Tagged: comics

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Crime writer to tackle Hellblazer

ianrankin-8283970The Scotsman is reporting that Ian Rankin, writer of the extremely popular Inspector Rebus crime fiction series, will be doing a six-issue run on DC’s Hellblazer.

Rankin approaches the venture with appropriate trepidation: "Let’s wait and see if I can do it; maybe it will turn out that I can’t. It is much more like a screenwriter’s skill than a novelist’s skill. You have to use very few words, and a lot of the writing is just instructions to the artist."

A good observation for other famous "mainstream" authors with comic book aspirations to bear in mind!

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Sunday reading catch-up

You know you’re a geek when you go away-from-keyboard to spend the day with your cousins at a nifty local mall and your first thought upon seeing a Lego keychain display is, "Ooh, Batman and Robin and the Joker, this would make a cute photo for ComicMix!"

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And so it goes (apologies, etc. etc.).  Now for your weekly all-in-one post of our regular columns from this past week:

As for me, I’m going to catch up on Mellifluous Mike Raub‘s latest podcasts:

I’ll also be reading comics.  Have I mentioned today’s a good day to read comics?  Heck, what day isn’t?

GLENN HAUMAN: Arguments should be good

CBRJoe Rice disgraces himself and Comic Book Resources with one of the worst cases of paralogia and argumentum ad hominem I’ve seen since the Peter David/Todd MacFarlane Great Debate. His argument can be reductiod to the following absurdum:

  1. I like Fantagraphics products.
  2. Harlan Ellison is suing Fantagraphics for reasons I don’t even pretend to address or understand.
  3. Therefore, Harlan Ellison is a "petty old sci-fi writer" and "a tired old hack" and he’s suing because "in truth, because his widdle feewings were hurt at how they descwibed him".

Yes, Joe, comics should be good– and so should your arguments. I didn’t think there could be a Rice who could make worse arguments than Condoleezza…

Happy birthday, McDonald’s

mcdonalds-6459882comicbookguy128-9034416Fifty-two (there’s that number again) years ago today, the first McDonald’s franchise opened up in Des Plaines, IL, just north of Chicago’s O’Hare Airport.

It’s still there, but now it’s a museum – complete with 1955 cars in the parking lot.

On behalf of what you’ve done for the bodies of millions of comic book fans across America, we’d just like to say: Thanks heaps.

(Comic Book Guy artwork © Fox. All Rights Reserved.)

MARTHA THOMASES: Girls’ Powers

Why do we like superheroes?  There are many theories.  The one that makes the most sense to me is that they arise from our frustrations with our own bodies.  As someone who was once the mother of a two-year old (as well as once a two-year old myself), I’ve seen how the rage and frustration of an infant gets transformed with words into imaginative play, with storylines so complicated they would baffle Grant Morrison.

We want to fly and we can barely walk.  We want to lift cars over our heads, yet we struggle to pull up our pants.  We want to leap buildings with a single bound, but the monkey bars at the playground are too scary.  No wonder we are drawn to superheroes.

Since most comic books have been written by men and purchased by boys, we can make fairly educated guesses about what most frustrates the male of our species.  They want to be stronger.  They want to be faster.  They want to be more powerful.  They want to be able to physically and mentally dominate. 

What about women?  Do we want the same things?  Do we want something different?  If women controlled the superhero comic book market, would other kinds of characters be more successful?

May I suggest the following:

Metabolism Lass – The woman you love to hate, she is able to eat anything at all, even cans of frosting, without gaining weight.

Multi-Task Mistress – She can tend to a screaming baby, a demanding boss, a helpless husband, all while explaining to her mother, on the phone, how to use the Tivo.

Invisible Girl – No, not Sue Richards.  This I-Girl is able to walk past a group of construction workers, Wall Street traders or street kids without rousing any whistles.

Couture Queen – Sick and tired of clothes designed for people with no hips or thighs, she has the power to create clothes that actually fit, look good and feel comfortable on adult women.

Manicure Maid – It’s a cliché of modern times that if you want to show a character is spoiled, you make her complain about a broken nail.  Hey, it hurts to break a nail!  Despite the pain it causes, Manicure Maid uses hers as weapons, firing cuticles like bullets at badguys.

