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Emily S. Whitten’s Grand San Diego Adventure, part one

The San Diego Comic Con can be completely overwhelming. With panels, “experiences” (as they tend to call the activities set up outside of the Convention Center), pilot screenings, performances, and parties, it’s hard to know what to see first. And one of the craziest places to start is the floor of the Exhibit Hall. With wall-to-wall exclusives, freebies, announcements, signings, trailers, comics creators, scavenger hunts, merchandise, and maybe even a celebrity or two in disguise, it’s pretty much impossible to see everything, unless maybe that’s all you do for the entire con. And without fail, it’s also always a seething, writhing mass of other people who want to see or buy all of the same things you do.

I still love it, though. From accidentally walking through the same booth so many times you start to feel like it’s your second home until you realize you’ve actually never seen the part of it you’re standing in right now, to winding up in the completely wrong aisle from where you meant to be and discovering an awesome bit of merch, to running into a friend you totally never expected to see in the middle of the crowd, to seeing an amazingly clever cosplay, to taking silly pictures with booth displays (one of my favorite things to do), it’s just fun. And while I certainly didn’t see everything, here are some of the coolest things I experienced this year.

  • The trailer and announcement for the Disney Infinity Games Marvel Guardians of the Galaxy play set. I just happened to be wandering by the Marvel booth on preview night in time to catch this, and it really does look awesome. From the trailer, the one I’m most looking forward to playing is Groot, but Rocket Raccoon and the others look fun too. (You can watch the trailer here.)  I also was on the spot at the right moment to get a free Star-Lord design poster and Groot mask signed by artist Jon Diesta, which was pretty sweet (I guess I was the first person to ask him to sign the foam mask. We discovered it wasn’t easy). I’m glad I happened on that when I did, because every other time I walked by the Marvel booth over the weekend it was such a madhouse that I couldn’t even step into the booth area! Oh, except that I did see the most epic Marvel battle scene that has ever been, in toy format. Whoever set this up is clearly a well-versed Marvel nerd who thought of every detail, from Professor X’s chair hanging in the air to Deadpool just chillin’ while chaos ensued around him. I luff you, Marvel nerd. Also I want to play with this.
  • The Hasbro booth, including the My Little Pony: Friendship is Magic photo op, simply because I love taking silly pictures and this may be my favorite silly picture of the weekend. They had several scenes and speech bubbles to choose from, for maximum silliness. Well played, Hasbro. I also got a cute free MLP poster and coveted their Spider-Man toys. (That mask is cool.)
  • Sideshow Collectibles!! I barely even know where to start with this booth. Every single thing was awesome, from the Back to the Future set to the gigantic Doctor Doom that so needs to be the first thing to greet people  in my foyer if I ever have one, to the Captain America movie figures and the life-sized Han Solo in Carbonite that you could win. But the most important thing to me was the Deadpool (!!!!!). Because you guys, they are making a Sixth Scale Deadpool, and he looks amazing. :D :D :D :D :D (Seriously, I can’t express my level of joy at this without emoticons. I’m that speechlessly happy. Also I need this immediately. When does it come out??)
  • The excellent cosplays. There were many, many cool costumes on the floor. A few of my favorites were this cute classic Harley Quinn (with smiley purse!); this Skipper from Penguins of Madagascar (he actually looks like he could be an official one? I don’t know. Either way, nice!); this picture-perfect New 52 Wonder Woman (she looked adorable with the Tonner Doll Company Wonder Woman, and made the entire thing, from leather to metalwork!); this clever Hamburglar (Hee!); this pair of Jay Garrick Flashes; this Discworldian Moist von Lipwig (someone said, “Is that a Snitch?” but I recognized him immediately. Yay, Discworld fans!); and this cute Little Mermaid family (that Ursula is boss).
  • San Diego GirlsThe DC Comics booth, celebrating 75 years of Batman with neat displays and a variety of custom-designed cowls like this Harley Quinn one. They also had several of the DC Bombshells statuettes on display. Even though I totally recognize the cheesecake-y sexism of pin-up girls and part of me wants to be peeved about these, I can’t help but think they are a really well-done homage to a time gone by, and kind of adorable (and hey, compared to all of the blatant and tasteless attempts to sell comics through sex and female exploitation or dehumanization these days, these feel positively classy). They also had a great depressed Batman statue in the middle, àla the new Ben Affleck Batman, which allowed for some more statue pose picture silliness. You can’t keep me down, emo Batman!
  • The Darth Vader Hot Wheels car. Who thought of this? Who did?? You get a prize. Also? I want one. To drive. And I will park it right next to the life-sized Funko Pop! Rocket Raccoon I plan to install on my lawn.
  • This thing. No, I don’t know what it is or what it is from or why there is a little floating demon joystick-driving its brain. It is just adorable and creepy and I love it. It can hang out with my Rocket Raccoon. They can be life-sized lawn gnome best buddies, and maybe have cute but disturbing adventures at night when no one is looking.
  • Life-sized Star Wars Rebels! I like Hera. She looks sassy. Like she will pwn you and not put up with your nonsense. I hope this is the case. Also she is voiced by Vanessa Marshall. Sweet!
  • Con exclusive merch! Like this Deadpool Mr. Potato Head, this glow-in-the-dark White Lantern Flash, this Harley Quinn purse (with bells!), this Firefly Leaf on the Wind keychain/necklace, this too-adorable-for-words Catbug plush, this ghost Yoda bank, and this fiercely adorable Final Battle Toothless from How to Train Your Dragon 2.

