Tagged: ComicMix

TV Eye by Martha Thomases

A few thoughts on the Writers Guild of America strike, and what it means for comics – and you!

• If the history of comics has shown us anything, it’s the fact that the more satisfied the creative talent is with their deal, the better our choices in entertainment. The rise in independent comics that started with the undergrounds in the 1960s forced innovation on what had been a stodgy industry, not only in terms of subject matter but also in terms of revenue sharing and creator-owned properties.

• Television and movies are much more collaborative efforts than comics, so sharing copyrights and trademarks can be much more complicated. That’s why, in those media, the accepted standard payments are residuals and royalties. Even though the comics industry has been paying royalties for over a decade, I have not seen it make any difference in the bottom line at Warner Bros. or Marvel. When profits are shared, everyone profits. (Aside: Yes, I know studio accountants can magically make profits disappear. That’s a separate rant.)

• It’s kind of hilarious that people expect a flood of Hollywood talent to descend on comics during the strike. For one thing, most of the major publishers book up their talent on regular books for at least six months to a year. For another, the major publishers offer deals that are much worse than what the studios are offering. DC or Marvel may consider original graphic novels, but they’ll want to retain ownership, just as they do with all their other properties. (more…)

Manga Friday: Out of the Past

This week, Manga Friday heads into the past…sort of. I picked up the first volume of two extremely popular manga series, to see what they’re all about. But we’ll start with something even less likely.

Siku is the pseudonym for a British cartoonist of Nigerian heritage who’s worked extensively in the British comics industry for the last ten years, including the obligatory stint on Judge Dredd. But he’s done something very different now – a book called The Manga Bible. It’s exactly what it sounds like: a retelling of the entire Christian Bible, in a manga-influenced art style, in two hundred pages. The script was written by Akin Akinsiku, another Nigerian-British comics creator, and there’s a lot of script.

Now, I’ve read Bible comics before. (You might not know this, but your humble Manga Friday correspondent won his church’s Bible Olympics two straight years back in his ill-spent youth.) There was a set of ten or so books that I particularly remember from that time, which adapted the entire bible, one chunk per book. And even those comics were pretty wordy – folks in the Bible tend to talk a lot (even with a New International Version translation, like the Manga Bible uses), and descriptive captions are often required to explain what’s going on and who all of these people are.

The Manga Bible is extremely wordy; each page is nearly covered in captions and dialogue balloons, to the detriment of the art. Yes, the characters are drawn in a manga-influenced style, but the storytelling doesn’t owe much to manga at all. It’s exceptionally compressed, like an early ‘60s Superman story, without the expansiveness and flowing layouts of real manga. The art is eye-catching, though not so stylized as to appear completely alien to American eyes. So it’s a shame that it’s so cramped, shoved into small panels by the relentless flow of words, words, words. (more…)

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Life, in Pictures — Review

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OK, so you all know Will Eisner is a genius of comics – inventor of The Spirit, possibe coiner of the “graphic novel” term, namesake of awards, grandfather of every autobio cartoonist of the last three decades – right? But how many of you have actually read his stuff recently?

(Or is it just me – am I the only one who had spent more time reading about Eisner than actually reading his works?)

Eisner, at the end of his life (he died in early 2005), made a deal for much of his extensive backlist to be republished by the very classy – and previous not open to comics – publisher W.W. Norton. They published his last graphic novel, the not entirely successful The Plot, are in the process of reprinting many of his works, and, in particular, assembled three big omnibuses of Eisner’s best stories. The Contract With God Trilogy came out in early 2006, Will Eisner’s New York in late 2006, and now Life, in Pictures collects three of his most autobiographical graphic novels (and a couple of shorter stories).

Eisner was born in 1917, and turned back to comics after his retirement in the mid-‘70s, so it shouldn’t be surprising that there’s something old-fashioned about his stories. But yet these stories are so relentlessly old-fashioned, and so steeped in a New York that was obsolete before I was born, that it needs to be noted. (The story set the closest to modern times in Life, in Pictures is the earliest story, “A Sunset in Sunshine City,” set roughly contemporaneous to its 1985 publication. Other than that, the stories here reach up to WW II at best – and, then, only at the very end of a long story.

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Mix Picks Chicks Flix, by John Ostrander

Generally speaking, I’m a guy. When I get dressed, I’m usually not worried about the ensemble, just about whether it’s relatively clean. I’m not concerned about my “looks,” considering that at my age I haven’t got many looks left to consider. My sweetie Mary likes how I look and that’s good enough for me.