Princess IRA – Our heroine can stretch a pension check from here to Pluto, which is a useful power when women live longer than men, but earn less.

Guilt Girl – Doing amazing feats on your own is great, but she completely understands that you don’t have time to help her overcome the monstrous evil she faces.  Really, it’s okay.  She’ll get by.  Don’t trouble yourself.

Have ideas of your own?  Put them in comments!

MICHAEL DAVIS: Art School Confidential

michael-davis100-2929148The one thing you can count on in the comics business is people want to get in. By this I mean there are a zillion people who want to make comics their lifework. To some “comic books’ is a silly way to make a buck. Well forget them. Tell them to have a ham sandwich and shut up. I’m talking to all the young creators who want to make this their careers. I know a bit about this and if you allow me I would like to share some of what I know with you.

The first step on the road to comic immortality is education. I want to talk to the young artists out there. I will let my good friend Mike Baron in a guest column talk about becoming a comic book writer (Mike, please write a guest column for me!).

There are a lot of young artists who think it’s smart to simply copy Image Comics from the nineties and that will give them the art background they need. It won’t. By the way, Image does great books and Jim Valentino has a fantastic nose for good content. I’m sure that Jim would agree that the books Image is doing today are vastly different from the ones they were doing when they revolutionized the comics industry in the nineties. There are a great many young artists who think that copying Todd McFarlane or Rob Lefield will give them the tools they need to be the next Todd McFarlane or Rob Lefield – again, it won’t.

There are no sure fire ways to break into the comic industry as an artist. The industry is filled with self-taught artists-some of these self taught creators are superstars. However, most people can’t simply draw themselves into the field. For the majority of you I think a good art school is a great first step, the first step you will need to establish your own way in a very competitive comics business. How do you choose a good art school?

Very carefully.

An art school should not just teach you art, it should equip you to navigate the business. You want a school that will deal with you as an aspiring professional and not just an artist. A lot of schools don’t do that. Some of the best schools have working professionals teaching there. You would think that will be a great place to go right?

NOT necessarily.

Some instructors will share with you every single thing they know. Some won’t. Why won’t they? Because you will be their competition in a very short time. Because they will someday fear you.

Oh. Nobody told you that?

Look, the professional art school is a business. Before I go on let me be clear: I’m not talking about teachers in fine art curricula. Those teachers teach students who want to make art for art’s sake. Those students want to bring their vision to people for no other reason than to make their personal statements. I’m talking about teachers of Illustration, Cartooning, Animation, Graphic Design or any commercial art course. Chances are if your teachers are working professionals they will not share with you all their contacts or their knowledge. Or to put it another way, if you were an rookie on The New York Mets and your position was center field, do you really think the veteran who held that position would tell you all he knew? (more…)

JOHN OSTRANDER: Hurling stones

ostrander100-9025781I had a couple of other topics I was going to work on but then I read Mike Gold’s column this week and decided I had enough to say to on it and the subject of his column that I might as well do it in my own. Thanks, Mike, for supplying my column this week!

The question at hand was Don Imus’ racist remarks on his show, categorizing Rutgers University’s women’s basketball team (the majority of whom are black) as “nappy headed hos.” (For short, and because I don’t want to perpetuate the comment by repeating it endlessly, we’ll just reduce it to   “nhh”.)

Imus has since apologized at length, doing the mea culpa circuit that prominent white men do when they get caught putting their feet in their mouths. There have been the chorus of calls for Imus’ resignation or firing and Imus has said he was just trying to be funny and he’s really a nice guy and so on. As I write this, Imus has been suspended by CBS radio for two weeks and MSNBC has dropped the television show. After a ritual flogging on the Rev. Al Sharpton’s radio show, Imus is now scheduled to meet with the women he actually insulted and their families. Nice to know we’re all keeping our priorities straight.

Caveat: I don’t listen to Imus. If I’m listening to radio in the morning it’s generally NPR and I don’t do that very often. So I’m getting a lot of this second hand or worse. I’ve never been into the whole “shock jock” thing so you can take what I have to say with that grain of salt. Also, I’ve had my own brush with hoof in mouth disease in a script where I referred to Asian people as Orientals. As has been driven home to me, Orientals are rugs; people are Asian. So I am not within sin. I’m throwing rocks anyway.

