Tagged: comics

All Pulp Interviews Bad Tiger #3-D. C. Golightly!

For the third interview in the BAD TIGER series, ALL PULP corners Writer/Creator/Marketing Director D. C. Golightly!

ALL PULP: Tell us about yourself, your personal background, and how you got into writing/art/etc.

 DCG: I reside in Pittsburgh, Pennsylvania with my wife and kids. I love comics, cookies, and characters. Follow my freelance rumblings at http://dave-golightly.blogspot.com/. I’ve always been a huge comic fan, and growing up I really got into more adventure pulps as my comic collection grew. Since I wanted to weave a wonderful world myself, I started scribbling little stories. I’ve been lucky enough that some people are willing to pay for those stories. I always wanted to be an artist, but I lack talent. Therefor the pen is the only version of the brush that I can manipulate as a creator.

AP: What is your role at Bad Tiger?

DCG: I write The Skull, a bi-monthly strip, as well as the prose for The Black Kingdom. I’ve recently agreed to take on the role of Minister of Propaganda…or Marketing Director…or whatever you want to call the guy that advertises our junk.

AP:  In our modern society, some would say that there’s nothing new or original anymore. What makes Bad Tiger stand out?

 DCG: It’s a group of like-minded people that have a single goal: create awesome stories. We’re not doing this to get paid; we’re doing this because we love these characters and this genre. There’s a lot of work being put into this venture, and a lot of talent to recognize. This group is populated by people that are not only good enough to make it in the industry, but to an extent already are. We choose to take the time to build this initiative because we believe in it and want to get our stories told.

AP: What are your inspirations, influences for the work you do?

DCG: Jim Butcher is always on his game, and I would buy lunch for Mark Waid any day of the week. Jeffery Deaver can write a character out of any corner.

AP: What do you think appeals to the public about heroic/genre fiction and/or comic strips? Why will people come to Bad Tiger?

DCG: Bad Tiger Studios will quickly become a place fans recognize as a platform for creative talent, free of charge. We’ll toss incredible projects to the wall, see what sticks, and then turn them around for readers. The quality of the material is out of this world and the people interested in this genre will undoubtedly return after they get a sample of what we have to offer. These are the kinds of stories that people want to see, and we’re more than happy to offer them.

AP:  Free response! Say whatever you’d like to about Bad Tiger, yourself, or the experience!

DCG: I’m flattered to be associated with such uniquely creative people. These people are putting in many long hours of work just to provide entertainment, and all they are asking for is a shot to be viewed.

BAD TIGER STUDIO- www.badtigerstudio.com

 

ALL PULP INTERVIEWS BAD TIGER #2- JUSTIN DITZLER!

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ALL PULP continues its series of interviews with BAD TIGER STUDIO! This time, we have co-founder Justin Ditzler in the hot seat!

ALL PULP:  Tell us about yourself, your personal background, and how you got into writing/art/etc.:

JD: I live in Central Pa with my wife and we are expecting our first child in December. I have always been an artist, for as long as I can remember. My family still has drawings of mine from before I can even remember. I’ve always enjoyed working in pencil, black and whites, and inks. When I was in school, all of my best grades came from art class. I entered a few school based competitions over the years and usually place high if not on top. My home town is also the location of the county fair where the school would enter my work and I had quite a nice collection of blue ribbons as a kid. As I grew older, life kept pushing me further and further away from the artwork that I loved so I was forced to find other outlets for my creativity. Through this I discovered I could use a computer to create, so I took to some digital coloring for my drawings and scraps. Over the last decade or so, I’ve been learning about digital art and web design in my free time and squeezing in some drawing where I can. In the past I have created album art and logos for the various musical projects and the occasional tattoo design.
 I am new to the world of comics and pulp, but I’m really liking what I have seen thus far.

AP: What is your role at Bad Tiger?

