The Mix : What are people talking about today?

CoCo to Basic Cable

Seems TBS has out-foxed Fox to woo Conan O’Brien and his late-night comedy show to their Time-Warner owned TBS. The deal, as announced today will allow CoCo to own the rights to his show (ala David Letterman) and grants him a 4 day work week, ala Cable’s Jon Stewart, Steven Colbert, and George Lopez. Lopez’s show will be bumped to midnight, but according to The Wrap’s Josef Adalian, it was George himself who called Conan to talk up the “8 Figure Deal”.

This is a big blow to Fox, but given that no deal had even been brought up to Conan and his people. And what talk there was of a deal, didn’t speak about owning production rights, as well as possible restrictions for affiliates happy with their Seinfeld, Simpsons, and Office reruns.

So, is CoCo happy? “In three months I’ve gone from network television to Twitter to performing
live in theaters, and now I’m headed to basic cable,” O’Brien said. “My plan is
working perfectly.” So said the Boston-born pale skinned late-night virtuoso. Look for the new Conan O’Brien show in November.

The Point Radio: This Is The New Spider-Man?

Is he the new SPIDER-MAN? If the internet is right, LOGAN LERMAN will lead off the Spidey Reboot plus a photo finish at the Box Office (but make way for KICK ASS), IRON MAN 2 is already the #1 movie of the year and Alyssa Milano on her (non) role in GHOSTBUSTERS 3.

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Comor Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday ay 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!

CLICK HERE TO LISTEN LIVE
FOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys.

 

 

Monday Mix-Up: Bateman Begins

Some boys grow up to be scientists. Others grow up to be bus drivers. Some become doctors. Others become writers. Some become international playboys who fight crime at night in order to make good on the their promise to their dead parents. Others become international playboys who need to murder at night in order to feel real feelings anymore. It’s really a small world when you think about it eh? And thanks to this little You-Tubery we can see that there’s a thin line between the Dark Knight and the Cocaine-Infused ATM Kitten Feeder. And while we’re pretty sure Bruce Wayne would get reservations at Doria if he wanted, Batman never trained in precise chainsaw dropping. Bateman 1, Batman 0.

Enjoy the mash-up.

What was the biggest mistake at MoCCA Fest?

The MoCCA Festival was this weekend, and it was a great deal of fun, but that’s not to say there weren’t some moments that made one cringe.

Hands down, however, the biggest mistake were these flyers that were all over the bar tables in the back to promote ComiConn:

Try looking just above these words for the error. If you don’t know why it’s an error, read here.

Guys, I don’t care how much money you spent on these flyers. Stop handing them out. I know somebody showed up with a few corrected black & white flyers on Sunday turning it into a tribute, but you should have made some effort to pick up the flyers you already had out on the freebie tables.

Plenty To Do At This Year’s MoCCA Festival!

Today and tomorrow, you and your loved ones can have a mighty good time at the Museum of Comic and Cartoon Art’s annual festival! This year’s festivities include an amazing array of panels and programs to tickle the fancy of plenty of comic, sci-fi, and cartoon fans alike. With a gaggle of exhibitors, and professionals there to sign all your ebay-able wares, there’s plenty for you to do! Highlights include:

Saturday, April 10th
11:30 AM Titans of Comics: Living Cartooning Legends with Al Jaffee, Arnold Roth, Gahan Wilson and Danny Fingeroth!

2:00  PM The Art of the Superhero: When Singular Vision Meets Popular Mythology with Paul Pope, Jaime Hernandez, Frank Miller, Kyle Baker and Dean Haspiel!

5:15  PM The MoCCA Live Strip Show: Actors Perform Indie Funnies Featuring the art of: R. Sikoryak, Michael Kupperman, Kim Deitch, Gabrielle Bell, and Emily Flake with the voice talents of Sam Seder, Sara Benincasa and Jon Glaser!

Sunday, April 11th
10:30 AM  How To Create A Cartoon Character with Rick Parker
In this workshop for kids of all ages, Rick Parker (Pekar Project, Beavis & Butthead, Dead Boy) will show you how to create your own cartoon character from scratch, in one hour and that if you can draw one character, you can draw them all!

