Author: Robert Greenberger

REVIEW: Astonishing X-Men: Dangerous

Motion comics remain a bizarre hybrid of comic book storytelling and the most limited of animation (reminding one of nothing more than the 1960s Marvel Super-Heroes animation, which was reviled for the longest time. Marvel Comics has been good about exploring every new form of technology and motion comics are included. They launched the line with an adaptation of Joss Whedon and John Cassaday’s Astonishing X-Men run beginning with Gifted. Now, capitalizing on Whedon’s direction of The Avengers, the second arc, Dangerous (issues 7-12), has been released on DVD by Shout! Factory.

The stripped down disc contains the complete run without extras or any clue there was a previous volume. However, watching the nine to eleven minute segments, you may be lost by references to the previous story. The story is the one when the Danger Room becomes sentient and considers the mutants “oppressors”, unleashing a damaged Sentinel after them.

The story runs nearly ninety minutes and if you liked the comic, you will enjoy this. For those unfamiliar with the title, it will be confusing. An adaptation should have tinkered with the script to allow context to be added or references beyond the storyline to be deleted. Whedon’s gift for dialogue and character, thankfully, remains intact.

The motion aspect is exceptionally limited, especially compared with other efforts such as The Watchmen. And as usual, I find fault with a great many of the actors cast doing the voices. The foreign accents are comically thick and you can’t always reconcile the character you’re seeing with the voice you’re hearing.

This is for the diehard collector only, but at $14.97, it’s priced to move and might be a worth a look to see Cassady and colorist Laura Martin’s work on the screen.

Take a Closer Look at Pixar’s Brave

Brave will be out in June so Disney is cranking up the publicity machine. Here are some concept sketches to give you more of an idea about the filme, featuring Pixar’s first heroine.

MERIDA (Voice of Kelly Macdonald)

Passionate and fiery, Merida is a headstrong teenager of royal upbringing who is struggling to take control of her own destiny. She feels most at home in the outdoors honing her impressive athletic skills as an archer and swordfighter, and racing across the magnificent Highland countryside with her faithful horse, Angus. With a spirit as vibrant as her untamed hair, Merida also has a softness of heart, especially when it comes to her wee triplet brothers. As the daughter of the King and Queen, her life is weighted with responsibilities and expectations, causing her to yearn to preserve her freedom and independence. When Merida blatantly defies an ancient tradition, the consequences of her actions prove disastrous for the kingdom. She must race against time to make right the result of her reckless behavior, her journey compelling her to look inside to discover the meaning of bravery and reveal her true fate.

ANGUS

Black as night with ivory muzzle and fetlocks, Angus is Merida’s powerful Clydesdale and her most trusted confidant. Angus is Merida’s escape from castle life into the deep forest and the highlands beyond. Merida target shoots from her perch on his broad back and is able to coax him into one adventure after another. Angus can be balky, stubborn and faint-hearted at times, but is ultimately a devoted and faithful friend to Merida.

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REVIEW: Mission: Impossible – Ghost Protocol

Mission: Impossible is one of those malleable concepts that can tackle any content and is only as good as the concept, cast, and director. As a result, the film version of the classic 1960s television series has had its hits and misses, but seems to be getting stronger with each film. J.J. Abrams reinvigorated the franchise with the third installment and then handed it off to Brad Bird, making his live action debut with Ghost Protocol.

It’s been far too long since Ethan Hunt and IMF team were handed a mission after that strong outing so it’s thrilling to see Mission: Impossible – Ghost Protocol be such a rousing success. The movie is out this week on Blu-ray and DVD and is a Must Have because there’s so much to like about it. Bird, best known for the underrated Iron Giant and The Incredibles, takes everything from those animated adventures and brings them to the real world. Bird brings his sense of pacing and timing to the mission along with a much needed dose of humor, leavening the drama.

Hunt (Tom Cruise) is in a Russian prison for unknown reasons but an IMF team breaks him out and only then does he get told of a nuclear prophet determined to set off an atomic war to bring about change. His mission: find the man and stop him. Of course, nothing goes easy, especially when it appears the IMF is accused of bombing the Kremlin, a clever feint on the part of the real villain: Kurt Hendricks (Michael Nyqvist). As a result, the Secretary is in Russia to tell Hunt the president has executed the Ghost Protocol, effectively dissolving the IMF but handing Hunt and his team one final clandestine mission to save the world.

