Tagged: The Flash

Derrick Ferguson Suits Up With THE IMPOSTOR

A lot of times I’ll get asked can a superhero be a pulp hero and vice versa.  And I say sure.  Take Batman.  To me, he’s a pulp character who happens to inhabit a superhero universe.  Or the Challengers of The Unknown who to me are also pulp characters.  The lines can get blurry, especially with guys like Thor who is both a legitimate epic fantasy character (or at least he used to be back in the day) and well as being a superhero.  Now guys like Spider-Man, Superman and The Flash, I call them straight up superheroes.
What does all of this have to do with THE IMPOSTOR #0: “Suiting Up” by Richard Lee Byers?  Not much, to be honest with you.  But it was thoughts like that bouncing around in my melon of a head while I read the story.  There’s a lot of New Pulp as well as Classic Pulp for that matter that can also classified as prose superhero fiction.  When it’s done well, it can be just as much fun and as satisfying as a well-drawn or well-written comic book.
The story is as uncomplicated as a glass of milk: Working stiff Matt Brown is on his way home after a hard day of labor when the Earth is invaded by aliens.  But Matt’s Earth is protected by superheroes who valiantly throw themselves into the defense of their planet.  Not all of them survive and Matt himself is captured by the aliens.  He manages to escape and in the process, acquires some of the equipment and powers of the slain superheroes.  Now it’s all up to Matt to take on the invaders.
That’s it.  But considering that it’s an origin story, how much more do you need?  Mr. Byers sets up his character and the premise of the series in a neat, tight bundle that I found highly enjoyable Old School superheroics with a fine Silver Age DC feel to it.  While reading the story I was visualizing the action as if it were drawn by the 60’s Gil Kane.  I dunno if that was the vibe Mr. Byers was going for but that’s the one I got.  And I liked it.
Should you read THE IMPOSTOR #0: “Suiting Up”?  I don’t see why not.  Certainly the price is right.  You can find it here for free.  That’s right, I said, free.  And at 23 pages it makes for a quick, exciting read, just the way all good pulp should go down.  Mr. Byers has promised further adventures of his hero and I’m looking forward to them.

MARC ALAN FISHMAN: Flash Fact – Barry Allen Sucks!

Hello all you crazy-awesome ComicMix fans. For those who don’t know me (and when you share a space with guys like Mike Gold, John Ostrander, Martha Thomases, Michael Davis, Denny O’Neil, and Mindy Newell? I don’t blame you!) allow me to introduce myself by way of witty, snarky banter. I figured if I am to come out of the gate anew with a comic focused op-ed piece, I might as well start by swinging for the fences. So, let me point to the rafters over center field, and take the biggest swing I can.

Simply put: DC’s Flashpoint is a ten-pound turd in a five gallon bowl.

I use this nasty language, mind you, because I “covered” the event for a podcast I do from time to time… and have spent my hard earned dollars on this bloated excuse to sell toys, and piss off fans.

In June, DC boldly told the world they are “star-wiping” their universe to engage the next era of fans, by removing that pesky continuity. So, while those new and shiny number ones are getting printed, why not release yet-another-epic-that-will-change-the-universe-as-we-know-it™ event? “Flashpoint” was to turn the DCU on its ears. It chortles in every issue with its logo emblazoned on the title card, that it gives us a world where “everything you know has changed in a flash…” My ass. What they’ve done instead, is created an unnecessary mega-crisis for no better reason than “going out with a bang”. So for all us fans who don’t mind a little history to go with our comics… we’re treated to DC choosing to end their current universe’s life on yet-another-Crisis.

In a nutshell, Flashpoint is DC’s attempt at taking an obvious Elseworlds story and shoehorning it into continuity. I honestly don’t care how many well-produced interviews they have Dan DiDio do celebrating the ‘ground breaking’ idea. I don’t care how many Newsarama, Comic Book Resources, or Bleeding Cool articles are written kissing the ass of all the creators involved (and yes, all three have since reviewed many of the series’ minis very poorly). To tell the fans that this event will matter, is akin to the DCU toking up a massive joint, and blowing the Funion fumes right in our face in hopes we’ll get the munchies. I’ve not seen better hype for a dumber product since The Phantom Menace.

