‘Terminator Salvation’ Production Art Hits the Net
Filmonic somehow got their hands on concept artwork from next Spring’s Terminator: Salvation. Below are some of the images that have been circulating from McG’s take on the Terminator’s universe.


Filmonic somehow got their hands on concept artwork from next Spring’s Terminator: Salvation. Below are some of the images that have been circulating from McG’s take on the Terminator’s universe.


The anticipated Family Guy spinoff, The Cleveland Show, has been bumped from midseason to the fall. Variety reports that Fox announced the show to generate buzz but executives clearly had their doubts if the new animated show would be ready for spring.
The delay came with a treat as the network gave the show a full 22-episode order for the 12009-2010 season.
Huffington Post editor-in-chief Arianna Huffington was announced as joining the show’s voice cast in a recurring role.
CAMELOT
Modern day interpretations of classic tales seems to be in vogue. First, NBC retells the King David story through Michael Green’s Kings and now Showtime and the BBC announced plans to produce Camelot telling, well, you know what.
The new show comes from Michael Hirst and Morgan O’Sullivan, the duo behind the cable network’s successful series The Tudors.
Hirst will be writing the scripts and serve as executive producer, much as he has done on the series featuring King Henry VIII. That show completed its second season in the spring and saw its rating rise 6% and the third season just wrapped production for an April debut.
Variety noted that Showtime has aggressively filled their production slate with several other originals beginning with the Diablo Cody-written show, United States of Tara which will star Toni Collette, debuting in January. Other shows range from the half-hour sitcom Nurse Jackie, starring Edie Falco, to the dark series, The End of Steve, likely to star Matthew Perry. Its L Word enters its final season in January and then star Leisha Haily is expected to be spun off into a new series.
ABC SHUFFLES
As we mentioned yesterday, ABC is placing Lost in Private Practice’s spot and there was no news as to where the Grey’s Anatomy spin-off was headed. Now we know thanks to The Hollywood Reporter. It moves to Thursday, right behind Grey’s while Life on Mars moves to Wednesday’s at 10 p.m. to get a boost from Lost.
The network also indicated Scrubs may debut in midseason Wednesdays at 8 p.m., displacing Pushing Daisies which has yet to find an audience this season and may not go beyond its 13 episode order. If so, expect to find creator Bryan Fuller once more toiling among Heroes.
No surprise, the new timeslot for Practice now means the two related shows will crossover in time for February sweeps.
Other shows in ratings trouble include Eli Stone although Dirty Sexy Money may get a new time slot to improve its fortunes.
REPO!
Repo! the Genetic Opera just opened and has already been marketed by Lionsgate as the cult successor to the Rocky Horror Picture Show. The movie opened this weekend in just eight theaters and earned $51,000, averaging an impressive $6450 per screen.
Director Darren Lynn Bousman told Moviehole he’s already planning a sequel to the Paris Hilton, Alex Vega film.
”I want to start a sequel next year. But again, everything — I’ll end my whole thing on a soapbox, which I love to get on,” Bousman told the site. “This movie is all about support from the Internet, and support from fans. This is not a movie where you’ll see billboards or bus stop ads or trailers on TV. It’s a movie that exists in a grass roots kind of a fashion. It exists when fans go and see it, and they go on message boards and talk about it.
"I would love to follow up Repo and finish the story, because it was conceived as a three-part movie. But I’m doing an action film next. I can’t say exactly what it is yet. It’ll be announced next week. But I’m doing a big action film next, which is really exciting."
ANIMATED OSCARS
The year isn’t even over but already 14 movies have been submitted to the Academy of Motion Picture Arts and Sciences for consideration in the best animated feature category. Only three will get the nomination.
The contenders are Bolt, Delgo, Dragon Hunters, Fly Me to the Moon, Igor, Kung Fu Panda, Madagascar: Escape 2 Africa, $9.99, The Sky Crawlers, Sword of the Stranger, The Tale of Despereaux, Waltz With Bashir, WALL-E, and Dr. Seuss’ Horton Hears a Who!
While Disney’s Wall-E is the hands down favorite among the masses, the other two spots will receive tremendous competition.
The Oscar nominations will be announced January 22 according to The Hollywood Reporter.
JADEN SMITH IS THE NEXT ‘KARATE KID’
The parade of unnecessary film remakes continues as Variety reports that Will Smith’s son Jaden Smith will star in a new take on The Karate Kid.
The 1984 film with Ralph Macchio, Pat Morita and Elisabeth Shue spawned three sequels and was a major hit for Columbia Pictures. The final film in the series proved to be the big screen debut for Hilary Swank. Morita was nominated as the best supporting actor by the Acamdey Awards and Golden Globe Awards for his work as the teacher, Mr. Miyagi. The film also spawned many of-trepeated one-liners and images making it a true pop culutral phenomenon.
The new script is coming from newcomer Chris Murphy and will be set in China with filming set for Beijing among other locales. No director was named.
Jerry Weintraub returns to the franchise to produce the new version working alongside Overbrook Entertainment’s James Lassiter, Will Smith and Ken Stovitz. Jaden Smith made his screen debut as his father’s son in last year’s hit, The Pursuit of Happyness. He will next be seen in December’s other unnecessary remake, The Day the Earth Stood Still.
Here are sneak peeks at Dynamite Comics’ The Lone Ranger #15 and Black Terror #1, both hitting shops tomorrow.

