Tagged: movie

Song of the South to rise again?

  • News
  • March 27, 2007

 

Disney’s first live-action motion picture (well, mostly), Song of the South, just might see the light of day once again. Locked up tight in their well-promoted archives since 1986 and never released on video tape, LaserDisc or DVD in the United States, the subject once again was raised at their annual shareholders meeting, this time in acknowledgement of a petition drive demanding the movie’s release. The petition has attained 115,000 signatures thus far.

It should be pointed out that Disney’s fear they might be seen as actively racist has not deterred them from releasing the movie overseas, and these prints have served as the basis of the great many bootleg editions that are commonly found in this country.

“The question of Song of the South comes up periodically,” Disney CEO Robert Iger told the Associated Press. “We’ve decided to take a look at it again because we’ve had numerous requests about bringing it out. Our concern was that a film that was made so many decades ago being brought out today perhaps could be either misinterpreted or that it would be somewhat challenging in terms of providing the appropriate context.”

The movie is historically important, and, of course, there’s that annoying First Amendment thing. It stars James Baskett as Uncle Remus and Hattie McDaniel as Aunt Tempy. Ironically, there weren’t a lot of starring roles given to blacks in 1946. Baskett was quite the star in the black movie circuit.

The song Zip-a-Dee-Doo-Dah won an Oscar as best picture, and the Splash Mountain rides at the Disney theme parks were inspired by the movie.

It is believed a DVD release will make a great deal of money for the House of Mouse.

Zombies with good attitude

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Zombie movies are nothing new. Nor are zombie movies with attitude. But there’s been a preview making the rounds of a movie about a bunch of zombie "eliminators" called Z•E•R•O, or Zombie Emergeny Response Operations for long. Possible another section of the Department of Homeland Security that isn’t being talked about.

Unlike most such pre-distribution movie previews, War of the Dead: Z•E•R•O is very character-based. We know there’s a lot of icky monsters around, but the preview focuses on Z•E•R•O and its team-members: a group of ick-fighters that are probably slightly too good for Reno 911 and certainly too good for their patronizing shrink.

What happens to War of the Dead: Z•E•R•O is up to the usual Hollywood forces, but the preview is fun and worth checking out. Kudos to creator / Executive producer Joe Sena and writer / director Michael Disario for jumping into the shark pool; we wish them the best of luck.

Check ’em out at warofthedead.com.

Comic books still rule the movies

  • News
  • March 25, 2007

Comic books continue to lead Hollywood box office business as TMNT, based upon the comics books of the same letters beat out 300 $25,400,000 to a mere $20,500,000 in estimated weekend North American box office receipts.

It was the first weekend for the Turtles’ latest movie venture, and the third for the Frank Miller property. Thus far, 300 has earned nearly a quarter-billion dollars worldwide. Then again, box office totals in Iran are expected to be rather low.

Whereas both movies were released by Warner Bros., neither one is based upon a DC Comics property. DC is a unit of Warner Bros.

Next up: Spider-Man 3, in just a few weeks. ComicMix carried the link to the final movie trailer; scroll down and you’ll find it.

MATT RAUB: The Last Mimzy

  • News
  • March 23, 2007

Greetings, movie geeks! Last we spoke, you were all on the receiving end of my 300 bash, and after a handful of death threats from the “Frank Miller is God Fan Club,” I’ve digressed. We’re moving on this week to a flick that I can relate to, in Robert Shaye’s The Last Mimzy.

Now for those of you who aren’t in the know on this latest adolescent epic, the premise is that a brother and sister come across a mysterious box on the beach. It’s explained to us that the box is from the future and is filled with all kinds of equally mysterious sci-fi gadgets, or as the kids so affectionately called them “toys.” Once they start to play with these toys, both the boy and girl begin to gain special powers. Now fans of the USA show The 4400 may be saying “hey, this sounds a little familiar.” And I agree with you. The concept of the future sending technology back in time to save the human existence does sound a bit familiar, but this is done entirely through the perspective of the two kids.

By doing the entire film through the point of view of our two tiny heroes, this flick brought me back to what it was like to be a geeky kid with superpowers given to me from the future… or something. The perspective stayed so far on course that we (the audience) begin to hate the parents of the main characters when they become frightened and angry with these new found “toys” and what they are doing to their children. This can best be described by remembering the point of view from a little movie from the 80s called E.T. Much like that film, we all felt like we were keeping the secret from kids’ parents as much as they were, and that was exciting.