Aaaaaand, that’s all, folks! Well, all of the stuff I can remember from the con floor. (Full photo set here) But I have plenty more to report on from SDCC, including fun panels, parties, and press interviews. So stay tuned for more, and until next time, Servo Lectio!

Part Two of Emily’s Grand Adventure will appear right here at ComicMix.com this Thursday!

Meet Cracked’s latest series: The Antiheroes

The AntiheroesLos Angeles, CA (August 4, 2014) – Cracked, one of the United States’ longest running humor institutions has announced its new web series from Cracked Studios entitled Antiheroes. The new 5 episode web series premieres on today.

Antiheroes follows a hilarious, semi-functional group of slackers at a debt collection agency who are inadvertently blessed (cursed?) with superpowers. The Workoholics meets Heroes comedy focuses on this powered group of coworkers going out of their way to not use their powers to fight crime, because fighting crime looks “just, like, way too hard, man.”

Writer Cody Johnston says, “We saw The Avengers and wondered why no one ever tried to take a little nap or just dick around on their phone to unwind, so we made this. We’re hoping Thor is introduced to the concept of ‘vegging out’ in Avengers 2, but in the meantime we hope you enjoy our fun, action-packed series that was made for more or less the same amount of money as all of Marvel’s past and future films.”

Starting today, full episodes of the series will be released every other day, with the 5th episode airing on Wednesday, August 13th. The web series was written by Cracked.com writer Cody Johnston, directed by Abe Epperson and stars Michael Swaim, Soren Bowie, Katy Stoll, Greg Scali as well as Cody Johnston.

Cracked.com, which is known for its non-fiction humor articles containing some of the most insightful and well-written pop culture observations and Webby Award series AFTER HOURS, launched Cracked Studios earlier this year to focus on original narrative shows and miniseries designed for the burgeoning digital marketplace.

Box Office Democracy: Guardians of the Galaxy

I have spent months telling everyone who would listen that I thought Guardians of the Galaxy would be the first flop of the Marvel Studios era.  While Iron Man and Thor were hardly household names before their recent turns they were the practically Superman wearing a Mickey Mouse costume compared with Star-Lord and Groot.

There’s also the inherent tendency for cosmic stories to end up feeling pretty nonsensical, maybe not more nonsensical than the Asgard stuff but audiences didn’t connect with Green Lantern and that seemed to be the closest comparable movie.  I thought this would be an emperor-has-no-clothes moment and would unravel the entire Marvel Cinematic Universe.

I’m happy to report I was a complete moron and while many of those ill portents might have been true James Gunn and his cast made such a thoroughly enjoyable movie that they don’t matter.

