Tagged: Marvel Comics

Riding high at the box office

ghost-rider_0-4683685Ghost Rider, based on the Marvel Comics series, dominated the box office this holiday weekend, opening at $44.5 million according to studio estimates.  The movie took in over twice as much as its nearest competitor, the Disney movie Bridge to Terabithia, based on the Newberry-award winning book by Katherine Paterson. 

This was Hollywood’s biggest opening so far this year, and the best opening weekend ever for comics super-fan Cage, beating his previous $35.1 million debut for National Treasure.  This showing bodes well for the movies’ continued association with comic book properties, which are still pleasing audiences despite critics’ misgivings that "the genre" is on the way out. 

Someond tell them comics isn’t a genre, it’s a format!  Sheesh.

ComicMix Podcast #2 is now online!

Our second Podcast is now available for your downloading pleasure.

Mike Raub covers the massive Toy Fair trade show where all kinds of interesting stuff was announced (you’ve already seen some pictures here and here at ComicMix.com), we’ve got another Timeline feature, and some important comments from Marvel Comics’ editor-in-chief Joe Quesada!

Plus — we debut our regular Thursday review segment with some comics opinion from Boston’s own Gwen David. You can grab our second Podcast simply by pushing this button:

 
Just in case you missed our first Podcast, it’s just a convenient button-push away.

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Webslinger

webslinger200-2033756Books about comic books and comic book characters have grown in volume over the past few years. While some, such as Bob Handelman’s biography of Will Eisner, have received mainstream notice, many others fly under the radar.

Texas-based publisher BenBella Books has begun including comic book characters in their SmartPop series of essay collections. They dipped into the world of four-color heroes last year with collections pondering the X-Men and Superman.

Just out, in plenty of time for May 3’s release of Spider-Man 3, is their latest volume Webslinger: Unauthorized Essays on Your Friendly Neighborhood Spider-Man. Essayists include comic professionals, science fiction authors and other pop culture mavens. Guest editing is television writer and former DC and Marvel Comics editor Gerry Conway, who wrote a long, celebrated run of Amazing Spider-Man and provides some personal insights into the character in his introduction. The other writers are Darren Hudson Hick, Lawrence Watt-Evans, Robert B. Taylor, Lou Anders, Richard Hanley, Matthew Pustz, Michael A. Burstein, Joseph McCabe, Keith DeCandido, Robert Greenberger, Brett Chandler Patterson, J.R. Fettinger, Adam-Troy Castro, Paul Lytle, David Hopkins, Robert Burke Richardson, and Michael Marano.

SmartPop will also devote volumes to Wonder Woman and Batman, although neither are scheduled.

The Dark Tower: interview with Peter David

dt001_cvr_quesada-200-3567913Peter David, writer of stuff, was able to take a few minutes between bowling, barfing babies, and boarding a plane to Maine to explain what’s germaine and urbane (and other words in the same vein) about the new Dark Tower series, going on sale tonight at midnight. Oddly, even though I’ve known Peter for over two decades and have been his webmaster for almost five years, this is the first time I’ve ever interviewed him…

Q. Assume I know nothing (always a fair assumption) about The Dark Tower. For those folks out there who’ve never read The Dark Tower or any other works by Stephen King, or just know his works from the movies, can you sum up what the heck’s going on here? What things do I need to know about the story that will make it accessible to me? Or will the comic be fully accessible to those who know nothing about The Dark Tower or even Stephen King?

A. You don’t really need to know anything about the series (well, aside from how to read) than anyone required when the very first Gunslinger novel was published. Basically, Dark Tower is a blend of fantasy and iconic western heroes, detailing the life’s story of Roland, the last of the Gunslingers of a long-ago city called Gilead, and the circumstances that forged him into the hero he eventually became.

Q. So this is more of a true dark fantasy than King’s usual horror?

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