

If you are one of the fans who want a look at its eagerly anticipated Todd McFarlane Productions’ The Simpsons Series 2 Action Figure Assortment then simply click here. As we told you, it isn’t just a few jpegs. The site has complete details on the figures, including their specifications and a number of high-quality, full-color photographs of the finished pieces, as well as photos of the packaging. The site also includes QuickTime VR movies of the figures and handy list of available retailers.

Everybody seems to be weighing in on Dave Sim’s new comic book project, Glamourpuss. You can see previews here. Keep in mind, it’s about a light year and a half away from Cerebus, Dave describes it as a parody of the fashion industry plus an homage to the classic “soap opera” comics strips of the 50s, like On Stage. It’s set to debut in April. 

Or subscribe to our podcasts via iTunes or RSS!

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Disney World Hates Kids!

  • News
  • January 5, 2008

According to the Associated Press, if you go down to Walt Disney World and want to cop a meal at Victoria and Albert’s, the five-diamond rated restaurant in the Grand Floridian Resort and Spa, you better leave your pre-tens at the hotel. They are not welcome. Or tolerated.

The restaurant manager said that banning young children makes for a better dining experience for adults. Probably so; in fact, I’ll bet banning kiddies from Walt Disney World would make for a better experience for adults. Shorten the lines, too, although they’d have to keep those "you must be THIS tall" signs.

Having never been to Victoria and Albert’s, I don’t know if they have topless dancers in the lounge.

 

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