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Giggle with Marvel’s Agents of S.H.I.E.L.D. Season One’s Gag Reel

agents-of-shield-s1-3837605With Marvel’s Agents of S.H.I.E.L.D. Season One hitting home video on September 9, one of the bonus features was made available for viewing.

Checkout the gag reel:

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Synopsis:   

The mind-blowing saga that began in Marvel’s The Avengers continues in ABC’s action-packed series, Marvel’s Agents of S.H.I.E.L.D. — The Complete First Season.

In the wake of The Battle of New York, the world has changed forever. An extraordinary landscape of wonders has been revealed! In response, mysteriously resurrected Agent Phil Coulson assembles an elite team of skilled agents and operatives: Melinda May, Grant Ward, Leo Fitz, Jemma Simmons and new recruit/computer hacker Skye. Together, they investigate the new, the strange, and the unknown across the globe, protecting the ordinary from the extraordinary. But every answer unearths even more tantalizing questions that reverberate across the entire Marvel Cinematic Universe: Who is “The Clairvoyant”? What is Hydra’s sinister master plan; what dark secret lies behind Skye’s puzzling origins, and most importantly of all, who can be trusted?

Cast:                                   Marvel’s Agents of S.H.I.E.L.D.  stars Clark Gregg as Agent Phil Coulson, Chloe Bennet as Skye, Ming-Na Wen as Agent Melinda May, Brett Dalton as Agent Grand Ward, Iain De Caestecker as Agent Leo Fitz and Elizabeth Henstridge as Agent Jemma Simmons.

Iron Man & Captain America: Heroes United Available Today

Iron Man and Captain America join forces in a new, original animated adventure, Marvel’s Iron Man & Captain America: Heroes United available today only on Digital HD, On-Demand and Disney Movies Anywhere.  Iron Man and Captain America battle to keep the Red Skull and his triggerman, Taskmaster, from unleashing an army of Hydra Brutes on the world!  Enjoy surpassing twists and a special appearance by one of your favorite Marvel Super Heroes in this action packed feature featuring the voices of Adrian Pasdar and Roger Craig reprising their roles as Iron Man and Captain America, and Clancy Brown as the villainous Taskmaster. 

Jay Maeder, 1947 – 2014

jay-maeder-7576215Little Orphan Annie writer, newspaper columnist and comics historian Jay Maeder died of cancer this morning.

Jay wrote the Annie strip from 2000 to its demise in 2010, working with artists Andrew Pepoy, Alan Kupperberg and Ted Slampyak. He felt it was the crowning achievement of his long career, which included writing columns and features for both the Miami Herald and the New York Daily News after starting off at the Lorain Ohio Morning Journal. His People column was a page-two staple of the Miami Herald for 15 years. He then moved on to the Daily News, where he edited and often wrote the Big Town NYC / Big Town Biography columns as well as the Lounge Lizard column and the NewsReel feature.annie-cover-9391761

In addition to his work on Annie, Jay is best known to the comics community as the author of Dick Tracy: The Official Biography and a contributor to The Encyclopedia of American Comics and to Dean Mullaney’s Library of American Comics.

Shortly before he was diagnosed with cancer, Jay successfully pitched a graphic novel concept to ComicMix. Sadly, this book, a collaboration with Rick Burchett, will not come to pass.

I had known Jay for upwards of 30 years. Influenced by the great newspaper writers of the first half of the 20th Century, in Miami he took the spirit and the energy of Walter Winchell and updated it to both the times and to the Miami environment. We both grew up fascinated by the legends of American newspaper history. Jay’s style was contemporary, but no less identifiable than Winchell’s. Jay often wore a white suit and hat and he could get away with it even in a shit storm.

I think my fondest memory of Jay revolves around a summer day at his home in Greenwood Lake, NY, one shared by ComicMix’s Glenn Hauman and Martha Thomases. His library looked frighteningly like my own, and we each coveted the other’s exclusives. The two of us just sat there discussing pop history, sharing stories about legends like Col. McCormick and the great comics creators… as well as the not-so-great.