Thing is – I’m not really a “guy’s guy.” I don’t follow sports all that closely but that’s because I’m mostly interested in my home teams. Because I’m at heart a Chicago boy, that means that – with the exception of certain comparatively rare periods of time – following sports is an exercise in masochism, especially as I am a Northsider, which makes me a Cubs’ fan.

I’m not into the whole “alpha male” thing, either. Never was, never will be. If “winning” is that big a deal to the other guy and it’s not over anything important to me – fine, I don’t care. He wins. If the jerk in the other car HAS to zoom around me, cut me off, and gain 2.5 seconds – okay. I continue on, generally catch up at the next stoplight, pull in behind him and then mime laughing at him, pointing at his car, so he can see me in the rear view mirror. I never said I wasn’t petty.

I also don’t always give in. People who assume that get a surprise when it’s on something that matters to me – or I’m just feeling contrary and cranky. (more…)

The evolution of outrage, by Mike Gold

Running Press Book Publishers released a 1,200 page, 15 pound tome called The Completely MAD Don Martin, reprinting all the work Don Martin did for Mad Magazine, back when in the days Mad was a force to be reckoned with.

That means it upset our parents.

That function must necessarily pass from one venue to another. Mad pretty much owned that turf from its inception in 1954 until the mid-60s. It passed on to its own children: the underground cartoonists. They, in turn, begat Matt Groening. Remember when The Simpsons was going to bring down civilization as we knew it – you know, 18 seasons ago? Then Mike Judge and Beavis and Butthead were going to burn your house down. South Park was too obscene for late-night cable teevee. As Kurt Vonnegut (another candidate for this list) famously said: So it goes.

I first encountered Don Martin when I was eight years old: my sister had discovered Mad and I had discovered my sister’s comics stash. Whereas his artistic style was in the spirit of the time, sort of Virgil Partch crossed with Basil Wolverton, his intrinsic bizarreness leapt off the page and attached itself to my obdula oblongata. It shaped my worldview… which probably explains a lot.

The feature was called “The Paper-Pickers” and it was about two sanitation workers picking up scrap in the park. One is a virtuoso of his craft who can spear paper with aplomb. The other is jealous. Why, I don’t know. The virtuoso is doing all the work; the other guy is just taking a walk on a nice summer day. But the competitive spirit prevails, and the also-ran flips out, spears the virtuoso to death and stuffs him in his refuse bag with a smile of evil satisfaction that would frighten Hannibal Lecter after a nice meal. (more…)

An extra hour to read

Move those clocks back and use the exta time to settle in with ComicMix columns, why don’tcha!  Here’s what we’ve brought you this past week:

Now that’s an hour well spent!

Manga Friday: Superpowers

alice-2476961Only two books for Manga Friday this week; the deadline crept up on me and found me with a smaller “read” pile than I expected. But they’re both pretty good, and both are brand-new, which may make up for it.

First is Alice on Deadlines, which is the first time I’ve hit a concentrated dose of that Japanese-comics staple, the panty shot. Lapan is a Shingami — essentially an angel of death, or one of a legion of Grim Reapers, or something in that line of work. He and his co-workers travel to Earth to bring back dead souls who don’t come on their own, which sometimes requires a lot of “persuasion.” Lapan is also a fine example of that stock manga character, the horny creep. (We first see him absorbed in a dirty magazine at his desk.)

And, on the other side, Alice is a voluptuous young woman — presumably in high school. She’s terribly normal and average, except for being gorgeous (and it looks like all the other students of her all-girls school are also gorgeous).

Due to a mix-up, Lapan ends up in Alice’s body instead of the skeleton he was supposed to inhabit. And Alice is bounced into the skeleton. Wacky hijinks ensue, mostly involving Lapan-in-Alice’s-body trying to find a quiet place to fondle himself, and falling all over the other students. Along the way, the two of them do manage to take care of a few shishibitos (souls that cling to life instead of moving on, and which sometimes manifest magical abilities).

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The return of Jon Sable Freelance!

Jon Sable FreelanceContinuing with our commitment to bringing you the best in online comics, ComicMix is proud to announce the return of Mike Grell’s Jon Sable Freelance in an all new adventure!

Jon Sable is many things: freelance bounty hunter, bodyguard, mercenary, even a children’s book author.  It’s true.  Under the pen name of “B. B. Flemm,” Sable is the author of a popular series of children’s stories about a troop of leprechauns living in Central Park. 

