Tagged: Martha Thomases

Shopping Bag People, by Martha Thomases

As you read this, the shopping malls are jammed. Many opened in the dark, with special sales to attract the first shoppers. The news programs will have stories about how many people got trampled trying to buy an item marked down a lot, and perhaps a heartwarming piece about a child who buys something for a poor family.

It’s the holidays.

Most of the world’s religions, major and minor, celebrate the passing of the Winter Solstice when the days stop getting darker and the light begins to return. It is a hopeful time. Whatever your traditions, you probably enjoy gathering with family and/or friends, eating and drinking, celebrating the return of the sun.

In the United States for most of the last century, the holidays are also the time to balance the books. Stores that might lose money all year count on the fourth quarter – October through December – to turn a profit. The day after Thanksgiving is dubbed, “Black Friday,” because that’s the day the red ink should stop. (more…)

Unconventional reading

Some of us not being nearly as young as we used to be, yesterday’s National convention in NYC pretty much wiped us for the weekend.  Other ComicMix folks will be in attendance today, but we’re resting our aching back and legs and never-you-mind, and catching up on the past week of columns:

And, although it goes without saying, don’t forget to click on our free online comics as well!

Reasons To Be Cheerful, by Martha Thomases

It’s Thanksgiving week. Impossible to get anyone on the phone. News stories about crowded, delayed and cranky airports. Christmas music reaches overload levels.

Let’s talk about giving thanks, and what inspires it. Here are some of the things for which I’m grateful this year:

  • It’s a great time to be a comics reader. Even during the birth of the direct market when there were all kinds of cool independents, I don’t think we had the variety we have now. A lot of this is due to the Interwebs, the series of tubes that provides a low cost of entry for new readers and creators. A lot of this is due to the success of graphic novels in bookstores, which opens the medium to new readers who might want more than superheroes (obviously, what they want is manga). There’s comics for kids, comics for historians, comics for soap opera fans – really, the list goes on and on. Dirk Deppey, at ¡Journalista!, separates “literary” and “pop” comics, a dichotomy with which I disagree, but not in a hostile way, more of a “let’s have a few drinks and argue all night at the bar” kind of way.

Striking the right notes

As the WGA strike begins its second week, ComicMix staffers and columnists applaud our fellow writers, remind readers to keep turning to United Hollywood and Deadline Hollywood Daily for the latest news, and promise to keep entertaining you as best we can!  Here’s what we’ve had for you this past week:

May the WGA get everything it wants and well deserves!

TV Eye by Martha Thomases

A few thoughts on the Writers Guild of America strike, and what it means for comics – and you!

• If the history of comics has shown us anything, it’s the fact that the more satisfied the creative talent is with their deal, the better our choices in entertainment. The rise in independent comics that started with the undergrounds in the 1960s forced innovation on what had been a stodgy industry, not only in terms of subject matter but also in terms of revenue sharing and creator-owned properties.

• Television and movies are much more collaborative efforts than comics, so sharing copyrights and trademarks can be much more complicated. That’s why, in those media, the accepted standard payments are residuals and royalties. Even though the comics industry has been paying royalties for over a decade, I have not seen it make any difference in the bottom line at Warner Bros. or Marvel. When profits are shared, everyone profits. (Aside: Yes, I know studio accountants can magically make profits disappear. That’s a separate rant.)

• It’s kind of hilarious that people expect a flood of Hollywood talent to descend on comics during the strike. For one thing, most of the major publishers book up their talent on regular books for at least six months to a year. For another, the major publishers offer deals that are much worse than what the studios are offering. DC or Marvel may consider original graphic novels, but they’ll want to retain ownership, just as they do with all their other properties. (more…)

An extra hour to read

Move those clocks back and use the exta time to settle in with ComicMix columns, why don’tcha!  Here’s what we’ve brought you this past week:

Now that’s an hour well spent!

Worldly Serious

Out in the land of baseball humidors, the Beantown Bombers seem poised to win it all.  But here at ComicMix we like to think our columnists hit home runs every day.  Or at least we’re somewhere in the ballpark.  Here’s what we’ve served up for you this past week:

I have to retire all my baseball puns until next spring now, don’t I?

Devil’s Arcade, by Martha Thomases

In honor of Halloween, here are some things that have scared me during my lifetime.

  • Dell Comics. When I was ten years old, my friend Kenny Raffle had a big pile of comics he let me read. In the stack was a Dell horror comic about a giant hand that would come out from under the street through manhole covers, grab people, and devour them through holes in its palm. It was stupid but terrifying. Several years later we had squirrels in the walls of our house, and when they ran around in the middle of the night, it sounded like fingernails on the wall. I’ve since learned that Dell didn’t submit their material to the Comics Code, arguing they were inherently wholesome. I mention this not to defend the Code, but to demonstrate that what seems wholesome to one person can terrify another. Stephen King was afraid of the “twi-night double-header.”

  • High School. I know now that it’s almost impossible to be an interesting adult if you had a good time in high school, but it still haunts me. I dream about finding myself still there, despite my insistence that I’m an adult, I graduated college, and I can’t live in an all-girls dorm anymore. Also, I can no longer fit in my uniforms.

  (more…)

Darn you, Westinghouse!

On this day in 1925, the first photoelectric cell was publicly demonstrated by the Westinghouse Electric and Mfg. Co. at the Electrical Show at Grand Central Palace in New York.  That palace no longer exists, having been replaced by an office tower, but it seems photoelectrics will always be with us in one way or another.  Heck, you’re probably soaking in them right now.  And with that cheery thought in mind, here’s your weekly one-stop ComicMix columnist shopping:

As you can see in our previous item, Ric is across the ocean from us, probably having the time of his life, and will return next week.  And now to return to my current masters, the television/DVD combo…

Mothership Connection, by Martha Thomases

There’s been a lot of conversation lately in the girls’ section of the comics blogosphere about the way women’s lives are depicted in superhero comics. Even so-called strong, independent female characters are little more than an excuse to show tits’n’ass. Some site evidence that female characters are used as plot points, citing the “women in refrigerators” syndrome. More recently, discussions have centered on the premise that married characters are boring.

A lot of this is a reflection of the larger pop culture, which is at least as male-dominated as comics. The people who can greenlight movies, or put a television show on a network, are most likely Penile-Americans. Book publishing tends to be more diverse because there are more women in positions of authority, and (this is related) book publishing tends to pay less than other mass media.

Most of it, however, is lazy pandering to the perceived target audience. It’s assumed that boys find the single life more glamorous and more exciting than marriage. Up to a point, I agree. The thrill of the chase is, well, a thrill. That said, even the new gets old after a while. Dashiell Hammett used Nick and Nora Charles to show that marriage can be sexy and fun. Why can’t comics? (more…)