Jay Maeder is survived by his companion, Amanda Hass, his sons Jordan and Christopher, four grandchildren, and two former wives. He was 67.

 

Box Office Democracy: “Lucy”

lucy-9122048The nicest thing I can think to say about Lucy is that it is exactly how I would have remade 2001: A Space Odyssey if I had done it when I was 16 years old.  I would have replaced the male astronaut with an attractive woman, kept the trippy end sequence and replaced the first two-thirds of the movie with a mediocre tribute to Hard Boiled.  I also probably would have struggled to fill 90 minutes and would have added some really strange filler to get it to a marginally respectful run time like 89 minutes.  Thankfully no one was willing to give me $65 million to make a movie when I was 16 (unfortunately no one will do it now) but we’re stuck with what Luc Besson made here.  I was stuck at least; you might still be able to save yourself. (more…)

Mindy Newell Goes On A Binge

television-set-7188990Binge-watching is defined by the Urban Dictionary website as a “marathon viewing of a TV show from its DVD box set.” Wikipedia adds that binge-watching has become an “observed cultural phenomena with the rise of online media services such as Netflix, Hulu, and Amazon Prime.”

A lot of cable networks have gotten in on the act. Cloo includes on its schedule “marathon” showings of House, CSI, Monk, and Law & Order: Criminal Intent; yesterday (Sunday, July 27th) the channel brought on Burn Notice. The original Law & Order runs on TNT, Sundance, and WE, although I can’t figure out what it’s “thematically” doing on WE, unless it’s because Chris Noth is hot and Jerry Orbach is just so damn watchable. And Law & Order: Special Victims Unit is on USA right now.

Verne Gay of Newsday (yes, the paper at which Ray Barone of Everbody Loves Raymond toils as a sports writer is an actual real-life Long Island institution) recently listed 57 shows that are worthy of your couchpotatoing the weekend away. It’s all a matter of the viewer’s opinion and genre bias, of course, but here are Gay’s (paraphrased) qualifications for shows that are “binge-worthy,” with my examples.*

  1. A story arc, i.e., a storyline that continues throughout the season, notwithstanding one or two stand-alone episodes that nonetheless always contain either at least once scene related to the season’s overview or is in some way related to the overarching theme of the season. Examples: Breaking Bad, Angel, Orange Is The New Black, Scandal, Friends, Mad Men, Battlestar Galactica, Buffy The Vampire Slayer (you didn’t think I wasn’t going to mention BTVS, did you?), Dallas (original and new), Game Of Thrones.
  2. Characters that the viewer is invested in, i.e., whether good or bad, hero or antihero, starring role or a member of the “Scooby Gang.” Examples: Don Draper, Kara “Starbuck” Thrace, Sookie Stackhouse, Willow Rosenberg, Olivia Carolyn Pope, Rachel Green and Ross Geller, Buffy Summers, Sarah Manning, Jesse Pinkman, Spike, Rose Tyler, Frank Underwood, Angel, Monica Geller and Chandler Bing, J.R. Ewing (Sr. and Jr.), Cordelia Chase, Amy Pond, Rory Williams, Wesley Wyndham-Pryce
  3. A definite ending; i.e., questions raised during the course of the show are answered, the hero/heroine completes his/her journey. This does not guarantee a “happy” ending. It also does not guarantee that the viewer will be satisfied. Examples: Breaking Bad, Friends, Dexter, Buffy The Vampire Slayer (which actually had two endings – Season 5, in which Buffy sacrifices herself to save her sister Dawn and the world, and Season 7, in which Buffy realizes that she can share her power. For the record, I prefer Season 5), Battlestar Galactica. Two shows that were suggested were Lost and Angel. However, I can’t recommend Lost, despite its many excellent moments, because too many questions were left unanswered, and although Angel rocked its five seasons, The WB’s (very stupid, im-no so-ho) decision to cancel the series rushed its ending so that it felt too ambiguous – except for Wesley’s death, which was the only part that felt real. And it remains to be seen how True Blood, Mad Men, The Walking Dead, and Game Of Thrones handle their endings.
  4. It’s entertaining. Or as Gay puts it, “fun.” I hope you don’t need an “i.e.,” but just in case you do – you’d better enjoy what you’re watching, or you’re just wasting time. Examples: Dallas (old and new), Doctor Who, Firefly, Star Trek: Deep Space Nine, Star Trek: Voyager, Buffy The Vampire Slayer, Angel, Scandal, House Of Cards, Dexter.
  5. Gaye calls this one “informative,” but I’ll put it more simply – you learn something. You get excited. Maybe about the universe, or maybe, vicariously, about yourself. You can learn to appreciate great writing, or great camera work, or great acting. You can learn that you don’t really want to get an MBA and work on Wall Street, even if it does mean you’ll be rolling in dough and driving a Porsche; you discover that you want to work in an industry that allows you to key into your inner child, whether it’s as an actor or a writer or a director, a special effects artist, or a stunt man/woman, even if it does mean that most of the time you’ll be earning money temping as a receptionist or slinging dishes in a restaurant and depending on tips to make the rent. Examples: Cosmos, Band Of Brothers, Firefly, War And Remembrance, Buffy The Vampire Slayer, Battlestar Galatica, The World Wars.
  6. There ain’t no commercials. And you don’t want to hit the “pause” button. Meaning you hold it in for between discs or between episodes. Examples: Your DVD Boxed Set, Netflix Streaming, And Amazon Prime. As for Hulu/Hulu Plus – points off for the ads.

