
After much discussion with friends and the unwashed and bewildered, today I have decided to weigh in (again) on one of the many ongoing and irresolvable debates that have haunted the hallowed halls of comics academia since time immemorial. The question: when the instigator of a series retires from his or her creation, should the series be retired as well?
It seems a lot of creators and many fans think it should. To this, I say “ka-ka.”
I understand that a creator’s vision is important, and I strongly feel that creator should have the word on continuing the feature. For many creators, such choice was denied to them when they signed their publishing contracts. That was exploitative. Today, well, creators should know better. And many do: there are financial advantages to allowing a continuation of the feature, and there’s the idea that, to quote John Ostrander from the Stuart Gordon play Bloody Bess, “My words… my words shall live forever.” It should be the creator’s call, and there’s nothing wrong with deciding either way. Of course, after you drop dead your estate will likely overrule you, but that’s a matter between the dead you and your living family.
Aesthetically… well, that’s another matter. Bitch and moan all you want, but the replacements generally work out pretty well.
If DC retired Batman when Bob Kane left the character 40 years ago, we never would have had the masterworks of Dennis O’Neil, Steve Englehart, Neal Adams, Marshall Rogers, Frank Miller and a legion of other superlative storytellers. Carl Burgos and Bill Everett were not involved in the Marvel Age resurrections of their Human Torch and Sub-Mariner (respectively), but all those Lee and Kirby stories sure were swell. Spider-Man didn’t truly take off until after Steve Ditko left; John Romita, Gil Kane and many others took Peter Parker to heights previously unimagined by the publisher.
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