Tagged: Tom Brevoort

Ed Catto: The Mark Gruenwald Tribute

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catherine-schuller-9502785Even though it’s Independence Day today, I am going to talk about Flag Day. It was a couple of weeks ago, and on that day Geek Culture paused to remember the passing of a favorite son. It was a day to celebrate the legacy of Mark Gruenwald, taken away too early twenty years ago. And for a guy who loved Captain America, it was fitting that his birthday was on Flag Day.

Catherine Schuller organized a wonderful tribute to her late husband celebrating the passion and humor with which he lived his life. By just looking at the crowd in the funky New York City club where it was held, you could tell his passion was infectious and long lasting.

My first exposure to Mark Gruenwald came from his visionary fanzine. Omniverse was published long before the Internet provided an infinite number of virtual spots for fans to gather together to deeply discuss various aspects of their fandoms. The fanzine explored comic continuity (i.e., the internal mythology) in a detailed way that so many fanboys, myself included, had only wished existed. It was exciting and fun and thoughtful and invigorating!

Mark’s work on fanzines would lead to a long career at Marvel. He loved creating, writing, and editing stories. He got the chance to do those very things while at Marvel. After debuting on Spider-Woman, he enjoyed a long, groundbreaking run on Captain America, explored group dynamics with The Squadron Supreme mini-series and shepherded Quasar’s series from start to finish.

tom-brevoort-4669609I attended this tribute event with my local friends Scott Kearny (Hero Cam) and Patrick Riley (The Adventures of Electrolyte), but there really was an impressive assembly of comic creators including Denny O’Neil, Tom Palmer, Fabian Nicieza, Danny Fingeroth and more.

Highlights of the event included a Captain America shield cake courtesy of the Cake Boss, DJ’s, dancers, photographers, an art exhibit and a unique type of autographed mini-posters. Limited quantities of these mini-posters are still available for sale and proceeds go to the scholarship fund. (Fans can contact Catherine here.)

One of the high points was when Mark’s daughter, cosplaying as Dazzler, took the stage with her stepmother Catherine Schuller.

tom-defalco-3424183Several comic luminaries spoke, each with their own take on this creator.

Tom Brevoort, currently Marvel’s executive editor, spoke with great humility. Even though he is a man of great accomplishments within the industry, he let it be known that he felt honored to be speaking amongst the other professionals at this tribute. Tom went on to provide great insights into the authenticity of Mark Gruenwald’s professional career.
Tom DeFalco talked about Gruenwald’s famous practical jokes, while Bob Budiansky and Elliot Brown talked about the extreme measures that Gruenwald would take to deal with corporate deadlines. Brown painted a picture of Mark as a cross between MAS*H’s Hawkeye Pierce and Groucho Marx. With great affection, Carl Potts also shared a few stories about all the practical jokes.

denny-oneil-2-2974028In his tribute, Denny O’ Neil explored what makes a legacy. In a very moving remembrance, the noted writer talked about the enjoyment of blazing new creative paths with Gruenwald and the respect he had for the Gruenwald’s “big shoulders”, i.e. the responsibility he would assume, even when it was unpleasant.

O’Neil revealed that one creative endeavor they were pursuing was actually experiencing strong negative criticism within the company. Interestingly, Gruenwald had protected O’Neil from it in order that “Denny could do his job,” unencumbered by these slings and arrows. Denny O’Neil also revealed that if the roles were reversed, he wasn’t sure he’d have the fortitude to protect Gruenwald in the same way.

Dancer 2Brevoort had an excellent observation. He pointed out that in old Bullpen Bulletins editorial pages Stan Lee was able to paint a picture of a fictional reality where a bunch of zany creators collaborated in a bullpen, making Marvel Comics with madcap fun. In reality, that was not the way it was in most cases.

But during his tenure at Marvel, Mark Gruenwald was an example of that fiction come to life. He was zany and madcap and mischievous. Despite the fact that this is an industry filled with so many introverts, folks loved this fiction and loved being a part of the culture that Gruenwald was bringing to life.

Catherine Schuller is an entertaining woman who clearly still has deep affection and love for her deceased husband. She was able to create an event that was respectful and outrageously loopy at the same time. And it all reminded us how lucky we were to have known Mark Gruenwald, or at least his work.

Mark was a visionary, and his quote from an old issue of Amazing Heroes magazine about a John Walker (a Marvel Character first called The Super-Patriot and later U.S. Agent) could easily apply today’s politics:

“He believes the American Dream is to make a mint and then retire. He says, “Yeah, I’m looking after number one. Why is my country so good? Because it’s given me the opportunity to make a lot of money. That is it’s [the American Dream’s] corrupted essence.”

