Tagged: creators

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Graphicly leaves behind a big old mess

We aren’t entirely unbiased on this one, but we hope it all works out.

It’s Round 3 of the Mix March Madness 2014 Webcomics Tournament!

UPDATE 3/27: Round 3 is over– vote in the Sweet 16 now!

Congratulations to everyone who made it through Round 2, and we’ve raised another $50 for the Hero Initiative. But now it gets even tougher, as we’re down to only 32 webcomics… and this is after the tightest round in Mix March Madness history, with three contests decided by two votes or less, and our first ever tie that required a run-off election!  So we now know that every vote counts, from you and all your friends, so make sure to share and tweet about it, because Round 3 of the Mix March Madness 2014 Webcomics Tournament starts now! Voting lasts until Midnight EDT on Wednesday, March 26! Here are the latest standings…

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Vote Now in Mix March Madness 2014 Webcomics Tournament Round 2!

UPDATE 3/24: Round 2 is over… vote in Round 3 now!

Round 2 of the Mix March Madness 2014 Webcomics Tournament starts now! Voting lasts until Midnight EDT on Saturday, March 22!

Congratulations to everyone who made it through Round 1! We’re down to 64 webcomics, and we’ve raised another $118 for the Hero Initiative. And we’ve listened to you and put splits between the polls to make it easier to see who’s going head to head when you vote.

We’ve had a few surprise upsets– Camp Weedonwatcha pulling ahead, as did Sinfest, while Derelict beat Axe Cop in a squeaker. How will they do this time around? Here are the latest standings!

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Mix March Madness 2014 Webcomics Tournament Round 1! Vote Now!

UPDATE: Round 1 voting is over. Vote in Round 2 now!

The people have spoken, and the brackets are ready for the Mix March Madness 2014 Webcomics Tournament!

Thanks to the thousands of people who voted in the seeding process, as well as all of you who added your favorite webcomics to the list. We’re adding all of the webcomics you suggested to our directory.

But now, the challenges start!

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Announcing the Mix March Madness 2014 Seeding Round!

UPDATE: Seeding round is over! Go vote in Round 1 now!comicmixmarchmadnessfeatured-550x98-7569623

Yes, it’s that time of year again, the time where bracketology reigns supreme and the cry around the nation is “Win or Go Home!” Last year’s Mix March Madness Webcomics Tournament was incredibly popular, and so we’re doing it all over again– and raising money for the Hero Initiative in the process! Find out how…

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REVIEW: The Dumbest Idea Ever!

The Dumbest Idea Ever!
By Jimmy Gownley
Scholastic Graphix, 236 pages, $11.99/$24.99

dumbest-idea-ever-5186035“Where do you get your ideas?”

“Write what you know.”

One stereotypical question often leads to one stereotypical answer and in this case, the results have been magical. Jimmy Gownley is best known as the creator of Amanda Rules!, an utterly charming series of stories that are well worth your attention. Here, he reveals the secret origin of the comic in a delightful coming of age story that is highly recommended.

Gownley recounts how as a teen he was fascinated by comics when he wasn’t hanging with his friends and playing basketball for his private school in Girardville, PA. The nuns at the school found his interest in reading comics unacceptable so he prepared a compelling report on the value of graphic novels which earned him an A but failed to change his teacher’s mind. And it was only after then that he discovered comic book shops, opening his mind to material beyond super-heroes.

As he entered high school, he became obsessed with comics and art, which adversely affected his grades, but did lead to his meeting Ellen Toole, who was first a friend then a first girlfriend, a woman who never doubted his potential. Finally, he decided to try his hand at his own comic, inspired by Cerebus the Aardvark. He labored over the beginning of a space fantasy and turned the pages over to his best friend, who took three weeks to read it before delivering the verdict of “meh”. When his pal suggests Jimmy create a comic about “us”, he replies with “That’s the dumbest idea ever!”

But it’s also the beginning of Amelia and a career that has brightened countless readers’ lives and made Gownley a bonifide star creator. When the first issue is completed, his parents agreed to finance it being printed and so began an odyssey that brought fame, a swelled ego, and a lot of attention from teachers, friends, and the local media. His relationship with Ellen evolves and deepens along the way and he continues to play basketball, but in the end, it’s a rough road to fame and fortune. There’s a nice Author’s Note at the end which helps clear up some of the reality behind the graphic retelling of his early years.

Gownley’s eye-pleasing art and storytelling makes this a compelling read, one that should prove inspirational to budding creators across the land. While aimed at grades 4-7, it’s a universal enough story for all ages.