Guardians of the Galaxy is easily the funniest Marvel movie but it also derives its comedy in such a different way than most super hero movies.  Every super hero movie I can think of either has one character that’s responsible for generating 90% of the laugh lines (your Tony Starks or your Lokis) or by sort of having moments of acknowledging the absurdity of the premise (this was way overdone in the later Schumaker Batman films).  Guardians lets all five members of the team be funny and it helps so much.  It helps the plot (and I’ll get to why the plot needs a little bit of help) but it also lets the actors shine in these characters.

I knew coming in to expect great things from Chris Pratt but I was not expecting Bradley Cooper to turn in the best performance of his career playing a mutant raccoon.  I don’t even just mean he’s funnier in this movie than anything else, although he is, but he disappears in that character and I never thought I was hearing Bradley Cooper.  Vin Diesel steals entire scenes despite only ever saying three words.  This ensemble might not be better than Downey, Evans, Johansson et al. in the Avengers franchise but they fit their roles as good if not better than the big team and it’s stunning to watch.

I mentioned earlier that the plot needs a little bit of help and that’s not entirely fair.  As someone who has been reading comic books literally as long as I can remember I had no problem following what was going on.  The three people I went with who did not have that background had no idea what had just happened.  They enjoyed themselves immensely, and that should be the real measure of a movie, but they could not tell me who the non-Guardian characters were, what their motivations were, or what an “Infinity Gem” did.  They push through a lot of stuff without time for anything to sink in or without providing a lot of exposition and just relied on the general charisma of the rest of the film to carry the plot a little bit.  It worked flawlessly and is the biggest difference from Green Lantern, which explained everything in laborious detail, and had no joy anywhere to be found.

I still think there are flaws in the MCU road map (honestly, who is clamoring for a Doctor Strange movie?) but I can’t doubt them any longer.  I will anxiously await every movie they put out until they prove they can’t do it.  I went in to this movie thinking I wouldn’t like it at all and walked out with only a minor quibble about the use of slow motion.  Make mine movies Marvel.

Check Out a Clip from Batman: Assault on Arkham

Batman_Arkham_Asylum_Waller at boardWarner Animation has released an all-new clip from Batman: Assault on Arkham, the next entry in the popular DC Universe Original Movie series. The film is now available to own via Digital HD, and will be available on Blu-ray Combo Pack and DVD on August 12.

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Mindy Newell Discovers “Books”

Captain AmericaI discovered the All Souls trilogy by historian and fiction writer Deborah Harkness – I’m currently reading the final book, The Book Of Life (the first being A Discovery Of Witches and the second titled Shadow Of Night) and loving it, unable to stop, eager to discover how it all ends and yet not at all eager for it to end – quite by accident, which is usually the way I discover books.

I was browsing at Word, a terrific independent book store at 123 Newark Avenue in downtown Jersey City, New Jersey, and which deserves all the support in the world, as being an independent book store in these days of Amazon taking over the world is not only risky, but incredibly brave. BTW, I’ve never been in Word when it wasn’t crowded with bibliophiles. All of you, who love b-o-o-k-s know what I mean. There’s nothing like browsing in a bookstore, is there? Taking your time, picking up books, enjoying the heft and weight of them, feeling and enjoying the überzeist of shared love of the printed word that permeates the atmosphere.

According to the Encyclopedia Britannica website, “How soon after the invention of writing men began to make books is uncertain because the books themselves have not survived. The oldest surviving examples of writing are on clay or stone. The more fragile materials used for writing at various times have generally perished. The earliest known books are the clay tablets of Mesopotamia (that part of Asia fed by the Tigris and Euphrates rivers and their tributaries, and which we know today as Iraq, Kuwait, northeastern Syria, and part of southeastern Turkey and southwestern Iran) and the papyrus (a thin, paper-like material made from the papyrus plant, which still grows along the Nile delta) rolls of Egypt. There are examples of both dating from the early 3rd millennium B.C. The Chinese … were the third people to produce books on an extensive scale. Although few surviving examples antedate the Christian Era, literary and archaeological evidence indicates that the Chinese had writing and probably books at least as early as 1300 B.C. Those primitive books were made of wood or bamboo strips bound together with cords.”

