Now you too can be a Rob Liefeld character!
It’s 2010 now– so it’s almost safe to indulge in 90’s nostalgia.
Art Clokey, whose bendable creations became a pop
culture phenomenon through countless satires, toys and revivals, has
died at age 88.
Caretaker Chrisanne Wollett Clokey says Clokey died Friday in Los Osos on California’s Central Coast.
Clokey is best known for the creation of Gumby, the green clay character with his horse friend Pokey. Clokey first molded Gumby for a surreal student project at the
University of Southern California called “Gumbasia.” That led to his
making shorts for the Howdy Doody Show and several series through the
years. He said he based Gumby’s swooping head on the hairdo of his father, who died when Clokey was nine.
Clokey also created the moralizing and often satirized claymation duo Davey and Goliath, which became the direct inspriation for Adult Swim’s Moral Orel.
Eddie Murphy restored Gumby’s popularity in the 1980s with
his send-up of the character on “Saturday Night Live” as a
cigar-smoking primadonna. Other late-night revivals followed, including appearances on Canadian late-night television with Gumby being portrayed by comic-book artist Ty Templeton. Apparently, Ty’s portrayal of Gumby ended when he mentioned that one of the books he spent time walking through was Portnoy’s Complaint.
Gumby had a brief career in the comics, starting in 1986 with Blackthorne Publishing, then later Comico and Wildcard Ink.
As the worlds of film and comics grow ever closer, Marvel this afternoon released this image of Iron Man’s new armor. If it looks awfully similar to the movie version of shellhead, that’s no doubt intentional. Ryan Meinerding, designer on the Iron Man and Thor films helped adapt the movie suit for comics and this debuts in April’s Invincible Iron Man #25.
The series, written by Matt Fraction, has been acclaimed to the point where director Jon Favreau had Fraction consult on the sequel, conveniently due out just weeks later. With a new storyline kicking off, the new mission requires a new kind of armor.
“The inspiration for the new design came from thinking about a sleeker, leaner, tougher Iron Man,” Fraction said in a Marvel press release. “If technology is increasingly getting smaller and lighter it seems like the Iron Man should do the same: ergonomic and aerodynamic. We were looking for something that felt as sleek and glossy as a sports car Tony Stark would covet. I love what we’ve come up with. It feels like the next evolutionary step in the Iron Man’s design.”
Yes, you read that right. Gawker, the website that spends an inordinate amount of time picking on the famous, the near famous, the near to the famous, and the need to be famous, has actually defended science fiction convention goers:
The show takes a lazy jab at nerds in Boba Fett, Storm Trooper, and
Star Trek costumes, making theories ranging from reasonable hypothesis,
to outside the box ingenuity, to television inspired, to the completely
ridiculous.Please. The whole segment is just an excuse to make fun of nerds.
I think we have to redo the Geek Hierarchy chart now.

One of the great symbols of Japan to a Western audience – equal to pagodas, kimonos, and that exaggerated white makeup – is the katana. (Well, any vaguely Japanese sword, to be honest – it doesn’t have to be precisely a katana as long as the profile is right and it’s declared to be incredibly sharp.) I suspect it’s the same for the Japanese themselves – that their traditional swords are one of their internal cultural markers, and part of the standard mental furniture that makes up “Japanese-ness” – since there’s a blizzard of the things in their comics stories. For example…
Crimson-Shell
By Jun Mochizuki
Yen Press, November 2009, $10.99
Surprisingly, this is a single-volume story, not the first volume of anything longer. But it’s paced like the first volume of a longer work, and the ending certainly leaves lots of room for a continuation. (I actually went back to the cover and copyright page after finishing the book, to make sure that it wasn’t “volume one.”) I would not be at all surprised if this was meant as a try-out for something longer, though I have no idea if any more will ever appear.
But, in this book, there’s a young woman, Claudia (also called the Rose Witch), who is the mascot/powerhouse of the secret organization Red Rose – she’s part of its Crimson-Shell division, which I gather is the field operation. The usual mad scientist discovered something called a black rose, which has infected lots of people to different effect: some turn into thorn-tentacled monsters almost immediately, while others keep their intelligence and human appearance for much longer, the better to infiltrate and destroy organizations like the Red Rose – which, as you might have guessed, has a mission to stop the Black Roses at all costs. Claudia is the requisite one person infected with the Black Rose who didn’t turn infected and evil; she instead has unspecified and varying powers over Black Roses.
The guy with the sword is her mentor/friend/savior, Xeno, who is the usual laconic master of violence (with artfully disarranged duster, long hair, and facial scruff to signpost that’s what he is), and he’s accused of being a Black Rose early on in the book. There is also a bewildering array of other characters, many of whom either are or are accused of being Black Rose agents, and that adds to the confusion (as well as the feeling that this is only the beginning of a longer story).
Claudia muddles through the plot without doing much – she’s one of those standard teenage-girl manga heroines, who can’t be too assertive without seeming unfeminine to the audience – and then there’s an ending that leaves a number of major questions. Crimson-Shell would have been an intriguing, if confusing, first volume of a longer series – the reader could assume that all of the unclear details would be explained further along – but it doesn’t work well at all as a single volume. (more…)
The future for home video in 2010 is taking shape
and as 2009 winds down, ComicMix, like everyone else, is looking ahead. The VHS
tape is gone, replaced by DVD and that too is now quickly getting replaced by
the Blu-ray. The Digital Entertainment Group says Blu-ray Disc set-top player
sales grew 112 percent over the same period last year. Blu-ray devices are at
the top of many consumers’ holiday wish lists this year are projected to be in
15 million U.S. homes by the end of this year.
With players now as cheap as $150, the penetration rate is
skyrocketing and the studios are cognizant of this. They also know that people
are reluctant to pay more for Blu-ray discs to replace their standard DVDs so
these new discs are coming in fancier packages and with lots of extras.
One of the key differences between standard DVD and Blu-ray
is that the BD Live function allows studios to continue offering fresh content
even after the disc goes on sale. McG, for example, did a live screening of Terminator Salvation with questions from viewers. As more filmmakers figure out
how to gain maximum mileage from this direct communications, it will keep the
Blu-ray more vital.
Over the past year, Walt Disney has been collecting their
films in two and three packs. Like most studios these days, you get the DVD and
a digital copy presuming you wish to download the film to watch on your device
of choice. Disney then added the Blu-ray, DVD, and digital disc to form the
mega set, so there’s just one version to sell to one and all – of course,
up-priced so the profits are fatter.

