The Mix : What are people talking about today?

Yes, We Will

The happy mutants at Tor.com– no wait, the happy mutants are at BoingBoing, the snarky geeks are at io9, and the ink-stained shockwave riders are at Tor.com– are running a Dan Goldman comic, "Yes We Will", in which Obama deals with the greatest problem of his first term, as predicted by Nostradamus. Or the Mayans. Or Timothy Leary. Or something like that.

Go read it, it’s fun.

Although I can deal with the idea of the singularity a lot easier than I can with Barack Obama not dressed nattily. I’m sorry, but that’s stretching credibilty too far.

The Point – January 19th, 2009

Battlestar Galactica is underway and Apollo weighs in on where the final nine are headed, big treasures in the comic stores this week, More stars are coming to NY ComicCon and why you really need to see FanBoys.

 

PRESS THE BUTTON and you’ll Get The Point!

And be sure to stay on The Point via iTunes - ComicMix or RSS!

 

548t039-1595175

PREVIEW: ‘Batman: The Brave and the Bold’ with Blue Beetle and… Wil Wheaton as Ted Kord?

548t039-1595175

We’ve obtained preview footage of the Batman: The Brave and the Bold episode, "Fall of the Blue Beetle!" airing this Friday, January 23 on Cartoon Network at 8:00 PM, guest starring Wil Wheaton as the Silver Age Blue Beetle, Ted Kord. Yes, Wil Wheaton playing a wise-cracking technical wizard who’s a bit of a geek… it’s a real stretch of character. Take a look…

(more…)

time-tunnel-dvd-signing-at-rocket-video

‘Lost in Space’ robot actor Bob May dies

time-tunnel-dvd-signing-at-rocket-videolost-in-space-robot-body-1-2-2004-2932515You probably never knew his face. You don’t remember his voice, you always thought it was Dick Tufeld’s. But you knew his most famous role just the same.

From the AP wire: ‘Lost in Space’ actor Bob May dies at 69

Bob May, who donned The Robot’s suit in the hit 1960s television show "Lost in Space," has died. He was 69.

May died Sunday of congestive heart failure at a hospital in Lancaster, said his daughter, Deborah May.

He was a veteran actor and stuntman who had appeared in movies, TV shows and on the vaudeville stage when he was tapped by "Lost in Space" creator Irwin Allen to play the Robinson family’s loyal metal sidekick in the series that debuted in 1965.

"He always said he got the job because he fit in the robot suit," said June Lockhart, who played family matriarch Maureen Robinson. "It was one of those wonderful Hollywood stories. He just happened to be on the studio lot when someone saw him and sent him to see Irwin Allen about the part. Allen said, ‘If you can fit in the suit, you’ve got the job.’"

While in this day and age you can purchase a replica, it’s never quite the same as the original.

 

Hollywood wrapup — Iron Man, Spider-Man, Scott Pilgrim, Cowboy Bebop

A pile of Hollywood related comic items I didn’t get to this week, so let me get them out of the way:

* Emily Blunt in Iron Man 2?

* Keanu Reeves will be starring in a live-action version of Cowboy Bebop. It’s just been confirmed as going into production for Fox.

* The cast of Scott Pilgrim Vs. The World expands.

* Sam Raimi wants Morbius for Spider-Man 4? By the time it comes out in 2011, everyone will think he’s ripping off Twilight.

* And finally, a cast photo for Wolverine:

wolviecast-5479951

Human Target TV pilot in the works for Fox

humantarget-7705447

Fox is working on a pilot for the Human Target, based on the cult DC Comics character Christopher Chance, created by Len Wein, Carmine Infantino, and ComicMix contributor Dick Giordano. Christopher Chance operates by impersonating his clients in order to eliminate threats to them, making himself the target. The character first appeared in Action Comics #419.

