Tagged: ComicMix

Getting Good and Scared, by John Ostrander

  • News
  • November 1, 2007

Have a nice Hallowe’en? Was the Great Pumpkin good to you? Did you grab a few treats, pull a few tricks? Watched a nice scary movie or two? Seen a few Saws? Are you ready to get back to the real world?

The real world has gotten a lot scarier than anything Stephen King is putting out or that Hollywood is dreaming up. Crude oil is hitting record highs. Drinking water is drying up on both a national and an international level. The American housing market is in the toilet and likely to remain there. About a year from now we’ll be electing a new president and a new Congress, which means that we’re about to hit the hardcore election season during which little or nothing of substance will be done in Washington.

“Old news,” right? Heard it all before. Maybe we should summarize what it all means quickly and simply, the way Americans like it. Unless there are drastic changes made, America is going into its decline. Unless you’re in that upper small percentile of Americans that are really rich, the quality of your life is going to decline as well and not get better.

Fact? Not yet. By the time it’s a fact, it’ll be way too late to change. No, this is a projection based on facts. When I was a teacher at the Joe Kubert School, teaching writing to artists (an interesting task), one exercise I would give teams of students was to create a future based on facts derived from the research. The scenario had to be a reasonable extrapolation from existing facts or events and they had to explain the reasoning. (more…)

The Legend of Grimjack, Vol. 8: Review

  • News
  • October 30, 2007

Yes, we’ve hit the point where reprints of medium-level ‘80s comics can run to eight volumes – and, since the comic in question is GrimJack, that is perfectly dandy with me. Since GrimJack was gone for a good decade (before the recent Killer Instinct miniseries, and, of course, these trade paperback reprints), I suspect that some of you might not know what the man and his world.

Well, let me quote myself to bring you up to speed:

John Gaunt, aka GrimJack, is a cop/secret agent/PI in an aggressively multi-dimensional (and arbitrarily immense) city, and he walks down those mean streets, yadda yadda yadda. It’s hard-boiled fantasy adventure, in a setting where anything can pop up and probably will. Everybody betrays everybody (especially the dames), and everybody but our hero is corrupt as all hell. This is the kind of comic that the comics world thinks of as being vastly different from superheroes, even though John Gaunt:

  • wears the same clothes all the time, which instantly identify him
  • saves people (and the world) regularly
  • has what amounts to a codename
  • has a couple of similar friends who he "teams up" with on occasion
  • appears in 4-color pamphlet form

This volume reprints issues 47 to 54, right in the middle of the 81-issue run, with stories that originally saw print at the end of the ‘80s. Most of this book consists of the end of a long storyline that started in the comics collected in Volume 6 and saw John Gaunt killed and resurrected, among other changes. That big storyline (which doesn’t seem to have an official name) had kicked off when Tom Mandrake took over penciling this series, which was the first time he and Ostrander worked together extensively. (They would later rack up long, successful runs on Spectre and other series at DC.) (more…)

Wanted: your feedback!

  • News
  • October 29, 2007

It’s been four weeks since the rollout of ComicMix: Phase II. You’ve seen the first four installments of GrimJack, EZ Street, Black Ice, Munden’s Bar, Simone & Ajax, and Fishhead. You’ve used our comic reader, you’ve listened to the podcasts, you’ve played with the site, and we’ve still had the same great columnists.

In that time, our site traffic has spiked and the number of page views have grown by leaps and bounds.

But we’re still not satisfied. So we’re asking you: What do you think?

How can we improve ComicMix? What would you like to see? What have you seen enough of?

Consider this an open thread. Feel free to tell us what’s not working for you, what we should add to the site, what we should improve. Do you want more columnists? More news? More previews from other publishers? More comics?

Inquiring minds want to know. And while we try to read what other folks are saying elsewhere on the net, we don’t catch everything. So please, take the time and tell us here, so that we can continue to make this a better site for you.