Molly Jackson: Just an Average Fan

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I was having a nice, leisurely Sunday morning when fellow ComicMix columnist Joe Corallo sent me an article about Marvel Now! In it Marvel Executive Editor Tom Brevoort talks about how their constant reboots are really there to serve the readers and to attract new readers. So basically, Joe ruined my leisurely Sunday morning. I think he did that on purpose.

Brevoort’s reasoning for all the regular reboots? The fans.

I’m convinced – utterly convinced – that virtually every comic book reader cannot afford to buy all the comics they’d like to be buying and reading. There are too many good books out there, across all publishers. The average fan just can’t afford everything.

Honestly, I don’t disagree with that. It’s true, fans can’t afford everything. That would be insanity. However, I don’t really see how that is ground-breaking news. It can’t be new information that readers can’t buy every issues of every book. What has really changed is how the books are presented to the reader. As stories became ongoing rather than in a single issue, fans looked for more excitement to keep reading. It used to be that reading the issues when they could afford them wasn’t going to work anymore. So fans, knowing they needed to save all their change to support their bi-monthly [insert random superhero here] habit, maybe didn’t go on a buying spree.

Then Brevoort said this. “You can have your great master plan where you slowly set your dominos and then in year two, you’re gonna wow everybody, but your book is gonna be dead in six issues, well before you get to that. People just don’t have the patience to wait a year and a half to get to the good stuff. You have to get to the good stuff immediately. And you have to all be good stuff. Every issue has to be giving readers what they want, or they start to move onto other stories.

Ok, I’m not quoting Brevoort anymore. I promise. But it is the average fan’s fault they can’t buy everything and the average fan’s fault they can’t tell good stories. What is the publisher actually responsible for then?

This statement really irks me because a slow burn done right won’t necessarily lose readers. Admittedly it’s hard in comics right now. I won’t deny it. But there are books that are consistent best sellers. Instead of constantly rebooting and reminding your fans you aren’t consistent, maybe work on the stories more. Look at what’s working.

At this point, I’d prefer if they did limited runs on books. Let me know the start and end date. Let me know how many issues total. If fans are so torn on what comics to buy, give them an incentive by letting them know there will be a payoff for their money. Having a guaranteed end might do that. It doesn’t need to me a short run, despite that being the trend. Let it be fifteen or twenty issues! Get the creative team together, tell them they’ve got x amount of issues, and tell the best damn story they can.

Joe did mention a good point to me in our no-longer leisurely Sunday morning conversation that maybe they should start transitioning into more direct to graphic novel stories. Which I countered with that DC already does to an extent. (I’m a big fan of the Earth 2 line.) He is right. If you want to tell a slow burn story, maybe the graphic novels are the way to go.

Comics is always changing, that fact will not go away. Publishing costs have raised single issue prices through the roof and the digital age is nipping at their heels. But both DC and Marvel seem to have this pathological need to consistently reboot, despite the fact it hasn’t helped them. Rebooting isn’t the answer. Blaming the fans isn’t the answer. Taking a hard, long look inward at your practices might just do it.

But what do I know? I’m just an average fan.

 

Mindy Newell: Duck And Cover

newell-art-130610-6254247The bullshit never stops.

What is it about some men? Did Mommy keep obsessive charts about their every urination and bowel movement during toilet training, marking down the time and size and color and form? Or did Mommy skip the toilet training altogether and they went to kindergarten still wearing diapers? Did Daddy take little Tommy into the shower and soap the penis just a little too much? Was Uncle Ernie just a little too friendly? Did Great-aunt Myrtle catch little Hank masturbating in the bathroom while drooling over the Playmate of the Month?

What is it about some men who feel the need to piss and shit on any woman who dares to display talent, smarts, ability, and imagination?

Why do they do this?

Last week, here at ComixMix, Sara Raasch wrote about the latest attack on a woman who works in comics. This woman dares to display talent, smarts, ability, and imagination. Her name is Kelly Sue DeConnick and she is the writer of Captain Marvel, Avengers Assemble, Ghost, Sif, Captain America and the Secret Avengers, just to mention a few. She was attacked on Tom Brevooort’s Tumblr site, New Brevoort Formspring in a statement by Anonymous.” His thesis is that Kelly only got to write for Marvel and Dark Horse because she is married to the guy who writes Fantastic Four and Hawkeye. (Kelly’s response is on her own Tumblr site, Digital Baubles. Neil Gaiman also posted it on his Tumblr site, and several others did so, as well.)

The women in this industry respond to this crap in several ways – laughter, anger, ignoring the attack, blogging about it, writing columns about it, and sometimes taking the pusillanimous putz head-on (even notifying the police, in one case), depending on their mood and general disposition.