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What’s up this weekend

  • News
  • March 23, 2007

While some of us in the New York area are starting off I-CON weekend by listening to live streaming of The Comic Book Novice tonight at 9 PM Eastern (penciller and Dreamchilde Press head honcho James Rodriguez is the guest), we understand that things are actually happening in the rest of the world.  I don’t quite believe it, but I’ll take these people’s word for it:

At 5:30 PM today, you can catch cartoonist Keith Knight at the University of Florida in Gainesville.  Hey, Michael Davis is black, why wasn’t he invited to this?

Seeing Things: The Art of Jim Woodring opens tomorrow at Seattle’s Fantagraphics Bookstore & Gallery.

In addition to TMNT, the kids movie The Last Mimzy bows today nationwide (Matt Raub reviews it on ComicMix Podcast; scroll down), and Jenna Fischer assures folks "It is a very cute kid’s movie…better than most in the sense that it isn’t cut and paced like a rock video.  It is actually sweet and magical and interesting.  Oh…and you get to see Rainn’s ass.  Well, you see him in his undies bending over at the fridge.  Angela and I were giggling like schoolgirls.  Were were like, ‘Woah!  There is Rainn’s ass on a giant movie screen!’  (I’m sure the boys from The Office will be saying something similar about my ‘ladies’ when we see Blades of Glory next week.)"  Glenn can have his Sopranos; I’m just loving that The Office actors all seem so much like their characters.  Cool Office cast photos accompany that blog entry, by the way.

tshqcast-5308197Cory Doctorow at BoingBoing (who’s just discovered American Born Chinese, so congrats Gene Yang, you’ve been BoingBoinged!) mentions that artists Rob Sato (Burying Sandwiches) and Ako Castuera have a new show going up at the LA comic shop The Secret Headquarters starting next Friday.  By the way, Cory also mentions he’s signed a deal with IDW to sell comics based on his stories, and had his agent write a clause spelling out that "those stories are already under Creative Commons Attribution/ShareAlike/Noncommercial licenses that allow fans to make non-commercial comics," so it’s whatever the opposite of an "exclusive" is.  ("Loss leader," perhaps?)

And although it’s slightly past rather than upcoming, I wanted to mention Trina Robbins’ astounding news that "comics are alive and well in Scandinavia, and women are drawing them," as she reviews her lecture tour through Malmo, Copenhagen and Stockholm.  Brr, Scandinavia in March, glad someone looks happy in those photos!

The last Spidey 3 trailer

One more trailer to go… and it’s debuting today. You’d think there was another comic book movie premiering in theaters today.

The fourth and final movie trailer for Spider-Man 3 debuts today on Comcast’s VOD service, online at Comcast.net, a broadband site, and on a custom movie website, http://www.spiderman3oncomcast.com.

Comcast viewers will also have access to additional exclusive material about Spider-Man 3 and the upcoming Activision Publishing video game based on the movie on Comcast’s platforms, with new content debuting each week, blah blah blah. Comcast’s GameInvasion.net will feature a range of videos and interviews providing details on the Spider-Man 3 video game, including exclusive Spider-Man 3 Game trailers, game play footage and character vignettes.

And yes, this time we finally see ol’ snaggletooth in the trailer. Booga-booga!

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Hellboy: Blood and Iron premieres on Cartoon Network

  • News
  • March 14, 2007

Cartoon Network will premiere Hellboy: Blood and Iron, the second feature Hellboy animated feature film, on March 17 at 7 PM Eastern.  The movie features the voices of a number of the actors that appeared in director Guillermo del Toro’s live-action Hellboy movie including John Hurt, Ron Perlman, Selma Blair and Doug Jones. Tad Stones and Victor Cook direct the movie. Guillermo del Toro and Mike Mignola are creative producers.

The second Hellboy live action movie is scheduled for 2008, and a third animated feature is in finishing stages.

Dreamworks animation goes 3D

  • News
  • March 14, 2007

DreamWorks Animation has announced plans to produce all of its new films in full 3-D.  they plan to produce their movies employing stereoscopic 3-D technology from the start of the movie production process, and has already begun production on its first movie to be made in this format, Monsters vs. Aliens (working title), slated for release in summer 2009. 