OnlineComics.net and WebComicsNation merging

  • News
  • October 29, 2007

Just in time to suck the air out of the Zudacomics launch, Josh Roberts (owner of ComicSpace and Onlinecomics.net, and administrator of Comixpedia) and Joey Manley (owner of WebComicsNation, TalkAboutComics, Modern Tales, Serializer, Girlamatic, Graphic Smash, and Graphic Novel Review, among others) have announced that they have signed a Letter of Intent to merge our businesses into one corporate entity. The entire magilla will be under the ComicSpace brand.

They will be working with a company called E-Line Ventures, a New Jersey-based "double bottom line" early-stage investment firm (they say they look at both the financial and social impact of their investments) to secure the necessary funding and support for them to effectively merge and run the combined business. They plan to use money raised to facilitate the merger, hire programmers and develop new features for readers and creators, which they anticipate will be rolled out in a couple of months.

Joey’s press release is here. Josh’s is here.

We here at ComicMix wish them the best of luck. We need a healthier ecosystem for online comics, and this looks to be another giant step forward.

Hellboy, Vol. 7: The Troll Witch and Others — Review

  • News
  • October 29, 2007

This is another one of the periodic clean-up volumes to collect shorter Hellboy stories – like The Chained Coffin & Others (volume 3) and The Right Hand of Doom (volume 4). Shorter doesn’t necessarily mean less interesting, but these aren’t stories that advance the Hellboy mythos or continue his main story – they’re all set in his past (from 1958 through 1993, up until about the time of the first major Hellboy storyline, Seed of Destruction) and mostly feature retold bits of folklore or tales.

The most substantial work here is Makoma, a two issue series written by Mignola and with art mostly by Richard Corben (inside a Mignola framing story). It’s a little odd to see Hellboy drawn by someone else – Mignola has let other hands illustrate the B.P.R.D. stories, usually Guy Davis, but this was the first Mignola Hellboy story of any length illustrated by someone else. Makoma retells an African folktale – of the “series of trials of the hero” variety – with Hellboy taking the place, and name, of the original hero. Corben’s people are less stylized and fleshy than they sometimes are, which suits my tastes, but it might feel like lesser Corben to those who prefer him at his most distinctive. The story itself is pretty straightforward, and adapts well to Hellboy – Makoma also was the kind of hero who walked up to giant monsters and started hitting them until they either died or gave up – though it’s fairly thin. (more…)

Of course A Is A, by Mike Gold

  • News
  • October 29, 2007

I finally got around to watching Jonathan Ross’s excellent BBC-TV documentary In Search of Steve Ditko and I’ve gotta tell you, this week’s Wazoo is going to be about one-third disclosures.

Disclosure #1 – I know Jonathan Ross. I gave him his first tour of DC Comics. At the same time, Karen Berger was giving Neil Gaiman a tour. Jonathan is a major teevee star out in Britain but was largely unknown in the States at the time. A long, long time comics fan (he owned a London comics store with Rolling Stone correspondent and seminal letterhack Paul Gambaccini), I think Jonathan was really into the anonymity of the tour… until we turned the corner and smacked into Gaiman. Being British and familiar with Ross’s work, Neil turned into a babbling fanboy. Being a comics fan, Jonathan was already a babbling fanboy. The two got along famously, while Karen and I were having a nice chat on the side. This connection actually becomes relevant anon.

Disclosure #2 – I know Steve Ditko. I love his stuff; all of it. We worked together on several comics projects, one of my personal fanboy highlights was standing in his studio in the then-lower rent portion of Times Square, and we’ve had lunch and dinner together on several occasions, usually with my pal and his frequent collaborator Jack C. Harris. We talked politics (go figure) and philosophy. In private, Steve was always free about his experiences at Marvel. This, too, actually becomes relevant anon.

One of the more interesting experiences I enjoyed was introducing Steve to Ross Andru. Both came into the business at roughly the same time and, coincidentally, both had drawn Spider-Man… although, of course, only one had co-created the character. Ross was as quiet as he was fascinating. He was well-versed on the Illuminati conspiracy, which was a favored topic of ours. I digress. (more…)

Worldly Serious

  • News
  • October 28, 2007

Out in the land of baseball humidors, the Beantown Bombers seem poised to win it all.  But here at ComicMix we like to think our columnists hit home runs every day.  Or at least we’re somewhere in the ballpark.  Here’s what we’ve served up for you this past week:

I have to retire all my baseball puns until next spring now, don’t I?