I got hit with this stuff, too, back in the day when I was writing in the industry. Someone accused me of getting assignments by “strutting the hallways in fish-net stockings and fuck-me pumps.” I was once told by someone at Marvel that, when I started working there as an assistant editor, it was assumed by most that I had been, uh, “especially nice” to Tom DeFalco, who was then Marvel’s editor-in chief.

I started working at DC in 1983 – thirty years ago!!!!

I was hired by Marvel in 1990 – 23 years ago!!!!!

You’d think by now, 50 years since Betty Friedan’s The Feminine Mystique was published, that the guano would have stopped falling from the sky onto our heads.

You’d think, right?

Wednesday, May 29, 2013. The Fox Business channel. Lou Dobbs Tonight.

Erick Erickson of www.Redstate.com appears along with FOX newsman Juan Williams to discuss a just-released Pew Study that found that mothers are now the primary breadwinners in 40% of American households. Lou Dobbs finds this “troubling.” Juan Williams thinks “something is going terribly wrong in American society.” And Erickson says:

I’m so used to liberals telling conservatives that they’re anti-science. But liberals who defend this and say it is not a bad thing are very anti-science. When you look at biology – when you look at the natural world – the roles of a male and a female in society and in other animals, the male typically is the dominant role. The female, it’s not antithesis, or it’s not competing, it’s a complementary role. We as people in a smart society have lost the ability to have complementary relationships in nuclear families, and it is tearing us apart. Having mom as primary bread winner is bad for kids and bad for marriage.”

And the shit just keeps on coming.

TUESDAY MORNING: Emily S. Whitten

TUESDAY AFTERNOON: Michael Davis

 

Are The CBLDF and Bleeding Cool Promoting Censorship?

card-600x351-150x88-6859368The Comic Book Legal Defense Fund is currently in the middle of a massive fundraising drive, set in the middle of Banned Books Week. They’ve been auctioning off a lot of neat items, including professional development reviews with Tom Brevoort and Chris Burnham (also available for lunch) and a meet-and-greet for Saturday Night Live.

But there’s one item that leaves us scratching our heads:

The Comic Book Legal Defense Fund is auctioning off a “Get Out Of Bleeding Cool Free” card which will allow the winner the chance to remove a story that Bleeding Cool has published, or prevent one specifically from being published.

Also, in a twist, we will allow the winner to use it as a Get Into Bleeding Cool Free card, guaranteeing positive and promotional coverage for the project of your choice.

Either way, it’s a one time use, but will come with a CBLDF membership. The bidding starts at $500.

The CBLDF, until now a staunch anti-censorship organization, is auctioning off the ability to selectively censor a website?

This can’t be right. I find it very hard to believe the CBLDF would doing something so contrary to their stated goals. Nor can I believe that a journalist of Rich’s caliber is promoting that, under the right circumstances, he can be bought.

I look forward to hearing more about this.

ComicMix Quick Picks: 8/8/08

The collection of posts that may not warrant a full entry of their own. Excelsio — er, onward and upward:

Billionaire financier Ronald O. Perelman has agreed pay $80 million to settle a lawsuit accusing him of helping to divert $553.5 million in notes when he controlled Marvel. I’ll do a better run-down of the financials after I have a chance to slog through them. Ironically, Perelman had always wanted to turn Marvel into an intellectual property powerhouse in the mold of Disney, but it only happened after he drove Marvel into bankruptcy and bolted.

And speaking of legal matters, Gordon vs. Gordon. It’s a shame when things go bad. I wonder what will happen at the custody hearings.

And speaking of Gotham City going-ons (what a segue!) somebody else has built a working Tumbler. No word on what else he keeps in his basement or his belfry.

Don Heck’s Lovecraft work to finally see the light of day. Ai! Ai! P’tagh i’dw ryall!

Tom Brevoort is attempting to take over DC Comics. Watch out, Paul…

And just because some of you might want to know how to give yourself pointed ears… well, here you are. We’re not responsible for any pon farr, though.

Big Two Head Honchos Together

Snapped this photo yesterday afternoon:

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Some interesting faces there, including Tom Brevoort, Mike Carlin, Peter David, Ivan Cohen, Steve Wacker and… wait a second…

olympus-digital-camera-19Why, it’s DC Comics President+Publisher Paul Levitz and Marvel’s EIC Joe Quesada, mere feet away from each other. And they say the recent meetings involving Steve Jobs and Bill Gates are historic! (Yes, DC’s EIC Dan DiDio was there as well, and wound up sitting in the row in front of Quesada, but you’ll have to take my word for that as I don’t have a photo.) What could bring all these comics luminaries together? We’ll have the full report later today.