I’d love to know your binge-worthy shows.

* Some are shows I have binge-watched; others are recommendations by friends and family.

 

John Ostrander: Where’s Johnny-O?

Well, John Ostrander wasn’t at the San Diego stock yards. And John Ostrander isn’t here on ComicMix, where one regularly finds him on a Sunday morning.

So… Where’s Johnny?

John’s at home, recovering from a particularly difficult photo shoot late last week. We’re not sure he’s sitting down yet. Wink wink, nudge nudge. 

John should be back here next week. But if you happen to run into him and he offers to show you his latest photos… you might want to give that a pass.

(Oh, and you can stop searching the artwork above for Sergio Aragones. He’s not there.)

 

Marc Alan Fishman: Captain America, Thor, Changes, Stunts…

black-captain-america-9085286Marc tips back on his heels, juts his chin out well beyond his neck and claps his hands together with a swagger like no other…

So have you seen the news lately? Seems like no one at Marvel can keep their race, gender, or sexual preference the same. It’s like Dormammu and the Living Tribunal decided to challenge Galactus and Eco The Living Planet to beer pong! I kid, I kid.

But yes, it seems that Marvel is making the dirt sheets and giving early Christmas gifts to fanboys who like to bitch online by shifting some major tentpoles of a few of their bigger brand-names. Of course, any comic book fan worth their salt saw the announcements of Captain America’s new epidermis tonal-shift, or Thor’s gender-swap as staying-the-course for modern comic bookery. Changing the face under a mantle is Sales-Spike 101 in Marketing for Muggles.

If I were to only discuss the House of Mouse with these shocking plot twist redirects, I’d still be buried deep in the publishing cycle. In the past decade we’ve seen a mind-swapped Spider-Man take to Manhattan, Bucky Cap, Professor X’s death / rebirth / paralysis / re-death, Ghost Rider choosing to inhabit a Latino street racer, Pepper Potts Iron Man, a Red Hulk, Rick Jones as the Abomination, and in Hickman’s Avengers books a brand new Smasher, Starbrand, and a few others I’ve long since forgotten about.