Devil’s Arcade, by Martha Thomases

  • News
  • October 27, 2007

In honor of Halloween, here are some things that have scared me during my lifetime.

  • Dell Comics. When I was ten years old, my friend Kenny Raffle had a big pile of comics he let me read. In the stack was a Dell horror comic about a giant hand that would come out from under the street through manhole covers, grab people, and devour them through holes in its palm. It was stupid but terrifying. Several years later we had squirrels in the walls of our house, and when they ran around in the middle of the night, it sounded like fingernails on the wall. I’ve since learned that Dell didn’t submit their material to the Comics Code, arguing they were inherently wholesome. I mention this not to defend the Code, but to demonstrate that what seems wholesome to one person can terrify another. Stephen King was afraid of the “twi-night double-header.”

  • High School. I know now that it’s almost impossible to be an interesting adult if you had a good time in high school, but it still haunts me. I dream about finding myself still there, despite my insistence that I’m an adult, I graduated college, and I can’t live in an all-girls dorm anymore. Also, I can no longer fit in my uniforms.

  (more…)

Whose Story Is It, Anyway? by John Ostrander

  • News
  • October 25, 2007

In any given story, one of the primary questions that must be answered by the writer is – whose story is it? For example – in any Batman/Joker story, we assume that the story is going to be about Batman. He is the title character, after all. However, the story can be about the Joker – taken from his perspective, with the Joker as the protagonist and the Batman as his antagonist. A protagonist, after all, is not always a hero.

Sometimes, when I’m having problems with a story, I’ll go back to that simple, basic question – whose story is it? The answer sometimes surprises me. When I was writing my historical western for DC, The Kents, I assumed for a long time that the story was about Nate Kent, who was the direct ancestor of Pa Kent, Clark’s adoptive father. It was only when I was deep into the story that it occurred to me that the story was actually about Nate’s younger brother Jeb, who takes a wrong road, shoots his brother in the back at one point, becomes an outlaw, and eventually has to make things right.

The story may not always be about a person. When I wrote Gotham Nights, the focus of the story was the city itself, and the city was comprised not only of its buildings and roadways but, more importantly, the people who lived there, of whom I tried to give a cross-sampling. Batman was a part of all that because he is a part of Gotham City but the miniseries didn’t focus on him. It was Gotham City’s story. (more…)

Gore, Mayhem and Violence, by Mike Gold

  • News
  • October 22, 2007

Unless you’re new to  or you’ve been avoiding our online comics (hey, c’mon, they’re FREE!) or our comments sections (where the real action is), you’ve probably figured out that I am among a number of cultural recidivists who hang out in this corner of the ether. Mark Wheatley, Andrew Pepoy, John Ostrander… well, damn, most of us, now that I think of it.

So it will come as no surprise that I’ve been reading Girasol Collectibles’ Pulp Doubles series (orderable at your friendly neighborhood comics shop and dozens of other online sources), featuring the original Master of Men, The Spider. The real one. The original. The man who best typifies pulp virtues, where the extreme is commonplace and New York City is destroyed every month.

It’s Jim Steranko’s fault. In the first volume of his History of Comics (and, yes, I, too, have been waiting patiently for volume three for over 35 years), he started off writing about the various costumed pulp heroes who influenced (or, in some cases, were blatantly ripped off by) sundry comic book creations. I had never heard of The Spider before, but Jim praised it as being so purple it would make a French king wince in pain.

Instead of filling space telling you what that means, I will instead tell you some of the plot points in The Spider #49, “The City That Dared Not Eat.” It’s one of my favorites, and it’s in Girasol’s Pulp Doubles #1. I don’t know how you can better that title, but, damn, author Wayne Rogers (no relation to Trapper John) certainly beats it to a pulp. Here’s just a few of the story’s highpoints:

(more…)

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