“Milestones” spotlights African-American comics, pop culture

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Michael Davis and Tatiana El-Khouri pose with contributors to Milestones at Geppi’s entertainment museum

Milestones, the new exhibit at Geppi’s entertainment museum in Baltimore premiered last Friday night with a gala that presented the collection in grand style.

The exhibition, assembled and curated by Michael Davis and Tatiana El-Khouri, showcases both the work of not only black creators, but black characters in comics, Such as Storm and Black Panther, rightly described as one of the most iconic black characters in the medium. Don Mcgregor, classic writer of Black Panther (and co-creator with Paul Gulacy of Sabre) was a guest of honor for the evening, along with a broad selection of comics creators.

It features art from both major publishers and independents, well-known and cult characters, and a wide array of black writers and artists.   Artwork includes Ken Lashley’s covers for Justice League of America, Shawn Martinbrough’s work on Thief of Thieves, and the Black Dynamite mini series Slave Island. Kyle Baker’s contributes art from his graphic novel King David, and Denys Cowan‘s careers is prominently featured, including some of Cowan’s initial designs for John Henry Irons, AKA Steel.

The work of the eponymous Milestone Media is included, including a tribute to the late Dwayne McDuffie; a portrait by Davis and an essay by Milestone President Derek Dingle.

A video presentation features interviews with Orlando Jones, Wayne Brady, Reginald Hudlin and more, all discussing the historic and modern contribution of black creators to pop culture.

Milestones runs from December 14th 2013 to April of 2014.  For more information, visit the museum’s website, or milestonestheshow.com

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Michael Davis: Haters Gotta Hate!

davis-art-131119-150x133-5073950From the very second we announced Milestone in 1992 to today, there have been those who simply hate us.

Chief among our haters are a small but vocal group of black comic book creators. Back in the good old days we were just called house niggers and we were hated because DC Comics owned us.

The fact that Milestone was never, not 20 years ago and not today, owned by DC Comics is irrelevant. It’s simply ignored by those who want to say we have somehow sold out the black race by any association with any white company.

I never got that.

Most successful black entertainment companies have some association with or are flat out owned by white companies. If the product is a good one and is focused on the African-American consumer I don’t see the problem.

Now, white backed black companies that market to poor urban black consumers products such as spinning rims, $200.00 sneakers and 40oz beers, promoting these and other items as lifestyle must haves to young black kids… now that I can see black people having a issue with.

I can see calling a white owned black company a bunch of house niggers if they were producing products that underscore a thug lifestyle as desirable.

But if a white owned black company was producing worthwhile products for the black community why would anyone call them house niggers? Why would any black person call them house niggers?

Milestone isn’t owned by a white company.

We produce positive comics and television animation featuring African-Americans role models not seen enough in pop culture. They are good stories well told and considered among some of the best comics ever produced by some.

Yet some just consider us house niggers because they think (wrongly) a white company owns us.

Forget the stories we are telling. Forget the excellence in the work. We are house niggers because a white company owns us.

Except we aren’t owned by a white company, but even if were why call the work we do the labor of house niggers?

I just don’t get that.

We’re an independent black owned company that has produced work that 20 years after our debut and 16 years after we ceased monthly publishing is still held in the highest of regard.

Our television show Static Shock has been on the air somewhere non-stop since 2000. Milestone has a worldwide audience and a dedicated fan base like no other.

The biggest pop culture event in the world just honored us with a celebration and bestowed on us one of the most significant awards in comics.

But to some black comic book creators we will always be house niggers.

OK. I get that. Haters got to hate. Hate us, hate whitey, and hate anything and everything they are not or can be.

In the 20 years since Milestone came to be we have never, and I’ll say it again, never attacked any black creator or company. But for all of our two decades we were and still are the target of countless attacks and outright lies.

I just don’t get it.

We never attacked anyone we rarely responded and when we did our response was; ‘there’s room for everybody.’ That was not just Milestone’s company line we believed it then we believe it now.

Recently a black creator of some renown wrote that he believed Milestone may have been given his companies’ business plan and used that to create the plan for Milestone.

That did not happen. It couldn’t have happened. It was impossible.

Milestone was already in the stores months before the date he assumed we stole his plan.

He has since acknowledged he was wrong in that regard. His creation and talent and are both still considered brilliant not just by me but every surviving member of Milestone. Our partner who did not survive loved his work as much if not more than the rest of us.

I’m not mentioning the work or creator because that sad chapter between his camp and Milestone is closed and I don’t want to give the impression they are the reason I’m writing this.

They are not.