JD: I am the Co-Founder of Bad Tiger Studio, along with C. William Russette. Also, I am the web-designer/webmaster at www.badtigerstudio.com, the Co-Creator of Operator Zero and the colorist/letterer of Operator Zero. Furthermore, I have designed all of the logos for Bad Tiger Studio and Operator Zero and I am one of the Administrators of the Bad Tiger Studio Facebook Page.

AP: In our modern society, some would say that there’s nothing new or original anymore.  What makes Bad Tiger stand out?

JD: In most cases, I would agree. Originality is something that seems to be very hard to come by these days. To me this is not a surprise. With the invention of the internet and social media it’s becoming harder and harder to come up with a truly original idea. Also, we have to consider the amount of characters and stories that are out there today. Our Genre is not a new one and there are so many Archetypes out there that influences and similarities are very hard to escape.

I think originality is found within the stories of the characters we create. As creators we spend amazing amounts of time figuring out the backgrounds and the stories of our characters. When we write our stories we need to know how our characters will react to the situations and why and what made them react in such a way. So we spend countless hours creating worlds, families, friends, foes and histories just so we can convey the best story and best character to our readers.

At Bad Tiger Studio, our characters and our stories make us stand out. From our writing to our character design and development, to our artwork and finished products, I think we have some great things to offer.

AP:  What are your inspirations, influences for the work you do?

Considering I am quite new to the world of comics and pulp, I think my inspirations and influences are everywhere. I’ll spend hours in the local book store browsing the comics section, picking up book after book just to see the differences in style and technique. Sometimes I learn things and sometimes I get lost in the story.

JD: What do you think appeals to the public about heroic/genre fiction and/or comic strips?  Why will people come to Bad Tiger?

I think hero fiction appeals to everyone’s inner hero. I think that all people have some sort of drive or urge to do the right things on one level or another. The hero fiction genre allows us to indulge our inner hero with the ability to put ourselves in the hero’s shoes, or cape in some cases. These small escapes give us the opportunity to imagine ourselves standing up for what is right and just. Thankfully for us, the creators, once a person is hooked on this feeling and finds our characters relatable, they keep coming back for more. I think as our stories unfold at Bad Tiger Studio, our audience will see just how intricate our stories are and they will keep coming back to find out where the story is headed next.

AP:  Any last words?

JD: Thus far Bad Tiger Studio has been a great experience for me. I work with very talented people and we all seem to share a common interest. We all want to get our characters out there into the hands of the readers and we all want to tell our stories.


Bad Tiger Studio- www.badtigerstudio.com 


Dynamite Furthers Red Sonja’s Legend

Art: Frank Thorne

Art: Frank Thorne

In addition to the new Red Sonja comic book launch with superstar writer Gail Simone, Dynamite Entertainment has announced a new series, Legends of Red Sonja with an all-star cast of female writers.

OFFICIAL PRESS RELEASE:

Following on the immense success of the newly launched Red Sonja ongoing series by Gail Simone, Dynamite proudly announces the upcoming Legends of Red Sonja prestige miniseries, an extravaganza celebrating the iconic fantasy heroine’s long and storied career.  Legends of Red Sonja is a collaborative effort uniting Simone with a star-studded and prestigious creative team including Marjorie M. Liu, Mercedes Lackey, Kelly Sue DeConnick, Rhianna Pratchett, Leah Moore, Tamora Pierce, Blair Butler, Nancy Collins, Meljean Brook, Nicola Scott, Devin Grayson and more to be announced.  Frank Thorne, one of the key artists responsible for defining the character’s distinct look, will be among the artists to contribute cover artwork, as will Jay Anacleto.