The Greeks and Romans also used papyrus, binding them by using leaves at the type and bottom of the papyrus to form rolls (as seen in movies such as Gladiator and Ben-Hur). It was the Romans who expanded bibliography; they had a healthy book publishing trade which spread into Western Europe and Britain as the empire expanded. All straits of society during this period had access to these books, even the poor, while owning a private library was a mark of distinction among the upper classes.

During the early Christian era, the codex replaced the papyrus roll. By binding the papyrus leaves (the origin of our use of the word “leaf” when referring to book pages) this early book could be opened instantly to the exact text being searched for, eliminating the need to roll the papyrus until the text being searched for was found – not to mention having to reroll it. Also, both sides of the papyrus could be used.

By 2500 B.C. into the middle of the second century, vellum and leather, both made from calfskin, had replaced papyrus – the Dead Sea Scrolls, the first of which were discovered in 1946 in what is the West Bank of the disputed Palestinian territories, and which are the earliest known manuscripts of the Old Testament, along with other biblical era writings, are written on vellum and leather. Then, during the Dark Ages it was the monasteries that kept book writing alive. (A Canticle For Leibowitz, the 1961 Hugo Award winner for science fiction, by Walter M. Miller, Jr., tells the tale of Catholic monks in a post-apocalyptic United States as they strive to preserve the remnants of knowledge against the day that humanity rises from the nuclear ruins to rebuild civilization.)

The books of the 15th century resembled our modern book except that they were not yet printed, although paper, which had come to Europe and Britain from China through the middleman Arab trader, was rapidly replacing vellum and leather. Authors were writing in the language of their people, whose literacy was increasing, and the production and sale of books were boosts to Renaissance economies, which were increasingly reliant on the rise of the middle-class guilds.

And then came Johannes Guttenberg.

Guttenberg, who was originally a blacksmith and goldsmith before he became a printer and publisher, was born about 1398 and died in 1468. He was the first European to use movable type printing (invented in China around 1040 A.D.) and also created oil-based ink. Of course, as most of you know, he also invented the printing press. By figuring out how to combine these individual components into one practical system, Gutenberg enabled the mass production of printed books, which subsequently led to mass communication, a critical turning point in the rise of the civilization in which we live today.

Skip ahead 500 years to the birth of the comics industry in the mid-20th century, so beautifully captured by Michael Chabon’s brilliant and Pulitzer Prize-winning 2001 novel, The Amazing Adventures Of Kavalier And Clay – and anyone who claims to be a comics fan and has not read this book must have his or her Merry Marvel Marching Society membership immediately revoked. Think about what the comics industry, if it existed, would like – each story of Superman, Batman, Spider-Man, or the X-Men individually created, one of a kind, and probably locked up in the libraries of rich individuals and those of museums and universities dedicated to collecting rare art forms, to be taken out and displayed in occasional exhibitions.

The “man on the street” would perhaps, once in a while, buy a “black-market” version of Stan Lee and Jack Kirby’s Fantastic Four, smeared with mimeograph ink or supposedly “hand-copied” by some dubious “artist” who claimed to have seen the original. There would be no fandom to create the first comics convention in New York City in July, 1964 at a union meeting hall on 14th and Broadway, which was attended by 100 people, one case of soda, and George R.R. Martin (A Song Of Fire And Ice, i.e., Game Of Thrones) who was the first ticket purchaser. And there sure wouldn’t be a San Diego Comic-Con.

So the next time you browse Amazon or download a book on to your Kindle or iPad, or read a comic book on the web, stop and think about it. Think about the hundreds of centuries that it took to create that mass-produced copy of The Book Of Life or whatever novel you’re currently reading. Think about the thousands of years it took for you to hold that staple-bound, printing pressed copy Captain America #23 in your hands.

Think about it.

And don’t let real books, or real comics, become as dead as … Well, as dead as that first manor woman to “Fred Flintstone” a message into a tablet of clay.