11:30 AM James Sturm and Paul Karasik in Conversation

3:15 PM A Scandinavian Comics Primer with Johannes Klennell (Sweden, Galago), Mats (Sweden, Galago), Espen Holtestaul (Norway), Ville Hänninen (Finland) and Henrik Rehr (Denmark) moderated by Shannon O’Leary.

For complete show listings, admission and ticket info, and more… click here to visit the MoCCA Festival Homepage!

Saturday Morning Cartoons: WMAC Masters

Normally I have some coy and cute way to setup these little clips. I use some alliterations, and a few turns of phrases to make you giggle a gaggle at the you-tubery I trot out (see what I did there!?). But really, there’s not much I need to do here other than allow you to press play. ComicMixers, I proudly present to you the best contractually-obligated ninja warrirors stunt men and women of the World Martial Arts Council Univerval Studios! One of my favorite little gems to pop up Saturday mornings during my childhood. It’s no cartoon, but it’s darn amazing. I present to you…The WMAC Masters!

The Point Radio: Still Charmed By Alyssa Milano

ALYSSA MILANO is headed back to TV with a new ABC sitcom. She shares the details here plus her take on the upcoming CHARMED comics, Plus The 2010 Eisner Nominations and Harrison Ford takes on another comic book role.

And be sure to stay on The Point via iTunes - ComicMix, RSS, MyPodcast.Comor Podbean!

Follow us now on and !

Don’t forget that you can now enjoy THE POINT 24 hours a Day – 7 Days a week!. Updates on all parts of pop culture, special programming by some of your favorite personalities and the biggest variety of contemporary music on the net – plus there is a great round of new programs on the air including classic radio each night at 12mid (Eastern) on RETRO RADIO COMICMIX’s Mark Wheatley hitting the FREQUENCY every Saturday ay 9pm and even the Editor-In-Chief of COMICMIX, Mike Gold, with his daily WEIRD SCENES and two full hours of insanity every Sunday (7pm ET) with WEIRD SOUNDS!

CLICK HERE TO LISTEN LIVE
FOR FREE or go to GetThePointRadio for more including a connection for mobile phones including iPhone & Blackberrys.

 

 

Gene Colan Hospitalized, Artwork Missing

gene-colan-5738904Gene Colan, who just received an Eisner nomination for Best Single Story, was injured last week and is now being cared for by his son and
daughter. In addition, it appears that some of Gene’s artwork has
disappeared, including pages from Nathaniel Dusk and a Star Wars-related
piece. The police are involved in the matter.

Clifford Meth reports: “If Gene Colan art
is currently circulating in the marketplace, it is possible that these
pieces were stolen. Collectors and fans of Gene are encouraged to email
me
if you see artwork circulating that is the least bit questionable.”

He adds: “I
spoke with Gene early this evening and he is in good spirits, as
always. Unfortunately, he is also in pain and unable to use his right
arm at this time due to a serious shoulder injury.”

Well-wishers should
feel free to use the comments section here and we will make certain
that Gene sees your notes.

2010 Eisner Award Nominations

The list is out. Pretty straightforward, with a few surprises (No Todd Klein or John Workman for lettering? And was Whatever Happened To The Caped Crusader not eligible?)

Our congratulations to all the nominees. We’ll be starting the betting pools in 3… 2…

Best Short Story
•  “Because I Love You So Much,” by Nikoline Werdelin, in From
Wonderland with Love: Danish Comics in the 3rd Millennium
(Fantagraphics/Aben malen)
•  “Gentleman John,” by Nathan Greno, in What Is Torch Tiger? (Torch
Tiger)
• “How and Why to Bale Hay,” by Nick Bertozzi, in Syncopated (Villard)
• “Hurricane,” interpreted by Gradimir Smudja, in Bob Dylan Revisited
(Norton)
•  “Urgent Request,” by Gene Luen Yang and Derek Kirk Kim, in The
Eternal Smile (First Second) 

Best Single Issue (or One-Shot)
•  Brave & the Bold #28: “Blackhawk and the Flash: Firing Line,” by
J. Michael Straczynski and Jesus Saiz (DC)
•  Captain America #601: “Red, White, and Blue-Blood,” by Ed Brubaker
and Gene Colan (Marvel)
•  Ganges #3, by Kevin Huizenga (Fantagraphics)
•  The Unwritten #5: “How the Whale Became,” by Mike Carey and Peter
Gross (Vertigo/DC)
•  Usagi Yojimbo #123: “The Death of Lord Hikiji” by Stan Sakai (Dark
Horse) 