Art: Frank Thorne

“When it was first decided that I would be taking part in the relaunch of Red Sonja, we had what I thought was a very fun idea, which was to have all the covers and variant covers be drawn by top female artists,” says Gail Simone, an industry legend with celebrated runs on Birds of Prey, Secret Six, and Batgirl.  “The idea just took off, as some of my artistic heroes, people like Colleen Doran, Amanda Conner, and Nicola Scott all contributed these gorgeous, eye-popping pieces of art for the book.  It made everyone tremendously happy and gave us a wonderful extra kick for our relaunch of this classic character.  So when Dynamite told me that the 40th anniversary of Red Sonja was coming up, I thought, ‘I wonder if we could do the same thing, but with all my favorite female writers?’  I can’t tell you how exciting this is for me, it’s something I’ve wanted to do for years.”

Art: Jay Anacleto

The structure of the Legends of Red Sonja prestige series will be, in Simone’s words, “a braided story, with individual, unique stories written by titans of comics, prose, and the gaming world.  These are all powerful voices whose work I adore.  Dynamite asked me to make a list of the women I’d love to see included, and again, I was astounded at the eager responses!  We have giants of the fantasy and horror prose world; Tamora Pierce, Nancy Collins, and Meljean Brook. We have some of the hottest comics talents; Marjorie M. Liu, Mercedes Lackey, Kelly Sue DeConnick, Leah Moore, Devin Grayson and (in her first published story as a writer) Nicola Scott.  And we have brilliant writers from games and television; Rhianna Pratchett and Blair Butler.  Getting to hand-pick this crew of fierce women was an absolute joy, and the fun of it is, we’re all fans of Red Sonja, and of each other.  Throwing ideas back and forth and shaping the stories has been some of the most fun I’ve ever had in comics.  I can’t wait for people to read these takes on Red Sonja…some are funny, some are scary, some are very different versions of Sonja than we are familiar with!”

Art: Frank Thorne

Many of Gail Simone’s hand-picked contributors have shared their excitement about the project:

Rhianna Pratchett (Heavenly Sword, Mirror’s Edge): “I treasured my Red Sonja poster when I was kid.  So to get the opportunity to write a story for the character, and to do it in the company of such extraordinary, talented women, is a dream come true.  My younger self is definitely high-fiving my older self.”

Leah Moore (Doctor Who: The Whispering Gallery, Sherlock Holmes: The Liverpool Demon):  “It’s not everyday that Gail Simone asks me to write Red Sonja.  To be honest, I’m glad, because when it happened, I had to be peeled off the ceiling.  Writing Red Sonja has been a personal ambition of mine for a long time.  She is about the most fun a writer can have.  She’s a loner, a grouch, a badass, and is apparently impervious to cold.  I am almost too excited about this project to actually write the thing, which is counter-productive, really.”

Art: Frank Thorne

Tamora Pierce (The Song of the Lioness, Mastiff):  “This is the coolest project ever: new stories crafted by some of the best writers and artists out there, about a woman warrior created by one of my literary idols, Robert E. Howard, spearheaded by my comics goddess, Gail Simone.  I’m honored to be a part of this, and can’t wait to see the whole thing.  It will be a ground-breaking, multilayered view of a character who has been brawling through comics for decades!”

Blair Butler (Heart, host of MSN’s Nerdcore):  “I’m honored and exceedingly intimidated to be included in this group of talented creators.  Gail Simone is amazing — and her take on Red Sonja is something I’ve been looking forward to since it was announced way back at Emerald City Comic-Con.  So when she asked me to contribute, I agreed immediately, even though I’m totally nervous about it.”

Art: Jay Anacleto

Nancy Collins (Swamp Thing, VAMPS):  “I am thrilled to have been chosen by Gail Simone to participate in Legends of Red Sonja.  I remember how excited I was when I plucked Conan the Barbarian #23 off the spinner rack as a kid, all those years ago, and finally saw a female hero capable of dishing it out with the best of them.  I am honored to have been given this chance to add to Red Sonja’s mythos.”