 

Classic Doctor Who Debuts Monday On Retro TV

Starting Monday, August 4, digital television provider Retro TV will be presenting the surviving “classic” episodes of Doctor Who weekdays at 8PM.  the series will start as it should with William Hartnell as The Doctor in An Unearthly Child, and will continue in order, right through to the Sylvester McCoy series.

When broadcast television switched over to digital, stations received a bonus two digital sub-channels thanks to the extra ability to compress data.  Most stations had no plan of their own to utilize these stations, which allowed for the rise of third party programming providers like Retro, Me-TV and many more.  Offering mostly reruns of classic television, these channels have greatly expanded the number of classic shows available.  While most classic TV station were only available through cable subscriptions, these new channels are available over the air, allowing everyone to enjoy them.

Retro TV scored a double-hit this summer for science-fiction fans.  In addition to the adventures of the renegade Time Lord, they brought the travails of a man in space forced to watch cheesy movies with his robot friends back to the air when they premiered Mystery Science Theater 3000 earlier in the Summer.

RetroMST

Retro TV brought MST3K back to the air earlier this summer.

“Bringing MST3K and Doctor Who to Retro TV has been a passion project,” explains Matt Golden, Vice President of Production,  “not only for myself, but others in the organization that love the shows and are thrilled to be able to share them with our audience. It’s for fans, by fans.”

Although the original broadcasts of Doctor were without commercials, Retro is doing everything possible to keep from editing the episodes.  “A few of the episodes will be slightly edited for time. That said, it’s the minority.” Matt Golden clarifies.  “For instance, of the first batch of episodes processed, there are only 20 out of those 121 episodes that are longer than we can support and thus need to be trimmed.”

“For the few that are over our prescribed durations, we’re making extremely judicious cuts, with careful consideration toward content and flow. Moreover, we’re not making any cuts that aren’t absolutely necessary, and the ones we have to make range from 30-60 seconds. We won’t be utilizing time compression, as episode-length speedup is more distracting and detrimental than subtle edits of a few lengthy establishing shots.”

This is not out of the ordinary.  Back in its original foray into American television, the Tom Baker episodes were cut for commercial content, not mention adding explanatory narration by Howard DaSilva.  Even BBC America edits episodes of the current series after their initial broadcast to accommodate ads.

retroWhoRetro TV plans to bring the show to the fans by way of attending major Sci-Fi conventions as well. “We had a great time a couple of weeks ago at Con Kasterborous in Huntsville, AL, where we spoke with Sylvester McCoy, Andrew Cartmel, and several groups of fans, clips of which will be making their way onto TV and social media in the coming weeks as we roll out Doctor Who. We plan to continue doing so, and are in the midst of finalizing the details for another couple of cons this year”

In the area of genre programming, Retro had fallen behind ME-TV, which carries the original Star Trek, Lost in Space and many more.  But with these two additions, Retro makes it clear they’re back in the game, with more to come. “I have a great love of sci-fi, fantasy, and horror, and feel that those genres have been somewhat underserved in our particular arena.” says Golden. “It’s all about the response, though, so if fans want to see more, they can help us out by making some noise: following us on Facebook and Twitter (and now on tumblr), calling stations in their markets to demand Retro TV, etc.”

Check the  Retro TV website for local affiliates in your area, and with your local cable company to see if they carry the channel.

John Ostrander: To Be A Hero

Doctor Who has aired a new trailer for the upcoming season that starts August 23rd*. You can <a href=”

it here. It’s our first real glimpse at the new Doctor played by Peter Capaldi and I think it all looks very promising. He’s very different from the past few Doctors. In some ways, he’s more reminiscent of the first one.

Something bugged me, tho. At the end of the trailer, he asks his companion, Clara, if he is a good man. She seems a bit flummoxed by this and answers, “I don’t know.”

My first reaction to the question was “I do. The Doctor is a good man. He’s a hero. He has saved the planet, the galaxy, all of reality about a bazillion times.”