The team? The only regular from previous films is Benji Dunn (Simon Pegg), now promoted to field agent. He’s accompanied by Carter (Paula Patton), who lost her fellow agent and lover (Josh Holloway) to an assassin who is now connected to the new mission so she sees it as a chance for revenge. The fourth member is new to the IMF; Brant, a consultant to the secretary (Jeremy Renner) who it is learned was a former field operative who believes he was responsible for the death of Hunt’s wife, Julia Mead, (Michelle Monaghan).

The screenplay from André Nemec and Josh Appelbaum takes us throughout Eastern Europe and the Middle East at a breakneck pace, but always pausing long enough to dole out character revelations and a chance for the characters to actually talk to one another, a rarity in these kind of action films. Bird clearly can handle the adventurous aspects and dramatic bits with an even hand. The cast works well together and the leads are well supported by a fresh cadre of international performers, including Anil Kapoor, Léa Seydoux, keeping the film looking and feeling fresh.  There are two nice cameos towards the end which tie all four films together and for those who haven’t seen it, I don’t want to spoil it for you.

Visually, the film is breathtaking, as we see the splendor of Mumbai and elsewhere but of course the set piece, Hunt’s magnetic climb up the world’s tallest tower, is stunning. Bird and the scriptwriters have hit upon a series of obstacles that feel like M:I but updated for today, which is a strength.

If anything doesn’t work, it’s the more tried and true elements such as an overlong chase through a bazaar (even with a sandstorm) and a climactic battle inside a car park. Everyone struggles to beat the countdown clock but it all drags out just a bit and the film could have been tighter with a few judicious edits, but they’re minor quibbles. Helping overcome that is Michael Giacchino’ s wonderful score which honors the original series and gives it a flavor all its own.

The movie is spectacular on Blu-ray and sounds swell. Now, if you loved the film, you should seek out the Best Buy exclusive edition which has an hour’s worth of bonus material you won’t find on the regular Blu-ray release. Whereas the regular Blu-ray stuffs the extras with the film on a single disc, the Best Buy edition requires a disc just for the extras.

“Mission Accepted” (47:35) is found on both versions of the Blu-ray release while “Impossible Missions” (51:37) contains most of the Best Buy bonus material. In both you get 15 minutes of deleted scenes which makes for interesting watching and it’s recommended to use the Bird commentary. The regular Blu-ray offers up “Heating Up in Dubai” (17:36), a pretty travelogue; “Vancouver Fisticuffs” (12:01), a look at the climax, which happened to be shot in Canada; “The Sandstorm “ (3:06), which took two weeks to shot in Canada and Dubai; and “Props” (3:07).

The Best Buy material includes “Suiting Up in Prague” (17:58), “The Russian Prison” (11:49), “Shooting in IMAX” (3:33), “Art Department”  (2:56), “A Roll of Film”  (2:33), “Life Masks” (1:40), “Stepping Into the Storm”  (2:02), “Dubai Car Crash” (8:15), “Lens on the Burj” (:57), and “Composer” (10:42).  The two original theatrical trailers are also included.

Aztlan: The Last Sun is now available!

One week till the End of the World!

Hold on, amigo. Before you donate the contents of your bank account to Bart Simpson’s favorite charity, tell your boss where he can stick that twelve-dollar raise he gave you, and go sky-diving off Mount Rushmore–get a grip on yourself!

It’s not really the end of the world. Not the end of the real world, I mean. It’s only the end of the world in Aztlan: The Last Sun, the first in my brand-new series of 21st-century Aztec murder mysteries– available now as an e-book from Amazon.

Imagine if Cortes never conquered Monteczuma. Imagine if the Aztecs expanded their empire from Tierra Del Fuego to Baffin Bay. Imagine if 2012 rolled around and that empire was plagued by a series of grisly murders that recalled the human sacrifices of ancient days?

No need to keep on imagining. It’s all in Aztlan: The Last Sun.