Meljean Brook (Iron Seas, Demon Angel):  “I’m absolutely thrilled to be writing a story for the she-devil, Red Sonja.  I first encountered Red Sonja in the movie with Nielsen and Schwarzenegger when I was about eight years old — and I know that movie isn’t without its problems, but it’s almost impossible to describe how incredible it was to watch a film in which the heroine was just as strong and as tough as the muscle-bound hero.  I loved that she was arrogant, skilled, and never wimped out or waited for rescue, and I immediately went out in search of similar stories about her.  Red Sonja was a revelation to eight-year-old me, and I can trace many of the heroines I write today back to those roots.”

“Wow.  Gail and the editorial team at Dynamite have put together an incredible team of creators – a prestigious and impressive list – on a series that celebrates one of the strongest female characters in comics.  I can say, that they have done an incredible job together, and I thank them.”  States Dynamite CEO and Publisher Nick Barrucci.

Learn more about Dynamite Entertainment here.

Michael Davis: The Coming of the Fan Boy

davis-art-130709-2290947Word on the street is Warner Bros has announced a new venture, DC Nasty.

DC Nasty is an adult film company created because Warner Bros sees an opportunity to fill a gap, plug a hole and make a big splash in a vastly underserved audience, grown fan boys who rent or buy porn almost 600 times more than video games or comics.”

This, from the Warner Bros Press release.

A recent ComicMix poll showed 92% of grown fan boys do not have wives or girlfriends, 80% make 5-6 figure incomes and in what was alarming to this reporter, 70-100% go blind by the time they are 50.

Rumors are flying as to who will head up the new venture. A high level unnamed source at DC thinks that a former DC executive who recently returned to the freelance ranks will run the new company.

An announcement is anticipated to be made at this years’ San Diego Comic Con. Expected to be among the first wave of projects are Sgt. Rock, Deathstoke, Elongated Man, Man of Steel and Swamp Thing.

It seems that the industry has realized that Warner may be on to something.

There are reports that Marvel is also thinking about getting their hands into porn by creating a division called Marvel Masturbation. Projects include the Hulk, Mr. Fantastic, the Thing and the Black Avengers.

An unnamed source from Marvel said they wanted to create as much tie-in with the comics as possible. With that in mind, Make Mine Masturbation is being considered as the slogan of the new venture.

Fan boys are certainly already doing that. The question is will they pay DC and Marvel to supply them with their reason for doing so?

Will this new venture let DC, Marvel and their fans share a happy ending?

That’s a sticky question.

WEDNESDAY MORNING: Mike Gold

THURSDAY MORNING: Dennis O’Neil

 

Michael Davis: Alone In My Room

davis-art-130702-1-9405693The other day I was sitting in my studio at 4 AM working on a double page spread for a graphic novel I’m writing and illustrating.

There was a movie playing in the background, coffee and tequila on my side table and my dog Puffy laying at my feet. The house was silent, well silent except for the screams of the guy Jason Statham just threw off a roof in the movie I was watching.

Other than that guy screaming like a little bitch, my house was silent.

All of a sudden it hit me. I’m an artist.

I went to school to become a professional illustrator. I wanted to study to be a cartoonist because I wanted to do comics so badly!

davis-art-130702-2-4661439But…

My cousin told me if I became a cartoonist I would “stave and die.” My cousin was also my mentor and if not for him there was a very good chance I’d be in jail or dead now.

No joke.

He’s also a world-renowned artist. How renowned? The house I live in cost less than one of his paintings and I live in a pretty nice house.

Again, no joke.

So when your cousin who is also your mentor who also saved you from death and/or prison who is also a world-renowned artist tells you if you became a cartoonist you will stare and die, you listen.

I listened.

I became an illustrator and as luck would have it the industry changed so as an illustrator I could still do comics just not the traditional way they had been done.

My illustration career was pretty damn good before I got into comics that I did pretty damn bad. It took me a while to understand the medium but once I did the work got better…I hope.

Somewhere along the way my illustration and comics career stopped completely as I found myself working in other media: television, publishing, radio and education.