Best Continuing Series
• Fables, by Bill Willingham, Mark Buckingham, Steve Leialoha, Andrew
Pepoy et al. (Vertigo/DC)
• Irredeemable, by Mark Waid and Peter Krause (BOOM!)
• Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)
• The Unwritten, by Mike Carey and Peter Gross (Vertigo/DC)
• The Walking Dead, by Robert Kirkman and Charles Adlard (Image) 

Best Limited Series or Story Arc
• Blackest Night, by Geoff Johns, Ivan Reis, and Oclair Albert (DC)
• Incognito, by Ed Brubaker and Sean Phillips (Marvel Icon)
• Pluto: Urasawa X Tezuka, by Naoki Urasawa and Takashi Nagasaki (VIZ
Media)
• Wolverine #66–72 and Wolverine Giant-Size Special: “Old Man Logan,”
by Mark Millar, Steve McNiven, and Dexter Vines (Marvel)
• The Wonderful Wizard of Oz, by Eric Shanower and Skottie Young
(Marvel) 

Best New Series
• Chew, by John Layman and Rob Guillory (Image)
• Do Androids Dream of Electric Sheep? by Phillip K. Dick, art by Tony
Parker (BOOM!)
• Ireedeemable, by Mark Waid and Peter Krause (BOOM!)
• Sweet Tooth, by Jeff Lemire (Vertigo/DC)
• The Unwritten, by Mike Carey and Peter Gross (Vertigo/DC) 

Best Publication for Kids
• Lunch Lady and the Cyborg Substitute, by Jarrett J. Krosoczeka
(Knopf)
• The Secret Science Alliance and the Copycat Crook, by Eleanor Davis
(Bloomsbury)
• Tiny Tyrant vol. 1: The Ethelbertosaurus, by Lewis Trondheim and
Fabrice Parme (First Second)
• The TOON Treasury of Classic Children’s Comics, edited by Art
Spiegelman and Francoise Mouly (Abrams ComicArts/Toon)
• The Wonderful Wizard of Oz hc, by L. Frank Baum, Eric Shanower, and
Skottie Young (Marvel) 

Best Publication for Teens
• Angora Napkin, by Troy Little (IDW)
• Beasts of Burden, by Evan Dorkin and Jill Thompson (Dark Horse)
• A Family Secret, by Eric Heuvel (Farrar Straus Giroux/Anne Frank
House)
• Far Arden, by Kevin Cannon (Top Shelf)
• I Kill Giants tpb, by Joe Kelly and JM Ken Niimura (Image) 

Best Humor Publication
•  Drinky Crow’s Maakies Treasury, by Tony Millionaire (Fantagraphics)
•  Everybody Is Stupid Except for Me, And Other Astute Observations, by
Peter Bagge (Fantagraphics)
• Little Lulu, vols. 19–21, by John Stanley and Irving Tripp (Dark
Horse Books)
•  The Muppet Show Comic Book: Meet the Muppets, by Roger Langridge
(BOOM Kids!)
•  Scott Pilgrim vol. 5: Scott Pilgrm vs. the Universe, by Brian Lee
O’Malley (Oni) 

Best Anthology
•  Abstract Comics, edited by Andrei Molotiu (Fantagraphics)
•  Bob Dylan Revisited, edited by Bob Weill (Norton)
•  Flight 6, edited by Kazu Kibuishi (Villard)
•  Popgun vol. 3, edited by Mark Andrew Smith, D. J. Kirkbride, and Joe
Keatinge (Image)
•  Syncopated: An Anthology of Nonfiction Picto-Essays, edited by
Brendan Burford (Villard)
•  What Is Torch Tiger? edited by Paul Briggs (Torch Tiger) 

Best Digital Comic
• The Abominable Charles Christopher, by Karl Kerschl, www.abominable.cc
• Bayou, by Jeremy Love, http://zudacomics.com/bayou
• The Guns of Shadow Valley, by David Wachter and James Andrew Clark,
www.gunsofshadowvalley.com
•  Power Out, by Nathan Schreiber, www.act-i-vate.com/67.comic
•  Sin Titulo, by Cameron Stewart, www.sintitulocomic.com/ 