REVIEW: Shazzan The Complete Series

shazzan-300x300-6417446Growing up in the 1960s, I first heard “Shazam” from the lips of Gomer Pyle, USMC and only later learned it had something to do with a defunct character, Captain Marvel. When I then saw ads in the comics for a Saturday morning series called Shazzan, I was confused, thinking it was somehow connected. Nope, the CBS series created by the great Alex Toth and produced by Hanna-Barbera and had the following narration:

“Inside a cave off the coast of Maine, Chuck (Jerry Dexter) and Nancy (Janet Waldo) find a mysterious chest containing the halves of a strange ring. When joined, the ring forms the word “Shazzan!” and with this magical command, they are transported back to the fabled land of the Arabian Nights. Here they meet their Genie, Shazzan (Barney Phillips). Shazzan presents them with Kaboobie (Don Messick), a magical flying camel. Shazzan will serve them whenever they call, but he cannot return them home until they deliver the ring to its rightful owner. And thus begins their incredible journey.”

Adding an extra “ho” to the Jolly Green Giant’s “ho ho ho”, the 60-foot tall Shazzan was a jovial genie, calling the kids “little masters” and never tired at saving them with regularity. The series ran from September 9, 1967 and ended on Saturday, September 6, 1969 and featured two escapades per thirty minutes and achieved just enough popularity to be repeated as part of countless series in the 1970s and 1980s before finding a home on cable. The complete 36 episode series has been collected for the first time thanks to the tireless folk at Warner Archive.

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REVIEW: The Real Adventures of Jonny Quest

jonnyquest_s1v2-300x300-4130505To me, Jonny Quest was one of the best animated series a kid could grow up on in the 1960s. The prime time show had nice designs, great storytelling and you could imagine yourself getting mixed up into adventures with Race Bannon and Hadji. It was relatable and fun and exceedingly well done.

By the 1990s, though, Indiana Jones and his brethren raised the stakes for action/adventure in live action as well as animation. The Cartoon Network recognized this and commissioned an updated version known as The Real Adventures of Jonny Quest which aired from August 26, 1996 to April 16, 1997. To make the concept contemporary, they added Jessie Bannon as the duo became a trio while Dr. Benton Quest and Race Bannon went looking into the unexplained. Given the fondness for CGI at the time, some of the stories also meant visits to the three-dimensional QuestWorld (hoping to tap into the audience’s fascination with virtual reality)

The show never quite worked and still doesn’t hold up to repeated views, but for diehard fans, Warner Archive has released the first season in two volumes of thirteen episodes each, the latter set recently released. The show certainly suffered when showrunner Peter Lawrence was fired in 1996 and John Eng and Cosmo Anzilotti arrived to take over. You can tell where Lawrence left off after the first season’s initial 13 episodes (volume one) as his real world –based storylines were replaced with more traditional SF/supernatural stories. The goal, turning the beloved character, into a global icon and franchise fizzled given poor execution and despite a massive marketing campaign.

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REVIEW: We Bought a Zoo

I’ll tell you right up front that I had a stronger emotional reaction to the film than most audience members, largely because of the theme of loss that permeates most of the story. As a result, I found myself loving the We Bought a Zoo and have been recommending it to families ever since. Now that it is out on DVD from 20th Century Home Entertainment, I’m here to recommend it as a purchase as well.

Since we’re all about to fall in love with Scarlet Johansson all over again when she kicks ass in The Avengers, it’s good to see her actually acting here, paired nicely with Matt Damon, the grieving patriarch who needs to change his life in some way and chooses to do so in a rather radical fashion. (more…)

REVIEW: The Darkest Hour

Since alien invasion films are nothing new, it all comes down to the execution. Having a vision of the characters and the nature of the attack will make or break a film and in the case of The Darkest Hour, it all falls flat. There’s a distinct lack of innovation to the set up or characters although director Chris Gorak and producer Timur Bekmambetov (Wanted) get credit for setting the movie in Russia which at least gave us different visuals. But, the film then centers on a quartet of English-speaking foreigners with not enough of a fish out of water vibe to make it interesting. The movie, released in 3-D on Christmas Day was quickly dismissed by critics and audiences for being anything but a nice present.