Before I knew it I had a mini entertainment empire going and the only art I was doing was doodling a  fat Batman every chance I got.

At 4 AM the other day sitting in my studio I realized that all is right when I’m doing art. Just me, my dog, my Captain Action mug for my coffee and tequila, a movie and my work is freakin awesome.

No Hollywood drama, no politics, no egos, no bullshit.

It’s like when I was in the sixth grade drawing the adventures of The Fighting Five my very own superhero group. The Fighting Five were, the Liberator, (spelled Liverator; I went to public school) Bulldozer, The Anything Man (because I couldn’t think of anything else to name him) Judo Master (stolen from Charlton Comics but I felt I could use him because his book was cancelled) and The Human Torch (but it was the original Human Torch and I felt I could use him also since Marvel had thrown him away).

When I was alone in my room in the projects with my art nothing else mattered and I was the happiest I’d ever been as a child. Now, I’ve come full circle as I sit in my studio alone at 4 am in the morning happy with what I’m doing and who I am.

People have a hard time putting me into a category because I wear so many hats. I usually just say I’m a content producer but that’s never really felt right to me. It’s just an easy way for me to say, I’m a writer, TV producer, etc., etc., Shado, Shado (a invitation to my annual San Diego Comic Con party to the first person that gets that joke) I just figured out at 4 am in the morning sitting in my studio what and who I am.

I’m Michael Davis… and I’m an artist.

WEDNESDAY MORNING: Mike Gold Presents Pulp Pulchritude

THURSDAY MORNING: Dennis O’Neil Goes Fourth

 

REVIEW:The Silver Six

The Silver Six
By AJ Lieberman & Darren Rawlings
Scholastic Graphix, 188 pages, $10.99

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There’s a refreshing breathlessness to the action in The Silver Six, a brand new graphic novel being released on Tuesday. Set in a bleak future, humanity has apparently paved over the planet and has to survive in domed cities to breathe. Classes take field trips to the nearby corner where a tiny square of parkland, complete with a single tree, is an object of fascination. It’s a harsh and brutal form of survival given that the planet’s energy needs are seemingly handled solely by Craven Industries. They supply something called Hydro-2 and as long as they control this supply, they seemingly work above the law.

So does Phoebe Hemingway, a 12 year old whose parents died on a shuttle accident a year previously. She and her robot Max have been dodging revealing her true existence until social services finally catch up with her. Placed in an orphanage, Phoebe encounters five others and forms a fast friendship with them as if fate brought them together. As the story unfolds, that’s exactly the case as we learn each holds an identical document signed the day before their parents all died on the shuttle. Embedded in each document is a piece of a tiny electronic memory that needs to be pieced together so the kids can learn what really happened to their parents.

Meantime, old man Craven has dispatched Sam to retrieve Phoebe’s document, beginning a game of cat and mouse that drives most of the action. Once the running starts, they make it from the orphanage to a spacecraft to a moon and back again. Along the way, there’s some entertaining banter, some heroic acts, and an awfully lot of rushing around. Lieberman, best remembered for a run on Batman comics a decade or so back, keeps things moving so quickly that his target readers, 8-12 year olds, will turn the pages never stopping to question how 12 year olds know how to pilot spaceships and build robots.

Teachers will love this for its themes of friendship and family, heroic sacrifice and so on. There’s a large dollop of technical know-how tossed in yet we never see the kids actually taught any of this. Instead, the orphanage facility’s teacher is unintentionally misinforming the kids thanks to a Craven-supplied text.

Lieberman doesn’t do enough to make the six characters distinct and Darren Rawlings’ art style makes them appear 8 years old, not 12. Still his drawing is clear and imaginative with good color, which makes sense given his experience at Big Studios.

As an introduction to young adult science fiction or comics, this works just fine. It’s not the most original story and the plotting gets muddled halfway through, but the readers won’t notice, captivated by relatable, plucky characters.

