Yearly Archive: 2008

Review: “Joker” HC one-shot

joker21-8422230On October 22, DC will be releasing the hardcover graphic novel Joker (originally titled [[[Joker: The Dark Knight]]]), presented to you by writer Brian Azzarello and artist Lee Bermejo. This is the same creative team who were behind the mini-series [[[Lex Luthor: Man of Steel]]], which explored the mind-set of the Metropolis multi-millionaire and touched on his justifications for why he sees himself as the necessary anti-thesis to the Last Son of Krypton.

[[[Joker]]] is a story of roughly the same note, though not narrated by the villain as Lex Luthor: Man of Steel was. In this hardcover graphic novel, the story is narrated by Jonny Frost, a two-bit hood. In an interview with Newsarama, Azzarello said that the reason for this was because the Joker’s narration couldn’t be trusted, given that he was insane, and so it was important to see it from the point of view of someone close to him.

As the tale begins, the Joker has been in Arkham for some time now and has only just now been released, legally and by the book (though how is never explained). This book plays the Joker as a gangster rather than a mass murdering psycho constantly trying to prove there is no point to life. As such, one of the major plot elements is that the Joker had several criminal operations going on when he went in and now he’s found that they have been taken over by others. To regain his criminal power and his money, the Joker begins hunting down the Gotham mobsters who have dared to dip into his operations, telling them, “I want what’s mine back.”

To help him on this quest, he grabs Killer Croc and Harley Quinn (who seems to be a mute in this story), as well as new assistant Jonny Frost, our narrator, a small-timer who admires the Joker and wants to be just like him. As the story goes on, the Joker directly challenges Two-Face, who has taken control of Gotham’s underworld while the Clown Prince of Killers has been away. And with each passing day, Jonny Frost realizes that the Joker is not a person to admire at all.

Not a bad idea. How was the execution?

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Comic Mix Six – The Six Worst Comic Book Video Games

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  • October 18, 2008

xmennesbox-9758167Comic books, admittedly, don’t have a great history when itcomes to video game adaptations.  Hell,most games based on licensed properties have a certain stigma about them.  It probably stems from the fact that theyfeel like a cheap cash-in…a way to make a quick buck on a popular fad such asmovies, TV shows, and yes, comics.  Now,that’s not to say ALL comic book games are bad, no; but the genre does have itsshare of stinkers.  Out of all thepossible crap-fests out there, these are the top six games that should never beallowed near your console of choice…EVER.

Marvel’s Uncanny X-Men– 1989: NES

Back in the heyday of the Nintendo Entertainment System,they were making games for EVERYTHING. At the time, publisher LJN held the rights to the Marvel license, andsadly, churned out turd after turd.  Oneof their biggest steaming piles was this mess, based on Marvel’s MightyMutants.  What made this game sobad?  Well, sadly, the technology of theday seems to be the biggest culprit.  Thegame took a top-down view of the action, and since there was only so much youcould show in 8-bit, character details were pretty much non-existent.  That, combined with the muddy, dirty colorsof the backgrounds and you were lucky you could see anything at all, let alonewhich character you had selected. Nothing was recognizable, despite the fact that it had a decent sized rosterselected from the books.  Thankfully, it’sone of the few bad marks on an otherwise mostly successful game franchise.

Fantastic Four – 1997:Playstation

Ugh.  When you talkabout ugly games, two system generations ago, we had some DOGS.  3D graphics were all the rage, and polygoncounts were climbing higher and higher. Sadly, they still couldn’t figure out that muddy background thing, andso stuff tended to blend together – badly. At least this time you could see what was happening…but it wasn’tpretty.  Take a tried and true gameplaystyle, affectionately known as the “beat ‘em up”, and add comic’s firstfamily.  What could go wrong?  Well, how about poor control, terrible plotand just plain shoddy gameplay?  First,the game is about the Fantastic FOUR…so you have Mr. Fantastic, InvisibleWoman, Human Torch, The Thing and…She-Hulk? Wouldn’t that be FIVE?  Then, you have repetitive, lazy combat (anormal pitfall for the “beat ‘em up”) of miscellaneous enemies that are largein number and small in variety.  Add to thatthe poor hit detection, lousy control response and just a general sense of “whybother?” and you fantfour-screen002-7432099have this mighty gem.  Fantastic,indeed.

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Interview: Bryan Talbot on 30 Years of ‘Luther Arkwright’, Part One

  • News
  • October 18, 2008








Bryan Talbot emerged from Britain’s underground comix to become one of the most innovative creators in the UK.  He’s the creator of the critically acclaimed graphic novels The Adventures of Luther Arkwright and A Tale of One Bad Rat.  He remains a creative force, most recently producing Alice in Sunderland, a graphic novel released last year form Dark Horse and Cherubs!, with Mark Stafford, which Desperado released this summer.

Warren Ellis said, “Luther Arkwright is probably the single most influential graphic novel to have come out of Britain to date.” This month, Bryan Talbot’s seminal work is celebrating its thirtieth anniversary.  It was first serialized in Near Myths, a British title, before being collected as a miniseries and graphic novel through the years.  A new edition, using digitally remastered pages from the Czech edition, is being released by Dark Horse.