Then I thought about it some more. Do you have to be a good man in order to be a hero? You don’t have to be a good person to be the protagonist; many good stories have been told using someone bad or even evil as the center of the story. Hero, on the other hand, is a different matter, isn’t it? A hero needs to have certain moral values – honor, nobility, courage, self-sacrifice and so on. They may have these qualities from the onset of the story or acquire them along the way. They can rise up as heroes as the story progresses or the qualities they already have can be tested.

The hero is something we might want to emulate. Superman in my youth was a big blue Boy Scout. Even Batman, for all the fact that he dresses more like a villain, was more of a hero in a traditional sense.

Then Marvel came along with its more complicated set of heroes. Spider-Man had a lot of hang-ups. At the same time, they were heroes because they rose to the challenges. They exhibited a certain honor, nobility, and so on.

The anti-hero seems more in tune with modern society. He or she is the protagonist of the story but not the moral center. Typically, they are in it for themselves and what they can gain or they are simply tossed around by life and not masters of their own fate. Kafka’s Joseph K in The Trial is an anti-hero because his choices simply do not matter. He is a victim and cannot change his own fate.

I tend to write more towards the anti-hero side of the scale. I like the moral complexity they present; it interests me as a writer. Even a good person will struggle to find the right thing to do in a given situation. J.K. Rowling in one of the Harry Potter books has her character Dumbledore say that the time is coming when people will have to choose between what is right and what is easy. There’s always a cost involved to do what is right.

Can you be a hero without also being a good man or woman, at least to some degree? I don’t think so. It may be difficult for the character to make the “right choice” but they need to have somewhere inside of them a degree of courage, empathy, honor and so on. George Bailey in It’s A Wonderful Life has to struggle with his frustration and sense of helplessness. He lashes out in anger towards the climax of the movie against people he loves. Yet even in his deepest despair, he will jump off a bridge to save what he thinks is a drowning man.

So, is the Doctor a good man? He certainly is a hero and, whatever his failings, he is a good man. The fact that he asks the question makes him a good man; a bad man wouldn’t care.

* Also coming to a handful of movie theaters, probably not near you. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Marc Alan Fishman: San Diego – How It Feels To Not Go

My name is Marc Alan Fishman. For eight years now, I have been an active comic book writer, artist, letterer, and publisher. For six years, my company Unshaven Comics has peddled our wares in the artist alleys at dozens of conventions. From the small, such as Kokomo, Indiana, and Orland Park, Illinois, to the large, like C2E2 in Chicago, and the New York Comic Con, we’ve put thousands of miles on our cars in an attempt to break-in to the industry we love nearly as much as our kin. But in all our travels, the furthest west we’ve sauntered was Minneapolis this past spring.

We’ve never been financially viable enough to venture to the Valhalla (or perhaps Ragnarok) of comic book conventions. The San Diego Comic Con is a nearly week-long mecca of geekery. For a small operation such as ours, it stands to dream that selling in the same fabled halls that stars and nerds alike flock to, could lead a sale of The Samurnauts to future fame and glory. Oh, how the mind races at the thought! But with each passing summer, those daydreams dissipate as the deluge of news coats my social media feeds. And here I sit, in the wake of yet another SDCC, ruminating on what it feels like to not be a part of the central hub from which our industry grows from. In short, it feels both amazing and frustrating.

It feels amazing because I’ve little doubt that amidst the choked-with-nerd floor-space there’s a frantic energy that isn’t conducive to how Unshaven Comics does business. We’ve parlayed busy cons, but I have a sneaking suspicion as fans fight for line position to see the Avengers assemble, or catch a sneak peak ten-second look at a movie not debuting for another calendar year there’s little desire to open one’s mind to a brand-new not-known comic, and even less among those few of the 130,000 attendees that are old school fans who are there (gasp!) for the actual comic books the show was originally built around. So I ask rhetorically: how easy is it to grab the attention of them when the entire show is one massive press-conference after another?