Elizabeth Watasin Visits The Book Cave

The Book Cave crew had the great pleasure of having Elizabeth Watasin visit and chat about her best selling novel and news about her comic book.

Listen to The Book Cave Episode 235: Elizabeth Watasin now at http://thebookcave.libsyn.com/the-book-cave-episode-235-elizabeth-watasin

GUEST REVIEW- SALMON REVIEWS TRILOGY OF TERROR!

TERROR TIMES THREE

A Review of Kelly Everaert’s TRILOGY OF TERROR by Andrew Salmon

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What’s in a name? Well, plenty. Permit me to elaborate. The title of Kelly Everaert’s homage to the great horror magazines and comics of yesteryear might lead the reader to conclude that there are only 3 tales in this beautiful 54-page, black and white, 10.5″ X 8″ stroll through nightmares. Not so, the title refers to the volume being a collection of the 3 issues of Everaert’s small; press comic. There are 6 tales in this gloriously beastly book – tales you don’t want to miss.

That is if  you’re a fan of the EC horror comics, Eerie, Creepy and the like. If the style of the cover illustration alone doesn’t ring any bells, then you’re in troubled waters, hard about. However, for any fan of classic horror, and who isn’t, TRILOGY OF TERROR will fit your reading needs like your favorite easy chair fits your nether regions. Everaert has clearly done his homework with this volume. That he is a fan of this stuff shines through on every page.

“Retribution From The Deep” gets the bleeding started with a haunting tale of greed and revenge. “Awaiting Rescue” jumps ahead for a quick sci-fi tingler featuring a female astronaut stranded on an alien world who may, or may not, be alone. “The Curse” yanks us back to Victorian times for a journey into the occult for the book’s longest tale. The fast-paced “Open House”shows us that a lot can be revealed when showing a property to prospective buyers. Should one only be afraid of getting mugged while walking through New York’s Central Park? “A Walk Through the Park” answers that question. Here Everaert gets a helping hand with inks by Robin Thompson. Everaert brings the collection to a bloody close with “The Prize Catch”, a shocker Lovecraft would be proud of.

TRILOGY OF TERRORis a throwback in every sense of the word. Everaert is not trying to re-invent the wheel here. This is no updating or re-imagining of the classic horror comics. Rather the book stalks down this familiar territory with gusto and verve served up by an artist who knows the route to what scares us. The artwork is richly detailed, heavy blacks abound. The tales move quickly. The writing duties are shared between the writing tag-team of Kelly and his wife, Michelle and the tales move towards their grisly conclusions at a great clip. The variety of tales here also means that there’s something for everyone to scream at.

For those readers out there who can only look longingly at the original issues of the horror classics or shake one’s head in awe at the prices for the various collections of same, TRILOGY OF TERROR, coming in at $6 a throw over at IndyPlanet will seem like a steal. Don’t miss this one horror fans!

To find out more about the artist and his work check out: Kelly Everaert

Martha Thomases: Comics Girls Like?

thomases-art-130607-8146418It’s a modern meme that geeks are guys, and tech nerds are guys, and that first adapters are guys. Girls are more interested in gossip and romance and shoes.

All guys are Sheldon Cooper. All girls are Kim Kardashian.

Needless to say, none of this is true. Not only is it a ridiculous exaggeration (which it is), but the initial assumptions aren’t true.

It isn’t even a societal expectation any longer. According to a new study, girls “are getting earlier and deeper access to (digital) devices than boys.”

Girls have always read more books than boys, and, as a result, women have always read more books than men. This is true throughout all genres of fiction, including science fiction and mysteries.

The area in which it is not true is comic books.

We can all recite (in unison) the reasons girls don’t read comic books as frequently as boys. The environment doesn’t welcome girls. Too many comic book stores (still!) promote their wares with posters featuring super heroines with impossible anatomies and sculptures of super heroines with impossible anatomies and action figures of super heroines with impossible anatomies.