The Lone Ranger presents "Scorched Earth" Part Four, from writer Brett Matthews and artist Sergio Cariello cover artist John Cassaday. The Lone Ranger and Tonto are hot on the heels of a serial killer. Plus: Cavendish continues to fall back into old habits as his quest for The Lone Ranger and his revenge continues.
The Black Terror continues Alex Ross and Jim Kreuger’s reimagining of the Golden Age heroes. They cowrote the story with art from Mike Lilly and Vinicius Andrade. Spinning out of Project SUPERPOWERS, this will be the first new ongoing series -opening with this four-part story.
Each issue will feature a cardstock cover and the first issue also features a 50/50 cover split — one by Alex Ross and the other by Greg Land (Uncanny X-Men). This new series is the foundation to the storylines spinning out of Project SUPERPOWERS 0-7 (the opening chapter), and will lead directly in to Project SUPERPOWERS Chapter Two.
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VIZ Media has announced the upcoming release of a special Bleach Posterzine, which features 11 massive full-color posters inspired by the smash hit Manga and animated series created by Tite Kubo. The title will be released December 2, retailing for $9.99 with two original creations made especially for this unique release. Each poster in the collection folds out to 16” x 22” and depicts the heroic Soul Reaper Ichigo and his friends as well as villains rendered in beautiful detail. This special publication will also include 2 free Bleach sticker sheets and an iTunes gift card valid for a free download of episode 59 of the popular Bleach animated series and access to an interview with the creator of Bleach Tite Kubo.
Bleach follows the story of Ichigo Kurosaki, a fifteen-year old student with the ability to see ghosts. His fate takes an extraordinary turn when he meets Rukia Kuchiki, a Soul Reaper who shows up at Ichigo’s house on the trail of a Hollow, a malevolent lost soul. Drawn to Ichigo’s high level of spiritual energy, the Hollow attacks Ichigo and his family, and Rukia steps in to help but is injured and unable to fight. As a last resort, Rukia decides to transfer part of her Soul Reaper powers to Ichigo. Ichigo, now a full-fledged Soul Reaper, and Rukia join together to face the challenges that lie ahead.
Christopher Boily, VIZ Media Sr. Director, Magazine Sales, Brand & Product Marketing, said in a release, “Building upon the incredible momentum and excitement which surrounded the first ever North American appearance of creator Tite Kubo at San Diego Comic-Con, we’re ecstatic to release this special collectable Bleach Posterzine, which features two amazing images created exclusively for this publication by Studio Pierrot, which animates and produces the massively popular animated series. We look forward to fans visiting their local newsstand to pick up this special release!”
Aurora Publishing has announced two new josei/shojo fantasy Manga to debut during the first quarter of 2009. Tengu-jin ($10.95, 160-pages) by Sumomo Yumeka, will be a one-volume Manga released in February containing two fantasy stories, one set in a future Japan that has split apart into two warring factions, and the other in a feudal kingdom.
Then in March will be the first book in the two-volume series of Chika Shioma’s Queen of Ragtonia ($10.95, 160-pages). Princess Faruna is the last hope of her kingdom when it is attacked by evil sorcerers in this action-packed fantasy series.
Both Tengu-jin and Queen of Ragtonia were published in Japan by Shodensha (Paradise Kiss, Happy Mania, Suppli).
Warner Bros. has released six character-specific one-sheets for next Mach’s Watchmen extravaganza. Take a peek:






As fans anxiously await the release of the first full Star Trek trailer on Friday, Paramount Pictures has released two new character posters featuring Chris Pine as Captain Kirk and Zachary Quinto as Spock.