With all those cases, the comic-buying world looked over the rumors on Bleeding Cool, bitched about the atrocity of it all on CBR, and then posted a few selfies of them eventually reading the damned books when they came out. And given enough time, Peter Parker came back to the mantle, so did Steve Rogers, as did Tony Stark (though I guess he never really truly left the mantle… but you get my drift).

In short, a change of race, creed, gender, or underwear preference only shuffles the deck long enough to make some noise. And while creators will carry their changes as long as they hold the attention of the masses (the masses being the niche market of comic book readers), these shifts exist solely for the opportunity to tell a new story. And in my humble opinion, that’s absolutely why I think all these obvious sales ploys are great ideas.

As I noted last week: in the economics of pulp-and-paper, idea generation is the true value of the end product. As such, the clamor I’ve long heard (mostly from old farts and the old-at-heart) about how comics should just tell good stories about the core characters – never succumbing to epic events, or tawdry flights of fancy. Well, the epic event crossover thing… I get that. But if we chain the hands of our creative teams and force them to work within the confines of a limited universe, we’re removing the possibility of those teams then creating something truly memorable.

Of the aforementioned stunts, I personally was enthralled by the Superior Spider-Man. And while I knew that there’d be no way that Peter Parker would truly be forever removed from the 616, I was amazed (natch) at the balls Dan Slott showed by keeping Otto under the skin for as long as he did. He introduced us to a not-so-friendly neighborhood wall-crawler, who decided that proactive crime fighting beats the typical responsive nature of super heroism. Because of it, we were treated to month upon month of smart heroes outsmarting villainy instead of relying on dumb luck, pithy speachifying, and mindless punching. And sure, there were tropes (the manic-pixie girlfriend who sees through the cock-sure attitude, the hubris of the hero eventually being his downfall), but more-so there were stories I had not read. And that, kiddos, is worth its weight in mouse-approved gold.

So let having Falcon take a turn with the most recognizable shield in comics. Let Thor enjoy earning only 80% of the wages an equally powerful male version of herself would. Heck, let Dr. Strange turn into an asthmatic asexual narcoleptic quadriplegic Aboriginal with crippling psoriasis!  If it shakes up the character, and allows the creative team to tell a story we’ve never heard before, then it keeps the ball rolling.

It’s only when we let our prose live in the predictable status quo that we stand the most chance to lose any momentum we gain in the era of the comic book blockbuster.

 

The Law Is A Ass

THE LAW IS A ASS #303: MILLIE BECOMES A MODEL PRISONER

millie_the_model_by_hectorrubilar-d6x3eq7-2081963Blame my friend Hurricane Heeran for this one. I do.

He wanted me to write about the legal aspects of Models, Inc. # 2. I told him that I hadn’t read the comic, as the series didn’t sound the least bit interesting to me. Here’s how Marvel Comics described Models, Inc. “Fashion Week is always a hectic time for models, and this year is no exception. Between escaped wolves, robbery attempts, and overly friendly police officers, Mary Jane Watson, Patsy Walker, Jill Jerold, Chili Storm, and Millicent (Millie the Model) Collins are testing the limits of their endurance. But when a brilliant young set designer [Todd Speers] is found murdered with three bullet holes in his back, and Millie proves to be the prime suspect, the models are forced to play detective in order to save one of their own.” Here’s how I described it: “It doesn’t sound the least bit interesting to me.”

But Hurricane was persistent and had a little spare cash to blow. So he blew that cash by buying a copy of Models, Inc. # 2 and sending it to me, so that I could write a column about it. Which puts that whole “my friend” thing into serious question.

The problems Hurricane had with the comic that he wanted me to explore started after Millie the Model made bail. As she was leaving jail, Captain North Norrell, the investigating officer in the Todd Speers murder case asks Millie to stick around, while he talks to the press. She and her lawyer agree.

Is there anything wrong with this? Of course.