When every news outlet, blog spot, and nerd-based industry member is there first and foremost to get the scoop – and leak footage for click-baiting articles – on the stuff that gets them click-throughs, link-backs, and ad impressions… where does that leave artists in the alley? And when the alley itself is studded with industry veterans with well-known names and pedigrees… I say once more with bearded fervor: what chance do three Chicago kids with no known fans west of the Mississippi going to do to garner attention short of faking a medical emergency? Hmm, maybe that’d be a great hook. But I digress.

Simply put, it feels amazing to miss the SDCC because it means I can sit peacefully at home with the Unshaven till in tact. I can sift through all the news releases, teasers, and interviews at my leisure. I can do all of this and smell fresh as the morning dew. Those people in line waiting for a chance to get Chris Hemsworth to wink at them? Maybe not so much.

Which of course leads to why it’s so frustrating that I’m not there, nor have I ever been. The other side to the sword I wield cuts hardest when I realize I am only a spectator and not a shareholder. And to mock the size of the crowds is only to hide the desire to be in front of them. Even if the tides draw fans from the alley away to the exhibitors, there’s simply too many opportunities amidst the show-goers to not catch a few on our hook. And while the economics of it all likely falls no where near profitable when one considers the price of the table, transportation, shipping of merchandise, not to mention meals and other sundry expenditures… a sale to someone new is a sale to someone new. Unshaven Comics exists because of that conceit.

And while I’d lament that it’s not fair to pitch when you’re sitting next to a convention colossus like Katie Cook, much could be gained through smart networking and the camaraderie earned by being table neighbors. Simply by existing alongside those whose work we covet, creates a recognizability to those in power who work their way around the alley. Over the course of our businesses life, we’ve pushed issues on Dan DiDio, Ross Ritchie, and even Mike Gold. Of course, none of them said anything to us after purchasing the issue, but we figure it’s because they’re still in awe. In short: missing the con means missing the sale. And when that sale is the most likely to reach those within the industry we want to sell to? It’s a missed opportunity.

And what lamentation about San Diego would it be if I didn’t mention having to miss out on the Black Panel, and all of the sundry Michael Davis-related ventures. Having only known the Master of the Universe via e-mails and shared column space, I’m at a loss having never shaken his hand in person. And I say this not in jest. In every instance that I’ve been able to break bread with a fellow ComicMixer, it has been a memory saved for the archives. To miss out on San Diego, is to miss out on seeing people I’m honored to call friends.

And with that, so ends this little aside. Another year passes, and San Diego reverts to the whale’s vagina it’s known to be (don’t flame me, Ron Burgandy said it himself). Will Unshaven Comics ever make the journey out yonder to be amongst the gilded nerditry? As loyal Cubs fans utter, the motto remains:

There’s always next year.

 

The Point Radio: Hunting Monsters In The Real World

He’s no comic book character, but the real deal when it comes to hunting monsters. Trapper Tice and his team from AIMS (Appalachin Investigators of Mysterious Sightings) tackle creatures that look like Kirby creations on the hit show MOUNTAIN MONSTERS and he stops here long enough to reveal his secret origin. Plus we share our ComicCon memories and SHARKNADO breaks The Internet – again.

THE POINT covers it 24/7! Take us ANYWHERE on ANY mobile device (Apple or Android). Just  get the free app, iNet Radio in The  iTunes App store – and it’s FREE!  The Point Radio  – 24 hours a day of pop culture fun. GO HERE and LISTEN FREE  – and follow us on Twitter @ThePointRadio.

Watch a Deleted Scene from Divergent

0612176BTr1Divergent is arriving on home video next Tuesday and in anticipation of the Digital HD, Blu-ray, DVD, and OnDemand release, Summit Entertainment has released a deleted scene.

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SANTA MONICA, CA (May 20, 2014) –  Lionsgate (NYSE: LGF), the premier next generation global content leader, will release the electrifying first installment of the blockbuster action adventure franchise Divergent  on Blu-ray Combo Pack (plus DVD and Digital HD), DVD (plus Digital), Video on Demand and Pay-Per-View on August 5, the Company announced today.   The film will be available on Digital HD two weeks early on July 22.