Let’s talk about Imus first. My first reaction on hearing all this was, “What an incredibly stupid thing to say.” Imus has been in the game long enough and he knows the field. He has no internal censor that suggested to him for a half second that referring to African-American women as “nhh” just might get him into trouble? Frankly, I always had the impression that Imus was sharper than that.

And then the cynical Chicagoan side of me kicked in. Maybe Imus’ attitude at the time was “Well, remarks like this sure gets people talking about ya, doesn’t it? Good, bad – does it matter so long as they don’t forget you?” Now people might listen in to hear how contrite you are, or if you’ll do it again, or because they think you should do it again. What’s a shock jock without a controversy? Or maybe he didn’t expect people to get upset – stuff like this has been his stock in trade, right? Isn’t it why people listen? Imus says what a lot of people think – isn’t that the justification? The current brouhaha is just a matter of degree.

I wonder – what would the reaction have been if it was the Rutgers men’s basketball team that lost in the Finals (they didn’t even get that far) and Imus had called them “nh (fill in the blank).” Actually, I’m betting nothing would have happened because Imus would have realized, before he said it, that it was going too far. But these are just female jocks. Who really cares, eh? Let’s call them whores because they lost a freaking basketball game. Maybe if Imus had just stuck with being misogynistic instead of racist, he would have been okay. (more…)

Stocking up on comics

Via Lisa at Sequentially Speaking comes an article in American.com about the sure bet of investing in comics and other collectibles.  Naturally, Kevin Hassett points the exceptions to the rule in order to prove his thesis, which helps nobody.  The operative word here is "rare," people.

Plus, he supplements his databy looking things up in the Price Guide, which we all know deals more in theoretical than actual value, the latter being arbitrariily determined from day to day by whatever each buyer and seller actually feels like paying for and selling a book. 

This knowledge would seem to make the answer to Hassells question, "Why don’t sophisticated money managers and operating companies invest in comic books?" fairly obvious.

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DENNIS O’NEIL: No evil lurks this week

Okay, okay, I’m sorry. I know I promised, at least implicitly, to deliver Who Knows What Evil Lurks – Part 2 this week. But that will take some time and maybe digging, to write and, honestly, I have the luxury of neither. By the time you read this, I’ll either be at or returning from Juaniata, Pennsylvania, where I’ve been invited to be the guest of Jay Hosler and maybe shoot off my mouth in public a bit. I’ve been busy doodling notes for said mouth-shooting; hence no dissertation on lurking evil.

I thought about just blowing off this whole column thing, or delaying it until I was back here in scenic Upper Nyack, and rested. But… I promised editor Mike Gold and PR goddess Martha Thomases that I would deliver a minimum of 500 words each and every week. And I made the same promise to myself. Sternly, I said to myself that I had to respect the deadline, even if the deadline in question is largely of my own making.

By the way, I don’t hate deadlines the way a lot of writers and artists seem to. Maybe that’s just because I lived with them for so long – for over 40 years, they were a constant part of my life. What can be said against them is that they can be a pain in the ass. What can be said for them is that they can impart focus to a project and they can be an impetus to stop kvetching and worrying about your ability to leave civilization breathlessly in your debt (and maybe sit on David Letterman’s couch) and just, please, get the damn thing done.

A couple of paragraphs back – I’ll wait while you check – I mentioned Jay Hosler. Doctor Hosler teaches biology at Juaniata College, is a proponent of evolution, a comics enthusiast, a writer, and a cartoonist. He’s done two graphic novels which I found educational and very entertaining. You’ll find the titles below.

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Sacco on Iraq

saccothumb-3616153Via Jessa at Bookslut, the good news is that comic artist and journalist Joe Sacco has a 16-page piece in the latest Harper‘s entitled Down! Up! You’re in the Iraqi army now.  You can see the thumbnails (like the one at right) here

The bad news is, you can’t see the full-size art to actually read the piece unless you buy the issue. Joe’s worth it.