Some other black creators are now saying Milestone not only stole the business plan but Milestone itself was “inspired” by and only came to be because of the idea and hard work of another black publisher.

So Denys Cowan’s idea wasn’t his idea and our business plan wasn’t our plan.

So now we are house niggers, lairs and thieves.

OK. I’ll be your house nigger if that’s how you define house niggers in your world. In your world I’ll be that. Since I don’t live in said world, what the do I care?

However, in no one’s world will Milestone be anyone’s lairs or thieves.

So, haters, think what you will. Say what you will. Believe what you will.

That’s on you.

I’ve no idea why you hate us the way you do but have at it. Continue to voice your hate in your forums, your on-line chats, your next hate Milestone meeting, any and all public and private social media.

But listen to this very carefully. Whatever you say, just be prepared to prove it. I’ll say that again, whatever you say, be prepared to prove it.

Be prepared to prove we are lairs. Be prepared to prove we are thieves.

Because sure as shit you continue to slander us you will be asked to prove it. Stick with calling us house niggers that you won’t have to prove. It’s laughable to us anyhow so feel free.

Slandering me and my Milestone partners as lairs and thieves, that’s no laughing matter to me. We are neither and continuing to say we are you will be asked to prove it. That question will come in a targeted legitimate onslaught. So unforgiving will the correspondence asking for your proof be, I shudder to think about it.

Shut up, put up, or pay up.

I’m fed up.

WEDNESDAY MORNING: Mike Gold

THURSDAY MORNING: Dennis O’Neil

 

Dennis O’Neil: Should Superheroes Booze It Up?

oneil-art-131113-150x140-6046071So there they were on the small screen, Oliver Queen and his main man, knocking back vodka shots and there I was, riding the couch and being maybe a bit befuddled, remembering that an MD once told me that vodka was the alcoholic’s libation of choice because it didn’t have much telltale odor. (As you lurch into the china cabinet, mom thinks you’re having a little inner ear problem.)

Ollie Queen and John Diggle were drinking vodka.

Of course, plenty of people devoid of drinking problems know the taste of vodka and scotch and brandy and absinthe and beer and the rest of the barman’s wares, and booze has been a part of civilized culture for millennia, even part of religious ritual. But I have a question for which I don’t have an answer and its this: Should heroes drink?

Consider: heroes are, among other things, role models and they appear as such in the fiction of everyone from Ayn Rand to Aesop. We seek other humans to admire – ask Evolution why – and that search leads us to heroes, both fictional and the real life versions: Athletes and musicians and actors who perhaps acquire a bit of the mystique of the stalwarts they portray. (And so life imitates art imitating and amplifying life and does anyone have a headache yet?) Our ad men know this, which is why they write checks to celebrities willing to smile at the camera and just love the living heck out of a product that you, yourself, can buy and thus, in some tiny way, emulate the objects of your admiration. It’s an old ploy and it must work because they keep doing it. Should they do it to promote alcohol? Or, more insidiously, should boozing be promoted outside advertisements by showing the good guys doing it?

If there’s a line to be drawn, I don’t know where it is.

One of the problems with alcohol is that when you take that first sip, you don’t know if every subsequent sip will be taken only on holidays in extreme moderation, or if someday you’ll find yourself puking in a gutter.

We know, from our nation’s horribly failed experiment with prohibition, and our more recent disastrous “war on drugs” that banning the citizenry’s recreational intoxicants is not wise. And there’s the matter of that pesky First Amendment, which, in effect, forbids censorship of anything spoken or written and surely that includes the words and actions of televised performers.

But to persuade some bonny young person that the gateway to sophistication, wit, and devastating attractiveness is found inside a bottle is to tell a seductive and potentially ruinous lie. Some will content themselves with that taste of holiday wine, sure, but others will find their way to the gutter.

In the end, I guess, creators must decide for themselves where the danger begins – with booze and tobacco and drugs and, hell, even with certain combat techniques. Sometimes, storytelling can be a bitch.

THURSDAY AFTERNOON: The Tweaks!

FRIDAY MORNING: Martha Thomases!

 

The Point Radio: REIGN Rules On The CW

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The new series REIGN is catching a lot of buzz on The CW Network, we talk to the cast and creators about the good and bad parts of a show based on such a famous, and tragic, historical figure. Plus Bye Bye Blockbuster and Netflix (with Marvel) drops a bomb on the fans.

THE POINT covers it 24/7! Take us ANYWHERE! The Point Radio App is now in the iTunes App store – and it’s FREE! Just search under “pop culture The Point”. The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any other  mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.