Based on Veronica Roth’s #1 New York Times best-selling book series which has sold nearly 22 million copies worldwide, the film features an all-star cast including Shailene Woodley, Theo James, Academy Award® winner Kate Winslet and Ashley Judd. To date, Divergent has grossed nearly $150 million at the domestic box office and more than $250 million worldwide in its theatrical release on Lionsgate’s Summit Entertainment label, getting the ?new franchise off to a fast start.  The next three installments — Insurgent and Allegiant Parts 1 & 2 — will be released theatrically on March 20, 2015, March 18, 2016 and March 24, 2017, respectively.

Packed with bonus material, the Blu-ray Combo Pack includes the documentary “Bringing Divergent to Life,” an in-depth look at the making of the film plus the exclusive featurette “Faction Before Blood,” detailing the film’s future world. The Blu-ray Combo Pack and DVD both feature deleted scenes and two audio commentaries – one with director Neil Burger and one with producers Douglas Wick and Lucy Fisher. The Divergent Blu-ray Combo Pack will be available for the suggested retail price of $39.99 and the DVD for $29.95.

Divergent stars Shailene Woodley (upcoming The Fault in Our Stars), Theo James (Underworld: Awakening), Ashley Judd (Double Jeopardy), Jai Courtney (A Good Day to Die Hard), Ray Stevenson (Thor), Zoё Kravitz (X-Men: First Class), Miles Teller (The Spectacular Now), Tony Goldwyn (TV’s “Scandal”), Ansel Elgort (upcoming The Fault in Our Stars), Maggie Q (TV’s “Nikita”), Mekhi Phifer (ShowTime’s “House of Lies”) and Academy Award® winner Kate Winslet (Best Actress, The Reader, 2008). The film is directed by Neil Burger (The Illusionist, Limitless) from a screenplay by Evan Daugherty (Snow White and the Huntsman) and Vanessa Taylor (HBO’s “Game of Thrones”).

Divergent is a thrilling action adventure set in a future world where society has been divided into five distinct factions. But Tris will never fit into any one group-she is Divergent, and what makes her different makes her dangerous. Targeted by a faction leader determined to eliminate all Divergents, Tris turns to the one person she believes she can trust: Four, an instructor for the militant Dauntless faction, and a man full of dark secrets. Together, Tris and Four uncover a mind-bending conspiracy that will put their courage to the ultimate test…and forever link their destinies.

BLU-RAY COMBO PACK SPECIAL FEATURES*

  • “Bringing Divergent to Life” Documentary
  • “Faction Before Blood” Featurette
  • Deleted Scenes
  • Ellie Goulding – “Beating Heart” music video
  • Audio Commentary with Director Neil Burger
  • Audio Commentary with Producers Douglas Wick and Lucy Fisher
  • Temporary tattoo sheet
    *Subject to change

DVD SPECIAL FEATURES*

  • Deleted Scenes
  • Ellie Goulding – “Beating Heart” music video
  • Audio Commentary with Director Neil Burger
  • Audio Commentary with Producers Douglas Wick and Lucy Fisher
  • Temporary tattoo sheet
    *Subject to change

PROGRAM INFORMATION

Street Date: August 5, 2014

Price: $39.99 Blu-ray / $29.95 DVD
Title Copyright: Divergent © 2014, Artwork & Supplementary Materials ™ & © 2014 Summit Entertainment, LLC. All Rights Reserved
Rating: PG-13 for Intense Violence and Action, Thematic Elements and Some Sensuality
Feature Run Time: 139 Minutes
Type: Theatrical Release
Genre: Action/Adventure
Closed Captioned: NA
Subtitles: English SDH and Spanish
Blu-ray Format: 1080P High Definition 16×9 Widescreen (2.40:1)
DVD Format: 16×9 Widescreen (2.40:1)
Blu-ray Audio Status: English 7.1 DTS-HD Master Audio, Spanish 5.1 Dolby Digital, English 2.0 Dolby Digital Optimized for Late-Night Listening and English Descriptive Audio
DVD Audio Status: English and Spanish 5.1 Dolby Digital, English Descriptive Audio