The Human Target has already been turned into a TV series back in 1992, starring Rick Springfield. The new pilot is written by Jericho co-creator Jonathan Steinberg, and comes from Warner Bros. TV, McG’s Wonderland Sound and Vision and DC Comics. (Via Hollywood Reporter.)

ComicMix QuickPicks – January 16-18, 2009

The weekend wrap-up of comic-related news items that might not generate a post of their own, but may be of interest…

* Tom Mason interviews Dan Thompson about his new strip RIP HAYWIRE at Comix 411.

riphaywire010609-6775207

* The Comics Reporter: Dan Vado on the recent changes at Diamond:

…the thing that slaps us up in the face most is the raising of the Purchase Order benchmark to $2500. What that means is that every book needs to generate $2500 of revenue (that would mean a little over $6000 in sales at retail based on the discount we give to Diamond) in order to be listed with Diamond. That does not mean that Diamond is going to cancel or not carry books which appear in the Previews but do not reach that benchmark, but it does mean that if you have a line of books which consistently do not meet that mark, you will not be getting your books listed in the Previews for long…

…what few books we published as floppies will probably not ever see the light of day. While a first issue might sell well enough to meet the benchmark it is more than likely that everything from a second or third issue on will not. Again, I think your average reader might be shocked at how poorly some comics sell. So, if you’re a small publisher or a self-publisher and your plan is to release a mini-series and then collect it as a trade, those plans might change.

It’s a tough spot for everyone to be in. Diamond is in essence asking everyone to sell more in a recessionary environment or find themselves out of the catalog. Short term, a lot of publishers are going to find themselves with no distribution.

Read the whole thing.

* And while we’re getting depressed on comics economics, we have Ilan Strasser of Fat Moose Comics and Games on the Current State of the Comic Market. Via ICV2. Also, who says the Book Business Is Dead? Why, Jason Epstein does… here’s his Autopsy of the Book Business. I’d be slightly more worried if Jason hadn’t been calling the alarm for 15 years… on the other hand, it doesn’t mean he was wrong then or that he’s wrong now.

* It gets even uglier: Anderson News Warns of ‘Implosion’ in Mag Business:

Magazine distributor Anderson News CEO Charlie Anderson is warning of an “implosion in the business” as his company attempts to impose new charges on magazine publishers, according to a report in Folio. Anderson, which represents over 20% of magazine distribution in the U.S., is demanding that publishers pay an additional $.07 per copy distributed (gross, not net of returns) to return magazine distribution to profitability for his company.  “The business has not been profitable and has not been for a very long time,” Anderson said.  “What we are trying to do is give some stability in the channel.  Short of that, there will be an implosion in the business.”  Anderson says he believes that three of the four magazine wholesalers that distribute magazines nationwide are unprofitable.

* Even uglier than that: theBookseller.com reports that book sales were discounted by nearly a billion dollars in England last year.

* Can it get even worse? According to Tom Spurgeon, yes: more newspapers can fold– the Minneapolis Star Tribune just filed for Chapter 11 bankruptcy– or they could just cut back on their comics sections. And we haven’t even heard about bookstore returns.

* Exhibits examine ties between Jews and comic books — although it amazes me that I find out about an exhibit at Brown University in Providence, Rhode Island by reading a newspaper web site in Richmond, Indiana.

* Sir John Mortimer, the creator of Rumpole of the Bailey, has died.

Anything else? Consider this an open thread.

Frank McLaughlin to Teach Cartooning in Connecticut

ComicMix’s Frank McLaughlin is profiled in today’s Connecticut Post, talking about his career and new role as professor of cartooning at the Sterling House Community Center.

In discussing his long career, McLaughlin noted the change of emphasis from newspparer comic strips to comic books to the Internet.  "Comics and newspaper comic strips have been on the decline for years now," McLaughlin said. "The days of light-hearted comic strips are over. Now, the movies have made characters like Batman very dark and serious."