How did he get to this point in his bizarre life? Ivory poachers slaughtered his family when Sable was a professional hunter in Africa.  Deported back to the States, he drank himself to the bottom.  With the help of his mentor, Sonny Pratt, and his literary agent, Eden Kendall, he struggled to put his life back together.

In his newest adventure, Sable is hired by the head of an African diamond cartel to transport a magnificent raw diamond to an exhibit in New York. But his task is complicated by having to play escort, bodyguard and babysitter to the cartel’s corporate spokesperson, Bashira, a temperamental model with a history of drug problems. While Sable struggles to keep her under control and out of tabloid headlines he finds himself the center of a deadly hunt and a plot that reaches beyond the world of glamour and into the world of terror…

Jon Sable Freelance: Ashes Of Eden premieres today on ComicMix, with new installments weekly– all online, all free!

And if you’d like to read the previous exploits of Jon Sable, we recommend The Complete Jon Sable Freelance from IDW Publishing, reprinting the entire run from the 80’s. The cover to Volume 1 of this handsome edition is pictured here.

Mystery Science Theater Returns

Unusual is in the mind of the beholder. My favorite teevee shows of all time include such fare as The Prisoner, Fawlty Towers, and Boston Legal – unusual to some, but probably not to most ComicMix readers. If pressed, though, I’d have to say my all-time favorite show was Mystery Science Theater 3000.

Well, in television, as in comics, the word "was" is rarely what it once was. After 11 seasons and nearly 200 two-hour episodes (including one theatrical movie that remains a cable perennial), the stars of Mystery Science Theater 3000 are back.

According to Satellite News, this Monday, November 5th (Guy Fawkes Day, no less), November 5th, MST3K’s parent company Best Brains Inc. will begin webcasting brand-new animated adventures of Crow, Tom Servo and Gypsy – the bots from the Satellite of Love and the only characters to survive all 11 seasons of the original show. (more…)

Free Mike Grell Forever

Starting Friday, November 2, ComicMix is proud to present, online and for free, Mike Grell’s newest graphic novel, Jon Sable Freelance: Ashes of Eden.

Jon Sable is many things: freelance bounty hunter, bodyguard, mercenary… even a children’s book author. It’s true. Under the pen name of "B. B. Flemm," Sable is the author of a popular series of children’s stories about a troop of leprechauns living in Central Park. How did he get to this point in his bizarre life? Ivory poachers slaughtered his family when Sable was a professional hunter in Africa. Deported back to the States, he drank himself to the bottom. With the help of his mentor, Sonny Pratt, and his literary agent, Eden Kendall, he struggled to put his life back together.

In Ashes of Eden, his newest adventure, Sable is hired by the head of an African diamond cartel to transport a magnificent raw diamond to an exhibit in New York. But his task is complicated by having to play escort, bodyguard and babysitter to the cartel’s corporate spokesperson, Bashira, a temperamental model with a history of drug problems. While Sable struggles to keep her under control and out of tabloid headlines he finds himself the center of a deadly hunt and a plot that reaches beyond the world of glamour and into the world of terror. But when diamonds are on hand, who would you expect to find behind the scenes, lying in wait?

Jon Sable: Ashes of Eden also marks the long-awaited reappearance of another classic Mike Grell, Maggie The Cat. The Jon Sable series was the best-selling title published by First Comics, one of the most important independent publishers at the birth of the direct market. Created (and owned) by Mike Grell, the character of Jon Sable is so popular that he was the inspiration for the ABC network series, Sable, in 1987. Rene Russo was a regular cast member, and guest stars included Lara Flynn Boyle and Del Close.

To celebrate, ComicMix is launching the first internet publication of two major works by Mike Grell, Shaman’s Tears and Bar Sinister. Shaman’s Tears was published by Image Comics in the 1990s, featured Grell’s Joshua Brand and guest-starred Jon Sable. Bar Sinister, with art by Rick Hoberg, contained a super-hero team introduced in Shaman’s Tears, was published by Valiant soon after. These will be full, 22-page issues, free and in color, online and for free at ComicMix.

Here’s the schedule: Shaman’s Tears Issues 0-4 runs 11/1 Shaman’s Tears Issues 5-8 runs 11/8 Shaman’s Tears Issues 9-12 runs 11/15 Bar Sinister runs 11/22 — Thanksgiving.