Thank goodness there is more to comics than comic books like that. Unfortunately, it can be difficult for a new customer to discover other kinds of books when stores don’t promote them.

However …

Girls with parents who give them tablets to play with in numbers greater than boys, and girls whose parents let them read books on tablets in greater numbers than boys will soon be girls who read comics on tablets in greater numbers than boys. They will provide a lucrative market for the kinds of comics girls like, and they won’t have to go into a comic book store to do so.

If these girls are like other readers of e-books, they will enjoy reading books online, and then want to own physical books as well. Will comic book stores be able to deal with this?

Successful bookstores don’t separate their wares into girls’ books and boys’ books. They rack them by subject matter and genre. They promote new titles and famous authors, true, but they also tend to “hand sell,” which means that employees will recommend books they’ve enjoyed to customers who ask. Publishers might use sex to sell (see Fifty Shades of Whatever), but they tend to use cover art that won’t embarrass the reader in public.

The comic book business would be smart to do the same. It might mean fewer women in refrigerators, and there are a lot of executives invested in that attitude. One would think that women with wallets would be a bigger draw.

SATURDAY: Marc Alan Fishman

SUNDAY: John Ostrander

 

Dennis O’Neil: Zen Denver

oneil-art-130606-4961389Yesterday, just outside Denver, I went through an area I must have gone through long ago. My friend and I were a couple of footloose ramblers with no money in an interstice of time between being in thrall to one authoritarian institution, a Catholic university, and another, the United States Navy. (You wanna salute? Go ahead – salute!) We were hitchhiking back from San Francisco because…well, hey, it was good enough for Jack Kerouac and besides, if you’re not going to do stupid and dangerous things when you’re young, when you gonna do them?

(Parenthetical digression: Hitchhiking was stupid and dangerous back in 1961 and it’s way, way more stupid and dangerous now, and if our luck had veered a bit we could have suffered dreadfully. So don’t do it.)

Where was I? Oh yeah, in Colorado getting busted by a state cop.

But, as it happened, the cop was from Missouri as were we, and so, instead of depositing us in the slammer, he flagged down a Greyhound bus and asked the driver to haul us east. The rest of the adventure went well.

As I looked outside the car window yesterday, nothing seemed familiar except those magnificent mountains in the distance. But why would it? A half century-plus had passed and Colorado, along with everything else, had changed and my memory probably wasn’t reliable when I was 22 and is absolutely not reliable now. (Reality may or may not not be malleable, but the truth? That’s generally open to interpretation.)

We were coming from the Denver Comic Con and a pleasant weekend. We were expecting the show to pull in…I don’t know… a couple-three thousand fans? But there was the energy of over 50,000 attendees percolating through the Colorado Convention Center. Plus a lot of comics guys and a whole lot of dealers. And a full complement of celebrities. This was only the second year the con was held. In its infancy and already a monster.

There was a lot to like, but what most pleased us, both at the con and the Hyatt across the street, where we stayed, was the pervasive atmosphere of courtesy. Everyone was extremely polite and extremely nice. Many of the fans who came for autographs thanked me warmly for, let’s face it, not doing much more than signing my name, a trick most third graders have mastered. They also thanked us for coming to Denver – not necessary, because Denver itself had already taken care of that.

In the airport, I was astonished and delighted to see, in large, bas relief lettering, this quotation from Zen master Thich Naht Hanh: I have arrived. I am home. My destination is in each step. Appropriate, but not what you’d expect in a thriving center of commercial journeying.

Then we went over, and past, the geography I’d traveled long ago and when we arrived at our house everything was in good order. Life can be okay. Just remember that the step you’re taking is your destination.

RECOMMENDED READING: Google something like Thich Naht Hanh quotes. Read a few, or a few dozen. Then you might want to try one of his many books.

FRIDAY: Martha Thomases

SATURDAY: Marc Alan Fishman