Sweet Christmas. Daaaamn.
A few thoughts:
She was black as the night
Archie was whiter than white
Danger, danger when you taste brown sugar
Archie fell in love overnight
Nothing bad, it was good
Archie had the best girl he could
When he took her home
To meet his mama and papa
Archie knew just where he stood
Archie Archie Archie, Archie
Archie Archie Archie, Arch-I
Archie Archie Archie, Archie
Archie Archie you’re gonna cry
There he stood in the night
Knowing what’s wrong from what’s right
He took her home to meet his mama and papa
Man, he had a terrible fright
Archie nearly caused a scene
Wishin’ it was a dream
Ain’t no diff’rence if you’re black or white
Brothers, you know what I mean
Archie Archie Archie, Archie
Archie Archie Archie, Arch-I
Archie Archie Archie, ArchieArchie Archie you’re gonna cry
PR after the jump.

For those who came in
late: Jon Sable has been
hired by a businessman to deliver both a rare, valuable diamond and a beautiful
yet troublesome woman from Africa to New York City. He’s done that, he’s back
home, and he’s reconnected with old friends and flames.
Last issue, Jon
attended Prinsloo’s party for the Maguffin Diamond and, wouldn’t you know it,
everyone’s favorite thief Maggie the Cat was hanging out. While Jon and Maggie
were back at her hotel getting … you know, reacquainted … someone stole the rock.
Compelled to return
to the scene of the crime, Jon is ambushed on his way to keep his date at the
annual Rockefeller Center Christmas tree lighting ceremony… and things promise to go much worse for him.
Mike Grell on story and art, John Workman on letters, yours truly on colors and Mike Gold waving a baton.

GrimJack is in a race to
save Blacjac and Bob from the Manx Cat. The problem is… everyone who falls
asleep becomes an unwilling Night Terrorist in the Manx Cat’s army! Bullets,
blood, bikes, bombastic babes… and the St. John Knives! What more can you want
in a stunning conclusion? Creators John Ostrander and Timothy Truman on script
and art.
Now that 2009 is officially over, we can do a year in review. This is by no means a definitive list of “the best of the year” as we’d never come to a consensus, just think of it as our varied and individual take on what stuck out in the minds of everybody here at the Mix. After all, as the song says, it’s a mixed-up, muddled-up, shook-up world. Onward!
Shortest Death of the Year: Kyle Rayner. Green Lantern Corps #42/43 (DC)
For those who know me well, I was offered quick condolences when I picked up Peter Tomasi’s Green Lantern Corps
#42. Kyle Rayner, my personal favorite ‘Super Hero’ was given a
decidedly trite death; sacrificing himself with an exploding Alpha
Lantern Core in order to blow up a smattering of not-so-easy-to-kill
black lanterns and their Nekron inspired construct. Gaping plot hole be
damned! Sure Mr. Rayner was one of two honor guardsmen, who we’d
‘assume’ knew how to wield the emerald light with a little flair, might
figure that the ring could make a nice bubble to contain the
aforementioned big-bada-boom, and NOT include himself… But it was far
sappier dramatic
for Kyle to tell Natu (his current, non-refrigerator-bound-beau) and
Guy (his best-buddy-with-a-bygone-bowlcut) that he ‘wuved them. And
guess what? Not twenty pages later, Kyle was resurrected by Star
Sapphire Miri Riam, who showed us yet another unknown power from the
crystal spewing pink ring club. It seems that ‘True Love’ allows a Star
Sapphire to combine hearts, and save a dead lover. I guess Miri wished
she could have done that when he husband died, a few issues ago.
Whoopsie! –Marc Alan Fishman
Most overlooked of the year: Final Crisis Aftermath: Run (DC)
It’s easy to hate event books–especially one as polarizing as Final Crisis–but it’s hard to deny that sometimes damn fine things come out of them. Zero Hour gave us James Robinson’s Starman, Secret Wars gave us Spider-Man’s black costume (even if it was retroactive), and now Final Crisis has given us Run, a tale of the Human Flame, the most unrepentant bastard in the DC Universe, on the run from the Justice League following the death of the Martian Manhunter. It’s funny, it’s fast-moving, and it’s smart as a whip, thanks in equal measure to Matt Sturges’ (Blue Beetle, JSA All-Stars) script and the perennially underrated pencils of Freddie E. Williams II (Robin). Besides, it has the Condiment King. Who can say no to the Condiment King? –Matthew Weinberger
Favorite dialogue of the year: from Irredeemable #5 (BOOM!), written by Mark Waid, when the winged Gilgamos meets the black super-hero Volt:
“I know you! You’re Black V—“
“That’s the other guy.”
“From Philadelphia?”
“That’s the other other guy. Look, I am solidly aware that an electromagnetic African-American super is a total cliché. My apologies. I didn’t order this power off the menu, I swear.”
–Howard Margolin