Talbot graciously agreed to chat with us about the work and its influence on graphic novels. Part one will focus on Luther Arkwright and tomorrow’s second part will explore Talbot’s career.

CMix: Bryan, thanks for taking the time to sit with us.

Bryan Talbot: Thanks for inviting me.

CMix: Do you agree with Warren’s assessment?

BT: Er…yes, it probably is the most influential UK graphic novel as I can’t think of another that’s comparable in that respect. Most of the "Brit pack", including Alan Moore and Neil Gaiman, were fans of it years before they started writing comics professionally. Writers such as Warren, Garth Ennis, Grant Morrison and Rick Veitch have acknowledged its influence. According to Steve Bissette and Michael Zulli, it inspired them to want to draw comics.

CMix: He went on to say, "He took from everywhere – the films of Nick Roeg, head shop culture, 19th Century magazine illustrated, medieval woodcuts, classical portraiture, Sixties collage, Mal Dean and the New Worlds illustrators, anything and bloody everything, and adapted it all to work in the special environment of comics." Was there one element that started the process?

BT: Two years before starting on the graphic novel I wrote and drew a one-off eight page strip called "The Papist Affair" in my Brainstorm Comix series of underground comics. It was an excuse to do a Richard Corben-style line and wash strip and I invented the character of Arkwright for that, inspired by Michael Moorcock’s Jerry Cornelius novels. Mike created Cornelius and offered him as a template hero. So that was the starting point. After finishing the strip I started to think about fulfilling a long-standing desire I had to produce what we now call a graphic novel and started to develop it based around Arkwright.

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Out of The Box: My Day in the Netflix Movie Watching World Championship

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  • October 18, 2008

netflix roomFor those of you unaware, last week I took part in the Netflix Movie Watching World championship, in which eight contenders were put in a glass living area in the center of Times Square where we had to break the record for most films watched in a row without averting our eyes from the screen or falling asleep. The current record was 120 hours and 23 minutes, so we had our work cut out for us. There were 10 minute breaks in between each film, in which we could use the bathroom and wake ourselves up, but beyond that, our eyes had to be fixated on the 56 inch Plasma television. Whoever was to break the record (and there could be multiple winners) would win the Golden Popcorn Bowl trophy, $10,000 cash, and a lifetime membership to Netflix.

I was one of the three contenders selected from an online competition through Facebook.com, and among the others were competitive eating champion Crazy Legs Conti, former Netflix Movie Marathon champion Cheryl Jones, winner of Who Wants to Be A Millionaire: Movie Edition Jeff Jones, German champion who broke the world movie watching record three times, Claudia Wavra, and Guinness record holder for breaking the most Guinness records, Suresh Joachim. Needless to say, I was the underdog in this competition, seeing as how the longest I’ve ever stayed up in my life is 48 hours, and that’s all while doing things like driving or moving around.

Each of the competitors were asked to suggest films, and luckily the first film in the marathon was one of my picks: Iron Man . This would have been a lot of fun to watch again (let alone in the center of Times Square), and if I wasn’t so nervous about not taking my eyes from the screen, I would have. After talking to a bunch of the other competitors, I realized they had the same problem. Once we were able to overcome the excitement of being in the center of New York City with dozens of flashing cameras and gawkers, it became easier.

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Sex & Gasoline, by Martha Thomases

  • News
  • October 18, 2008

The campaign is almost over. The last Presidential Debate was Wednesday. Those of us who are not Joe the Plumber may wonder what the candidates have to say about the issues that matter to us.

You can go to the candidate’s websites here (Obama) and here (McCain) to find out what they say. There’s a lot there, but it’s written in political speak, designed to offend as few potential voters as possible. Will anyone tell us about where he stands on the issues in words we can relate to?

I have my own opinions. Take a look, and you’ll see why I’ll never be elected to any public office:

• The candidates in DC Decisions seem to be running for office in the year 2000.

No one is talking about the price of gasoline. No one is talking about the war or windfall profits. No one is talking about gay marriage (the hot button issue of 2004). Maybe corporations are less greedy in the DCU. Maybe people there are more tolerant. It seems to be a wonderful place. They have a black woman running for the Republican nomination. People come to her rallies. No one has mentioned if she’s a Muslim.

• The Marvel Universe is having its own election. They get to vote for Stephen Colbert.

• There are a lot of graphic novels about cancer, including this one, this one and this one. There are no graphic novels or comic books about health insurance.  There is, however, a wonderful cartoon on the subject.

• Similarly, religion plays a huge part in our national conversation every four years. We don’t see that in comics. How would Rao vote? What would Odin do?

• Can dolphins vote in either version of Atlantis? If not, why not?

• One of the ways the Guardians of the Universe recognized Hal Jordan as a man without fear was his experience as a test pilot. John McCain crashed six planes. Would he get a ring? If so, what would his energy constructs look like? (more…)

Pitt Embarks on ‘Odyssey’

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  • October 18, 2008

brad-pitt-abs-7873954Warner Bros. is quietly setting up The Odyssey with Brad Pitt’s Plan B producing and George Miller (Mad Max) attached to direct. The hope is that Brad Pitt will also star as Odysseus, who embarks on his long journey home from the Trojan War after declining to become a god.