On DCU’s “The Source” blog, they asked some hard hitting questions to this effect:

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Green Lantern Limps Past the $100 Million Threshold

blake-lively-ryan-reynolds-green-lantern-thumb-420xauto-27679-300x191-8754649For those paying attention, Green Lantern’s failure to remain in the domestic box office top five has to be of concern to Warner Bros. The film took in an estimated $6,270,000, down a steep 65% from the second weekend which was already down a steep 66.1% from the opening weekend. This means that the core geek audience expected to revel in the galactic adventure multiple times decided once was enough and word of mouth was not positive enough to make up the difference.

Beyond that, the studio gambled on the 3-D effects being a lure but by the time the movie opened June 17, the warning signs were already crystal clear that 3-D was once more a passing fad and not a silver bullet to re-energize theater going habits.

After 17 days in release, the movie has taken in approximately $101,962, about a third of what was spent on production and marketing. The international box office has been anemic as well, with just $33.3 million taken in so after three weeks, the film has not cracked the $200 million barrier that would have at least allowed Warner and DC Entertainment to save face.

And while Warner has commissioned work on a second script, there is no guarantee that they will invest in an expensive sequel. The mantra among the fans is that it took Paramount two films before they got Star Trek right but DC had a lot riding on this as their first entry into the shared universe superhero market and attempting to compete directly with Marvel. A core difference between the rivals is that Marvel’s production arm is independent of studio interference while DC’s Creative Officer, Geoff Johns, still has to dance to Warners’ tune. There’s no direct evidence that Warner execs meddled in the film, but if they didn’t then the film’s disappointing commercial results has to be placed at Johns’ feet.

Should they choose not to go forward with a sequel, Green Lantern will continue to headline multiple titles from DC plus continue his animated adventures on the Cartoon Network. It will, though, limit his merchandising appeal which will affect the conglomerate’s bottom line.

How this may impact the films already in development, notably The Flash, Johns’ other baby, remains to be seen. In some ways, not having it before the cameras means there’s plenty of time to take the lessons learned and apply them. On the other hand, Marvel has already staked two key dates in 2013 (for Iron Man 3 and Thor 2) so if the DC Universe expects to compete on the silver screen, there has to be energy expended to get things rolling.

Legend Irwin Hasen Creates Graphic Novel

15927loverboy-lg-jpg1-5817004The legendary Irwin Hasen, co-creator of DC’s original Wildcat who is best known for his work on the classic newspaper comic strip Dondi, has written and drawn a 128-page graphic novel. Not bad for a guy 91 years old.

Loverboy, which purports to be something of a dramatized autobiography, will be released
by Vanguard Publishing in December. Joe Kubert and Neal Adams contributed cover blurbs; Irwin has been a teacher at the Kubert School.

In addition to Wildcat and Dondi, Hasen had been a regular
contributor to the golden age versions of Green
Hornet, Green Lantern, The Flash
and Justice Society of America, among many others.

The ComicMix podcast is in the air!

The first ComicMix podcast is now available for your listening pleasure!

A three-times weekly feature here at ComicMix, broadcaster Mike Raub has produced our initial 12 minute program featuring news, features and interviews. A new podcast will be available every Tuesday, Thursday, and Saturday — today’s podcast includes a look at new comics that are available at your friendly neighborhood comics shop, and this will be a feature of every Tuesday program. Thursday’s programs will feature reviews and Saturday’s will include full-length interviews.

Also featured in today’s podcast are salient mutterings from Peter David, The Beatles, and ComicMix’s editor-in-chief, and a nostalgic look at comics and popular culture that people were enjoying this week, back in 1963 and 1971.  All this plus updates on Indiana Jones and The Flash.

We encourage you all to participate in our fun and games. Contact us with any questions or comments and when we’ve got our ComicMix message boards up and running, join Mike and the ComicMix crew in our online dialog!