Best Reality-Based Work
• A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)
• Footnotes in Gaza, by Joe Sacco (Metropolitan/Holt)
• The Imposter’s Daughter, by Laurie Sandell (Little, Brown)
• Monsters, by Ken Dahl (Secret Acres)
• The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric
Lemerier (First Second)
• Stitches, by David Small (Norton) 

Best Adaptation from Another Work
•  The Book of Genesis Illustrated, by R. Crumb (Norton)
• Charles Darwin’s On the Origin of Species: A Graphic Adaptation,
adapted by Michael Keller and Nicolle Rager Fuller (Rodale)
•  Fahrenheit 451, by Ray Bradbury, adapted by Tim Hamilton (Hill &
Wang)
•  Richard Stark’s Parker: The Hunter, adapted by Darwyn Cooke (IDW)
• West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
(Fantagraphics) 

Best Graphic Album—New
• Asterios Polyp, by David Mazzuccheilli (Pantheon)
• A Distant Neighborhood (2 vols.), by Jiro Taniguchi (Fanfare/Ponent
Mon)
• The Book of Genesis Illustrated, by R. Crumb (Norton)
• My mommy is in America and she met Buffalo Bill, by Jean Regnaud and
Émile Bravo (Fanfare/Ponent Mon)
• The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric
Lemerier (First Second)
• Richard Stark’s Parker: The Hunter, adapted by Darwyn Cooke (IDW) 

Best Graphic Album—Reprint
•  Absolute Justice, by Alex Ross, Jim Krueger, and Doug Braithewaite
(DC)
•  A.D.: New Orleans After the Deluge, by Josh Neufeld (Pantheon)
•  Alec: The Years Have Pants, by Eddie Campbell (Top Shelf)
• Essex County Collected, by Jeff Lemire (Top Shelf)
•  Map of My Heart: The Best of King-Cat Comics & Stories,
1996–2002, by John Porcellino (Drawn & Quarterly) 

Best Archival Collection/Project—Strips
• Bloom County: The Complete Library, vol. 1, by Berkeley Breathed,
edited by Scott Dunbier (IDW)
• Bringing Up Father, vol. 1: From Sea to Shining Sea, by George
McManus and Zeke Zekley, edited by Dean Mullaney (IDW)
• The Brinkley Girls: The Best of Nell Brinkley’s Cartoons 1913–1940,
edited by Trina Robbins (Fantagraphics)
• Gahan Wilson: 50 Years of Playboy Cartoons, by Gahan Wilson, edited
by Gary Groth (Fantagraphics)
• Prince Valiant, vol. 1: 1937–1938, by Hal Foster, edited by Kim
Thompson (Fantagraphics)
• Queer Visitors from the Marvelous Land of Oz, by L. Frank Baum, Walt
McDougall, and W. W. Denslow (Sunday Press) 

Best Archival Collection/Project—Comic Books
• The Best of Simon & Kirby, by Joe Simon and Jack Kirby, edited by
Steve Saffel (Titan Books)
• Blazing Combat, by Archie Goodwin et al., edited by Gary Groth
(Fantagraphics)
• Humbug, by Harvey Kurtzman et al., edited by Gary Groth
(Fantagraphics)
• The Rocketeer: The Complete Adventures deluxe edition, by Dave
Stevens, edited by Scott Dunbier (IDW)
• The TOON Treasury of Classic Children’s Comics, edited by Art
Spiegelman and Francoise Mouly (Abrams ComicArts/Toon) 

Best U.S. Edition of International Material
• My mommy is in America and she met Buffalo Bill, by Jean Regnaud and
Émile Bravo (Fanfare/Ponent Mon)
• The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric
Lemerier (First Second)
• Tiny Tyrant vol. 1: The Ethelbertosaurus, by Lewis Trondheim and
Fabrice Parme (First Second)
• West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
(Fantagraphics)
• Years of the Elephant, by Willy Linthout (Fanfare/Ponent Mon) 