Oh, it’s not wrong from a legal standpoint. But no lawyer worth his salt, or even his caraway, would permit his client to participate in such a staged police force publicity stunt just in case the police wanted to do something like, oh I don’t know, accuse his client of committing another murder while on camera. Lawyers tend to care a way lot when bad things like this happen. Especially when they’re bad things the lawyers could have prevented but didn’t.

Did I happen to mention that Captain Norrell uses this staged publicity stunt to accuse Millie of murdering philanthropist Devin Perlman while on camera? Did I really have to?

Actually, there are problems with what Captain Norrell did from a legal standpoint. The only connection between the two murders is that the same gun was used. The gun was Perlman’s, which was taken during a robbery of his home in which he was killed. It was then used to kill Speers and was – in classic Perry Mason cliché – found in Millie’s hand while she was standing over Speers’ body.

Other than the fact that the same gun was used in both crimes, there was no connection between the murders of Perlman and Speers. So by publicly accusing Millie of Perlman’s murder and connecting it up to Speer’s murder, Captain Norrell has significantly hurt the state’s chances of getting a fair and impartial jury to try Millie. Prosecutors don’t like grandstanding policemen, who go public and jeopardize their cases. Especially prosecutors in fiction stories. Prosecutors in fiction stories are always running for governor so want to do the “going public” themselves.

Prosecutors also don’t like it when police captains take the main suspect aside for a private conversation and ask a defendant who already has hired an attorney – “lawyered up” as NYPD Blue used to call it – to confess so things will go easier on them but do so without the defendant’s lawyer being present. See, if the defendant does happen to confess, the whole confession might be thrown out of court, because the police captain spoke to the “lawyered up” defendant without the attorney being present; a strict no-no. Annoying how those pesky little constitutional rights keep getting in the way of shoddy police work, isn’t it?

Do I have to mention that Norrell took Millie aside without her lawyer to try to get her to confess, too?

Hurricane was also bothered by the fact that Captain Norrell was able to acquire a search warrant to search the townhouse of well-known multi-millionaire Kyle Richmond, because Millie was staying there. I don’t have a problem with that, per se. Cops can, and do, routinely obtain search warrants for the places where murder suspects were staying to look for evidence.

I do have a problem with Captain Norrell’s publicly admitting that the search was basically a “fishing expedition” to see what evidence they might find, “because that’s a good way to catch fish.” Judges issue search warrants when the police can convince them that they have probable cause to believe that evidence of the crime will be found in the place they want to search. They don’t like to issue search warrants when all the cops can do is say, we want to poke around in a fishing expedition and see what we might turn up because that’s a good way to catch fish.

Search warrants issued for those reasons have been known to be held invalid. Even by the Rehnquist Court.

And judges especially don’t like to issue search warrants when all the cops can do is say, we want to poke around in a fishing expedition and see what we might turn up and the search is for the town house of a prominent multi-millionaire, who could help finance the campaign of the person who’s running against said judge come re-election time.

Now my personal favorite scene in the book was when Johnny (The Human Torch) Storm and two of Millie’s model friends break into Todd Speers’ apartment and search it for evidence. The apartment is a sealed crime scene and they steal evidence that they found hidden in the apartment, so what they’re doing is all sorts of illegal in all sorts of ways. Before they committed this highly illegal act, Johnny Storm and the two models told Millie they were going to do it, but also told Millie she couldn’t come along, because, “if she was found here breaking into the sealed apartment of the man she’s accused of murdering, it would look… bad.”

Riiiiight, cause it looks soooo much better when her friends do it for her.

Well, that’s all I’ve got to say about Models, Inc. # 2 except this: I have to issue a

SPOILER WARNING!

because I’m about to reveal how Models, Inc. # 2 ends.

 

 

With the words “…To be continued!”

Hey, this was the second issue of a four-issue mini-series, how else was it going to end?

Author’s Note: This is another column I wrote for Comics Buyers’ Guide which was never published before the publication ceased operations.

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How Marvel Became the Envy (and Scourge) of Hollywood

Ike Perlmutter and his legendary, ah, frugality…