WB previously released Troy, which was essentially a retelling of Homer’s The Illiad. While The Odyssey would continue the translation of Homer’s poems to the big screen, there’s a big difference between the two versions: Warner Bros. wants to put Odysseus in space.

Variety reports: "[The WB’s] intention is to transfer the tale [of The Odyssey] to a futuristic setting in outer space."

The announcement of a science fiction twist on The Odyssey comes shortly after Ridley Scott’s recently announced The Forever War. Scott describes that flick, which is based on the Joe Haldeman novel of the same name, as "a science-fiction epic, a bit of The Odyssey by way of Blade Runner." Forever War is being set up by Fox 2000, a rival company of the WB’s.

Brad Pitt will next be seen in David Fincher’s The Curious Case of Benjamin Button, a reverse aging epic with much rumored Oscar buzz. George Miller is currently most known for Justice League Mortal, the controversial adaptation of the beloved DC Comics property. It’s still unclear as to whether the film is being made, as several executives and journalists call the project "dead in the water," but others attached to the film, such as would-be Batman Armie Hammer, continue to speak as though the movie is still on track. Personally, a George Miller directed sci-fi version of The Odyssey sounds a lot better than his proposed Justice League film.

Sam Raimi Discusses ‘Spider-Man’

  • News
  • October 18, 2008

Hold onto your web fluid capsules, Spidey fans. It’s gonna be a while before your friendly neighborhood wall crawler swings his way back onto the big screen.

Sam Raimi sat down with MTV to discuss his recently announced return to the Spider-Man franchise, and admitted that it could take some time for the sequel to get off the ground.

"I’m really excited about Spider-Man, and I’m hoping to direct it," he tells MTV. "I don’t have a script yet, but production would start probably by March 2010." That gives Raimi and his team plenty of time to sit down and figure out how to approach the franchise, especially in light of rumors that back-to-back sequels will be filmed.

"That had been talked about," admits Raimi. "[Shooting back-to-back] would be a real endurance test, probably only Peter Jackson knows how hard something like that would be."

"If Tobey and me, and all the producers, like the story for two pictures and [Sony co-chairman] Amy [Pascal] wanted to do it, then we would do it. [The script] just hasn’t been written yet."
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‘Grayskull’ Crumbles at Warner Bros

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  • October 17, 2008

grayskull-2779654Latino Review states that Grayskull, the reimagining of the He-Man property, is dead in the water over at Warner Bros.

According to the Web site, the WB had a short list of directors they’d be comfortable handing the film to, including Doug Liman (The Bourne Identity) and Bryan Singer (Superman Returns). Both directors and others passed on the property, despite some "up and coming directors that were gung ho on the script, but the studio wasn’t feeling them."

Additionally, the film’s biggest champion, Navid McIIhargey, left Silver Pictures, the company developing Grayskull, to become a Senior Vice President at New Regency. As a child, McIIhargey grew up with the He-Man character and was doing work "day to day to get He-Man over the mountain and get the movie made." As such, without a strong advocate, Grayskull never stood a chance.

The site also reports that Mattel, the company that holds the rights to He-Man action figures and related merchandise, is "infurated at Warner, [and] they want the property back to take it elsewhere." The toy company is understandably frustrated as Paramount continues to pump out films for 80’s darlings Transformers and G.I. Joe, allowing Hasbro to reign supreme as the ruler of the action figure market.

Grayskull is a script from Justin Marks, who also penned the upcoming Street Fighter: The Legend of Chun-Li and Hack/Slash. Latino Review wrote a rave review of the He-Man script, calling it another potential "Lord of the Rings combining both mythology and science fiction." Other Web sites, such as Ain’t it Cool News, disagree completely with Latino Review’s praise.

In the He-Man universe, Castle Grayskull is a fortress on the planet Eternia. The castle is a high priority target for Skeletor and his cronies who believe the secrets locked within would lead the way to become Masters of the Universe.

Kevin Smith to Make Sci-Fi Comedy

  • News
  • October 17, 2008

During the promotion for his new film, Zack & Miri Make a Porno, Kevin Smith began talking up a science fiction comedy he had in mind.  In fact, he was riffing for reporters about how it was going to be dark and different for him as a filmmaker.

This morning The Hollywood Reporter runs the story that Smith will do this as his next project after Red State, which he will shoot next spring. He anticipates the film to run in the $45-50 million budget range. The trade says the new feature “will reference other sci-fi movies and revolves around a father-son relationship.”

Smith will produce with View Askew partner Scott Mosier and The Weinstein Company is the most likely studio to handle the project. The trade reports Harvey and Bob Weinstein have already read a draft of the film’s script.

"The moment someone steps out of the spaceship, it’s going to cost a little more," Smith said of the budget, his largest ever.

"All the relationships in the flicks I’ve done have been done before, have been either a guy falling for a girl or two dudes hanging out in a ‘bromantic’ comedy," he said. "I wanted to explore a father and son."
 

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