That allowed him a chance to plug White Viper, which ran here in 2008 and can still be read in case you missed out. The serial was written by his daughter, Erin Holroyd, and pencilled by McLaughlin’s long-time art partner Dick Giordano.
 

Interview: Greg Pak

Greg Pak is a very busy man. Between the just-launched War Machine, Skaar: Son of Hulk, Magneto: Testament, and Incredible Hercules, which he co-writes with Fred Van Lente, it seems like he’s writing half the Marvel Universe.

It’s an incredibly diverse body of work—Skaar brings to the table the same combination of cosmic Marvel and high fantasy that his very well-received Planet Hulk storyline did, while Incredible Hercules is a more tongue-in-cheek buddy adventure that’s very much rooted in the recent goings-on on Earth. Magneto: Testament presents, at long last, a cohesive and historically accurate origin for the mutant master of magnetism. Finally, War Machine casts  Jim “Rhodey” Rhodes as the planet’s lethal protector.

But don’t take it from me. Greg Pak agreed to take some time out from his busy schedule to answer a few questions about his various series—and provide a few teases. Spoilers abound, so you might want to make sure you’re all caught up on these books before you continue on.

ComicMix: Magneto: Testament has been getting a lot of attention, both for attempting to tell the definitive origin of Magneto and for placing it in a meticulously specific historical context. Would you mind telling us a little bit about where this project came from?

Greg Pak: Marvel editor Warren Simons has wanted to tell this story for years.  And from the minute he started telling me about the project, I knew I had to be a part of it.  I researched the project for about three years before we finally went to script.  And Warren and I have spent hours and hours talking through the history and the nuances of the story beats.  I think everyone working on the book has felt the same kind of responsibility to getting the story right.  Artist Carmine DiGiandomenico and colorist Matt Hollingsworth in particular have gone above and beyond, bringing just the right tone and nuance and gravity to the images while making constant tweaks to ensure the book is as historically accurate as we could make it.  And we owe a thousand thanks to our historical consultant, Mark Weitzman of the Simon Wiesenthal Center.

CMix: When it’s done, will it represent the canonical last word on where Magneto came from, or is this outside of continuity?

GP: As Marvel editor-in-chief Joe Quesada recently confirmed in his MySpace Comics column, Magneto Testament is indeed in continuity.  Feel free to start updating your wikis, Mags fans! (more…)

Interview Series With Al Jaffee, Jules Feiffer, Harvey Pekar In New York Begins January 21

The YIVO Institute presents one-on-one interviews with Al Jaffee, Jules Feiffer, and Harvey Pekar. YIVO’s “Comics and the American Jewish Dream” series kicks off Wednesday, January 21 at 7:00 pm with:

"The Mad, Mad, Mad (Jewish) World Of Al Jaffee"

A graduate of New York’s High School of Art and Design, Jaffee worked as an editor, writer and artist for Stan Lee at Timely (later Marvel) Comics during the 1940s. In 1955, Jaffee joined “the Usual Gang of Idiots” at Mad Magazine, where he’s been a mainstay ever since, entertaining generations with his Snappy Answers to Stupid Questions and Mad Fold-Ins. Join us as Jaffee provides snappy answers to provocative questions about his art and life, including his new book, Tall Tales, published by Abrams.

Series curator and moderator Danny Fingeroth, a longtime writer and editor at Marvel Comics, has spoken about comics at the Smithsonian Institution and The New School. He’s the author of Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero (Continuum) and The Rough Guide to Graphic Novels (Penguin).

Wednesday, January 21, 7:00
The YIVO Institute For Jewish Research
15 West 16th Street / New York, NY 10011

The series will continue with:
Jules Feiffer: Tuesday, February 3, 7:00 P.M.
Harvey Pekar: Tuesday, February 17, 7:00 P.M.

Admission to programs: $25 / YIVO members: $18 / students: $12
For tickets: call 212-868-4444 or visit www.smarttix.com
For more info visit www.yivo.org