According to DreamWorks, "this approach will increase its storytelling opportunities and create a more immersive movie-viewing experience."  Up until this time many of the movies shown in 3D were produced for regular movie theater projection with the 3-D parts or full-length 3-D movies rendered for 3D projection in post-production (e.g. Chicken Little and others).  As for where these movies will be shown, DreamWorks points to a significant increase over the past two years in the number of theaters that have the proper equipment to support stereoscopic projection, and claims that by 2009 there will be several thousand screens equipped for 3-D.

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Mike Gold: It’s about time

  • News
  • March 12, 2007

mikegold100-4129572I was listening with keen interest to Mike Raub’s interview with my old friend, DC publisher and president Paul Levitz, available on the current (#12) ComicMix Podcast. Back in the days of papyrus scrolls, Mike, Paul and I were in an a.p.a. (amateur press association; a forerunner of the Internet) called Interlac. It was great fun, and if I’m not mistaken it’s still around in the more capable hands of those who still own staplers.

Anyway, Mike asked Paul for his opinion as to the single greatest change in the comics medium in the 35 years since he ran a massively influential fanzine called The Comic Reader. Without dropping a beat, Paul talked about the acceptance of the comic art medium.

A couple hours later I found myself debating which would be the least expensive way to see the movie 300: my AARP card or the first-showing matinee. Linda and I piled into the car and drove up I-95 to watch the carnage. I’m referring to the movie, and not I-95.

Later on TiVo showed us the latest episode of Ebert and Roeper, where 300 lead the discussion. Mind you, I regretted the passing of the show’s original co-host, Gene Siskel. Unbeknownst to much of humanity, Gene was a serious fan of Roy Thomas’s Conan work and at one time had at least three complete collections. But then again, he might have reviewed the movie through the eyes of a comics’ fan. I doubt that, but roll with me for a while longer.

Roeper reviewed the movie and loved it. He commented at length about the evolution of the graphic novel-based movie without once referring to costumes and capes (oddly, 300 had both – but you get my drift) and Frank Miller’s influence on comics, film, and our culture in general. He spoke of Miller’s work the way arts critics speak of Martin Scorsese, John Lennon and Philip Roth. Not a single word was condescending. Not one.

And it’s about time. Paul’s perception is right on the money. In earlier days we would look to the movies as justification for our four-color passions, as if to say “see, somebody else is taking us seriously.” That played a big, big part in our enthusiasm for Richard Donner’s Superman – The Movie. Today, we no longer need to prove anything to anybody.

Previously, I stated in this column that respectability might be the death of us. I still feel that’s a possibility: I’d hate to see the comic art medium be taken as seriously by its fans as those many rock’n’roll enthusiasts who lost their sense of humor and perspective a long time ago.

But if respectability is the death of comics, at least we’ll get a well-written obituary.

Convention Intimacy

  • News
  • March 9, 2007

michael-davis100-6133833I just got back from WonderCon in San Francisco, the week before that I was at the New York City Comic Con (NYCC).

These cons were fun and, for the most part, well run. I say for the most part because the NYCC people still have some work to do with regards to how they treat professionals and, more important, the fans. WonderCon ran smooth that’s because no one runs a convention better than Fae Desmond and the staff at Comic Con International. They treat each fan like they were the only fan there. The NYCC people have a good heart and I think any problems they had came from the staff at the Javis Center and not the convention people.

I had a good time at both but there is something missing from these cons and for my money something missing from all the really big cons. That something is intimacy. Now I can hear you asking the question: what does intimacy has to do with a comic book convention?

 

My answer is… everything.

Comics is an intimate medium, or it was once upon a time. Comic book fans will wait on a movie line for hours and consider it part of the experience. Comic book fans think that Star Trek marathons are cool, even if they were born decades after the show first aired. Comic book fans don’t just go to conventions seeking the issue of Spider-Man they need to complete their collection. Comic book fans go to conventions to be with like-minded people. They go there because if they want to they can dress up like a superhero and not be afraid. They can talk about a battle between the Hulk and Superman with the seriousness it deserves. Comic fans go to conventions because they are safe. Safe to be who they are, safe to say what they want.

These are important things.

Think not? Well let’s just say you are a comic book fan and you live in South Central L.A. You think you can stroll the street with your Captain Kirk outfit on without taking some flack?

You are walking down a South Central street a group of young men are walking towards you; they are members of a street gang. They approach and the leader stops and talks to you: (more…)

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