Best U.S. Edition of International Material—Asia
• The Color Trilogy, by Kim Dong Haw (First Second) 
• A Distant Neighborhood (2 vols.), by Jiro Taniguchi (Fanfare/Ponent
Mon)
• A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)
• Oishinbo a la Carte, written by Tetsu Kariya and illustrated by Akira
Hanasaki (VIZ Media)
• Pluto: Urasawa X Tezuka, by Naoki Urasawa and Takashi Nagasaki (VIZ
Media)
• Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media) 

Best Writer
• Ed Brubaker, Captain America, Daredevil, Marvels Project (Marvel)
Criminal, Incognito (Marvel Icon)
• Geoff Johns, Adventure Comics, Blackest Night, The Flash: Rebirth,
Superman: Secret Origin (DC)
• James Robinson, Justice League: Cry for Justice (DC)
• Mark Waid, Irredeemable, The Incredibles (BOOM!)
• Bill Willingham, Fables (Vertigo/DC) 

Best Writer/Artist
• Darwyn Cooke, Richard Stark’s Parker: The Hunter (IDW)
• R. Crumb, The Book of Genesis Illustrated (Norton)
• David Mazzuccheilli, Asterios Polyp (Pantheon)
• Terry Moore, Echo (Abstract Books)
• Naoki Urasawa, Naoki Urasawa’s 20th Century Boys, Pluto: Urasawa X
Tezuka (VIZ Media) 

Best Writer/Artist–Nonfiction
• Reinhard Kleist, Johnny Cash: I See a Darkness (Abrams ComicArts)
• Willy Linthout, Years of the Elephant (Fanfare/Ponent Mon)
• Joe Sacco, Footnotes in Gaza (Metropolitan/Holt)
• David Small, Stitches (Norton)
• Carol Tyler, You’ll Never Know: A Good and Decent Man
(Fantagraphics) 

Best Penciller/Inker or Penciller/Inker Team
• Michael Kaluta, Madame Xanadu #11–15: “Exodus Noir” (Vertigo/DC)
• Steve McNiven/Dexter Vines, Wolverine: Old Man Logan (Marvel)
• Fiona Staples, North 40 (WildStorm)
• J. H. Williams III, Detective Comics (DC)
• Danijel Zezelj, Luna Park (Vertigo/DC) 

Best Painter/Multimedia Artist (interior art)
• Émile Bravo, My mommy is in America and she met Buffalo Bill
(Fanfare/Ponent Mon)
• Mauro Cascioli, Justice League: Cry for Justice (DC)
• Nicolle Rager Fuller, Charles Darwin on the Origin of Species: A
Graphic Adaptation (Rodale Books)
• Jill Thompson, Beasts of Burden (Dark Horse); Magic Trixie and the
Dragon (HarperCollins Children’s Books)
• Carol Tyler, You’ll Never Know: A Good and Decent Man
(Fantagraphics) 

Best Cover Artist
• John Cassaday, Irredeemable (BOOM!); Lone Ranger (Dynamite)
• Salvador Larocca, Invincible Iron Man (Marvel)
• Sean Phillips, Criminal, Incognito (Marvel Icon); 28 Days Later
(BOOM!)
• Alex Ross, Astro City: The Dark Age (WildStorm/DC); Project
Superpowers  (Dynamite)
• J. H. Williams III, Detective Comics (DC) 

Best Coloring
• Steve Hamaker, Bone: Crown of Thorns (Scholastic); Little Mouse Gets
Ready (Toon)
• Laura Martin, The Rocketeer: The Complete Adventures (IDW); Thor, The
Stand: American Nightmares (Marvel)
• David Mazzuccheilli, Asterios Polyp (Pantheon)
• Alex Sinclair, Blackest Night, Batman and Robin (DC)
• Dave Stewart, Abe Sapien, BPRD, The Goon, Hellboy, Solomon Kane,
Umbrella Academy, Zero Killer (Dark Horse); Detective Comics (DC);
Northlanders, Luna Park (Vertigo) 

Best Lettering
• Brian Fies, Whatever Happened to the World of Tomorrow? (Abrams
ComicArts)
• David Mazzuccheilli, Asterios Polyp (Pantheon)
• Tom Orzechowski, Savage Dragon (Image); X-Men Forever (Marvel)
• Richard Sala, Cat Burglar Black (First Second); Delphine
(Fantagraphics)
• Adrian Tomine, A Drifting Life (Drawn & Quarterly) 