Meantime, Pocket Boosk today released the cover to June 2009’s Star Trek: Troublesome Mind, written by Dave Galanter. The artwork was created by Cliff Nielsen.

Gene Colan’s artistic career will receive the retrospective treatment as San Francisco’s Cartoon Art Museum presents Colan: Visions of a Man without Fear, opening November 15 and running through March 15, 2009.
On December 4, there will be a special opening reception with Gene and Adrienne Colan in attendance.
The exhibition will include over 40 examples from Colan’s long creative career, from his one and only story illustrated for legendary publisher EC Comics in 1952, through his career-defining work for Marvel Comics from the 1960s and 1970s on titles as diverse as Iron Man, Tomb of Dracula and Howard The Duck, to his notable run on DC Comics’ Batman in the 1980s, to his more recent efforts, including illustrations commissioned by his fans and his beautiful pencil artwork on titles such as Michael Chabon’s The Escapist, published by Dark Horse Comics.
Guest Curator Glen David Gold, author of the novel, Carter Beats the Devil, put the museum show together. An exhibition catalog featuring high-quality reproductions of Colan’s artwork and essays from many of his most notable collaborators, including writers Stan Lee, Marv Wolfman, Roy Thomas and Steve Englehart, will be available at the Cartoon Art Museum prior to the exhibition’s opening reception on December 4.
For those unfamiliar with Gene “The Dean”, he was born in New York in 1926 and studied at the Art Students League of New York under illustrator Frank Riley and surrealistic Japanese painter Kuniashi. After a stint in the army, Colan’s official career in comics began in 1944 at Fiction House and Timely.
This is a first. I’ve been living with the story for [[[Hellboy II: The Golden Army]]] since last Thanksgiving, when I accepted the assignment to write the novelization. However, given personal circumstances, I missed its release and am only now finally seeing it, nearly a year later, on DVD.  As a result, I’m looking at the film from some fairly unique angles.
That the entire production team and cast has returned is asset to film, out on standard disc and Blu-ray today. It looks good and clearly, there’s an ease and comfort between the principal players and their director, Guillermo del Toro.
Del Toro’s [[[Hellboy]]] is somewhat different in tone and certainly in story direction from what Mike Mignola has been chronicling in his Dark Horse comics. And that’s fine, that’s part of the adaptation process. That Mignola remains involved and is credited as a producer and for helping del Toro craft the story shows his willingness to see others play with his characters.
Since the first film, del Toro captured the world’s attention with Pan’s Labyrinth, and this follow-up film seemed to indicate a willingness to show he was not a one-trick pony. The film is therefore a visual treat. In terms of the story, we’re some months after the first film so Hellboy and Liz Sherman are now romantically involved and living together at BPRD HQ. Beyond that, the other characters are somewhat static.
The story of an exiled elfin prince returning from exile to break an ages-old truce with Man is a strong one, especially given a world Hellboy knows is filled with freaks of all kinds. We follow Prince Nuada’s efforts to assemble the crown that would given him command over the Golden Army, 70 times 70 mechanical soldiers built by the goblin forges. With them at his command, all humanity would be wiped out and the elves can regain control of the planet.
Mixed in with that is the stresses between Liz and Hellboy living together, Abe Sapien falling in love with the Princess Nuala, who opposes her brother’s jihad, and the exposure of the [[[BPRD]]] to the general public. This necessitates Washington sending a new field leader, Dr. Johann Krauss, who happens to be an ectoplasmic being living in a containment suit.
There’s plenty of story and threads and everyone has something to do and people to play off one another. Add in deadly Tooth Fairies, the last Elemental, a Troll Market, an Angel of Death, and the revived Army, and you have plenty to deal with.