The movie, out now from Summit Home Entertainment, focuses on Sean (Emile Hirsch) and Ben (Max Minghella), two Americans in Russia to sell a social networking concept only to discover they’ve been ripped off. Drowning their sorrows at a bar, they meet up with Natalie (Olivia Thirlby) and Anne (Rachael Taylor), and just then, the invasion begins. It takes a while to determine the full scope of the problems thank to an EMP knocking out all the electronics. There’s panic, there’s screaming and shouting and oh yeah, invisible alien attackers who can disintegrate you with a touch.

It becomes a survival and resistance story so the Russian locale is merely a backdrop that serves to complicate our protagonists’ journey but that’s about it. There really is weak writing from Jon Spaihts so the characters are interchangeable and not interesting enough for the audience to care who lives or dies. This could have been a really interesting character study fueled by adrenaline and special effects but instead, it has a sameness that spoils the story. While watchable, it’s just not special enough to seek out, making this a perfect cable time-killer.

There are some nice visuals, some good moments, some actual thinking going on as they figure out how to track the unseen foes and go on to build a Faraday Box to protect themselves. But it’s too little scattered over a poorly-paced 89 minutes. On the other hand, the movie looks and sounds terrific on Blu-ray. If as much effort went into the story as it did on the transfer we’d all have it on our buy lists.

As much as the film has a been there, done that feel, so do the extras accompanying the DVD. There’s Gorak providing some nice commentary about the film’s troubled production, shooting in Russia and so on. You also have a featurette “Survivors” (8:10) looking at the rest of the people in Russia as a supplement to the feature; “The Darkest Hour: Visualizing an Invasion” (12:09) which is the obligatory piece on the visual effects; and a few Deleted and Extended Scenes (4:48), with optional director commentary.

REVIEW: Tarzan Season One

September 8, 1966 was a pretty big night of television for fans of the fantastic. NBC ran a sneak peek of several new shows a week prior to the formal premiere of the prime time season. At 7:30, Ron Ely first swung on a vine across trees as Tarzan while an hour later, Captain James T. Kirk confronted the Salt Vampire on the first airing of Star Trek. While the latter has gone on to great international fame, the former series has always been somewhat eclipsed.

Warner Archive, bless their souls, has rectified that by releasing the complete first season of the two season series. You can find the first fifteen episodes on four discs comprising Tarzan Season One, Volume One while the remaining sixteen episodes are available in the second volume. Warner has done a nice job cleaning the prints and the show looks pretty darn good. (more…)

Happy 56th Birthday, Alfred E. Neuman!

mad-magazine-alfred-champagne-300x411-2302093Hard to believe it, but Alfred E. Neuman is celebrating his 56th birthday today.  Ever since he first graced the cover of MAD #30 in 1956, he has become a national icon and symbol of that era. His enduring gap-toothed grin has become an internationally recognized image and has been imitated time and again.

We salute, Alfred and share with you some fun facts about the fellow:

Although Alfred has appeared on the front of most issues of MAD, he has not appeared on every cover.

Over the years, Alfred has been depicted in a wide variety of roles, including Uncle Sam, George Washington, Barack Obama, Rosemary’s baby, Michael Jackson, Justin Bieber and Batman.

Alfred’s signature slogan, “What – me worry?” exemplifies the satirical and care-free tone of the magazine.

Alfred has run for president every election since 1956 with the campaign motto, “You could do worse, and always have!”

Alfred’s eyes are not aligned straight, yet they always manage to make contact with the reader. He is never depicted in profile.

In 1983, a man wore an Alfred E. Neuman mask while attempting to hold up a gas station in Michigan. The attendant working at the station could not take the man seriously and the robber left the scene without any money.

In MAD #322 (October, 1993), the magazine asked readers which real life celebrity Alfred E. Neuman most closely resembled – David Letterman, Ted Koppel or Prince Charles of England. While TV personality Letterman was leading the vote for the majority of the polling period, a last-minute influx of votes from Canadian readers crowned Prince Charles the victor of the competition. This was ironic considering that in 1958, MAD received a letter from Buckingham Palace (reprinted in MAD #48) to shoot down comparisons between Charles and Alfred. To this day, nobody knows if the note in fact came from Prince Charles himself.

As MAD’s mascot, Alfred is often referred to by the Usual Gang of Idiots at MAD as the magazine’s “Playboy rabbit.”