Best Comics-Related Periodical/Journalism
• Alter Ego, edited by Roy Thomas (TwoMorrows)
• ComicsAlliance, www.comicsalliance.com
• Comics Comics, edited by Timothy Hodler and Dan Nadel
(www.comicscomicsmag.com) (PictureBox)
• The Comics Journal, edited by Gary Groth, Michael Dean, and Kristy
Valenti (Fantagraphics)
• The Comics Reporter, produced by Tom Spurgeon
(www.comicsreporter.com) 

Best Comics-Related Book
• Alan Moore: Comics as Performance, Fiction as Scalpel, by Annalisa Di
Liddo (University Press of Mississippi)
• The Art of Harvey Kurtzman: The Mad Genius of Comics, by Denis
Kitchen and Paul Buhle (Abrams ComicArts)
• The Art of Osamu Tezuka: God of Manga, by Helen McCarthy (Abrams
ComicArts)
• Manga Kamishibai: The Art of Japanese Paper Theater, by Eric P. Nash
(Abrams ComicArts)
• Will Eisner and PS Magazine, by Paul E. Fitzgerald (Fitzworld.US) 

Best Publication Design
• Absolute Justice, designed by Curtis King and Josh Beatman (DC)
• The Brinkley Girls, designed by Adam Grano (Fantagraphics)
• Gahan Wilson: 50 Years of Playboy Cartoons, designed by Jacob Covey
(Fantagraphics)
• Life and Times of Martha Washington, designed by David Nestelle (Dark
Horse Books)
• Queer Visitors from the Marvelous Land of Oz, designed by Philippe
Ghielmetti (Sunday Press)
• Whatever Happened to the World of Tomorrow? designed by Neil Egan and
Brian Fies (Abrams ComicArts) (more…)

rsz-thomas-crown-8420147

Review: ‘The Thomas Crown Affair’

rsz-thomas-crown-8420147Forget about whether or not this is a good remake of the beloved Steve McQueen. This is a smart, stylish drama that treats its characters like adults as it also respects its audience. The Thomas Crown Affair was released in 1999 and remains one of Pierce Brosnan’s most popular films because of his nuanced interpretation of Crown, a wealthy businessman who steals because the challenge keeps him alive.

When he steals from an art museum, insurance investigator Catherine Banning (Rene Russo) assists Detective Michael McCann (Denis Leary) in the investigation. Banning, an American based in Europe, pretty quickly targets Crown as her man. As she lays her sexy trap, we see them toy with one another, leading to a sexually charged sequence that continues to smolder on the Blu-ray release, out this week from MGM Home Entertainment.

The film is based on the 1968 McQueen box office hit which had Crown portrayed as a bank robber, committing two crimes before the story reached its climax.  The film’s original downbeat ending was tweaked for something more satisfying as you find yourselves rooting for Brosnan and Russo. Faye Dunaway, McQueen’s love interest, returns as Brosnan’s psychiatrist for a handful of scenes that don’t really move things along. In fact, we never really get into Crown’s head; never really get to understand why he needs to break the law to feel alive. Nor do we understand why he never married or had family, great challenges themselves.

Still, the film has interesting twists and while the stakes are high. No one is dead serious, they allow themselves to live and even be humorous.

The climax, as Brosnan honors his commitment to restore the painting without being caught, remains a delight to watch again.

Brosnan’s suave demeanor made him perfect for the remake but he held out for director John McTiernan to come aboard and make sure this was done right. The director insisted on numerous story changes, distancing itself further from the original and keeping it more in line with modern day sensibilities.

No one was happy with the video transfer when the DVD was initially released and people were leery of the Blu-ray’s release given MGM’s spotty reputation. The good news is that this is a superior image compared to the DVD. Not the sharpest Blu-ray release, but certainly an improvement. Additionally, Bill Conti’s excellent score and soundtrack sounds fabulous. Even his choice of songs, such as Nina Simone’s “Sinnerman” shows a decision to appeal to the older viewers, rather than filling it with soft rock or pop numbers. The soundtrack stands out on its own.

Oddly, the only extra is McTiernan’s 1999 commentary, which can be found on the Standard DVD disc. Yes, this is released in the combo pack so Blu-ray, standard and digital discs for a reasonable price of $24.95.

(more…)